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DENNY":{"v":"\n\n \t \t - DENNY","t":"A","i":1264},"\n\n - Kimberly Thompson":{"v":"\n\n - Kimberly Thompson","t":"A","i":907},"\n\nCheck Connection (Offsite)\n\nBack":{"v":"\n\nVérifier la connexion (Hors site)\n\nRetour","t":"A","i":1598},"\n\nDARE #3:":{"v":"\n\nDÉFI N°3 :","t":"A","i":206},"\n\nDARE #7:":{"v":"\n\nDÉFI N°7 :","t":"A","i":217},"\n\nLOOK SETTINGS":{"v":"\n\nAPPARENCE PARAMÈTRES","t":"A","i":1644},"\n\nSteps Taken:\n":{"v":"\n\nÉtapes prises:\n","t":"A","i":3268},"\n\nUser Database\n\n\n\n\n\nExit":{"v":"\n\nBase de données des utilisateurs\n\n\n\n\n\nQuitter","t":"A","i":3083},"\n\nWe need them produced in sets of two (a pair for each room). Honestly, I have no idea what I'm thinking. I'm likely delusional to think this can be pulled off by Thursday.":{"v":"\n\nIl faut les produire par deux (une paire pour chaque chambre). Honnêtement, je ne sais plus ce que je fais. Je suis probablement dans mon monde de penser que c'est faisable d'ici jeudi.","t":"A","i":1215},"\n\nlapses of judgment.\n this logbook ever be found\nknow that my guilt is\n ":{"v":"\n\ndes lapsus de jugement.\n ce carnet de bord sera-t-il jamais retrouvé ?\nje sais que ma culpabilité est\n ","t":"A","i":4099},"\n Exit":{"v":"\n Quitter","t":"A","i":2287},"\n search continues":{"v":"\n la recherche continue","t":"A","i":1161},"\n Two white horses and a carriage of golden trim were beside him, the answer to his immediate prayers. He laughed at his fortune and calculated the short number of paces back to the road. Four. Perhaps only three if he jumped. He made a quick survey to see if there was anything he wished to grab before taking the plunge. ":{"v":"\n Deux chevaux blancs et un carrosse aux ornements dorés se tenaient à ses côtés, la réponse à ses prières les plus pressantes. Il rit de sa chance et calcula le court nombre de pas qui le séparait de la route. Quatre. Peut-être seulement trois s'il sautait. Il jeta un rapide coup d'œil pour voir s'il y avait quoi que ce soit qu'il souhaiterait attraper avant de se jeter dans le vide. ","t":"A","i":1332},"\n [Test [!v*0]] at Atmospheric Pressure [!v*1]kpa\nin Mt. Holly Freezer\n\nLab Technician : ______________":{"v":"\n [Test [!v*0]] à la pression atmosphérique [!v*1]kpa\ndans le congélateur de Mt. Holly\n\nTechnicien de laboratoire : ______________","t":"A","i":258},"\n X Y Z A B C":{"v":"\n X Y Z A B C","t":"A","i":3859},"\n\"It’s the only true color\"\nThe prince often said.":{"v":"\n\"C'est la seule vraie couleur\"\nLe prince disait souvent.","t":"A","i":3445},"\nAccount Created : [!v*0][!v*1][!v*2]\n\nLast Login : [!v*3][!v*4][!v*5]\n\nMost Drafted Room : Greenhouse\n\nPersonnel Notes :\nTerminated March [!v*6] for suspicion of\nblackmail and not watering the plants.":{"v":"\nCompte créé : [!v*0][!v*1][!v*2]\n\nDernière connexion : [!v*3][!v*4][!v*5]\n\nChambre la plus souvent attribuée : Serre\n\nNotes du personnel :\nRenvoyé le [!v*6] mars pour suspicion de\nchantage et négligence de l'arrosage des plantes.","t":"A","i":2329},"\nAccount Created : [!v*0][!v*1][!v*2]\n\nLast Login : [!v*3][!v*4][!v*5]\n\nMost Drafted Room : Laboratory\n\nPersonnel Notes :\nLead Lab Technician for SYNKA, setup\nestate terminals and Blackbridge network.":{"v":"\nCompte créé : [!v*0][!v*1][!v*2]\n\nDernière connexion : [!v*3][!v*4][!v*5]\n\nSalle la plus recrutée : Laboratoire\n\nNotes du personnel :\nTechnicien principal de laboratoire pour SYNKA, installation\ndes terminaux et du réseau Blackbridge.","t":"A","i":3378},"\nAccount Created : [!v*0][!v*1][!v*2]\n\nLast Login : [!v*3][!v*4][!v*5]\n\nMost Drafted Room : Laboratory\n\nPersonnel Notes :\nRecent transfer from SYNKA, former\nexecutive assistant to H.S. Sinclair.\nTrusted with full admin privileges.":{"v":"\nCompte créé : [!v*0][!v*1][!v*2]\n\nDernière connexion : [!v*3][!v*4][!v*5]\n\nSalle la plus recrutée : Laboratoire\n\nNotes du personnel :\nDernier transfert de SYNKA, ancienne\nassistante personnelle de H.S. Sinclair.\nDotée des pleins pouvoirs administratifs.","t":"A","i":3257},"\nAccount Created : [!v*0][!v*1][!v*2]\n\nLast Login : [!v*3][!v*4][!v*5]\n\nMost Drafted Room : Office\n\nPersonnel Notes :\nAuthor of all personnel notes.":{"v":"\nCompte créé : [!v*0][!v*1][!v*2]\n\nDernière connexion : [!v*3][!v*4][!v*5]\n\nSalle la plus recrutée : Bureau\n\nNotes du personnel :\nAuteur de toutes les notes du personnel.","t":"A","i":3461},"\nAccount Created : [!v*0][!v*1][!v*2]\n\nLast Login : [!v*3][!v*4][!v*5]\n\nMost Drafted Room : Servant's Quarters\n\nPersonnel Notes :\nThe Baron's valet (for [!v*6] years).\nSubstituting for Mr. Moore until we find a\nsuitable assistant admin.":{"v":"\nCompte créé : [!v*0][!v*1][!v*2]\n\nDernière connexion : [!v*3][!v*4][!v*5]\n\nSalle la plus recrutée : Quartiers des serviteurs\n\nNotes du personnel :\nLe valet du baron (depuis [!v*6] ans).\nRemplacement de M. Moore jusqu'à ce que nous trouvions un\nassistant administratif adéquat.","t":"A","i":2901},"\nMartial - Militari\nin generation spanning\narguments.\n\nMetropolitan - Large city-state with\na dense, urban and populous center. \n\nAcademic - A center for knowledge, advanced in various scholarly pursuits. These realms are home to many schools, universities and libraries.\n\nIndustrial - Engineering driven culture\nwith a focus on manufacturing, invention and production.\n\nSpiritual - An elevated reverence for\nnature, animals and the forces that guide us.\n\nPoetic - A strong focus on the advancement of the arts, writing, music, and language.":{"v":"\nMartial - Militari\nen génération étendant\narguments.\n\nMetropolitan - Grande cité-état avec\nun centre dense, urbain et peuplé. \n\nAcademic - Un centre de savoir, avancé dans diverses recherches savantes. Ces royaumes abritent de nombreuses écoles, universités et bibliothèques.\n\nIndustrial - Culture axée sur l'ingénierie\navec un accent sur la fabrication, l'invention et la production.\n\nSpiritual - Une vénération élevée pour\nla nature, les animaux et les forces qui nous guident.\n\nPoetic - Un fort accent sur le progrès des arts, de l'écriture, de la musique et du langage.","t":"A","i":3318},"\nMartial - Militaristic nation engaging\nin generation spanning wars and heated arguments.\n\nMetropolitan - Large city-state with\na dense, urban and populous center. \n\nAcademic - A center for knowledge, advanced in various scholarly pursuits. These realms are home to many schools, universities and libraries.\n\nIndustrial - Engineering driven culture\nwith a focus on manufacturing, invention and production.\n\nSpiritual - An elevated reverence for\nnature, animals and the forces that guide us.\n\nPoetic - A strong focus on the advancement of the arts, writing, music, and language.":{"v":"\nMartial - Nation militariste s'engageant\ndans des guerres et des débats passionnés d'envergure.\n\nMétropolitaine - Grande cité-état avec\nun centre dense, urbain et peuplé. \n\nAcadémique - Centre de savoir, avancé dans diverses recherches savantes. Ces royaumes abritent de nombreuses écoles, universités et bibliothèques.\n\nIndustrielle - Culture axée sur l'ingénierie\navec un accent sur la fabrication, l'invention et la production.\n\nSpirituelle - Une vénération élevée pour\nla nature, les animaux et les forces qui nous guident.\n\nPoétique - Un fort accent sur le développement des arts, de l'écriture, de la musique et du langage.","t":"A","i":3091},"\nBlue Tents can only be\npurchased after you have\nproven your merit as a scout\nby obtaining [!v*0] trophies\nin your Trophy Room.":{"v":"\nTentes bleues ne peuvent être\nachetées qu'après avoir\ndémontré votre mérite en tant qu'explorateur\nen obtenant [!v*0] trophées\ndans votre salle des trophées.","t":"A","i":2808},"\nDIRIGIBLOCKS can only be\npurchased after you have beaten\nat least four stages of the game.":{"v":"\nDIRIGIBLOCKS ne peuvent être\nachetés qu'après avoir terminé\nau moins quatre niveaux du jeu.","t":"A","i":3481},"\nof me,":{"v":"\nde moi,","t":"A","i":3613},"\n-\n":{"v":"\n-\n","t":"A","i":577},"\nSAIL\nSALE":{"v":"\nVOILE\nVENDU","t":"A","i":364},"\nSAIL\nSALE":{"v":"\nVOILE\nVENDU","t":"A","i":2215},"\nKeeper \n of Tithes":{"v":"\nGardien \n des Dîmes","t":"A","i":2701},"\nSIGHTSEER'S\nGUIDE":{"v":"\nGUIDE DU\nVISITEUR","t":"A","i":489},"\nWEST WING ONLY\n- Garage - West Wing Hall\n- Her Ladyship's Chamber (from south facing doors)\n\nEAST WING ONLY\n- East Wing Hall - Master Bedroom\n\nOTHER SPECIAL CASES\n- Conservatory (only draftable in a corner)\n- Bookshop (only draftable from Library)":{"v":"\nAILE OUEST UNIQUEMENT\n- Garage - Hall de l'aile ouest\n- Chambre de Son Altesse (portes donnant sur le sud)\n\nAILE EST UNIQUEMENT\n- Hall de l'aile est - Chambre principale\n\nAUTRES CAS PARTICULIERS\n- Orangerie (courant d'air uniquement dans un coin)\n- Librairie (courant d'air uniquement depuis la bibliothèque)","t":"A","i":1213},"\nA few years ago, the Baron made the long overdue decision to switch from gas lighting to electrical power. The installation of the new system was a substantial undertaking as almost every room in the house had to be equipped with new fixtures and wiring.\n\n\nThankfully, these renovations did not extend beyond the mansion's interior and all the lamps and equipment used outside of the house are still connected and powered by gasline, including but not limited to the orchard's smudge pots.\n\n\n":{"v":"\nIl y a quelques années, le Baron a pris la décision longtemps attendue de passer de l'éclairage au gaz à l'électricité. L'installation du nouveau système fut un vaste chantier, car presque chaque pièce de la maison devait être équipée de nouveaux luminaires et d'un nouveau câblage.\n\n\nHeureusement, ces travaux ne se sont pas étendus au-delà de l'intérieur de la demeure et tous les lampes et équipements utilisés à l'extérieur de la maison sont toujours connectés et alimentés par le gaz, y compris mais non limités aux brûleurs fumigènes du verger.\n\n\n","t":"A","i":3925},"\nA traditional Mora Jai box is distinguished by a lid featuring a [!v*0]x[!v*1] grid of white and grey tiles. Each white tile can be pressed like a button, which will change the color of that tile and the surrounding squares. The goal of each box\n":{"v":"\nUne boîte de Mora Jai traditionnelle se distingue par un couvercle orné d'une grille de [!v*0]x[!v*1] tuiles blanches et grises. Chaque tuile blanche peut être pressée comme un bouton, ce qui change la couleur de cette tuile et des cases environnantes. L'objectif de chaque boîte\n","t":"A","i":808},"\nAdd COURTYARDS\nto your draft pool":{"v":"\nAjoutez COURS\nà votre pool de brouillon","t":"A","i":3713},"\nCALL IT A DAY\n":{"v":"\nFINIR ICI\n","t":"A","i":1665},"\nClara":{"v":"\nClara","t":"A","i":1303},"\nDARE #2:":{"v":"\nDÉFI N°2 :","t":"A","i":221},"\nDARE #6:":{"v":"\nDÉFI #6 :","t":"A","i":222},"\nDisrespectful.\nSee me after class.":{"v":"\nManque de respect.\nViens me voir après le cours.","t":"A","i":792},"\nEach Blue Room drafted on\nthe [!v*0]th rank will contain\na hidden Blue Memo.":{"v":"\nChaque Blue Room conçu au [!v*0]ème rang contiendra \nune Memo Bleue cachée \n.","t":"H","i":4162},"\nGreen Rooms are more\nlikely to contain special\n\"flowers\" today.":{"v":"\nLes Salles Vertes ont plus\nde chances de contenir des\n\"fleurs\" spéciales aujourd'hui.","t":"A","i":531},"\nHaving a younger brother is not as much fun as they told me it would\nbe, but today will be a good day because he is at camp.":{"v":"\nAvoir un petit frère n'est pas aussi amusant qu'on me l'avait\npromis, mais aujourd'hui sera une bonne journée car il est en colonie.","t":"A","i":1139},"\nI wonder if my current abundance of idle time fuels this urge. Perhaps, I have too much time on my hands. Perhaps, if one were to engage me in some worthwhile and profitable enterprise, my eagerness to pass the time by telling stories would be curbed.\n\n\n I eagerly await a response\n from your Lordship,\n \n - Mr. Worth Laude\n ":{"v":"\nJe me demande si mon actuelle abondance de temps libre nourrit ce besoin. Peut-être ai-je trop de temps devant moi. Peut-être que, si l'on m'engageait dans une entreprise utile et lucrative, mon empressement à passer le temps en racontant des histoires serait contenu.\n\n\n J'attends avec impatience une réponse\n de votre Seigneurie,\n \n - M. Worth Laude\n ","t":"A","i":2085},"\nI wonder if my current abundance of idle time fuels this urge. Perhaps, I have too much time on my hands. Perhaps, if one were to engage me in some worthwhile and profitable enterprise, my eagerness to pass the time by telling stories would be curbed.\n\n \n I eagerly, await a response\n from your Lordship,\n \n - Mr. Worth Laude\n ":{"v":"\nJe me demande si mon actuelle abondance de temps libre nourrit cet élan. Peut-être ai-je trop de temps sur les bras. Peut-être, si l'on m'engageait dans une entreprise digne et lucrative, mon empressement à passer le temps en racontant des histoires serait-il contenu.\n\n \n J'attends avec impatience\n une réponse de Votre Seigneurie,\n \n - M. Worth Laude\n ","t":"A","i":3862},"\nIf he found a new clue, he’d know what to do.\n":{"v":"\nS'il trouvait une nouvelle piste, il saurait quoi faire.\n","t":"A","i":2972},"\nIn recognition of a daring\nand brave bird":{"v":"\nEn reconnaissance d'un oiseau\naudacieux et courageux","t":"A","i":344},"\nIn recognition of affluence":{"v":"\nEn signe d'opulence","t":"A","i":524},"\nIn recognition of the perfect day":{"v":"\nEn reconnaissance d'une journée parfaite","t":"A","i":4137},"\nIn recognition of the perfect day.":{"v":"\nEn reconnaissance de la journée parfaite.","t":"A","i":431},"\nIn recognition of true\nmathematical precision":{"v":"\nEn reconnaissance de la\nprécision mathématique","t":"A","i":540},"\nIn recognition of your\nunending pursuit of the truth\n":{"v":"\nEn reconnaissance de votre\nrecherche inlassable de la vérité\n","t":"A","i":1042},"\nIn the world of drafting, the tools an architect wields are crucial in shaping their vision and bringing their designs to life. The precision, eleg-ance, and functionality of these instruments can have a profound effect on":{"v":"\nDans le monde de la conception, les outils dont dispose un architecte sont essentiels pour façonner sa vision et donner vie à ses projets. La précision, l'élégance et la fonctionnalité de ces instruments peuvent avoir un effet profond sur","t":"A","i":3225},"\nIt is still believed by many that Featherfall was built by the first king of Orinda Aries when Reddington was still the capital. However, surfaced documents containing conflicting dates have recently cast some doubt on the long-standing myth.\n":{"v":"\nIl est encore largement admis que la Plume a été construite par le premier roi d'Orinda Aries lorsque Reddington était encore la capitale. Cependant, des documents récemment à la surface contenant des dates contradictoires ont jeté quelques doutes sur ce mythe bien établi.\n","t":"A","i":3547},"\nOFFER VALID AT THE FOLLOWING LOCATIONS\nCOMMISSARY, KITCHEN, LOCKSMITH & BOOKSHOP":{"v":"\nOFFRE VALABLE DANS LES ENDUITS SUIVANTS\nCOMMISSARIAT, CUISINE, SERRURIER & LIBRAIRIE","t":"A","i":437},"\nPayroll successfully issued.":{"v":"\nSalaire payé avec succès.","t":"A","i":3646},"\nRUFFINGTON RED PUBLISHING\n[!v*0]":{"v":"\nRUFFINGTON RED ÉDITIONS\n[!v*0]","t":"A","i":261},"\nRank Reached:\n":{"v":"\nRang atteint :\n","t":"A","i":2529},"\nSUNDIAL PUBLISHING\n[!v*0]":{"v":"\nSUNDIAL PUBLISHING\n[!v*0]","t":"A","i":2152},"\nSteps Taken :\nKeys Turned :\nGems Used :\nGold Spent :\n\n":{"v":"\nÉtapes prises :\nClés tournées :\nGems utilisés :\nOr dépensé :\n\n","t":"A","i":3131},"\nTO CHECK":{"v":"\nÀ VÉRIFIER","t":"A","i":1608},"\nThe black flags that had flown for five eras were burned, and in their place, red banners were hoisted in honor of the fallen of Fenn. The few remaining members of the former royal family fled in fear of their lives to the south, forever exiled.\n":{"v":"\nLes drapeaux noirs qui avaient flotté pendant cinq ères furent brûlés, et à leur place, des bannières rouges furent hissées en l'honneur des tombés de Fenn. Les quelques membres restants de l'ancienne famille royale s'enfuirent au sud, dans la peur de leur vie, exilés pour toujours.\n","t":"A","i":2448},"\nThe house really is amazing. I know it's been almost seven years since we were last up there, and I’m really curious to hear just how much you remember from those summer trips.\n\nYou’ve always been smarter than me at this kind of thing, so I’m not sure how much guidance or inspiration I can offer before your trip that will actually be useful to you. Despite my best intentions, I’m sure that on Friday, I’ll end up leaving you with a few of my overused cliché expressions when we say farewell.\n\n\n":{"v":"\nLa maison est vraiment incroyable. Je sais qu'il y a presque sept ans que nous n'y sommes plus allés, et je suis vraiment curieux de savoir combien vous vous souvenez de ces voyages d'été.\n\nVous avez toujours été plus intelligent que moi dans ce genre de choses, donc je ne suis pas sûr de pouvoir offrir une guidance ou une inspiration utile avant votre départ. Malgré mes meilleures intentions, je suis sûr qu'au vendredi, je finirai par vous laisser avec quelques-unes de mes expressions clichés usées quand nous nous dirigerons au revoir.\n\n\n","t":"A","i":3486},"\nTotal Rooms Drafted :\nBedrooms Drafted :\nHallways Drafted :\nGreen Rooms Drafted :\nShops Drafted :\nRed Rooms Drafted :":{"v":"\nChambres Totales Conçues :\nChambres à Coucher Conçues :\nCirculations Conçues :\nChambres Vertes Conçues :\nBoutiques Conçues :\nChambres Rouges Conçues :","t":"A","i":3289},"\nWas not a red hue!":{"v":"\nCe n'était pas une teinte rouge !","t":"A","i":2366},"\n[!v*0]. IF AVAILABLE, CHANGE TANK\n WITH A TANK SWITCH.":{"v":"\n[!v*0]. SI DISPONIBLE, CHANGER LE RÉSERVOIR\n AVEC UN COMMANDEUR DE RÉSERVOIR.","t":"A","i":4056},"\n[!v*0]. USE PUMP LEVER TO SET\n WATER FLOW DIRECTION":{"v":"\n[!v*0]. UTILISEZ LA POIGNÉE DE POMPE POUR RÉGLER \n LA DIRECTION DU DÉBIT D'EAU","t":"A","i":3830},"\ndeath\n":{"v":"\nmort\n","t":"A","i":3366},"\nhold to skip":{"v":"\nmaintenir pour passer","t":"V","i":31},"\nskip":{"v":"\npasser","t":"V","i":21},"\nwhen you draft a\nMUSIC ROOM, BALLROOM\nor CONSERVATORY":{"v":"\nlorsque vous élaborez un\nSALLE DE MUSIQUE, SALLE DE BAL\nou CONSERVATOIRE","t":"A","i":3931},"\nwill be drawn more\noften while drafting.":{"v":"\nsera dessiné plus souvent\nlors de la phase de brouillon.","t":"A","i":2866}," \n - Mary":{"v":" \n - Mary","t":"A","i":1744}," \n BELOW":{"v":" \n CI-DESSOUS","t":"A","i":1281}," \n\n\n\n\n\n\n\n \n Ac Th Pa U Np Pu Am Cm Bk Cf Es Fm Md No Lr":{"v":" \n\n\n\n\n\n\n\n \n Ac Th Pa U Np Pu Am Cm Bk Cf Es Fm Md No Lr","t":"A","i":1259}," \n\n\n\n\n\n\n\n La Ce Pr Nd Pm Sm Eu Gd Tb Dy Ho Er Tm Yb Lu":{"v":" \n\n\n\n\n\n\n\n La Ce Pr Nd Pm Sm Eu Gd Tb Dy Ho Er Tm Yb Lu","t":"A","i":1130}," \n\n\n\n\n\nFr Ra Rf Db Sg Bh Hs Mt Ds Rg":{"v":" \n\n\n\n\n\nFr Ra Rf Db Sg Bh Hs Mt Ds Rg","t":"A","i":1298}," \n\n\n\n\nCs Ba Hf Ta W Re Os Ir Pt Au Hg Tl Pb Bi Po At Rn":{"v":" \n\n\n\n\nCs Ba Hf Ta W Re Os Ir Pt Au Hg Tl Pb Bi Po At Rn","t":"A","i":635}," \n\n\n\nRb Sr Y Zr Nb Mo Tc Ru Rh Pd Ag Cd In Sn Sb Te I Xe":{"v":" \n\n\n\nRb Sr Y Zr Nb Mo Tc Ru Rh Pd Ag Cd In Sn Sb Te I Xe","t":"A","i":827}," \n\n\nK Ca Sc Ti V Cr Mn Fe Co Ni Cu Zn Ga Ge As Se Br Kr":{"v":" \n\n\nK Ca Sc Ti V Cr Mn Fe Co Ni Cu Zn Ga Ge As Se Br Kr","t":"A","i":734}," \n\nNa Mg Al Si P S Cl Ar":{"v":" \n\nNa Mg Al Si P S Cl Ar","t":"A","i":267}," \nLi Be B C N O F Ne":{"v":" \nLi Be B C N O F Ne","t":"A","i":836}," AY":{"v":" AY","t":"A","i":2551}," IIX\n\n III XI\n\n IV":{"v":" IIX\n\n III XI\n\n IV","t":"A","i":3976}," May [!v*0]th\n\nDear Baron Sinclair,\n\n\nTo begin, my name is Worth Laude. My father used to work for your father, The Right Honorable Baron Tomas Sinclair, between the years of [!v*1] and [!v*2]. The former having died last month, at the advanced old age of eighty-nine, may he sleep in soot and ash. He left behind his widow, seven children and thirty-odd grandchildren. I write to you today, however, not to inform you of these family affairs of little consequence, but to tell you a little bit about my father.\n\n\nHe lived his life, towering above us, in solemn silence like many members of his and your father's generation. He never spoke of the work he did in the mountains of Reddington, or the famous estate in which he was stationed. He never spoke of the Baron. Not once. I tell you this only to relate that he never betrayed the confidence your father placed in him. The secrets he kept for your family, he took with him underground.":{"v":" Le [!v*0] \n\nCher baron Sinclair,\n\n\nPour commencer, je m'appelle Worth Laude. Mon père a travaillé pour votre père, le très honorable baron Tomas Sinclair, entre [!v*1] et [!v*2]. Ce dernier étant décédé le mois dernier, à l'âge avancé de quatre-vingt-neuf ans, qu'il repose dans la suie et la cendre. Il a laissé derrière lui sa veuve, sept enfants et une trentaine de petits-enfants. Je vous écris aujourd'hui, cependant, non pas pour vous informer de ces affaires familiales de peu d'importance, mais pour vous dire quelques mots sur mon père.\n\n\nIl a vécu sa vie, se dressant au-dessus de nous, dans un silence solennel, comme beaucoup de membres de sa génération et de celle de votre père. Il ne parlait jamais du travail qu'il effectuait dans les montagnes de Reddington, ni du célèbre domaine où il était stationné. Il ne parlait jamais du baron. Pas une seule fois. Je vous dis cela uniquement pour vous faire comprendre qu'il n'a jamais trahi la confiance que votre père lui accordait. Les secrets qu'il a gardés pour votre famille, il les a emportés avec lui sous terre.","t":"A","i":1446}," (b. [!v*0])\n\n \t\t \n\nAcrylic and Oil on Canvas":{"v":" (b. [!v*0])\n\n \t\t \n\nAcrylique et huile sur toile","t":"A","i":326}," (b. [!v*0])\n\n \t\t \n\nAcrylic and Oil on Canvas":{"v":" (b. [!v*0])\n\n \t\t \n\nAcrylique et huile sur toile","t":"A","i":581}," (b. [!v*0])\n\n \t\t \n\nAcrylic and Oil on Canvas":{"v":" (b. [!v*0])\n\n \t\t \n\nAcrylique et huile sur toile","t":"A","i":594}," IF YOU HAVE ALREADY\n\t HAD TODAY'S MAIN COURSE":{"v":" SI VOUS AVEZ DÉJÀ\n\t PRIS VOTRE PLAT PRINCIPAL DU JOUR","t":"A","i":1689}," TION":{"v":" TION","t":"A","i":3787}," (b. [!v*0])\n\n \t\t \n\nAcrylic and Oil on Canvas":{"v":" (b. [!v*0])\n\n \t\t \n\nAcrylique et huile sur toile","t":"A","i":558}," April [!v*0]\nDearest Mary,\n\nI know the events of the past year have catapulted you into a world you may not have been ready for. It’s cruel, the way time rips through our lives leaving them barren and fruitless like wind-scarred plains. \n\nThroughout this all, I know your principal concern has always been Simon. You didn’t need to confide in me yesterday for me to realize that fact. Everyone who knows you understands this.\n\nI will take full responsibility to ensure that regardless of how your current project pans out, Simon is shielded from any fallout and god forbid, repercussions. A child should never suffer the iniquity of their parents.\n":{"v":" Avril [!v*0]\nChère Mary,\n\nJe sais que les événements de l'année dernière t'ont propulsée dans un monde pour lequel tu n'étais peut-être pas prête. C'est cruel, la façon dont le temps déchire nos vies, les laissant stériles et sans fruits, comme des plaines balayées par le vent. \n\nTout au long de cette épreuve, je sais que ta principale préoccupation a toujours été Simon. Tu n'avais pas besoin de me confier cela hier pour que je le réalise. Tous ceux qui te connaissent le comprennent.\n\nJe prendrai l'entière responsabilité de veiller à ce que, quelle que soit l'issue de ton projet actuel, Simon soit protégé de toute répercussion, et Dieu ne veuille, de toute conséquence. Un enfant ne devrait jamais souffrir des iniquités de ses parents.\n","t":"A","i":2138}," November [!v*1]\nUncle,\nIn a few hours, we are departing. As planned, we will be taking the old mountainway tunnels to the north. We'll go as far as we can by trolley, until the rails give out. Then we'll proceed on foot until we reach the Southern Border. I've never been as excited, nervous, and heartbroken. I may never know if I've made the right decisions, but I've made the ones I felt my father might have nodded in approval at.\n\nI'm leaving a message for Simon here in the Safehouse, this unhallowed cavern that we have called home for the last year. If something should happen to me, please, guide him to this place. Try to show him what these lost days were all for.":{"v":" Novembre [!v*1]\nOncle,\nDans quelques heures, nous partons. Comme prévu, nous emprunterons les anciens tunnels de la route de montagne vers le nord. Nous irons aussi loin que possible en tramway, jusqu'à ce que les rails s'arrêtent. Ensuite, nous continuerons à pied jusqu'à la Frontière Sud. Je n'ai jamais été aussi excitée, nerveuse et le cœur brisé. Je ne saurai peut-être jamais si j'ai pris les bonnes décisions, mais j'ai pris celles que mon père aurait approuvées d'un signe de tête.\n\nJe laisse un message pour Simon ici, dans la Maison de Refuge, cette caverne profane que nous avons appelée notre foyer pendant la dernière année. Si quelque chose m'arrivait, s'il te plaît, guide-le vers cet endroit. Essaie de lui montrer à quoi ces jours perdus ont servi.","t":"A","i":2119}," author and illustrator whose fanciful stories\n name Marion Marigold, was last seen by a\n m Friday getting into a carriage after a late":{"v":" auteur et illustrateur dont les histoires fantaisistes\n nommée Marion Marigold, a été vue pour la dernière fois un\n vendredi en montant dans une voiture après une","t":"A","i":1103}," Rooms":{"v":" Pièces","t":"A","i":1636}," Mary Matthew Epsen\n Lady Clara Epsen and Simon H. Sinclair\n [!v*2]:[!v*3] am Tuesday\n[!v*4]nd January [!v*5]":{"v":" Mary Matthew Epsen\n Lady Clara Epsen et Simon H. Sinclair\n [!v*2]:[!v*3] am mardi\n[!v*4]nd janvier [!v*5]","t":"A","i":1126}," Y":{"v":" Y","t":"A","i":1001}," [!v*1]":{"v":" [!v*1]","t":"A","i":1350}," FLOORPLANS\nARE OFTEN CLASSIFIED BY\nCONSERVATIONISTS AS THE\n'WEEDS' OF THE DRAFTING POOL,\nFOR THEIR OVERABUNDANCE\nPREVENTS OTHER LESS COMMON\nROOMS FROM FLOURISHING\nON THE ESTATE.":{"v":" PLANS DE PLANCHER\nSON SOUVENT CLASSÉS PAR\nLES CONSERVATEURS COMME LES\n'MAUVAISE HERBE' DU PAVILLON,\nA LA SUITE DE LEUR SURABONDANCE\nQUI EMPECHE D'AUTRES MOINS COMMUNS\nPIÈCES DE FLOURIR\nSUR LA PROPRIÉTÉ.","t":"H","i":4164}," IS A TERM RESERVED\nFOR THE FLOORPLANS THAT ARE\nENCOUNTERED ON OCCASION, THE\nINFREQUENCY OF WHICH \nMAY CONTRIBUTE TO THEIR\nAPPARENT PRESTIGE.":{"v":" TERME RÉSERVÉ\nAUX PLANS DE SOL QUI SONT\nRENCONTRÉS DE TEMPS À AUTRE,\nLA RARETÉ DESQUELS\nPEUT CONTRIBUER À LEUR\nPRESTIGE APPARENT.","t":"A","i":2282}," [!v*1]":{"v":" [!v*1]","t":"A","i":1563}," ROOMS ARE OF THE\nGARDEN-VARIETY, NOT COMMON\nENOUGH TO BE A NUISANCE AND\nNOT RARE ENOUGH TO BE ELUSIVE.":{"v":" LES PIÈCES SONT DE\nPREMIÈRE MAIN, NI ASSEZ\nCOURANTES POUR ÊTRE UNE GÊNE,\nNI ASSEZ RARES POUR ÊTRE ÉLUSIVES.","t":"A","i":2407}," [!v*1]":{"v":" [!v*1]","t":"A","i":3988}," It'":{"v":" C'","t":"A","i":1242}," is to find a way to make all four corner tiles into white squares. These simple rules evolved as the game spread across the world. Regional variations introduced new colors and mechanics, offering greater challenges and local flavor. \n\nWhile the fad may have ended, Mora Jai Boxes still make for a memorable gift for both collectors and puzzle enthusiasts.\n":{"v":" consiste à trouver un moyen de transformer les quatre tuiles d'angle en carrés blancs. Ces règles simples ont évolué au fur et à mesure que le jeu se répandait dans le monde. Les variantes régionales ont introduit de nouvelles couleurs et mécaniques, offrant des défis plus grands et une touche locale. \n\nBien que la mode soit passée, les boîtes Mora Jai restent un cadeau mémorable pour les collectionneurs et les amateurs de puzzles.\n","t":"A","i":647}," ADDITIONAL\n READING":{"v":" SUPPLÉMENTAIRE\n LECTURE","t":"A","i":2504}," FLORA AND FLOORPLANS\nARE SEEN SO SELDOM AND \nREPRESENTED IN SO FEW NUMBERS\nTHAT THEY ARE CONSIDERED BY\nMANY TO BE ENDANGERED. WITHOUT\nSERIOUS CONSERVATION EFFORTS,\nMANY OF THESE RARE SPECIMENS\nMAY NEVER BE SEEN.":{"v":" FLORA ET PLANS DE SOL\nSONT VUS SI RAREMENT ET \nREPRÉSENTÉS EN SI PEU DE NOMBRE\nQU'ILS SONT CONSIDÉRÉS PAR\nBEAUCOUP COMME MENACÉS. SANS\nEFFORTS SÉRIEUX DE CONSERVATION,\nBEAUCOUP DE CES SPÉCIMENS RARES\nNE SERONT JAMAIS VUS.","t":"A","i":2223}," ars of the first era found\n ngs, either of a natural\n ulting from the creations of\n ere accustomed to record\n various signs with the aid of\n . They did this in order that the\n of their realm might not be\n erstood by strangers.\n\nHistorically speaking, sigils are not a new tradition. They have been found in every era and every culture and predate both written text and heraldic arts. However, today when we use the term \"sigil\" we are referring specifically to Realm Sigils, those crude circular marks of designation found on royal artifacts, buildings and older documents.\n":{"v":" rs de la première ère ont été\n és, qu'ils soient d'origine\n ués des créations de\n ui avaient l'habitude d'enregistrer\n divers signes à l'aide de\n . Ils le faisaient afin que le\n de leur royaume ne soit pas\n ompre par des étrangers.\n\nHistoriquement, les sigils ne sont pas une tradition nouvelle. Ils ont été trouvés dans chaque ère et chaque culture et précèdent à la fois le texte écrit et les arts héraldiques. Cependant, aujourd'hui, lorsque nous utilisons le terme « sigil », nous faisons spécifiquement référence aux Sigils du Royaume, ces marques circulaires grossières de désignation trouvées sur les artefacts royaux, les bâtiments et les documents anciens.\n","t":"A","i":2137}," buried":{"v":" enterré","t":"A","i":1083}," ugh trails. Another\n four rays, however,\n ys be configured\n rse galloping.":{"v":" ugh traces. Another\n quatre rayons, cependant,\n ys doivent être configurés\n rse au galop.","t":"A","i":2300}," NUMERIC CORES\n\n\nBy the Third Era, Numeric Cores had fallen completely out of favor and were no longer being included in proofs by serious arithmeticians. This concept, once considered sacred, was now regarded as an \"overengineered concept that only served to slow further advancements in the field\", as Phillip Wilkins once famously put it.\n\n\n":{"v":" CŒURS NUMÉRIQUES\n\n\nÀ l'ère du Troisième, les Cœurs Numériques étaient tombés complètement en désuétude et n'étaient plus inclus dans les démonstrations des arithméticiens sérieux. Ce concept, autrefois considéré comme sacré, était désormais perçu comme « un concept sur-ingénierisé qui ne servait qu'à ralentir les avancées futures dans le domaine », comme l'avait une fois dit Phillip Wilkins avec justesse.\n\n\n","t":"A","i":3692}," NUMERIC CORES\n\n\nBy the third era, Numeric Cores had fallen completely out of favor and were no longer being included in proofs by serious arithmeticians. This concept, once considered sacred, was now regarded as an \"overengineered concept that only served to slow further advancements in the field\", as Phillip Wilkins once famously put it.\n\n\n":{"v":" CŒURS NUMÉRIQUES\n\n\nÀ la troisième ère, les Cœurs Numériques étaient totalement tombés en désuétude et n'étaient plus inclus dans les démonstrations par les arithméticiens sérieux. Ce concept, autrefois considéré comme sacré, était désormais perçu comme « un concept sur-ingénierisé qui ne servait qu'à ralentir les avancées futures dans le domaine », comme l'avait une fois dit Phillip Wilkins avec justesse.\n\n\n","t":"A","i":3545}," ties. Ship routes.\n eight rays on these\n e the directions\n rose.":{"v":" ties. Routes maritimes.\n huit rayons sur ces\n e les directions\n rose.","t":"A","i":1701}," Two re - main for one______ last dance,\n\n And spin_____ a - gain____ a - round clock hands,\n \n And as______ they turn_____, a sec - ond chance____ \n \n To rise______ a - bove the fall - ing sands______\n\n The true time lost_____ in past ro - mance.":{"v":" Deux re - main pour un______ dernier bal,\n\n Et tournoyer_____ a - nouveau____ les aiguilles de l'horloge,\n \n Et tandis qu'elles tournent_____, une se - conde chance____ \n \n De s'élever______ a - u-dessus des sables qui s'écoulent______\n\n Le vrai temps perdu_____ dans la ro - mance du passé.","t":"A","i":1114}," . Locomotion.\n rays here are used in\n for realms that rely\n rack based travel.":{"v":" . Locomotion.\n Les rayons sont utilisés dans\n pour les royaumes qui reposent\n sur un déplacement basé sur la traction.","t":"A","i":3379}," s. Carriages.\n here look like\n a map. ":{"v":" s. Calèches.\n ici ressemblent à\n une carte. ","t":"A","i":2737}," rth from the core will come\n ding lines, splitting the sigil\n From one sigil to another, the\n n differ in number, style and\n g the differences in these\n ediately reveal several things\n alm.":{"v":" des éclairs partiront du cœur\n des lignes, fendant le sigile\n D'un sigile à l'autre, les\n n diffèrent en nombre, style et\n g les différences entre ces\n édient immédiatement plusieurs choses\n alme.","t":"A","i":1373}," Limited Capacity: ":{"v":" Capacité limitée : ","t":"A","i":2205}," an \nOffering \n of Gold":{"v":" un \nOffrande \n d'Or","t":"A","i":2263}," gel points\n dreams":{"v":" points de gel\n rêves","t":"A","i":3046}," the \n":{"v":" le \n","t":"A","i":3956}," A - mong this sca - ttered symph - o - ny______\n\n A mess - age hi - dden be - neath the keys,\n \n In bold words sung by you and me_______ \n \n A frac - tured note, an ur - gent plea,\n\n In bold words sung, I do re - peat_______":{"v":" A - mong this sca - ttered symph - o - ny______\n\n A mess - age hi - dden be - neath the keys,\n \n In bold words sung by you and me_______ \n \n A frac - tured note, an ur - gent plea,\n\n In bold words sung, I do re - peat_______","t":"A","i":1092}," ADDITIONAL\n READING":{"v":" SUPPLÉMENTAIRE\n LECTURE","t":"A","i":288}," BORDER":{"v":" FRONTIÈRE","t":"A","i":1826}," Un - der these stars, the dance is held______\n\n And to______ the floor_____ we are com - pelled,\n\n The gowns_____ glide on______ and mu - sic swells_____\n \n And at______ the end_____ the clock strikes twelve,\n\n What that means on - ly time can tell____":{"v":" Sous ces étoiles, le bal est donné\n\nEt vers le plancher nous sommes contraints,\n\nLes robes glissent et la musique s'élève\n\nEt à la fin, l'horloge sonne minuit,\n\nCe que cela signifie, seul le temps peut le dire","t":"A","i":1176}," the \nBlessing \n of the":{"v":" la \nBénédiction \n de la","t":"A","i":3530}," + \n -\n x\n ÷":{"v":" + \n -\n x\n ÷","t":"A","i":362}," Find here_____ with - in these first words sung______ \n\n The key______ you seek_____ in ma - jor tongue, \n\n But half_______ the sheets are miss - ing from______\n \n The four______ you hold_____ the rest far flung,\n \n A half note held_______ is quite the pun.":{"v":" Trouve ici_____ avec - dans ces premiers mots chantés______ \n\n La clé______ que tu cherches_____ dans ma - jor langue, \n\n Mais la moitié_______ des feuilles sont man - quantes de______\n \n Les quatre______ que tu tiens_____ le reste loin jeté, \n \n Une demi-note tenue_______ est tout le jeu.","t":"A","i":1244}," (As my mother used to call me)":{"v":" (Tel que ma mère m'appelait)","t":"A","i":3202}," Mora Jai Boxes were\na popular fad in the early [!v*1]s among\nboth the peerage and common crowds. These small mechanical puzzle boxes originated on the island Mora Jai as a children’s game but quickly gained popularity among seafarers who valued the compact boxes as both lockbox and entertainment on long voyages. Over time, the boxes spread from port to port \n and eventually found their way into the homes\n and hearts of every realm.\n":{"v":" Les boîtes Mora Jai étaient\nune mode passagère au début du [!v*1]e siècle\nchez la noblesse comme chez le peuple. Ces petites boîtes mécaniques à énigmes, originaires de l'île de Mora Jai, étaient à l'origine un jeu pour enfants, mais elles ont rapidement séduit les marins, qui appréciaient leur format compact pour servir de coffre-fort et de divertissement lors des longues traversées. Avec le temps, les boîtes se sont propagées de port en port \n et ont fini par trouver leur place dans les foyers\n et les cœurs de tous les royaumes.\n","t":"A","i":951}," Any architect who\n loves a challenge\n inevitably ends up drafting a few Puzzle Rooms in their house. These floorplans, marked only with a single enigmatic jigsaw piece, lack accompanying text and explanations, as if":{"v":" Tout architecte qui\n aime relever un défi\n finit inévitablement par dessiner quelques Salles d'énigmes dans sa maison. Ces plans, marqués uniquement d'un seul morceau de puzzle énigmatique, sont dépourvus de texte et d'explications, comme","t":"A","i":1876}," Please pick up some\nmore fruit BEFORE FRIDAY AS WE HAVE JUST BEEN INFORMED THAT WE MAY HAVE AN EXTRA GUEST EXPLORING THE HOUSE NEXT WEEK. FIFTY STEPS\nSHOULD BE MORE THAN ENOUGH SO I THINK AN EVEN SPREAD \nWOULD BE IDEAL:\n\n\n\n\n\n\nTHE ENCLOSED AMOUNT SHOULD COVER EXPENSES BUT PLEASE BRING BACK ANY CHANGE FROM THE ORDER AND LEAVE IT IN THE PANTRY.":{"v":" Récupérez un peu\nde fruits supplémentaires AVANT VENDREDI CAR NOUS VENONS D'ÊTRE INFORMÉS QUE NOUS POURRIONS AVOIR UN INVITÉ SUPPLÉMENTAIRE EXPLORANT LA MAISON LA SEMAINE PROCHAINE. CINQUANTE\nPAS DEVRAIENT ÊTRE PLUS QU'ASSEZ, DONC JE PENSE QU'UNE RÉPARTITION ÉGALITAIRE\nSERAIT IDÉALE:\n\n\n\n\n\n\nLE MONTANT JOINT DEVRAIT COUVRIR LES DÉPENSES, MAIS MERCI DE RAPPORTER TOUTE RESTE DE LA COMMANDE ET DE LE LAISSER DANS LA CUISINE.","t":"A","i":1152}," Several exam \n from well k":{"v":" Plusieurs examens \n de bien k","t":"A","i":3701}," Stones cut_____ by hand, and lett - ers wrought____\n \n Do spell______ our se - crets carved from thought,\n\n A message read is of - ten lost______\n \n A - mong the bold___ words, spo - ken soft,\n\n The note is read, the letter is not _______":{"v":" Pierres taillées_____ à la main, et lett - res sculptées____\n\n\n Qui épèlent____ nos se - crets gravés dans la pensée,\n\n\n Un message lu est sou - vent perdu______\n\n\n\n Par - mi les mots___ audacieux, mur - murés doucement,\n\n La note est lue, la lettre ne l'est pas _______","t":"H","i":709}," Trees found____ in - side will ne - ver shade,\n \n The gems____ that shine____ in night and rain,\n\n The clue you hold can not be paid_______\n \n With gems____ nor coin____ , so toss a - way,\n\n These sheets you find____ a worth - y trade_______":{"v":" Les arbres trouvés____ sur - le côté vous ne - ver d'ombre,\n \n Les gemmes____ qui brillent____ dans la nuit et la pluie,\n\n L'indice que vous tenez ne peut pas être payé_______\n \n Par des gemmes____ ni des pièces____ , alors jetez - le loin,\n\n Ces feuilles que vous trouvez____ valent - un échange_______","t":"A","i":1156}," are used to draft \n Special Rooms":{"v":" sont utilisées pour rédiger \n Salles spéciales","t":"A","i":1454}," NUMERIC CORING - EXAMPLES\n\n":{"v":" CORRECTION NUMÉRIQUE - EXEMPLES\n\n","t":"A","i":2494}," REALM & \n Sigils of the Past and Pr\n\n\n\n BY\n PROF. R. WILLARD \n\n\n\n\n":{"v":" RÉALME & \n Sceaux de le Passé et Pr\n\n\n\n PAR\n PROF. R. WILLARD \n\n\n\n\n","t":"A","i":1837}," Mount Holly \nRoulette ":{"v":" Mont Holly \nRoulette ","t":"A","i":2664}," The skies parted \n And the clouds withdrew.\nThe prince had a new favorite color... \n":{"v":" Les cieux s'ouvrirent \n Et les nuages se retirèrent.\nLe prince avait une nouvelle couleur préférée... \n","t":"A","i":3854}," any years ago, before peace had become a familiar word, there lived a group of rogues so wayward that the locals deemed it appropriate to call their number \"The Unholy Hounds\".\n\n They were feral outlaws composed of society's worst in a time when society was at its worst, and for each crime that fearful travelers credited to the group, a dozen more lay unclaimed, each worse than the last. For the gentry, however, who often value their coffers more than their companions, no crime could measure more wicked than the group's primary enterprise: highroad robbery.\n\n One such member of this so-called band of rogues was a boy of thirteen years, Jesper, who had not been lucky in life, having lost two brothers to war and parents to famine.\n":{"v":" il y a des années, avant que la paix ne devienne un mot familier, vivait une bande de brigands si dévoyés que les habitants estimaient approprié de les appeler « Les Chiens Impies ».\n\n Ils étaient des hors-la-loi sauvages, composés des pires éléments de la société à une époque où celle-ci était à son pire, et pour chaque crime que les voyageurs craintifs attribuaient au groupe, une douzaine d'autres restaient non revendiqués, chacun plus grave que le précédent. Pour la noblesse, cependant, qui valorise souvent ses coffres plus que ses compagnons, aucun crime ne pouvait être plus méchant que l'activité principale du groupe : le brigandage sur les grandes routes.\n\n L'un des membres de cette soi-disant bande de brigands était un garçon de treize ans, Jesper, qui n'avait pas eu de chance dans la vie, ayant perdu deux frères à la guerre et ses parents à la famine.\n","t":"A","i":1745}," can be spent in\n Shop Rooms":{"v":" peut être dépensé dans\n les boutiques","t":"A","i":1953}," can open\n locked doors.":{"v":" peuvent ouvrir\n les portes verrouillées.","t":"A","i":2405}," can open\n one locked door.":{"v":" peut ouvrir\nune porte verrouillée.","t":"A","i":3638}," s starting to add up!":{"v":" Ça commence à faire beaucoup !","t":"A","i":373}," [!v*0] Bedrooms ":{"v":" [!v*0] Chambres ","t":"A","i":4758}," Drafting Rooms are\n floorplans that\n affect the draft pool or the drafting process. As such, they are spaces that are often designed for activities related to academic pursuits and research. Some of their common":{"v":" Les pièces de conception sont \n des plans d'étage qui \n influencent le bassin de projets ou le processus de conception. En tant que telles, ce sont des espaces souvent conçus pour des activités liées aux études et à la recherche. Certaines de leurs fonctions communes","t":"A","i":3342}," L E\n (A LACK OF MYSELF )":{"v":" L E\n (L'ABSENCE DE MOI-MÊME )","t":"A","i":844}," NEV\n (NEW /THE START OF)":{"v":" NEV\n (NOUVEAU /LE DÉBUT DE)","t":"A","i":950}," NUMBERS THAT BUILT HE WORLD OF YESTERDAY":{"v":" LES CHIFFRES QUI ONT FAIT LE MONDE D'HIER","t":"A","i":1765}," SURNAME : Daniels\n GIVEN NAME : Grey\nNATIONALITY : Ariesian\n D.O.B. : [!v*0]/[!v*1]/[!v*2]\n SEX : Female\n\nDATE OF ISSUE : [!v*4]/[!v*5]/[!v*6]\nDATE OF EXPIRY: [!v*7]/[!v*8]/[!v*9]":{"v":" NOM : Daniels\n PRÉNOM : Grey\nNATIONALITÉ : Ariésienne\n DATE DE NAISS. : [!v*0]/[!v*1]/[!v*2]\n SEXE : Féminin\n\nDATE D'ÉMISSION : [!v*4]/[!v*5]/[!v*6]\nDATE D'EXPIRATION : [!v*7]/[!v*8]/[!v*9]","t":"A","i":2415}," SURNAME : Hayes\n GIVEN NAME : Samantha\nNATIONALITY : Ariesian\n D.O.B. : [!v*0]/[!v*1]/[!v*2]\n SEX : Female\n\nDATE OF ISSUE : [!v*4]/[!v*5]/[!v*6]\nDATE OF EXPIRY: [!v*7]/[!v*8]/[!v*9]":{"v":" NOM : Hayes\n PRÉNOM : Samantha\nNATIONALITÉ : Ariésienne\n DATE DE NAISSANCE : [!v*0]/[!v*1]/[!v*2]\n SEXE : Femme\n\nDATE DE DÉLIVRANCE : [!v*4]/[!v*5]/[!v*6]\nDATE D'EXPIRATION : [!v*7]/[!v*8]/[!v*9]","t":"A","i":1667}," SURNAME : Ribbon\n GIVEN NAME : Jean\nNATIONALITY : Ariesian\n D.O.B. : [!v*0]/[!v*1]/[!v*2]\n SEX : Female\n\nDATE OF ISSUE : [!v*4]/[!v*5]/[!v*6]\nDATE OF EXPIRY: [!v*7]/[!v*8]/[!v*9]":{"v":" NOM : Ribbon\n PRÉNOM : Jean\nNATIONALITÉ : Ariesian\n DATE DE NAISSANCE : [!v*0]/[!v*1]/[!v*2]\n SEXE : Féminin\n\nDATE D'ÉMISSION : [!v*4]/[!v*5]/[!v*6]\nDATE D'EXPIRATION: [!v*7]/[!v*8]/[!v*9]","t":"A","i":3647}," Some rooms offer \n long-term benefits\n rather than immed-iate resources. These floorplans, known as TOMORROW ROOMS, are considered an invest-ment for the future, and they offer the forward-thinking architect a number of strategies that will pay":{"v":" Certain salles offrent \n des avantages à long terme\n plutôt que des ressources immé-diates. Ces plans d’étage, connus sous le nom de SALLES DE DEMAIN, sont considérés comme un investis-sement pour l’avenir et offrent à l’architecte visionnaire un certain nombre de stratégies qui","t":"A","i":2101}," The ones of you who oft_______ a - ssume_____ \n\n That you_____ a - lone can solve this tune, \n\n Are like - ly going to get your due_______\n \n And all the rage that will en - sue,\n \n While work - ing on this sim - ple clue_______":{"v":" Les uns d'entre vous qui souvent supposent \n\n Que vous seuls pouvez résoudre cette mélodie, \n\n Sont probablement sur le point de recevoir leur juste récompense \n \n Et toute la rage qui en résultera, \n \n Pendant que vous travaillez sur cette simple piste","t":"A","i":1187}," White pa - ges lined with mel - o - dies_______ \n\n Do hide the words we've come to seek_______ \n\n And from our choice a - mong all these, \n\n We write down one that seems to be_______\n \n The loud - est type with ink that bleeds______":{"v":" Pages blanches bordées de mélodies_______ \n\n Cache les mots que nous sommes venus chercher_______ \n\n Et parmi tous ces choix, \n\n Nous en écrivons un qui semble être_______\n \n Le plus bruyant, à l'encre qui saigne______","t":"A","i":1128}," s\ns\n s":{"v":" s\ns\n s","t":"A","i":435}," Far from the\n pristine white\n pages of academia,\nthe mechanical world is a rugged industrial space, marked by the symbol of the gear and stained with the grime of heavy machinery. These floor-plans prioritize function":{"v":" Loin des\n pages blanches\n de l'académie,\nle monde mécanique est un espace industriel rude, marqué par le symbole de l'engrenage et taché par la saleté des machines lourdes. Ces plans d'étage privilégient la fonction","t":"A","i":2784}," Foreman's Copy\nDo not remove from site.":{"v":" Copie du contremaître\nNe pas retirer du site.","t":"A","i":2295}," HE RAYS":{"v":" RAYONS","t":"A","i":1925}," The final type of\n room we will cover\n in this issue is the SPREAD ROOM. These floorplans enable the architect to spread out items among many rooms. When items are spread, they are only placed in currently active rooms in ":{"v":" Le dernier type de\n salle que nous aborderons\n dans ce numéro est la SALLE ÉTENDUE. Ces plans permettent à l'architecte de répartir les objets dans de nombreuses salles. Lorsque les objets sont répartis, ils ne sont placés que dans les salles actuellement actives ","t":"A","i":2001}," VEN\n (OLD /THE END OF)":{"v":" VEN\n (ANCIEN /LA FIN DE)","t":"A","i":1137}," W \n A S D ":{"v":" W \n A S D ","t":"A","i":2636}," You are more likely to draw\nMechanical Rooms while drafting.":{"v":" Vous avez plus de chances de dessiner\ndes pièces mécaniques lors du dessin.","t":"A","i":3502}," can be used in Shop Rooms\nfound on the estate to purchase\ngoods and services.":{"v":" peuvent être utilisés dans les Salles de commerce\nsituées sur la propriété pour acheter des \nbiens et services.","t":"A","i":3180}," can be used to unlock locked\ndoors you find in the house.":{"v":" peuvent être utilisés pour déverrouiller les portes bloquées que vous trouvez dans la maison.\n","t":"A","i":3712}," can be used while drafting\nto pay for Special Floorplans":{"v":" peut être utilisé pendant la rédaction\npour payer les Plans spéciaux","t":"A","i":1968}," represent how much energy\nyou have left for exploring.\n\nEach time you enter a room,\nyou will lose [!v*0] .\n\nWhen you no longer have any left\nyou must .":{"v":" représente combien d'énergie\nvous avez encore pour explorer.\n\nÀ chaque fois que vous entrez dans une pièce,\nvous perdrez [!v*0] .\n\nLorsque vous n'aurez plus aucune restante\nvous devrez .","t":"A","i":3932}," time":{"v":" temps","t":"A","i":4198}," times":{"v":" temps","t":"A","i":3938}," =[!v*1]":{"v":" =[!v*1]","t":"A","i":2381}," the\n\n\nCurse\n\n of \n\n\nblack bridge\n":{"v":" la\n\n\nMalédiction\n\n de \n\n\nl'aube noire\n","t":"A","i":1246}," Blessing of the":{"v":" Bénédiction de","t":"A","i":1520}," Each of our journeys come to\n\ta conclusion here in the tomb.\n\nThis floor plan is the definitive dead end... \n\n or is it ?":{"v":" Chacun de nos voyages trouve\n\tsa conclusion ici, dans le tombeau.\n\nCe plan est la cul-de-sac définitif... \n\n ou pas ?","t":"A","i":379}," Each of our journeys come to\n a conclusion here in the tomb.\n\nThis floor plan is the definitive dead end... \n\n or is it ?":{"v":" Chacun de nos voyages trouve\n sa conclusion ici, dans le tombeau.\n\nCe plan est la cul-de-sac... \n\n ou pas ?","t":"A","i":2304}," He thought about removing the driver’s fancy coat as that appeared to be of some value, but the additional risk of undertaking such a task too great to chance. And so, after a profound breath, he took his second, third, and fourth steps—though they were quite large.\n\n Seated now behind the horses, he reached for the reins and suddenly realized that he was still gripping the effigy. If the curse was real, then it would most certainly be better left here. If on the other hand, the story was fictitious, there might be some appraisal that could be made of the figure. It was, after all, found within a lockbox, whose typical function oft secures objects of value. Having witnessed first-hand the horrors of":{"v":" Il songea à retirer le manteau somptueux du cocher, celui-ci semblant avoir une certaine valeur, mais le risque supplémentaire lié à une telle entreprise était trop grand pour oser. Et ainsi, après une profonde inspiration, il fit ses deuxième, troisième et quatrième pas—bien que ceux-ci fussent fort amples.\n\n Assis désormais derrière les chevaux, il tendit la main vers les rênes et réalisa soudain qu’il serrait encore l’effigie. Si la malédiction était réelle, il valait mieux sans doute la laisser ici. Si, en revanche, l’histoire était fictive, il serait peut-être possible d’évaluer la valeur de la figurine. Celle-ci avait, après tout, été trouvée dans un coffre, dont la fonction habituelle est souvent de sécuriser des objets de valeur. Ayant été témoin de première main des horreurs","t":"A","i":1522}," THE\nAXE":{"v":" L'AXE\n","t":"A","i":3235}," TRA\n (th ":{"v":" TRA\n (th ","t":"A","i":2766}," The legend of Black Bridge is one that's well-known to the people of the Grand Realm, for versions of this tale have been passed down from generation to generation. With each new telling, the story has changed, becoming over the years more colorful, more verbose, and, as one might expect, increasingly horrifying.\n\n However, with so many renditions and unique personal touches, the task of confining and binding this tale to text seemed an ambitious and impossible challenge. Over the course of my research, I have heard dozens of variations of the\n":{"v":" La légende du Pont Noir est bien connue des habitants du Grand Royaume, car des versions de ce récit ont été transmises de génération en génération. À chaque nouvelle narration, l’histoire a évolué, devenant au fil des ans plus colorée, plus prolixe et, comme on pouvait s’y attendre, de plus en plus terrifiante.\n\n Cependant, avec autant de variantes et de touches personnelles uniques, la tâche de confiner et de lier ce récit à l’écrit semblait un défi ambitieux et impossible. Au cours de mes recherches, j’ai entendu des dizaines de versions du\n","t":"A","i":1417}," There is not a dare\n I would not do.":{"v":" Il n'est pas de défi\n que je n'accepterais pas.","t":"A","i":2045}," This will serve as a useful map and\n inventory log during your adventure.\n\n\nYou may access the Blueprint Menu\n by pressing":{"v":" Ceci servira de carte utile et de journal d'inventaire pendant votre aventure.\n\n\n\nVous pouvez accéder au Menu des plans\n en appuyant sur","t":"H","i":4156}," Unable to find a purse in the man’s coat, Jesper pivoted to search the seat under him.\n\n “Why have you no purse upon your person?”\n\n The driver slowly raised his hand cautiously, pointing toward the carriage door behind him. Jesper lowered the knife’s edge a small degree to allow the man to speak, which he did in turn softly.\n\n “There’s a lockbox in the carriage...” \n\n “Well, come down then and grant me the courtesy of sparing your life and binding your hands, a concession I assure you of my tenderheart, for it would be much easier to slit your throat.”\n\n The man started to comply, slowly lowering himself from the driver’s seat of the carriage. Once down, Jesper guided him away from the carriage to a nearby tree where he instructed him to get on his knees and put his hands behind his back.":{"v":" Incapable de trouver un sac à main dans le manteau de l'homme, Jesper pivota pour chercher sous son siège.\n\n « Pourquoi n'avez-vous aucun sac sur vous ? »\n\n Le conducteur leva lentement sa main avec prudence, pointant vers la porte du carrosse derrière lui. Jesper abaissa légèrement le tranchant du couteau pour permettre à l'homme de parler, ce qu'il fit à son tour doucement.\n\n « Il y a une boîte-fort dans le carrosse... » \n\n « Eh bien, descendez alors et accordez-moi la politesse d'épargner votre vie et de lier vos mains, une concession dont je vous assure que mon cœur tendre est capable, car il serait beaucoup plus facile de trancher votre gorge. »\n\n L'homme commença à se conformer, s'abaissant lentement du siège de conducteur du carrosse. Une fois descendu, Jesper le guida loin du carrosse vers un arbre proche où il lui ordonna de se mettre à genoux et de passer ses mains derrière son dos.","t":"A","i":3357}," You are more likely to draw \nMechanical Rooms while drafting.":{"v":" Vous avez plus de chances de tirer \nPièces mécaniques lors de la rédaction.","t":"A","i":1931}," iller awoke to some light nudging from a familiar foot. Only one person would have the cheek to awaken her in such ill-mannered fashion. Shaking the sleep from her eyes, she glared up at him in the darkness, but did not say a word. He nudged her again, teasingly, then stepped back into the dim. \n\n After taking a moment for her eyes to adjust to the darkness of the cave, Miller remembered. She was on third watch today. Quietly collecting her things and wits, Miller turned as she left, waving to her young friend, who was more than likely already asleep.\n\n She crept through the cavern’s main passage, ":{"v":" Iller s'éveilla à une légère poussée d'un pied familier. Seule une personne aurait l'impudence de la réveiller de cette manière peu galante. Secouant le sommeil de ses yeux, elle le fixa dans le noir sans prononcer un mot. Il la poussa à nouveau, avec amusement, puis recula dans l'obscurité.\n\nAprès avoir pris un moment pour que ses yeux s'habituent à l'obscurité de la grotte, Miller se souvint. Elle était en troisième garde aujourd'hui. En rangeant calmement ses affaires et ses idées, elle tourna les talons en partant, faisant signe à son jeune ami, qui dormait probablement déjà.\n\nElle s'engouffra dans le passage principal de la grotte, ","t":"A","i":2834}," press [E] to DOWNLOAD PACKET\n\n\n\n\n\n\npress [esc] to return to NETWORK MENU":{"v":" appuyez sur [E] pour TÉLÉCHARGER LE PAQUET\n\n\n\n\n\n\nappuyez sur [ESC] pour RETOURNER AU MENU RÉSEAU","t":"A","i":3921}," you have been":{"v":" vous avez été","t":"A","i":1810}," + \n -\nx\n ÷":{"v":" + \n -\nx\n ÷","t":"A","i":550}," [!v*0] [!v*1] = ____":{"v":" [!v*0] [!v*1] = ____","t":"A","i":812}," ‘A carriage. A carriage is approaching!’\n\n The thought of it made Jesper freeze. Had he been so enchanted by his discovery that he had neglected to observe his surroundings? How could a roadway be so close? He ducked down and crept toward the impending sound, hiding behind one of the larger bushes nearby.":{"v":" « Une carriole. Une carriole approche ! »\n\n La pensée de cela fit figer Jesper. Était-il si envoûté par sa découverte qu'il avait négligé d'observer son environnement ? Comment une route pouvait-elle être si proche ? Il se baissa et s'approcha en rampant du bruit imminent, se cachant derrière l'un des plus grands buissons à proximité.","t":"A","i":2659}," Tomorrow, Blueprint, Dead End, Addition":{"v":" Demain, Blueprint, Dead End, Addition","t":"A","i":4668}," Tomorrow, Blueprint, Dead End, Addition":{"v":" Demain, Blueprint, Dead End, Addition","t":"A","i":4690}," Drafting, Blueprint, Dead End":{"v":" Brouillon, Plan, Impasse","t":"A","i":4848}," Drafting, Blueprint":{"v":" Brouillon, Plan","t":"A","i":4364}," Entry, Bedroom":{"v":" Entrée, Chambre","t":"A","i":4369}," Entry, Red Room":{"v":" Entrée, Chambre rouge","t":"A","i":4583}," Entry, Hallway, Addition":{"v":" Entrée, Couloir, Annexe","t":"A","i":2149}," Mechanical, Blueprint, Dead End":{"v":" Mécanique, Plan, Impasse","t":"A","i":4559}," Mechanical, Blueprint":{"v":" Mécanique, Plan","t":"A","i":4366}," Spread, Green Room":{"v":" Étalage, Verte","t":"A","i":4808}," Tomorrow, Blueprint, Dead End":{"v":" Demain, Plan Bleu, Impasse","t":"A","i":4671}," Tomorrow, Green Room, Addition":{"v":" Demain, Salle verte, Ajout","t":"A","i":4380}," Tomorrow, Blueprint, Dead End":{"v":" Demain, Plan, Impasse","t":"A","i":4564}," Above her in one of the few trees found in the canyon, Miller could see that Ravia was already posted. She waved, and Ravia waved back. Calling out to each other was strictly forbidden. Anything louder than a gesture in the canyon was forbidden. When Miller reached the tree, Ravia lowered a braided rope and pointed to the ground behind her.\n\n Miller turned, following the finger, and saw a pail of water resting beside a nearby log. She turned back to Ravia, nodded, and secured the pail to the rope. The pail went up first, and in turn, Miller followed.\n\n Ravia reached across to grab the water. Miller leaned back to give her space. There was not much room for maneuvering in this ":{"v":" Au-dessus d'elle, dans l'un des rares arbres du canyon, Miller put voir que Ravia était déjà en poste. Elle fit un signe de la main, et Ravia répondit. S'interpeller était strictement interdit. Tout ce qui dépassait d'un geste dans le canyon était interdit. Lorsque Miller atteignit l'arbre, Ravia abaissa une corde tressée et pointa du doigt le sol derrière elle.\n\n Miller se retourna, suivant le doigt, et vit un seau d'eau reposant à côté d'un tronc voisin. Elle se retourna vers Ravia, hocha la tête, et attacha le seau à la corde. Le seau monta en premier, puis Miller suivit.\n\n Ravia tendit la main pour attraper l'eau. Miller recula pour lui laisser de l'espace. Il n'y avait pas beaucoup d'espace pour manœuvrer ici ","t":"A","i":3841}," An hour or so later, the screams began. Bloodcurdling cries of hopeless desperation. Captain Fodric Lee of the Blackguard looked down from the ridge of the canyon to the collapsed entrance of the cave. \n\n “Ah…” He grinned, “Now they speak.” ":{"v":" Une heure plus tard environ, les cris commencèrent. Des hurlements sanglants de désespoir sans espoir. Le capitaine Fodric Lee de la Garde Noire regarda depuis le rebord du canyon vers l'entrée effondrée de la grotte. \n\n « Ah… » Il sourit, « Maintenant ils parlent. » ","t":"A","i":2700}," And each time you draft a RED ROOM, \n lose ALL of the ABOVE.":{"v":" Et à chaque fois que vous rédigez une CHAMBRE ROUGE, \n perdez TOUT ce qui précède.","t":"A","i":1531}," DID THEY EVER PROVE HE WAS THE\nONE THAT STOLE THE BARONS MAIL":{"v":" ONT-ILS JAMAIS PUVÉ PREUVER QU'IL ÉTAIT CELUI QUI AVAIT VOLE LA BOÎTE POSTALE DU BARON\n","t":"A","i":2949}," Despite the hardened circumstances that had led him to this vocation of banditry, Jesper was surprisingly tenderhearted and was often teased by the group for being too kind for such an ignoble life. For this reason, Jesper was assigned the innocent role of berry picker. It was not just innocence that set berry picking apart from the gang's more wicked undertakings, for it was the only duty performed without the safety of night’s concealment.\n Jesper, no stranger to solitude, did not protest that he alone worked while the others slept soundly, tucked away in the cave at the bottom of Black Bridge canyon.":{"v":" Malgré les circonstances dures qui l'avaient conduit à cette vocation de bandit, Jesper était étonnamment tendre et était souvent taquiné par le groupe pour être trop bienveillant pour une vie aussi ignoble. Pour cette raison, Jesper fut assigné au rôle innocent de cueilleur de baies. Ce n'était pas seulement l'innocence qui distinguait la cueillette de baies des activités plus maléfiques du gang, car c'était le seul devoir accompli sans la sécurité du camouflage de la nuit.\n Jesper, loin d'être étranger à la solitude, ne protesta pas lorsqu'il travaillait seul tandis que les autres dormaient paisiblement, abrités dans la grotte au fond du canyon du Pont Noir.","t":"A","i":3425}," Excusing his inexperience, the man indulged Jesper while he figured out how to adequately bind him. The smile and kindness Jesper had seen on this man’s face, now nothing more than a distant memory. In their place, cold, dark eyes displaying no emotion.\n\n “I wonder… Should I grant you the same clemency you are showing me?” Jesper stopped, surprised by the question but ignored it, secured the final bindings and then hastily returned to the carriage. With one hand on the door’s handle, he turned back to the man, “If there is no lockbox. There will be no clemency.”\n\n Inside, the carriage was surprisingly dusty and unswept, a stark contrast to the elegant and polished golden facade of the exterior. It had apparently been many years since a passenger had enjoyed passage in this vehicle.":{"v":" Excusing his inexperience, the man indulged Jesper while he figured out how to adequately bind him. The smile and kindness Jesper had seen on this man’s face, now nothing more than a distant memory. In their place, cold, dark eyes displaying no emotion.\n\n « Je me demande… Dois-je vous accorder la même clémence que vous me montrez ? » Jesper s’arrêta, surpris par la question, mais l’ignora, sécurisa les derniers liens puis regagna précipitamment la calèche. Une main posée sur la poignée de la porte, il se retourna vers l’homme : « S’il n’y a pas de coffre-fort. Il n’y aura pas de clémence. »\n\n À l’intérieur, la calèche était étonnamment poussiéreuse et non balayée, un contraste frappant avec la façade dorée élégante et polie de l’extérieur. Apparemment, cela faisait des années qu’un passager n’avait pas profité du passage dans ce véhicule.","t":"A","i":2162}," He headed over to a nearby rock of sizable dimensions and lifted the stone up carrying it back to the box. If there was ever a time when that lock had been resistant to brute force, it wasn’t recent. With one hit, the stone had completely shattered the rusted lock. He bent back down and opened the lid. Inside was an effigy, a crude figure chiseled from stone.\n\n Without too much deliberation Jesper bent down and picked it up, somewhat surprised how heavy it seemed given how light the box had felt. Having expected to find something more akin to gold or gems, he looked questioningly to the man hoping to find an explanation.\n\n The driver’s smile had once again returned “You are cursed, boy, for deadly is the stone. You have opened that which should never have been opened and you are cursed.”":{"v":" Il se dirigea vers une roche voisine de dimensions considérables et souleva la pierre pour la rapporter à la boîte. S'il y avait eu un moment où ce cadenas avait résisté à la force brute, ce n'était pas récemment. D'un seul coup, la pierre avait complètement brisé le cadenas rouillé. Il se pencha à nouveau et ouvrit le couvercle. À l'intérieur se trouvait une effigie, une figure grossière sculptée dans la pierre.\n\n Sans trop de réflexion, Jesper se pencha et la ramassa, quelque peu surpris par son poids apparent étant donné à quel point la boîte semblait légère. Ayant espéré trouver quelque chose de plus proche de l'or ou des gemmes, il regarda le homme avec interrogation, espérant trouver une explication.\n\n Le sourire du chauffeur était revenu une fois de plus : « Tu es maudit, garçon, car mortelle est la pierre. Tu as ouvert ce qui ne devait jamais être ouvert et tu es maudit. »","t":"A","i":3028}," He would not reveal the location of this newfound treasure. Instead, he would earn the respect of his confederates who, upon seeing his yield, might attribute the success to hard work. Smiling at his plan, Jesper set off to fill his basket and was making steady strides in this task when the sound of thundering hooves interrupted him.":{"v":" Il ne révélerait pas l'emplacement de ce nouveau trésor. Au lieu de cela, il gagnerait le respect de ses complices qui, en voyant son rendement, pourraient attribuer le succès au travail acharné. Souriante à son plan, Jesper se mit à remplir son panier et progressait régulièrement dans cette tâche lorsque le bruit de sabots hennissants l'interrompit.","t":"A","i":3521}," In the years of hunger that followed, Jesper lived in a gutter behind a churchyard, relying on the nourishment of scurrying bugs and weeds harvested from the cracks of the alleyway to sustain his pitiful existence.\n\n It is not surprising that a child aiming to escape such hardships would take any easy road out. An easy and well-traveled road, paved with temptations, leading out of the city and into the gentrylands where loose purse strings entwine with the strands of salvation and glisten equally with the hope of opportunity. It was this road that eventually led Jesper to the end of his youth, a hidden cave at the bottom of Black Bridge Canyon. It was here that he met his surrogate family and saviors, that notorious gang of godless outlaws known as \"The Unholy Hounds\".\n":{"v":" Dans les années de famine qui suivirent, Jesper vécut dans une ruelle derrière un cimetière, se nourrissant d'insectes et de mauvaises herbes cueillis dans les fissures du passage pour entretenir sa misérable existence.\n\n Il n'est pas surprenant qu'un enfant cherchant à échapper à de telles épreuves prenne tout chemin facile. Un chemin bien battu, pavé de tentations, menant hors de la ville et vers les terres des nobles, où le manque d'argent s'entremêle aux fils du salut et scintille également de l'espoir de l'opportunité. C'est ce chemin qui finit par mener Jesper à la fin de sa jeunesse, une grotte cachée au fond du canyon du Pont Noir. C'est ici qu'il rencontra sa famille de substitution et ses sauveurs, cette bande notoire d'outlaws sans Dieu connue sous le nom des « Chiens Impies ».\n","t":"A","i":3210}," It took over three hours on foot to reach his destination, and along the way, Jesper had passed by many a familiar bush, all priorly pillaged and so bereft of berries that one would have to dedicate several moments in earnest examination before finding a single one. Jesper was patient, but even patience has its limits. He was confident that even accounting for the time lost to this long stretch of travel, his efforts would be well worth the pains.\n\n Surveying the patches in this new grove surprised even Jesper. The red dots suspended among the leaves seemed as numerous as stars in the skies. Upon seeing such a bounteous sight, he clutched his berry basket tightly and nearly toppled over out of joy. Once he had regained his senses, Jesper quickly made a decision.\n":{"v":" Il lui a fallu plus de trois heures à pied pour atteindre sa destination, et en chemin, Jesper a croisé bien des buissons familiers, tous déjà pillés et si dépourvus de baies qu'il aurait fallu y consacrer plusieurs instants d'examen attentif pour en trouver une seule. Jesper était patient, mais même la patience a ses limites. Il était convaincu que, même en tenant compte du temps perdu à cause de ce long trajet, ses efforts en valaient la peine.\n\n L'inspection des touffes dans ce nouveau bosquet a surpris même Jesper. Les points rouges suspendus entre les feuilles semblaient aussi nombreux que les étoiles dans le ciel. Devant un tel spectacle d'abondance, il a serré son panier à baies et a failli s'effondrer de joie. Une fois revenu à lui, Jesper a rapidement pris une décision.\n","t":"A","i":2441}," Jesper carried the effigy over to the man and shoved it in front of his face.\n\n “What is it?”\n\n “That’s one.” Feeling his disappointment rising to anger now, Jesper tightened his grip on the effigy.\n\n “One what, you mumbling ajentor? And in god’s name, why have you no purse upon your person?”\n\n The man did not seem intimidated. “One pace.” He paused for effect, “Twelve more and you will be dead.” He only had a second to flinch before the effigy struck him in the head and put an end to his cryptic ramblings. If there was ever a time when the old man had been resistant to brute force, it wasn’t recent.":{"v":" Jesper porta l'effigie vers l'homme et la lui enfonça devant le visage.\n\n « Qu'est-ce que c'est ? »\n\n « C'est un. » Sentant sa déception se transformer en colère, Jesper resserra son étreinte sur l'effigie.\n\n « Un quoi, toi qui bafouilles ajentor ? Et au nom de Dieu, pourquoi n'as-tu pas de sac à ton ceinture ? »\n\n L'homme ne semblait pas intimidé. « Un pas. » Il fit une pause pour l'effet, « Douze autres et tu seras mort. » Il n'eut qu'une seconde pour sursauter avant que l'effigie ne lui frappe la tête et ne mette fin à ses discours cryptiques. S'il y avait eu un moment où le vieil homme aurait résisté à la force brute, ce n'était pas récemment.","t":"A","i":3928}," Jesper looked down at the sculpted stone figure, now splattered red. Was it cursed? Was he cursed? He had of course heard stories of curses and had never doubted their validity in the past, but now that he was standing face to face with the possibility of being cursed, his mind pleaded with him to be skeptical.\n\n And if he was cursed? What difference would the knowledge make? A dozen more paces would not be enough to find another living soul, to say nothing of the chances of procuring a remedy. If he did not move from where he now stood, he could live maybe another three or four days, maybe more given the abundance of nearby berries. A plan that if we ignore its obvious faults, might provide additional opportunities for help to come along. But what good would that do? To be discovered here,":{"v":" Jesper regardait la figure de pierre sculptée, maintenant tachée de rouge. Était-elle maudite ? Lui-même était-il maudit ? Il avait bien entendu des histoires sur les malédictions et n'avait jamais douté de leur validité par le passé, mais maintenant qu'il se tenait face à face avec la possibilité d'être maudit, son esprit lui demandait d'être sceptique.\n\n Et s'il était maudit ? Quelle différence ferait cette connaissance ? Une douzaine de pas ne suffiraient pas pour trouver une autre âme vivante, sans parler des chances d'obtenir un remède. S'il ne bougeait pas de l'endroit où il se tenait, il pourrait vivre peut-être encore trois ou quatre jours, peut-être plus grâce à l'abondance de baies voisines. Un plan qui, si nous ignorons ses défauts évidents, pourrait offrir des occasions supplémentaires pour que de l'aide vienne. Mais quel bien cela ferait-il ? Être découvert ici,","t":"A","i":3066}," Jesper replied with a scripted response, “A little south of Tanner Fork, just past the burnt woods.”\n\n “My God. That is far. You couldn’t have come all that way only this morning!”\n\n It was true, Tanner Fork was in the exact opposite direction that Jesper had traveled, and while that response would seem perfectly reasonable in a location closer to Black Bridge Canyon, he could see why it might seem less believable here.\n\n “Sir, I have traveled much farther for much less profit. I dare say there is no distance yet made by man that would not be worth undertaking for a prize such as these. Surely, you have tasted them for yourself?” Jesper felt happier with this response as it seemed to amplify the man’s smile.\n\n":{"v":" Jesper répondit avec une réponse préparée : « Un peu au sud de Tanner Fork, juste après la forêt brûlée. »\n\n « Mon Dieu. C'est loin. Vous n'auriez pas pu parcourir tout ce chemin seulement ce matin ! »\n\n Il avait raison : Tanner Fork se trouvait dans la direction exactement opposée à celle que Jesper avait empruntée, et bien que cette réponse semblât parfaitement logique dans un lieu plus proche du Black Bridge Canyon, il comprenait pourquoi elle pouvait paraître moins crédible ici.\n\n « Seigneur, j'ai déjà parcouru des distances beaucoup plus grandes pour de bien moindres profits. Je parie qu'il n'y a pas de distance que l'homme ait jamais franchie qui ne vaille le coup d'être entreprise pour un tel butin. Vous en avez goûté vous-même, n'est-ce pas ? » Jesper se sentit plus heureux avec cette réponse, car elle semblait amplifier le sourire de l'homme.\n\n","t":"A","i":3929}," Mechanical Rooms and\n Tomorrow Rooms\n are now commonplace.":{"v":" Les Chambres Mécaniques et\n Demain\n sont désormais courantes.","t":"A","i":3611}," Miller awoke the next day to a thunderous shaking and rattling of the earth, a far cry from the playful nudging of the previous day. She strained to adjust her eyes, but the choking sting of stirred-up dust caused her to flinch. Panic was also in the air. The sounds of scurried footsteps and clattering feet filled the space around her. But even in alarm, the silence was louder. What was it that sounded so strange?\n\n Miller closed her eyes tight and used her feet to guide her along the passage. The whispers around her were getting louder, and intense voices could be heard ahead. Louder speech than she had ever heard spoken in the canyon. \n\n\n":{"v":" Miller se réveilla le lendemain suite à une secousse et un tremblement de terre assourdissants, bien loin des tapotements ludiques du jour précédent. Elle s'efforça d'ajuster sa vue, mais la piqure étouffante de la poussière remuée lui fit sursauter. La panique flottait aussi dans l'air. Les bruits de pas précipités et de pieds qui claquaient remplissaient l'espace autour d'elle. Mais même dans l'alarme, le silence était plus fort. Qu'est-ce qui sonnait si étrange ?\n\n Miller ferma les yeux serrés et utilisa ses pieds pour la guider le long du passage. Les murmures autour d'elle devenaient plus forts, et des voix intenses pouvaient être entendues en avant. Une parole plus forte qu'elle n'avait jamais entendue prononcée dans le canyon.\n\n\n","t":"A","i":2833}," Miller was inconsolable. Jesper had always been her favorite. He had always shadowed her in the night, clinging to the hems of her every move, the way a child tails behind an older sibling. Tenderhearted, she had always called him, though deep down she had known that wasn’t quite true. His appearance of gentleness concealed a raw, resilient durability that emerged in the most perilous of situations. He had been a flower among the nettles of this cave, but he still had thorns, honed by a grim past and a hundred hands of misfortune.\n\n They buried him in the darkness, in the back of one of the larger cavern rooms. He was interred with a berry basket and a silk handkerchief that he had treasured. \n":{"v":" Miller était inconsolable. Jesper avait toujours été sa préférée. Il l'avait toujours suivie dans la nuit, accroissant aux ourlets de chaque mouvement qu'elle faisait, comme un enfant traînant derrière son aîné. Pleine de cœur, elle l'avait toujours appelé ainsi, bien que profondément en elle, elle sache que ce n'était pas tout à fait vrai. Son apparence de douceur cachait une durabilité brute et résiliente qui émergeait dans les situations les plus périlleuses. Il avait été une fleur parmi les orties de cette grotte, mais il possédait encore des épines, aiguisées par un passé sombre et une centaine de mains malheureuses.\n\n Ils l'ont enterré dans l'obscurité, à l'arrière d'une des plus grandes salles de la caverne. Il a été inhumé avec un panier de baies et un mouchoir en soie qu'il avait chéri.\n","t":"A","i":3192}," On one such occasion, Jesper decided to get an early start. He left the cave, berry basket in hand, and set out into the woods before the morning sun had even brushed against the tallest treetops. It was colder in the mornings, but the headway dawn afforded meant Jesper could reach the furthermost berry patches without worry of being chastised for tarrying upon his return.":{"v":" À l'occasion d'un tel événement, Jesper décida de se lever tôt. Il quitta la grotte, un panier de baies à la main, et s'enfonça dans la forêt avant que le soleil du matin n'eût même effleuré les plus hauts cimes des arbres. Les matins étaient plus froids, mais l'avance que lui offrait l'aube signifiait que Jesper pouvait atteindre les plus lointains champs de baies sans craindre d'être grondé pour son retard à son retour.","t":"A","i":3846}," Plus an additional \n if you have an \n in your house.":{"v":" Plus un supplément \n si vous avez un \n chez vous.","t":"A","i":2454}," Ravia touched her elbow and pointed up. Miller, striving to suppress a budding smile, subtly shook her head in response. There were many signs that the Unholy Hounds used in lieu of words, but the two of them had developed an extended vocabulary. Gestures quietly forged in the shared solitude of their month among the branches. She watched as Ravia shifted, placing her palms flat on the floorboards beneath them.\n\n Miller knew what she was trying to say but shook her head a second time. It was often more fun to pretend not to understand. Ravia rolled her eyes and turned away, looking back to the canyon. Squinting through the leaves, the two girls held still,\n":{"v":" Ravia toucha son coude et pointa vers le haut. Miller, s’efforçant de réprimer un sourire naissant, secoua subtilement la tête en réponse. Il y avait de nombreux signes que les Chiens Impies utilisaient à la place des mots, mais les deux avaient développé un vocabulaire étendu. Des gestes forgés en silence dans la solitude partagée de leur mois passé parmi les branches. Elle observa Ravia se déplacer, posant ses paumes à plat sur les planchers sous elles.\n\n Miller savait ce qu’elle essayait de dire, mais secoua la tête une seconde fois. Il était souvent plus amusant de faire semblant de ne pas comprendre. Ravia roula des yeux et se détourna, regardant à nouveau le canyon. Plissant les yeux à travers les feuilles, les deux filles restèrent immobiles,\n","t":"A","i":2550}," Secondly, the box was secured by a rusted yet robust padlock and would not open easily without a key. Jesper looked over to see the driver quietly observing from his indentured position.\n\n “Do you perhaps have a key you can provide me to open this box?”\n\n Without emotion the driver replied, “There is no key to that box.”\n\n Jesper stood up, “Easy enough then.”":{"v":" Deuxièmement, la boîte était scellée par un cadenas rouillé mais robuste et ne s’ouvrirait pas facilement sans clé. Jesper jeta un coup d’œil et vit le conducteur l’observer silencieusement depuis sa position asservie.\n\n « Avez-vous peut-être une clé que vous pourriez me fournir pour ouvrir cette boîte ? »\n\n Sans émotion, le conducteur répondit : « Il n’y a pas de clé pour cette boîte. »\n\n Jesper se leva. « Ce sera donc facile. »","t":"A","i":1850}," TOTAL DISKS HAVE BEEN ISSUED":{"v":" DISQUES ÉMIS AU TOTAL","t":"A","i":2536}," The driver chuckled and removed one glove, bending over the seat to reach down to the basket. And at the moment his fingers touched the first berry, the dagger in turn met his throat, cutting through a superficial layer of skin and drawing blood. Jesper caught the man’s startled eyes, “And for that taste, I will have your purse, sir, in memory of my youth.”\n\n The driver’s arm had gone stiff, his chin raised and trembling, more frightened than he had ever been before. Whether unable or incapable of speaking, he did not respond to the boy. Perhaps, he did not think his jaw could afford to be engaged at this particular time. Jesper let the basket drop, freeing his other hand to probe the man’s pockets.\n\n “Do not mistake me, sir. I will not kill you if you give me no cause. Though I will admit, the thought of taking your carriage and leaving you the indignity of walking appeals to me.”\n\n ":{"v":" Le chauffeur éclata de rire et enleva un gant, se penchant sur le siège pour atteindre le panier. Et à l'instant où ses doigts touchèrent la première baie, le poignard tour à tour vint frapper sa gorge, traversant une couche superficielle de peau et provoquant une écoulement de sang. Jesper saisit les yeux effarés de l'homme : « Et pour ce goût-là, je prendrai votre bourse, monsieur, en souvenir de ma jeunesse. »\n\n Le bras du chauffeur était devenu raide, son menton levé et tremblant, plus effrayé qu'il ne l'avait jamais été auparavant. Qu'il fût incapable ou inapte à parler, il ne répondit pas au garçon. Peut-être pensait-il que sa mâchoire ne pouvait se permettre d'être sollicitée à ce moment précis. Jesper laissa tomber le panier, libérant son autre main pour fouiller les poches de l'homme.\n\n « Ne me prenez pas pour un idiot, monsieur. Je ne vous tuerai pas si vous ne me donnez aucune raison. Bien que je doive admettre que l'idée de prendre votre carrosse et de vous laisser la honte de marcher m'attire. »\n\n ","t":"A","i":3030}," The gang’s chieftain, Geoffrey Heartslasher, led the others, cautiously approaching the crashed carriage like a suspicious fox would near a baited trap. There were no words exchanged as the group crept forward in customary silence. A dozen or so paces in front of the wreckage lay the far-flung driver, an arrow protruding from his broken body, and beside him, a blood-stained effigy carved from stone.":{"v":" Le chef de la bande, Geoffrey Heartslasher, menait les autres et approchait prudemment du carrosse écrasé, tel un renard soupçonneux près d'un piège tendu. Aucun mot n'échangea pendant que le groupe avançait en silence coutumier. Une douzaine de pas devant les débris gisait le cocher éparpillé, une flèche plantée dans son corps brisé, et à ses côtés, une effigie tachée de sang sculptée dans la pierre.","t":"A","i":2950}," The moment the horses came into view, Miller let loose her first arrow. She was surprised to see a carriage. She had expected cavalry. Before she even finished processing that thought, her second arrow was in the air. Without a trail, it would be unthinkable for a carriage to traverse such rough terrain, yet she watched as the wheels jolted over the rocky riverbed.\n\n A third arrow was now in flight, and there would be no need for a fourth. The driver slumped over just moments before the vehicle dipped into a small ditch, slamming into an embankment. The force of this sudden halt immediately shattered the front two wheels and catapulted the driver from his seat. Utterly confused now, Miller quickly glanced":{"v":" À peine les chevaux apparurent-ils à l'horizon que Miller lâcha sa première flèche. Elle fut surprise de voir une carriole ; elle s'attendait à des cavaliers. Avant même d'avoir eu le temps de traiter cette pensée, sa deuxième flèche était déjà en vol. Sans sentier, il serait impensable qu'une carriole traverse un tel terrain accidenté, pourtant elle assista aux roues qui s'écrasèrent sur le lit rocheux du ruisseau.\n\n Une troisième flèche était maintenant en vol, et une quatrième ne serait plus nécessaire. Le cocher s'affala quelques instants avant que le véhicule ne plonge dans un petit fossé, heurtant violemment un talus. La force de ce brusque arrêt brisa immédiatement les deux roues avant et projeta le cocher hors de son siège. Désormais totalement perplexe, Miller jeta rapidement un coup d'œil","t":"A","i":3107}," The mysterious effigy they had found beside him served as a distinguished gravestone, a marker that stood out as somewhat special among the rows of similar swords marking neighboring plots. No one spoke, not even in whispers. There was nothing to say.\n":{"v":" La mystérieuse effigie qu'ils avaient trouvée à ses côtés servait de stèle distinguée, un marqueur qui se démarquait comme étant quelque peu spécial parmi les rangées d'épées similaires marquant les parcelles voisines. Personne ne parla, pas même à voix basse. Il n'y avait rien à dire.\n","t":"A","i":3297}," This all but confirmed what Jesper had suspected, the driver of this carriage was not a liveried servant in the employ of some greater master. Any curiosity that this observation might have further produced was quickly abandoned upon seeing what rested under the carriage’s backseat. A large wooden lockbox.\n\n Despite its hefty appearance, the box was surprisingly easy to handle. Within a few minutes, Jesper had dislodged it from its hold and carried it out into the sunlight. Inspecting the box carefully, two observations were made; Totemic symbols found carved on all four sides of the box hinted that the box was very old and likely not created by Orindian hands. It reminded him of artifacts from the old world and was presumably crafted in one of the ancient realms.":{"v":" Cela confirma presque tout ce que Jesper avait soupçonné : le cocher de cette calèche n’était pas un domestique en livrée au service d’un maître plus important. Toute curiosité que cette observation aurait pu éveiller fut rapidement abandonnée dès qu’il aperçut ce qui reposait sous la banquette arrière de la calèche. Une grande malle en bois.\n\n Malgré son apparence massive, la malle était surprenante à manipuler. En quelques minutes, Jesper l’avait délogée de son emplacement et l’avait portée à la lumière du jour. L’examinant attentivement, il fit deux observations ; des symboles totémiques gravés sur les quatre faces de la malle laissaient supposer qu’elle était très ancienne et probablement non créée par des mains orindiennes. Elle lui rappelait des artefacts du monde ancien et avait vraisemblablement été façonnée dans l’une des anciennes contrées.","t":"A","i":2588}," You are more likely to\ndraw Tomorrow Rooms\nwhile drafting.":{"v":" Vous avez plus de chances de\ntirer Chambres de demain\nlors de la rédaction.","t":"A","i":1860}," You are more likely to draw \nTomorrow Rooms while drafting.":{"v":" Vous avez plus de chances de tirer \nPièces du lendemain lors de la rédaction.","t":"A","i":2209}," [!v*0]°c --\n\n\n [!v*1]°c -- Room Temp - - - - - - - - - - - - - - - - -\n\n\n [!v*2]°c --\n\n\t\t\n [!v*3]°c \t\t\t \n \n[!v*4]°c \n":{"v":" [!v*0]°c --\n\n\n [!v*1]°c -- Temp. ambiante - - - - - - - - - - - - - - - - -\n\n\n [!v*2]°c --\n\n\t\t\n [!v*3]°c \t\t\t \n \n[!v*4]°c \n","t":"A","i":1028}," inform a contractor that the print contains designs for a hallway. \n In this issue of Drafting Strategy, we will explore the different features of each type of floorplan and look at the underlying connections that tie each room to its color.\n":{"v":" informer un contractant que le plan contient des conceptions pour un couloir. \n Dans ce numéro de Stratégie de Conception, nous explorerons les différentes fonctionnalités de chaque type de plan d'étage et examinerons les connexions fondamentales qui lient chaque pièce à sa couleur.\n","t":"A","i":2294}," remind Randolph\n to set this up\n before we leave":{"v":" rappelle à Randolph de configurer cela\n avant que nous ne partions\n","t":"A","i":3581}," years\ncertainly\nflew by!":{"v":" les années\nont\nvolé","t":"A","i":593}," “In my youth, often, but perhaps I took it for granted because I never had to travel very far. And even then, my father would always drive us here in our carriage, so I’m ashamed I never had to walk such a stretch to earn an equal reward.”\n\n It was Jesper’s time to smile, “Then let my efforts reward us both today!” He raised the basket even higher, “A taste in memory of your youth, sir.”\n\n ":{"v":" « Dans ma jeunesse, souvent, mais peut-être ai-je pris cela pour acquis car je n'avais jamais à parcourir de si longues distances. Et même alors, mon père conduisait toujours notre calèche ici, donc j'ai honte d'avoir jamais dû marcher un tel tronçon pour mériter une récompense égale.\n\n » C'était le moment de sourire de Jesper : « Alors que mes efforts nous récompensent tous les deux aujourd'hui ! » Il éleva encore plus haut le panier, « Un souvenir de votre jeunesse, monsieur. »\n\n ","t":"A","i":2890}," “You, boy! Get out from behind that bush,” he shouted with a rigidity that betrayed a modest amount of fear. “You startled me half to death, coming ‘round the bend of my own drive and me seeing such an unfamiliar face in a place where there ought not be any face.”\n\n Jesper quickly contemplated running. The man was much older, and his dress was suitable for courtly behavior, not dashing through the bramble and mud. “I… I was picking berries.” Jesper raised the half-filled basket up to allow the driver to see the proof of his words.\n\n The demeanor of the man suddenly changed. It was a change that Jesper was familiar with. He had many times seen the same stern expressions on the most fiendish\n":{"v":" « Toi, garçon ! Sors de derrière ce buisson », cria-t-il avec une raideur qui trahissait une modeste dose de peur. « Tu m’as fait un mal de mort, en arrivant par le virage de mon propre chemin et en me montrant un visage aussi inconnu dans un endroit où il ne devrait y avoir aucun visage. »\n\n Jesper envisagea rapidement de prendre la fuite. L’homme était bien plus âgé, et son habillement convenait aux manières de cour, non à se frayer un chemin à travers les ronces et la boue. « Je… je cueillais des baies. » Jesper souleva le panier à moitié rempli pour permettre au cocher de voir la preuve de ses dires.\n\n L’attitude de l’homme changea soudainement. C’était un changement que Jesper connaissait bien. Il avait vu maintes fois les mêmes expressions sévères sur les visages les plus diaboliques\n","t":"A","i":2173}," Drafting, Green Room, Addition":{"v":" Brouillon, Verte, Ajout","t":"A","i":4693}," Entry, Red Room":{"v":" Entrée, Chambre Rouge","t":"A","i":4353}," Spread, Blueprint":{"v":" Étaler, Plan","t":"A","i":4361}," as a lways,\n Mary":{"v":" en tant que toujours,\n Mary","t":"A","i":3710}," Awarded for reaching\n Room [!v*0] in under an hour!":{"v":" Décerné pour avoir atteint\n la salle [!v*0] en moins d'une heure !","t":"A","i":427}," Awarded for unlocking all\n Realm Sigils":{"v":" Débloqué en débloquant tous\n les Sceaux des Royaumes","t":"A","i":274}," BONUS BONUS BONUS\n SPIN SPIN SPIN":{"v":" BONUS BONUS BONUS\n TOURNER TOURNER TOURNER","t":"A","i":357}," D\n\nO\nOR":{"v":" D\n\nO\nOR","t":"A","i":1078}," Diamondus Minor\n+ [!v*1] Gem":{"v":" Diamondus Minor\n+ [!v*1] Gemme","t":"A","i":3780}," Due to the overwhelming\namount of artifacts bearing\nthe Orinda Aries sigil that were destroyed after the war, Mora Jai puzzle boxes featuring the infamous black symbol are among the rarest (and most valuable) collectors can acquire.\n\nWhen BLACK TILES are pressed, the entire row shifts to the right, as if on train rails.":{"v":" En raison de la quantité\nénorme d'artefacts portant\nle sigile d'Orinda Aries détruits après la guerre, les boîtes à énigmes de Mora Jai arborant le célèbre symbole noir comptent parmi les plus rares (et les plus précieuses) que les collectionneurs peuvent acquérir.\n\nLorsque les TUILES NOIRES sont pressées, toute la ligne se décale vers la droite, comme sur des rails de train.","t":"A","i":2067}," GREEN ROOM\n":{"v":" CHAMBRE VERTE\n","t":"A","i":3590}," He couldn’t see beyond\nthe red shade he was aware.\n He never caught a glimpse,\nOf the world I had to share\n.":{"v":" Il ne pouvait voir au-delà \nde la teinte rouge dont il était conscient. \n Il n'a jamais eu un aperçu, \nDu monde que je devais partager \n.","t":"A","i":4029}," It was only a moment more before the sound’s source revealed itself. Within fifty paces of where Jesper hid, an elegant carriage with gold trim came soaring around a corner of trees, led by two beautiful white horses and conveyed by a stern-looking driver seated atop the vehicle, flaunting the most sophisticated regalia Jesper had ever seen. It was not just any carriage; it was a royal carriage. Even without ever having witnessed such a sight before, Jesper was certain.\n\n The sight had so transfixed Jesper that he stood awestruck, unable to tear away as the carriage approached. The little concealment the bush provided was soon proven unequal to the driver’s lofty perch, and upon spotting the boy, he pulled the reins with such effect that the noble steeds slid to a sudden halt with precise control.\n":{"v":" Ce ne fut qu'un instant de plus avant que la source du bruit se révèle. À moins de cinquante pas de l'endroit où Jesper se cachait, une élégante calèche aux dorures apparut en tournant un virage entre les arbres, tirée par deux magnifiques chevaux blancs et conduite par un cocher au visage sévère assis sur le véhicule, arborant la plus sophistiquée des parures que Jesper eût jamais vues. Ce n'était pas une simple calèche ; c'était une calèche royale. Même sans avoir jamais vu de tel spectacle auparavant, Jesper en était certain.\n\n Le spectacle avait tellement fasciné Jesper qu'il restait pétrifié, incapable de détourner le regard alors que la calèche approchait. La petite cachette fournie par le buisson s'avéra bientôt insuffisante face à la haute position du cocher, et en apercevant le garçon, il tira sur les rênes avec un tel effet que les nobles bêtes glissèrent jusqu'à un arrêt soudain avec une précision parfaite.\n","t":"A","i":3275}," M A \n (SMALL)":{"v":" M A \n (PETIT)","t":"A","i":687}," O V \n (TOWARD)":{"v":" O V \n (VERS)","t":"A","i":970}," Your ALLOWANCE has now been\npermanently increased by [!v*1]":{"v":" Votre ALLOCATION a maintenant été\naugmentée de façon permanente de [!v*1]","t":"A","i":2777}," [!v*0] North Star\n [!v*1] The Twins\n [!v*2] The Slice\n [!v*3] Diamondus Minor\n [!v*4] Southern Cross\n [!v*5] The Twins, Diamondus Minor\n [!v*6] Farmer's Apple\n [!v*7] Clavis the Key\n [!v*8] Diamondus Minor, Southern Cross\n[!v*9] The Slice, Farmer's Apple\n[!v*10] Diamondus Major\n[!v*11] Draxus the Dead\n[!v*12] Southern Cross, Clavis the Key\n[!v*13] The Slice, Diamondus Minor, Farmer's Apple\n[!v*14] The Sail\n[!v*15] Southern Cross, Diamondus Major\n[!v*16] The Twins, Farmer's Apple, Clavis the Key\n[!v*17] The Slice, The Sail\n[!v*18] Clavis the Key, Diamondus Major\n[!v*19] Florealis - Bloom of the Sky\n[!v*20] The Slice,Farmer's Apple, Diamondus Major\n[!v*21] The Twins,Clavis the Key, Draxus the Dead\n[!v*22] Clavis the Key, The Sail\n[!v*23] Diamondus Minor, Florealis Bloom of Dreamers\n[!v*24] The Twins, The Slice, Southern Cross, Farmer's Apple, Clavis":{"v":" [!v*0] Étoile du Nord\n [!v*1] Les Jumeaux\n [!v*2] La Tranche\n [!v*3] Diamondus Minor\n [!v*4] Croix du Sud\n [!v*5] Les Jumeaux, Diamondus Minor\n [!v*6] La Pomme du Fermier\n [!v*7] Clavis la Clé\n [!v*8] Diamondus Minor, Croix du Sud\n[!v*9] La Tranche, La Pomme du Fermier\n[!v*10] Diamondus Major\n[!v*11] Draxus le Mort\n[!v*12] Croix du Sud, Clavis la Clé\n[!v*13] La Tranche, Diamondus Minor, La Pomme du Fermier\n[!v*14] La Voile\n[!v*15] Croix du Sud, Diamondus Major\n[!v*16] Les Jumeaux, La Pomme du Fermier, Clavis la Clé\n[!v*17] La Tranche, La Voile\n[!v*18] Clavis la Clé, Diamondus Major\n[!v*19] Florealis - Fleur du Ciel\n[!v*20] La Tranche, La Pomme du Fermier, Diamondus Major\n[!v*21] Les Jumeaux, Clavis la Clé, Draxus le Mort\n[!v*22] Clavis la Clé, La Voile\n[!v*23] Diamondus Minor, Florealis Fleur des Rêveurs\n[!v*24] Les Jumeaux, La Tranche, Croix du Sud, La Pomme du Fermier, Clavis","t":"A","i":851}," [!v*0] North Star\n [!v*1] The Twins\n [!v*2] The Slice\n [!v*3] Diamondus Minor\n [!v*4] Southern Cross\n [!v*5] The Twins, Diamondus Minor\n [!v*6] Farmer's Apple\n [!v*7] Clavis the Key\n [!v*8] Diamondus Minor, Southern Cross\n[!v*9] The Slice, Farmer's Apple\n[!v*10] Diamondus Major\n[!v*11] Draxus the Dead\n[!v*12] Southern Cross, Clavis the Key\n[!v*13] The Slice, Diamondus Minor, Farmer's Apple\n[!v*14] The Sail\n[!v*15] Southern Cross, Diamondus Major\n[!v*16] The Twins, Farmer's Apple, Clavis the Key\n[!v*17] The Slice, The Sail\n[!v*18] Clavis the Key, Diamondus Major\n[!v*19] Florealis - Bloom of the Sky\n[!v*20] The Slice, Farmer's Apple, Diamondus Major\n[!v*21] The Twins, Clavis the Key, Draxus the Dead\n[!v*22] Clavis the Key, The Sail\n[!v*23] Diamondus Minor, Florealis - Bloom of the Sky\n[!v*24] The Twins, The Slice, Southern Cross, Farmer's Apple, Clavis":{"v":" [!v*0] Étoile du Nord\n [!v*1] Les Jumeaux\n [!v*2] La Tranche\n [!v*3] Diamondus Minor\n [!v*4] Croix du Sud\n [!v*5] Les Jumeaux, Diamondus Minor\n [!v*6] Pomme du Fermier\n [!v*7] Clavis la Clé\n [!v*8] Diamondus Minor, Croix du Sud\n[!v*9] La Tranche, Pomme du Fermier\n[!v*10] Diamondus Majeur\n[!v*11] Draxus le Mort\n[!v*12] Croix du Sud, Clavis la Clé\n[!v*13] La Tranche, Diamondus Minor, Pomme du Fermier\n[!v*14] La Voile\n[!v*15] Croix du Sud, Diamondus Majeur\n[!v*16] Les Jumeaux, Pomme du Fermier, Clavis la Clé\n[!v*17] La Tranche, La Voile\n[!v*18] Clavis la Clé, Diamondus Majeur\n[!v*19] Florealis - Fleur du Ciel\n[!v*20] La Tranche, Pomme du Fermier, Diamondus Majeur\n[!v*21] Les Jumeaux, Clavis la Clé, Draxus le Mort\n[!v*22] Clavis la Clé, La Voile\n[!v*23] Diamondus Minor, Florealis - Fleur du Ciel\n[!v*24] Les Jumeaux, La Tranche, Croix du Sud, Pomme du Fermier, Clavis","t":"A","i":4053}," aryaaya ayay aryay aryaay ar ayrayryay ayr":{"v":" aryaaya ayay aryay aryaay ar ayrayryay ayr","t":"A","i":2578}," by the Editor . . . . . . . . . . . . . . . . . . . [!v*0]":{"v":" par l'Éditeur . . . . . . . . . . . . . . . . . . . [!v*0]","t":"A","i":770}," double check\n with Kirk about\ndocuments":{"v":" vérifiez\n avec Kirk\n les documents","t":"A","i":2933}," l [!v*0]":{"v":" l [!v*0]","t":"A","i":699}," press [enter] to view more details\n\n\n\n\n\n\npress [esc] to return to NETWORK MENU":{"v":" appuyez sur [Entrée] pour voir plus de détails\n\n\n\n\n\n\nappuyez sur [Échap] pour revenir au menu RÉSEAU","t":"A","i":3650}," +\n|":{"v":" +\n|","t":"A","i":1884}," -Mrs. Babbage":{"v":" -Mme Babbage","t":"A","i":1806}," STAMPS FOUND ON THE ESTATE AND\nINSPECTED WILL BE ADDED TO THIS PAGE":{"v":" TIMBRES TROUVÉS DANS LA PROPRIÉTÉ ET\nEXAMINÉS SERONT AJOUTÉS À CETTE PAGE","t":"A","i":3422}," Drafting, Blueprint, \"Dead End\"":{"v":" Brouillon, Plan, \"Impasse\"","t":"A","i":4667}," Dad\n\n[!v*2] Alice Dr.\n\n\nFenn Aries [!v*3]":{"v":" Dad\n\n[!v*2] Alice Dr.\n\n\nFenn Aries [!v*3]","t":"A","i":3934}," GAMBIT\n QUEEN":{"v":" GAMBIT\n DAINE","t":"A","i":2259}," STAMP\nCOLLECTION":{"v":" STAMP\nCOLLECTION","t":"A","i":1695}," STAMPS FOUND ON THE ESTATE AND\nINSPECTED WILL BE ADDED TO THIS PAGE":{"v":" TIMBRES TROUVÉS DANS LA PROPRIÉTÉ ET\nEXAMINÉS SERONT AJOUTÉS À CETTE PAGE","t":"A","i":4335}," A J \n (FIRST)":{"v":" A J \n (PREMIÈRE)","t":"A","i":1151}," After you draft a RED ROOM, if \n you have at least [!v*1] different ranks containing RED ROOMS, gain [!v*3] \n":{"v":" Après avoir rédigé une SALLE ROUGE, si \n vous avez au moins [!v*1] rangs différents contenant des SALLES ROUGES, gagnez [!v*3] \n","t":"A","i":2277}," BROKEN LEVER":{"v":" LEVIER CASSÉ","t":"A","i":3118}," Diamondus Major\n+[!v*1] Gems":{"v":" Diamondus Major\n+[!v*1] Gemmes","t":"A","i":2130}," Dotingly,\n Mary":{"v":" Tendrement,\n Mary","t":"A","i":1956}," Drafting Items . . . . . . . . . . . . . . . . . . . . [!v*0]":{"v":" Objets en cours de rédaction . . . . . . . . . . . . . . . . . . . . [!v*0]","t":"A","i":1076}," EACH BONUS\nSPIN COSTS [!v*2] \n":{"v":" CHACUN DES BONUS\nCOÛTE [!v*2] \n","t":"A","i":438}," Each day you will\nstart with an extra [!v*1] ":{"v":" Chaque jour vous\ncommencerez avec un bonus de [!v*1] ","t":"A","i":3962}," Each time you draft a \nSHOP ROOM, gain":{"v":" Chaque fois que vous rédigez une \nSALLE DE BOUTIQUE, gagnez","t":"A","i":1588}," H H e":{"v":" H","t":"A","i":1280}," I also had more fun at camp than he has had in his entire life.\n":{"v":" J'ai aussi plus de plaisir au camp qu'il n'en a eu toute sa vie.\n","t":"A","i":3079}," II X\n\nVI IIIV":{"v":" II X\n\nVI IIIV","t":"A","i":1793}," LABORATORY MAILBOX :\n\n OFFICE MAILBOX :\n\n SECURITY MAILBOX :\n\n SHELTER MAILBOX :":{"v":" BOÎTE AUX LETTRES DU LABORATOIRE :\n\n BOÎTE AUX LETTRES DES BUREAUX :\n\n BOÎTE AUX LETTRES DE LA SÉCURITÉ :\n\n BOÎTE AUX LETTRES DU REFUGE :","t":"A","i":3375}," Mail In Sweepstakes . . . . . . . . . . . . . . . [!v*0]":{"v":" Concours par courrier . . . . . . . . . . . . . . . [!v*0]","t":"A","i":850}," NO TOOLS OR ITEMS MAY BE BROUGHT ONTO THE ESTATE FROM THE OUTSIDE.\n\nTOOLS & ITEMS FOUND ON THE ESTATE MAY NOT BE TAKEN OFF THE ESTATE.\n\nYOU MAY NOT STAY OVERNIGHT.":{"v":" AUCUN OUTIL OU OBJET NE PEUT ÊTRE INTRODUIT SUR LE DOMAINE DE L'EXTÉRIEUR.\n\nLES OUTILS ET OBJETS TROUVÉS SUR LE DOMAINE NE PEUVENT ÊTRE EMPORTÉS.\n\nVOUS NE POUVEZ PAS RESTER UNE NUIT.","t":"A","i":1328}," North Star\n gold":{"v":" Étoile du Nord\n or","t":"A","i":2633}," Our Favorite Picks . . . . . . . . . . . . . . . . [!v*0]":{"v":" Nos coups de cœur . . . . . . . . . . . . . . . . [!v*0]","t":"A","i":657}," Press [ESC] to Return":{"v":" Appuyez sur [ESC] pour revenir","t":"A","i":3666}," Publisher Presents":{"v":" Éditeur présente","t":"A","i":4134}," S s the s\n DEADLY IS THE S\n HEAVY is the cr\n READY IS THE TH":{"v":" S s le s\n MORTAL EST LE S\n LOURD EST LE CR\n PRÊT EST LE TH","t":"A","i":1912}," Should":{"v":" Devrait","t":"A","i":2912}," Southward I see a swan,\n Ashen like sands of the shore,\n Carried by westwardly winds,\n Rogue like the moon of the north.\n Eastward I see a crow,\n Dark are the days coming fourth.\n":{"v":" Au sud, je vois un cygne,\n Blafard comme les sables du rivage,\n Porté par les vents d'ouest,\n Rebelle comme la lune du nord.\n À l'est, je vois un corbeau,\n Les jours sombres approchent.\n","t":"A","i":2789}," THE ANTECHAMBER LEVER\n IN THE GREENHOUSE IS\n BROKEN AGAIN.\n\nI DON T THINK THERE IS ENOUGH\nTIME TO PUT IN ANOTHER \nWORK ORDER BEFORE SIMON ARRIVES, SO JUST MAKE SURE THE AND EAST\nLEVERS ARE OPERATIONAL.":{"v":" LE LEVIER DE L'ANTICHAMBRE\n DANS LA SERRE EST\n EN PANNE ENCORE.\n\nJE NE PENSE PAS QU'IL Y AIT ASSEZ\nDE TEMPS POUR DÉPOSER UNE AUTRE\nDEMANDE D'INTERVENTION AVANT L'ARRIVÉE DE SIMON, DONC ASSURE-TOI QUE LES LEVIERS DE L'OUEST ET DE L'EST\nSONT FONCTIONNELS.","t":"A","i":755}," Thanks again for the card,\n Mary":{"v":" Merci encore pour la carte,\n Mary","t":"A","i":2254}," WHEN PAIRED WITH A VERB CAN MEAN\n I WILL OR I WON'T (SIMILAR TO UL / LU)":{"v":" AVEC UN VERBE PEUT SIGNIFIER\n JE VAI OU JE NE VAIS PAS (SIMILAIRE À UL / LU)","t":"A","i":908}," Whenever you draft a\n Mechanical Room, trigger\n your current experiment.":{"v":" Chaque fois que vous concevez une\n Salle Mécanique, déclenchez\n votre expérience actuelle expérimentation.","t":"A","i":3009}," You may CALL IT A DAY at any time\n from the Blueprint Menu \n\n This can be accessed after picking up the\nBLUEPRINT in the ENTRANCE HALL.":{"v":" Vous pouvez QUITTER LA PARTIE à tout moment\n depuis le Menu des Plans \n\n Ce menu est accessible après avoir récupéré le\nPLAN dans le HALL D'ENTRÉE.","t":"A","i":1762}," Your Allowance has been\npermanently raised by [!v*2] ":{"v":" Votre Allowance a été\npermanemment augmentée de [!v*2] ","t":"A","i":3796}," craft raft\ndraft raft\nsmile mile\ndarling daring":{"v":" construire rade\nbrouillon rade\nsourire mille\nchéri audacieux","t":"A","i":583}," craft raft\ndraft raft\nsmile mile\nvial viral":{"v":" artisan radeau\nbrouillon radeau\nsourire mille\nflacon virale","t":"A","i":3803}," for buying out the Showroom's\n entire stock (including this trophy!)":{"v":" pour racheter tout le stock\n du Showroom (y compris ce trophée !)","t":"A","i":1878}," for reaching Room [!v*0]\n in under an hour":{"v":" pour atteindre la salle [!v*0]\n en moins d'une heure","t":"A","i":2225}," for unlocking all\n Realm Sigils":{"v":" pour débloquer tous les\n Signes de Domaine","t":"A","i":3858}," i\nD":{"v":" i\nD","t":"A","i":1500}," ranks":{"v":" rangs","t":"A","i":932},"\"A NEW CLUE\" SOLD OUT IN HOURS":{"v":"« UNE NOUVELLE PISTE » ÉPUISÉ EN QUELQUES HEURES","t":"A","i":1275},"\"ACE\"":{"v":"ACE","t":"A","i":2608},"\"BIRCH TREE\" & \"OAK TREE\"":{"v":"CHÊNE & CHÊNE","t":"A","i":2421},"\"BIRDS\" & \"A BOOKSTORE\"":{"v":"« OISEAUX » & « UNE LIBRAIRIE »","t":"A","i":4075},"\"BRIDE\"":{"v":"ÉPOUSE","t":"A","i":2795},"\"FACE\"":{"v":"VISAGE","t":"A","i":3790},"\"FLAN\"":{"v":"\"FLAN\"","t":"A","i":2931},"\"Grounds for Termination\" may have been a play on words for the title of this article, but it certainly wasn't a joke to the former groundskeeper Denny Revane, who made his home while employed on the estate in this humble bedroom.":{"v":"« Motifs de résiliation » pouvait être un jeu de mots pour le titre de cet article, mais ce n'était certainement pas une blague pour l'ancien gardien des terrains Denny Revane, qui avait fait de cette chambre modeste son domicile tout en travaillant sur la propriété.","t":"A","i":3390},"\"HAY BALE\" & \"MUG OF ALE\"":{"v":"« BAL DE FÊTE » & « TASSE DE BIÈRE »","t":"A","i":3614},"\"It is a disgrace, a betrayal of the people they swore to protect. They have fled to foreign lands, seeking comfort and refuge while their people suffer and struggle to rebuild. This is not the kind of leadership we need. We need leaders who will stand with us in times of adversity, who will not abandon us when we":{"v":"« C'est une honte, une trahison envers le peuple qu'ils ont juré de protéger. Ils se sont enfuis vers des terres étrangères, à la recherche de confort et de refuge, tandis que leur peuple souffre et lutte pour reconstruire. Ce n'est pas le genre de leadership dont nous avons besoin. Nous avons besoin de dirigeants qui resteront à nos côtés en temps d'adversité, qui ne nous abandonneront pas lorsque nous","t":"A","i":4082},"\"JUNGLE\"":{"v":"JUNGLE","t":"A","i":3534},"\"PRY\"":{"v":"ARRACHER","t":"A","i":2791},"\"REALIZE\"":{"v":"RÉALISER","t":"A","i":3695},"\"SWIM BIRD\" AUTHOR NEVER\nCONSIDERED HERSELF SUCCESS":{"v":"L'AUTEURE DE « SWIM BIRD » NEVER\nNE S'EST JAMAIS CONSIDÉRÉE COMME UNE RÉUSSITE","t":"A","i":365},"\"TRINSDALE\"":{"v":"\"TRINSDALE\"","t":"A","i":3247},"\"WINGS\" & \"HONEY\"":{"v":"« AILES » & « MIEL »","t":"A","i":2467},"\"within a timely manor\"":{"v":"dans un manoir temporel","t":"A","i":939},"( AT A [!v*0] : [!v*1] RATE )":{"v":"( À [!v*0] : [!v*1] TAUX )","t":"A","i":1340},"( PERMANENTLY )":{"v":"( DÉFINITIVEMENT )","t":"A","i":2535},"( Day [!v*0])":{"v":"(Jour [!v*0])","t":"A","i":67},"( Room [!v*0] )":{"v":"( Chambre [!v*0] )","t":"A","i":3747},"((a b) - [!v*0])":{"v":"((a b) - [!v*0])","t":"A","i":592},"(A nod to my uncle's parlor game)":{"v":"(Un clin d'œil au jeu de salon de mon oncle)","t":"A","i":1310},"(Hold or Soft Toggle)":{"v":"(Maintenir ou basculer en douceur)","t":"A","i":68},"(Paid in full)":{"v":"(Entièrement payé)","t":"A","i":2458},"(Soft Toggle or Hold)":{"v":"(Activation douce ou maintien)","t":"A","i":140},"(a [!v*0]) + [!v*1]":{"v":"(a [!v*0]) + [!v*1]","t":"A","i":529},"(and an additional +[!v*0] if you have\na furnace in yo":{"v":"(et un bonus supplémentaire de+[!v*0] si vous avez\nun four dans vo","t":"A","i":3781},"(co lors)":{"v":"(co lors)","t":"A","i":3391},"(co lors)":{"v":"(co lors)","t":"A","i":4679},"(default)":{"v":"(par défaut)","t":"A","i":89},"(lines as in ranks or lines as in spines)":{"v":"(lignes comme rangs ou lignes comme vertèbres)","t":"A","i":4062},"(must be at least one hour in advance)":{"v":"(au moins une heure à l'avance)","t":"A","i":1730},"(soft toggle or hold)":{"v":"(activation douce ou maintien)","t":"A","i":1768},"(too obvious?)":{"v":"(trop évident ?)","t":"A","i":1862},"(unending homophones)":{"v":"(homophones sans fin)","t":"A","i":2856},"(y)":{"v":"(y)","t":"A","i":1138},"* Added Floorplan":{"v":"* Ajout du plan","t":"A","i":1458},"* Addition":{"v":"* Ajout","t":"A","i":4704},"* Adjoining":{"v":"* Adjacent","t":"A","i":4428},"* Allowance":{"v":"* Allocation","t":"V","i":4725},"* Archived Floorplan":{"v":"* Plan d'étage archivé","t":"A","i":4429},"* Bedroom":{"v":"* Chambre à coucher","t":"A","i":4431},"* Blessing":{"v":"*Bénédiction*","t":"A","i":4836},"* Call it a Day":{"v":"* Appeler ça une journée","t":"A","i":4430},"* Checked Item":{"v":"* Article vérifié","t":"A","i":4705},"* Color":{"v":"* Couleur","t":"A","i":4432},"* Contraption":{"v":"* Mécanique","t":"V","i":4726},"* Dead End":{"v":"* Impasse","t":"A","i":4433},"* Dig":{"v":"* Fouiller","t":"A","i":3866},"* Directory":{"v":"* Répertoire","t":"A","i":4434},"* Dirigiblocks":{"v":"* Dirigiblocs","t":"A","i":4706},"* Dirt":{"v":"* Terre","t":"A","i":4435},"* Draft Pool":{"v":"* Piste de draft","t":"A","i":4437},"* Drafting":{"v":"* En cours de rédaction","t":"A","i":4436},"* Draw":{"v":"* Dessiner","t":"A","i":4438},"* East Wing":{"v":"* Aile Est","t":"A","i":4467},"* Entry":{"v":"* Entrée","t":"A","i":4466},"* Estate":{"v":"* Domaine","t":"A","i":4465},"* Exhaust":{"v":"* Épuiser","t":"A","i":4464},"* Experiment":{"v":"* Expérience","t":"V","i":4727},"* Floorplan":{"v":"* Plan","t":"A","i":4463},"* Gems":{"v":"* Gemmes","t":"A","i":4462},"* Glossary of Terms":{"v":"* Glossaire des termes","t":"A","i":4461},"* Gold (Coins)":{"v":"* Or (Pièces)","t":"A","i":4460},"* Green Room":{"v":"* Salle verte","t":"A","i":4459},"* Grounds":{"v":"* Terres","t":"A","i":4457},"* Hallway":{"v":"* Couloir","t":"A","i":4456},"* History":{"v":"* Historique","t":"A","i":4468},"* House":{"v":"* Maison","t":"A","i":4458},"* Inventory":{"v":"* Inventaire","t":"A","i":4469},"* Items":{"v":"* Objets","t":"A","i":4470},"* Keycard Door":{"v":"* Porte à badge","t":"A","i":4472},"* Keys":{"v":"* Touches","t":"A","i":4471},"* Locked":{"v":"* Verrouillé","t":"A","i":4473},"* Luck":{"v":"* Chance","t":"A","i":4837},"* Mechanical":{"v":"* Mécanique","t":"A","i":4517},"* Network":{"v":"* Réseau","t":"A","i":4516},"* Outer Room":{"v":"* Salle Extérieure","t":"A","i":4838},"* Permanent":{"v":"* Permanent","t":"A","i":4515},"* Rank":{"v":"* Rang","t":"A","i":4514},"* Rarity":{"v":"* Rareté","t":"A","i":4513},"* Red Room":{"v":"* Salle Rouge","t":"A","i":4511},"* Redraw":{"v":"* Redessiner","t":"A","i":4512},"* Reset":{"v":"* Réinitialiser","t":"A","i":4510},"* Security Locked":{"v":"* Sécurité verrouillée","t":"A","i":4509},"* Shop":{"v":"* Boutique","t":"A","i":4508},"* Special Floorplan":{"v":"* Plan spécial","t":"A","i":4507},"* Special Item":{"v":"* Objet spécial","t":"A","i":4506},"* Spread":{"v":"* Étalement","t":"A","i":4505},"* Stars":{"v":"* Étoiles","t":"A","i":4707},"* Terminal":{"v":"* Terminal","t":"A","i":4504},"* Tomorrow":{"v":"* Demain","t":"A","i":4547},"* Trunk":{"v":"* Coffre","t":"A","i":4546},"* Upgrade":{"v":"* Amélioration","t":"A","i":4545},"* West Path":{"v":"* Chemin de l'Ouest","t":"A","i":4544},"* West Wing":{"v":"* Aile Ouest","t":"A","i":4543},"+[!v*0]\nFREE\nSPINS":{"v":"+[!v*0]\nTOURNIS\nGRATUITES","t":"A","i":1992},"- STEPS TO FIND A NUMERIC CORE -":{"v":"- ÉTAPES POUR TROUVER UN NOYAU NUMÉRIQUE -","t":"A","i":3154},"- three primary colors - \n - three primary paths -":{"v":"- trois couleurs primaires - \n - trois chemins principaux -","t":"A","i":3143},"-If [!v*0] out of the [!v*1] indicators lights are all the same color, pressing the [!v*2]th indicator will always sync it up to the other [!v*3].\n\n\n\n\n-If all [!v*4] lights are green, pressing any of them will result in the appearance of a Blue indicator. \n\n\n\n\n-If all [!v*5] lights are purple, pressing any of them will result in the appearance of a White indicator. \n\n\n\n\n-Pressing a blue indicator will turn it off, and flip both its neighbors to blue (unless one of those neighbors is red)\n":{"v":"-Si [!v*0] des [!v*1] voyants sont de la même couleur, appuyer sur le [!v*2]e voyant le synchronisera toujours avec les autres [!v*3].\n\n\n\n\n-Si tous les [!v*4] voyants sont verts, appuyer sur l'un d'eux fera apparaître un voyant bleu. \n\n\n\n\n-Si tous les [!v*5] voyants sont violets, appuyer sur l'un d'eux fera apparaître un voyant blanc. \n\n\n\n\n-Appuyer sur un voyant bleu l'éteindra et passera ses deux voisins en bleu (sauf si l'un d'eux est rouge)\n","t":"A","i":2073},"-Mrs. Babbage":{"v":"-Mme Babbage","t":"A","i":984},"-NEW-":{"v":"-Nouveau-","t":"A","i":2768},". . . feels just like defeat.":{"v":". . . ça ressemble juste à une défaite.","t":"A","i":3904},". . . to my dreams":{"v":". . . vers mes rêves","t":"A","i":2218},"...[!v*0] GOLD":{"v":"...[!v*0] OR","t":"A","i":3262},"...fetching date and time...":{"v":"...récupération de la date et de l'heure...","t":"A","i":155},"...still Orindia.":{"v":"...toujours Orindia.","t":"A","i":3086},": [!v*1] ":{"v":": [!v*1] ","t":"A","i":1696},": [!v*1] each":{"v":": [!v*1] chacun","t":"A","i":1480},": [!v*1]x Amount":{"v":": [!v*1]x Montant","t":"A","i":3156},": Sets to [!v*1]":{"v":": Réglé à [!v*1]","t":"A","i":3261},": [!v*0] for each Snake":{"v":": [!v*0] par Serpent","t":"A","i":2283},"<< NEWER":{"v":"<< PLUS RÉCENT","t":"A","i":2142},"RARE RARITY MEANS THAT\nTHIS FLOORPLAN WILL RARELY\nBE DRAWN WHILE DRAFTING":{"v":"RARITÉ SIGNIFIE QUE\nCE PLAN DE SOL SERA RAREMENT\nTIRÉ LORS DE LA DRAFT","t":"A","i":2496},"\"For shame, oh you cowardly coattails, in our most trying hour we clung and in yours, you ran.\" In his first public address since the end of the war, the victorious leader of the Fenn army, General Teskin, did not express much sympathy for his fallen enemy. The royal family's departure was not unexpected, as rumors of their plans to flee to the neighboring realm of Eraja had been circulating even before war's end. However, the suddenness of their departure has left many of their supporters feeling abandoned.":{"v":"\"Honte à toi, ô traître aux queues de manteau, dans notre plus cruelle épreuve nous t'avons soutenu et dans la tienne, tu as fui.\" Dans son premier discours public depuis la fin de la guerre, le vainqueur de l'armée Fenn, le général Teskin, n'a pas exprimé beaucoup de sympathie pour son ennemi tombé. Le départ de la famille royale n'était pas inattendu, car des rumeurs sur leurs projets de fuite vers le royaume voisin d'Eraja circulaient même avant la fin de la guerre. Cependant, la soudaineté de leur départ a laissé beaucoup de leurs partisans se sentant abandonnés.","t":"A","i":3773},"CLAVIS, THE KEY ":{"v":"CLAVIS, LA CLÉ ","t":"A","i":600},"DIAMONDUS MAJOR":{"v":"DIAMONDUS MAJOR","t":"A","i":557},"DIAMONDUS MINOR":{"v":"DIAMANTUS MINOR","t":"A","i":507},"DRAXUS, THE DEAD\nDead-end rooms are more common today.":{"v":"DRAXUS, LE MORT\nLes impasses sont plus fréquentes aujourd'hui.","t":"A","i":597},"FARMER'S APPLE\nApples are extra delicious today.":{"v":"POMME DU FERMIER\nLes pommes sont extra délicieuses aujourd'hui.","t":"A","i":487},"FLOREALIS\nBLOOM of the SKY ":{"v":"FLOREALIS\nÉFLORESCENCE du CIEL ","t":"A","i":443},"NORTH STAR\nGain":{"v":"ÉTOILE POLAIRE\nGain","t":"A","i":532},"ORINDIA was once the name used to designate the realms of the eastern waters. Though the term is no longer employed in the halls of politics, nor commonly known to the average citizen, its memory flickers in the hearts of those who hail from the lands that it once encompassed, and many of the elder generation, in hushed circles, still refer to themselves as Orindians.\n\n\nYet, we must not let the flame of our history dwindle into the obscurity of whispered conversations, nor permit our leaders to enjoin us to abandon the name of our land. We must keep alive the embers of our past and preserve them for the generations yet to come.\n":{"v":"ORINDIA fut jadis le nom utilisé pour désigner les royaumes des eaux orientales. Bien que ce terme ne soit plus employé dans les couloirs du pouvoir, ni connu du commun des mortels, son souvenir vacille dans le cœur de ceux qui viennent des terres qu'il englobait autrefois, et nombre des anciens, en cercles restreints, se désignent encore comme des Orindiens.\n\n\nPourtant, nous ne devons pas laisser la flamme de notre histoire s'éteindre dans l'obscurité des conversations chuchotées, ni permettre à nos dirigeants de nous enjoindre d'abandonner le nom de notre terre. Nous devons garder vivants les braises de notre passé et les préserver pour les générations futures.\n","t":"A","i":2136},"SOUTHERN CROSS\nRooms with four doors are more common today.":{"v":"CROIX DU SUD\nLes pièces à quatre portes sont plus courantes aujourd'hui.","t":"A","i":500},"THE SAIL\nEverything* is [!v*1]\noff today.\n *see flyer for details":{"v":"LA VOILE\nTout* est [!v*1]\ndésactivé aujourd'hui.\n *voir la brochure pour les détails","t":"A","i":555},"THE SLICE\n +[!v*1]":{"v":"LA TRANCHÉE\n +[!v*1]","t":"A","i":390},"THE TWINS\nA pair of chests has been added to the entrance hall.":{"v":"LES JUMEAUX\nUne paire de coffres a été ajoutée dans le hall d'entrée.","t":"A","i":483},"Today is a good day because today, my\nbrother returns from college and I get to finally\nreturn to him the book I took from him a long,\nlong time ago.\n\nHopefully you find it as hilarious as I do,\n I honestly have no idea how we survived\n sharing a room!\n\n All things being said, \n I wouldn't have it any other way,\n I still would rather have had a sister, \n\n Congrats on the diploma and welcome home! \n -Simon":{"v":"Aujourd'hui est un bon jour car aujourd'hui, mon\nfrère revient du collège et je peux enfin\nlui rendre le livre que j'ai pris il y a,\nlongtemps.\n\nJ'espère que vous le trouvez aussi drôle que moi,\n je n'ai vraiment aucune idée de comment nous avons survécu\n à partager une chambre!\n\n Tout est dit, \n je ne l'aurais pas voulu autrement,\n j'aurais quand même préféré avoir une sœur, \n\n Félicitations pour le diplôme et bienvenue à la maison ! \n -Simon","t":"A","i":3359},"[!v*1] DRAFTING STRATEGY":{"v":"[!v*1] STRATÉGIE DE RÉDACTION","t":"A","i":1390},"= [!v*0]":{"v":"= [!v*0]","t":"A","i":3838},"BOILER ROOM is known as a POWER SOURCE because it provides steam power to various rooms in the house. Steam is conveyed room-to-room via ducts that run across the ceiling, and power can be transported across great distances as long as you continue to string together rooms that contain power ducts. So when you're in a room, look up. There might be a duck!":{"v":"LA CHAUDIÈRE est connue comme une SOURCE D'ÉNERGIE car elle fournit de la vapeur à diverses pièces de la maison. La vapeur est acheminée d'une pièce à l'autre via des conduits qui traversent le plafond, et l'énergie peut être transportée sur de grandes distances tant que vous continuez à relier des pièces contenant des conduits d'énergie. Alors, quand vous êtes dans une pièce, regardez en haut. Il y a peut-être un canard !","t":"A","i":2363},"BabbA [PERSONNEL ACCESS]":{"v":"BabbA [ACCÈS PERSONNEL]","t":"A","i":2572},"Don't pass up WINE CELLAR, even if you're not thirsty. There's no such thing as too many GEMS! (I may have a bit of a problem...)\n -Craig O.":{"v":"Ne manquez pas la CAVES À VIN, même si vous n'avez pas soif. Il n'y a jamais assez de GEMS ! (Je pourrais avoir un petit problème...)\n -Craig O.","t":"A","i":3950},"Draft Twenty or More Dead Ends in a Single Day and you could win\n[!v*1] GOLD\nAND THE TROPHY OF SWEEPSTAKES!":{"v":"Élaborez vingt ou plus de culs-de-sac en un seul jour et vous pouvez gagner\n[!v*1] OR\nET LE TROPHÉE DU GRAND PRIX!","t":"A","i":3641},"Eight realms in eight months. The objective was simple enough, but in what order? What route? And where to start? Questions like these are the ones I tend to ignore as planning has never been my strong suit. Well then! In the true spirit of adventure, I have departed forsaking both map and plan, and as it happens, the road has taken me south. It seems fitting to begin the journey by visiting a fragment of the old kingdom, a landmark as black in realm as it is in name, and a story I feel closely connected to.":{"v":"Huit royaumes en huit mois. L’objectif était simple, mais dans quel ordre ? Quel itinéraire ? Et par où commencer ? Ce sont les questions que j’ai tendance à ignorer, car la planification n’a jamais été mon fort. Eh bien ! Dans l’esprit véritable de l’aventure, je suis parti sans carte ni plan, et il se trouve que la route m’a mené au sud. Il semble approprié de commencer le voyage en visitant un fragment de l’ancien royaume, un repère aussi noir dans le royaume que dans son nom, et une histoire à laquelle je me sens intimement lié.","t":"A","i":1395},"Fig. [!v*0]\nHigh Pressure\nCondenser":{"v":"Fig. [!v*0]\nPression Élevée\nCondenseur","t":"A","i":3683},"Fig. [!v*0]\nRemote Power Box":{"v":"Fig. [!v*0]\nBoîte d'alimentation à distance","t":"A","i":1781},"Florealis, Bloom of the Sky\nGreen Rooms are more likely to contain\nspecial \"flowers\" today.":{"v":"Florealis, Fleurs du Ciel\nLes Pièces Végétales contiennent plus souvent des\n\"fleurs\" spéciales aujourd'hui.","t":"H","i":4145},"Gems are valuable resources used by Architects to draft Special Floorplans.":{"v":"Les Gems sont des ressources précieuses utilisées par les Architectes pour concevoir des Plans spéciaux.","t":"A","i":4483},"Gold is the currency by which you can purchase goods and services from SHOP rooms on the estate.":{"v":"L'or est la monnaie permettant d'acheter des biens et des services dans les salles BOUTIQUE du domaine.","t":"A","i":4486},"I will never draft PASSAGEWAY on the first five ranks. It's a simple strat that has served me well. \n -Kyle P.":{"v":"Je ne recruterai jamais PASSAGEWAY dans les cinq premières rangs. C'est une stratégie simple qui m'a bien servi. \n -Kyle P.","t":"A","i":3474},"If you see GEMS for sale in any of the shops. Buy them out! \n -Matthew M.":{"v":"Si vous voyez des GEMS en vente dans l'une des boutiques. Achetez-les toutes ! \n -Matthew M.","t":"A","i":1685},"Keys are a common resource used to open up locked doors on the estate.

There are also some unique Special Keys that can unlock special doors or rooms that only appear in specific locations in the house.":{"v":"Les clés sont une ressource courante utilisée pour ouvrir les portes verrouillées du domaine.

Il existe également certaines clés spéciales uniques qui peuvent déverrouiller des portes ou des pièces spéciales n'apparaissant que dans des endroits spécifiques de la maison.","t":"A","i":4492},"MRS. ANNE BABBAGE - House Manager, My Boss\nKIRK DARREN - Head of Security\nRANDOLPH MOORE - Lead Lab Technician, Network Admin, \n Humble author of these letters\nKIMBERLY THOMPSON - Lab Assistant and helpful sidekick\nCHEF DeCAMP - Head of Kitchen, maker of tasty meals\nHARTLEY RUOTA - The Baron’s Personal Valet (retiring)\nCHRISTOPH - The Chauffeur\nROBERT NOGULA - The New Groundskeeper\n\n":{"v":"MME ANNE BABBAGE - Intendante, ma patronne\nKIRK DARREN - Responsable de la sécurité\nRANDOLPH MOORE - Technicien principal du laboratoire, administrateur réseau, \n Modeste auteur de ces lettres\nKIMBERLY THOMPSON - Assistante de laboratoire et acolyte utile\nCHEF DeCAMP - Chef de cuisine, créateur de repas savoureux\nHARTLEY RUOTA - Valet personnel du Baron (en retraite)\nCHRISTOPH - Le Chauffeur\nROBERT NOGULA - Le Nouveau Jardinier\n\n","t":"A","i":2318},"Make sure you check for gems in the room you are in before clicking the door. I do this way too much! \n - Alice F.":{"v":"Assure-toi de vérifier les gemmes dans la pièce où tu es avant de cliquer sur la porte. Je fais ça bien trop souvent! \n - Alice F.","t":"A","i":2653},"MoorR [ADMIN ACCESS]":{"v":"MoorR [ACCÈS ADMIN]","t":"A","i":2831},"MoorR [ADMIN ACCESS]\n\nThomK [ADMIN ACCESS]\n\nBabbA [PERSONNEL ACCESS]\n\nRuotH [KEY EXPIRED]\n\nRevaD [KEY EXPIRED]\n\n+ three additional delisted admin keys":{"v":"MoorR [ACCÈS ADMINISTRATEUR]\n\nThomK [ACCÈS ADMINISTRATEUR]\n\nBabbA [ACCÈS PERSONNEL]\n\nRuotH [CLÉ EXPIRÉE]\n\nRevaD [CLÉ EXPIRÉE]\n\n+ trois clés administratives supplémentaires retirées","t":"A","i":2303},"More to Follow...":{"v":"À suivre...","t":"A","i":1184},"Oveldajiris,\nUlelddau, uleldnai, uleldmora.\nOvulelgift eldhew oviss. Nevdau uldareile.\nNevdau eldareilu. Ajelbid ulheed eldlor: Uloddiris. Hewsinclairlu. Hewepsenlu. . . Forget uldein inn. Uldjorjeari.. Uldarei oviss fennvo. Uldeinjorovo. Overaja. Oviss nevarei. \n\n Lorja eldiris,\n Uldjora\n":{"v":"Oveldajiris,\nUlelddau, uleldnai, uleldmora.\nOvulelgift eldhew oviss. Nevdau uldareile.\nNevdau eldareilu. Ajelbid ulheed eldlor: Uloddiris. Hewsinclairlu. Hewepsenlu. . . Oubliez uldein inn. Uldjorjeari.. Uldarei oviss fennvo. Uldeinjorovo. Overaja. Oviss nevarei. \n\n Lorja eldiris,\n Uldjora\n","t":"A","i":1171},"PERMANENT CHANGES DO NOT RESET EACH DAY":{"v":"MODIFICATIONS PÉRENNES NE SE RÉINITIALISENT PAS À CHAQUE JOUR","t":"A","i":3587},"RevaD [EXPIRED KEY]":{"v":"RevaD [CLÉ EXPIRÉE]","t":"A","i":3323},"RuotH [EXPIRED KEY]":{"v":"RuotH [CLÉ EXPIRÉE]","t":"A","i":3351},"The last WILL and TESTAMENT,\n\n\nThe Baroness Auravei":{"v":"Le dernier VOU et TESTAMENT,\n\n\nLa baronne Auravei","t":"A","i":2703},"The last WILL and TESTAMENT,\n\nof me,\n\nHerbert S. Sinclair":{"v":"Le dernier TESTAMENT et CODE,\n\nde moi,\n\nHerbert S. Sinclair","t":"A","i":1214},"The last WILL and TESTAMENT,\n\nof me,\n\nThe Baroness Auravei":{"v":"Le dernier VOU et TESTAMENT,\n\nde moi,\n\nLa baronne Auravei","t":"H","i":4149},"Think about saving some gems for emer-gencies. I try to only spend them if I really, really need a room! \n -Jenn H.":{"v":"Pensez à économiser quelques gemmes pour les urgences. J'essaie de ne les dépenser que si j'ai vraiment, vraiment besoin d'une chambre! \n -Jenn H.","t":"A","i":3667},"ThomK [ADMIN ACCESS]":{"v":"ThomK [ACCÈS ADMINISTRATEUR]","t":"A","i":1832},"Tribal - A primitive realm. Hunter and gatherers.\n\nAgricultural - Harvest and farming based society and culture.\n":{"v":"Tribal - Un royaume primitif. Chasseurs-cueilleurs.\n\nAgricole - Société et culture fondées sur la récolte et l'agriculture.\n","t":"A","i":2030},"WARNING!!":{"v":"ATTENTION!!","t":"A","i":3943},"Zack Craft":{"v":"Zack Craft","t":"A","i":854},"• DARKROOM - ":{"v":"• SALLE NOIRE - ","t":"A","i":3942},"• GARAGE - ":{"v":"• GARAGE - ","t":"A","i":2710},"• GYMNASIUM - ":{"v":"• GYMNASE - ","t":"A","i":4098},"TYPE : Hallways\n\nCOLOR : Orange\n\nAssociated Resource : Keys\n\nAverage Number of doors : [!v*0][!v*1]\n\nExtra Items? : Rarely\n\nSynergies: \n\n\t• Foyer\n\t• Lockpick Kit\n\t• Hall Pass":{"v":"TYPE : Couloirs\n\nCOULEUR : Orange\n\nRessource associée : Clés\n\nNombre moyen de portes : [!v*0][!v*1]\n\nObjets supplémentaires ? : Rarement\n\nSynergies: \n\n\t• Hallway\n\t• Kit de déverrouillage\n\t• Passe","t":"A","i":3140},"Blueprint, \"Dead End\"":{"v":"Plan, « Impasse »","t":"A","i":4563},"Blueprint, Dead End, Outer Room":{"v":"Plan, Impasse, Salle Extérieure","t":"A","i":4814},"Blueprint, Dead End":{"v":"Plan, Impasse","t":"A","i":4561},"Blueprint, Objective":{"v":"Plan, Objectif","t":"A","i":4575},"Blueprint, Dead End":{"v":"Plan Bleu, Impasse","t":"A","i":4207},"Blueprint":{"v":"Plan","t":"A","i":4201},"tab":{"v":"Tab","t":"A","i":3389},"tab\n\n\n\nshift":{"v":"tab\n\n\n\ndécal","t":"A","i":4078},"[!v*0][!v*1] [!v*2]":{"v":"[!v*0][!v*1] [!v*2]","t":"A","i":1292},"[!v*0][!v*1] [!v*2]":{"v":"[!v*0][!v*1] [!v*2]","t":"A","i":3742},"[!v*0]":{"v":"[!v*0]","t":"A","i":1365},"[!v*0] [!v*1] [!v*2] [!v*3]":{"v":"[!v*0] [!v*1] [!v*2] [!v*3]","t":"A","i":2378},"[!v*0] [!v*1] [!v*2] [!v*3] [!v*4]":{"v":"[!v*0] [!v*1] [!v*2] [!v*3] [!v*4]","t":"A","i":3512},"[!v*0][!v*1][!v*2]":{"v":"[!v*0][!v*1][!v*2]","t":"A","i":1479},"[!v*0][!v*1][!v*2][!v*3]":{"v":"[!v*0][!v*1][!v*2][!v*3]","t":"A","i":3468},"[!v*0][!v*1][!v*2][!v*3][!v*4]":{"v":"[!v*0][!v*1][!v*2][!v*3][!v*4]","t":"A","i":1721},"[!v*0][!v*1][!v*2][!v*3]":{"v":"[!v*0][!v*1][!v*2][!v*3]","t":"A","i":2388},"[!v*0][!v*1][!v*2][!v*3][!v*4]":{"v":"[!v*0][!v*1][!v*2][!v*3][!v*4]","t":"A","i":2741},"[!v*0][!v*1][!v*2][!v*3]":{"v":"[!v*0][!v*1][!v*2][!v*3]","t":"A","i":3252},"[!v*0][!v*1][!v*2][!v*3]":{"v":"[!v*0][!v*1][!v*2][!v*3]","t":"A","i":3656},"BLUE":{"v":"BLEU","t":"A","i":2569},"[!v*0] ":{"v":"[!v*0] ","t":"A","i":643},"[!v*0] = ____":{"v":"[!v*0] = ____","t":"A","i":735},"[!v*0] [!v*1] = ____":{"v":"[!v*0] [!v*1] = ____","t":"A","i":888},"[!v*0] [!v*1] = ____":{"v":"[!v*0] [!v*1] = ____","t":"A","i":986},"[!v*0] [!v*1] = ____":{"v":"[!v*0] [!v*1] = ____","t":"A","i":1019},"[!v*0] [!v*1] = ____":{"v":"[!v*0] [!v*1] = ____","t":"A","i":768},"[!v*0] [!v*1] [!v*2] = ____":{"v":"[!v*0] [!v*1] [!v*2] = ____","t":"A","i":798},"[!v*0] [!v*1] [!v*2] = ___":{"v":"[!v*0] [!v*1] [!v*2]","t":"A","i":794},"[!v*0] [!v*1] [!v*2] = ___":{"v":"[!v*0] [!v*1] [!v*2]","t":"A","i":702},"[!v*0] [!v*1] [!v*2] = ___":{"v":"[!v*0] [!v*1] [!v*2]","t":"A","i":959},"[!v*0] [!v*1] = ___":{"v":"[!v*0] [!v*1] = ___","t":"A","i":661},"[!v*0] [!v*1] [!v*2] = ___":{"v":"[!v*0] [!v*1] [!v*2]","t":"A","i":791},"[!v*0] [!v*1] [!v*2] = ___":{"v":"[!v*0] [!v*1] [!v*2]","t":"A","i":771},"[!v*0] [!v*1] = ___":{"v":"[!v*0] [!v*1] = ___","t":"A","i":626},"[!v*0] [!v*1] [!v*2] = ___":{"v":"[!v*0] [!v*1] [!v*2]","t":"A","i":696},"[!v*0] [!v*1] = ___":{"v":"[!v*0] [!v*1] = ___","t":"A","i":662},"GREEN":{"v":"VERT","t":"A","i":4225},"NOT FOR STAFF USE":{"v":"NON POUR L'UTILISATION DU PERSONNEL","t":"A","i":3711},"PAYROLL SLIP":{"v":"BULLETIN DE PAIE","t":"A","i":3912},"OUTER ROOMS OF NOTE":{"v":"PIÈCES EXTÉRIEURES INTÉRESSANTES","t":"A","i":2625},"Cloister":{"v":"Cloître","t":"A","i":4851},"Conservatory ":{"v":"Conservatoire ","t":"A","i":4691},"Courtyard":{"v":"Cour","t":"A","i":4379},"Green Room, Dead End":{"v":"Chambre verte, Impasse","t":"A","i":4804},"Green Room":{"v":"Chambre verte","t":"A","i":4377},"Morning Room":{"v":"Chambre du matin","t":"A","i":4382},"Patio":{"v":"Patio","t":"A","i":4807},"Terrace":{"v":"Terrasse","t":"A","i":4803},"Veranda":{"v":"Vérandah","t":"A","i":4810}," Puzzle, Blueprint":{"v":" Puzzle, Plan","t":"A","i":4356}," Puzzle, Blueprint":{"v":" Puzzle, Plan","t":"A","i":4199},"SHRINE\nBLESSINGS":{"v":"AUTEL\nBÉNÉDICTIONS","t":"A","i":3000},"BLACK":{"v":"NOIR","t":"A","i":4352},"b":{"v":"b","t":"A","i":3218},"[!v*0]":{"v":"[!v*0]","t":"A","i":3526},"FLIGHT OF THE QUEEN\nMARCH OF THE COUNT\nFALL OF THE LORD\nPASSING OF THE BARONS\nHERRINGS OF THE MAJOR":{"v":"VOL DE LA REINE\nMARCHE DU COMTE\nCHUTE DU SEIGNEUR\nPASSAGE DES BARONS\nARETINS DU MAJOR","t":"A","i":831},"R":{"v":"R","t":"A","i":4119},"[!v*0]":{"v":"[!v*0]","t":"A","i":1694},"VIOLET":{"v":"VIOLETTE","t":"A","i":4186},"[!v*0]":{"v":"[!v*0]","t":"A","i":1789},"••••":{"v":"••••","t":"A","i":2208},"•••• Rare":{"v":"•••• Rare","t":"A","i":1785},"••• Unusual":{"v":"••• Inhabituel","t":"A","i":1554},"•• Standard":{"v":"•• Standard","t":"A","i":1746},"• Commonplace":{"v":"• Trivial","t":"A","i":1935},"[!v*1]":{"v":"[!v*1]","t":"A","i":255},"[!v*0] ":{"v":"[!v*0] ","t":"A","i":920},"caps":{"v":"majuscules","t":"A","i":2040},"Bedroom, Dead End, Outer Room":{"v":"Chambre, Impasse, Pièce Extérieure","t":"A","i":4818},"Bedroom, Dead End":{"v":"Chambre, Impasse","t":"A","i":4203},"Bedroom, Bedroom, Dead End, Dead End":{"v":"Chambre, Chambre, Impasse, Impasse","t":"A","i":4677},"Bedroom":{"v":"Chambre à coucher","t":"A","i":4368},"Boudoir":{"v":"Boudoir","t":"A","i":4675},"Bunk Room":{"v":"Chambre de dortoir","t":"A","i":4678},"Guest Bedroom":{"v":"Chambre d'invité","t":"A","i":4205},"Hovel":{"v":"Masure","t":"A","i":4817},"[!v*0]":{"v":"[!v*0]","t":"A","i":3400},"GOLD":{"v":"OR","t":"A","i":4216},"shift":{"v":"Maj","t":"A","i":1445},"Aquarium ":{"v":"Aquarium ","t":"A","i":4570},"Archives":{"v":"Archives","t":"A","i":4582},"Chapel":{"v":"Chapelle","t":"A","i":4355},"Darkroom":{"v":"Salle noire","t":"A","i":4387},"Empty Closet":{"v":"Armoire Vide","t":"A","i":4358},"Furnace":{"v":"Fourneau","t":"A","i":4853},"Gymnasium":{"v":"Gymnase","t":"A","i":4586},"Lavatory":{"v":"Toilette","t":"A","i":4686},"Red Room, Dead End":{"v":"Chambre Rouge, Impasse","t":"A","i":4685},"Red Room, Dead End, Upgrade":{"v":"Chambre Rouge, Impasse, Amélioration","t":"A","i":4359},"Red Room":{"v":"Chambre Rouge","t":"A","i":4385},"Weight Room":{"v":"Salle de musculation","t":"A","i":4855},"red room":{"v":"salle rouge","t":"A","i":3216},"ALL COLORS":{"v":"ALL COLORS","t":"A","i":4400},"ORANGE":{"v":"ORANGE","t":"A","i":4185},"SHOP ROOMS no\nlonger cost to draft. ":{"v":"PIÈCES DE BOUTIQUE ne coûtent plus à rédiger.\n ","t":"A","i":2705},"[!v*0]":{"v":"[!v*0]","t":"A","i":2476},"Commissary":{"v":"Boutique","t":"A","i":4317},"Kitchen":{"v":"Cuisine","t":"A","i":4384},"Locksmith":{"v":"Serrurier","t":"A","i":4811},"Shop, Dead End, Outer Room":{"v":"Boutique, Impasse, Salle Extérieure","t":"A","i":4819},"Shop, Dead End":{"v":"Boutique, Impasse","t":"A","i":4812},"Shop":{"v":"Boutique","t":"A","i":4315},"Trading Post":{"v":"Poste d'échange","t":"A","i":4821},"Hallways no longer cost to draft.":{"v":"Hallways ne coûtent plus rien à recruter.","t":"A","i":3115},"Corridor":{"v":"Couloir","t":"A","i":4370},"Great Hall":{"v":"Grande Salle","t":"A","i":4374},"Hallway, \"Dead End\" ":{"v":"Couloir, \"Impasse\" ","t":"A","i":4223},"Hallway, Upgrade":{"v":"Couloir, Amélioration","t":"A","i":4375},"Hallway":{"v":"Couloir","t":"A","i":4371},"Passageway":{"v":"Passage","t":"A","i":4802},"Secret Passage ":{"v":"Passage Secret ","t":"A","i":4222},"West Wing Hall":{"v":"Salle de l'aile ouest","t":"A","i":4620},"TRADING POST\nTRADE OFFER":{"v":"POSTE DE COMMERCE\nOFFRE D'ÉCHANGE","t":"A","i":2684},"RED":{"v":"ROUGE","t":"A","i":4191},"Congratulations!":{"v":"Félicitations !","t":"A","i":406},"CURSE MODE is now unlocked.\n\nYou can now select CURSE MODE when\nstarting a new game file.":{"v":"MODE DE MAUDIT est maintenant débloqué.\n\nVous pouvez désormais sélectionner MODE DE MAUDIT lors\nde la création d'un nouveau fichier de jeu.","t":"A","i":3762},"CURSE MODE is now unlocked.\n(also, you are cursed!)":{"v":"MODE MAUDIT est maintenant débloqué.\n(d'ailleurs, vous êtes maudit !)","t":"A","i":2769},"WARNING! Restoring this file will revert your save profiles to the backup state made at the time listed above, overwriting ALL of your four save slots.":{"v":"ATTENTION! La restauration de ce fichier rétablira vos profils de sauvegarde à l'état de la sauvegarde effectuée à l'heure indiquée ci-dessus, écrasant TOUTES vos quatre emplacements de sauvegarde.","t":"A","i":152},"Rare":{"v":"Rare","t":"A","i":1682},"[!v*0]":{"v":"[!v*0]","t":"A","i":3064}," powers garage door and\n grants west path access":{"v":" alimente la porte de garage et\n ouvre l'accès au chemin ouest","t":"A","i":1509}," turns lights back on\n after blowing a fuse":{"v":" rallume les lumières\n après avoir fait sauter un fusible","t":"A","i":2492}," turns lights off to\n prevent step loss":{"v":" éteint les lumières pour\n éviter de perdre une étape","t":"A","i":2592},"black red\n\n\n\nviolet pink\n\n\n\n\ngreen yellow\n\n\n\norange white\n\n\n\n\n":{"v":"noir rouge\n\n\n\nviolet rose\n\n\n\n\nvert jaune\n\n\n\norange blanc\n\n\n\n\n","t":"A","i":3753},"that LORD ARTHUR CLEMENTINE, rightful owner of the land that rests in the northern range of the Reddington Mountains, doth grant and convey to the bearer of this document, LADY AURAVEI OF TRINSDALE, the land, forest, and waters of the sheer cliffs that rest in the northern shadow of the \"holly leaf mountain\", with all the rights, privileges, and appurtenances thereunto belonging.\n\n\nThe property of MOUNT HOLLY, consists of dense woods, flanked by cliff walls, irrigated by mountain spring streams and punctuated by several runoff waterfalls. This area is sheltered between the summit’s northern slope and saddle, spanning across [!v*3] ODD ACRES of land. The property is situated south-west of Reddington, bounded on the south by steep crags, and abbuting the east by the high-road to Tanner Fork.\n\n\nI, LORD ARTHUR CLEMENTINE, covenant, promise and agree with LADY AURAVEI, her heirs and assigns, that I am lawfully seized and possessed of the said premises, that the same are free and clear of all encumbrances, that I have good right to sell and convey the same to the said Lady Auravei, her heirs and assigns, and that I will warrant and defend the same against all lawful claims and demands whatsoever.\n\n\n":{"v":"que LE SEIGNEUR ARTHUR CLEMENTINE, propriétaire légitime des terres situées dans la chaîne nord des montagnes Reddington, accorde et transmet au porteur du présent document, LA DAME AURAVEI DE TRINSDALE, les terres, forêts et eaux des falaises abruptes situées dans l'ombre nord de la \"montagne de la feuille de houx\", avec tous les droits, privilèges et accessoires y afférents.\n\n\nLa propriété de MONT HOLLY se compose de bois denses, bordés de parois rocheuses, irrigués par des sources de montagne et parsemés de plusieurs cascades. Cette zone est abritée entre la pente nord du sommet et la selle, s'étendant sur [!v*3] ACRES IMPAIRS de terrain. La propriété est située au sud-ouest de Reddington, limitée au sud par des rochers escarpés et bordée à l'est par la grande route menant à Tanner Fork.\n\n\nMoi, LE SEIGNEUR ARTHUR CLEMENTINE, conviens, promets et m'engage avec LA DAME AURAVEI, ses héritiers et ayants droit, que je suis légalement saisi et possesseur desdites propriétés, que celles-ci sont libres et dégagées de toute charge, que j'ai le bon droit de vendre et de transmettre lesdites propriétés à ladite Dame Auravei, ses héritiers et ayants droit, et que je garantirai et défendrai celles-ci contre toutes réclamations et demandes légitimes quelconques.\n\n\n","t":"A","i":780},"that LORD ARTHUR CLEMENTINE, rightful owner of the land that rests in the northern range of the Reddington Mountains, doth grant and convey to the bearer of this document, LADY AURAVEI OF TRINSDALE, the land, forest, and waters of the sheer cliffs that rest in the northern shadow of the \"holly leaf mountain\", with all the rights, privileges, and appurtenances thereunto belonging.\n\n\nThe property of MOUNT HOLLY, consists of dense woods, flanked by cliff walls, irrigated by mountain spring streams and punctuated by several runoff waterfalls. This area is sheltered between the summit’s northern slope and saddle, spanning across [!v*3] ODD ACRES of land. The property is situated south-west of Reddington, bounded on the south by steep crags, and abutting the east by the high-road to Tanner Fork.\n\n\nI, LORD ARTHUR CLEMENTINE, covenant, promise and agree with LADY AURAVEI, her heirs and assigns, that I am lawfully seized and possessed of the said premises, that the same are free and clear of all encumbrances, that I have good right to sell and convey the same to the said Lady Auravei, her heirs and assigns, and that I will warrant and defend the same against all lawful claims and demands whatsoever.\n\n\n":{"v":"que LE SEIGNEUR ARTHUR CLEMENTINE, propriétaire légitime des terres situées dans la chaîne nord des montagnes Reddington, accorde et transmet au porteur du présent document, LA DAME AURAVEI DE TRINSDALE, les terres, forêts et eaux des falaises abruptes situées dans l'ombre nord de la \"montagne de la feuille de houx\", avec tous les droits, privilèges et accessoires y afférents.\n\n\nLa propriété de MONT HOLLY se compose de bois denses, bordés de parois rocheuses, irrigués par des sources de montagne et parsemés de plusieurs cascades. Cette zone est abritée entre la pente nord du sommet et la selle, s'étendant sur [!v*3] ACRES IMPAIRS de terrain. La propriété est située au sud-ouest de Reddington, limitée au sud par des rochers escarpés et bordée à l'est par la grande route menant à Tanner Fork.\n\n\nMoi, LE SEIGNEUR ARTHUR CLEMENTINE, m'engage, promets et conviens avec LA DAME AURAVEI, ses héritiers et ayants droit, que je suis légalement saisi et possesseur desdites propriétés, que celles-ci sont libres et dégagées de toute charge, que j'ai le bon droit de les vendre et de les transmettre à ladite Dame Auravei, ses héritiers et ayants droit, et que je les garantirai et défendrai contre toutes réclamations et demandes légitimes quelconques.\n\n\n","t":"A","i":1336}," [!v*0] Red Rooms ":{"v":" [!v*0] Chambres Rouges ","t":"A","i":4857},"Abandoned Project ":{"v":"Projet Abandonné ","t":"A","i":4170},"Charming Cottage ":{"v":"Cozy Cottage ","t":"A","i":4724},"Charming Inn ":{"v":"Hôtel Charming ","t":"A","i":4757},"Cramped Bungalow ":{"v":"Bungalow surpeuplé ","t":"A","i":4209},"Day One":{"v":"Premier jour","t":"A","i":1524},"Day [!v*0]":{"v":"Jour [!v*0]","t":"A","i":4142},"East Facing Cottage ":{"v":"Maison orientée à l'est ","t":"A","i":4587},"East Facing Inn ":{"v":"Auberge orientée Est ","t":"A","i":4694},"East Facing Villa ":{"v":"Villa orientée à l'est ","t":"A","i":4659},"East Wing Favored ":{"v":"Aile Est privilégiée ","t":"A","i":4589},"East Wing Favored [!v*0] Bedrooms":{"v":"Aile Est Privilégiée [!v*0] Chambres","t":"A","i":4695},"ON OFF":{"v":"OUI NON","t":"A","i":380},"Prosaic Villa ":{"v":"Villa Prosaïque ","t":"A","i":4778},"Quaint Cottage ":{"v":"Coquin Cottage ","t":"A","i":4310},"Red Villa ":{"v":"Villa Rouge ","t":"A","i":4856},"Rustic Villa ":{"v":"Villa rustique ","t":"A","i":4391},"West Facing Villa ":{"v":"Villa orientée à l'ouest ","t":"A","i":4636},"West Wing Favored ":{"v":"Aile Ouest Favorisée ","t":"A","i":4637},"SI O":{"v":"SI O","t":"A","i":3654},"SI O":{"v":"SI O","t":"A","i":302},"Of the three major expeditions to the South Key, only one party returned.
The cartographers among them conducted a cautious survey of the coastline but refrained from making landfall.":{"v":"Des trois grandes expéditions vers la Clé du Sud, une seule est revenue.
Les cartographes de la troupe ont mené une étude prudente du littoral, mais se sont abstenus de mettre pied à terre.","t":"A","i":1146},"\nThe Final Exam has been Aced!\n":{"v":"\nL'examen final a été réussi avec brio!\n","t":"A","i":1260}," Commonplace":{"v":" Commune","t":"A","i":3286}," Rare":{"v":" Rare","t":"A","i":1787}," Standard":{"v":" Standard","t":"A","i":3893}," Unusual":{"v":" Inhabituel","t":"A","i":2590}," SYNKA INC. founded in [!v*1], has two facilities - Synka Labs in Reddington and Synka Court,\na [!v*2]-story facility located in downtown Oris. FEATURING\n[!v*3] floors above ground, AND\n[!v*4] floors below ground.":{"v":" SYNKA INC., fondée en [!v*1], possède deux installations : Synka Labs à Reddington et Synka Court,\nune installation de [!v*2] étages située en plein centre d'Oris. COMPRENANT\n[!v*3] étages au-dessus du sol, ET\n[!v*4] étages en sous-sol.","t":"A","i":895}," THE MEMO NEXT\nTO THIS IS A LIE.":{"v":" LE MEMO À CÔTÉ\nDE CELUI-CI EST UN MENTIR.","t":"A","i":843},"+[!v*1] and adds MORNING ROOM\nto today's draft pool.":{"v":"+[!v*1] et ajoute PIECE DU MATIN\nau pool de sélection d'aujourd'hui.","t":"A","i":3203},"Drawing is the initial pulling of the three floorplans from the draft pool at the beginning of drafting.

To illustrate the difference between drawing and drafting, remember that \"Three floorplans are drawn, but only one is drafted.\"":{"v":"Le tirage consiste à extraire initialement les trois plans du pool de brouillons au début de la phase de conception.

Pour illustrer la différence entre tirage et conception, rappelez-vous que « Trois plans sont tirés, mais seul un est conçu. »","t":"A","i":4446},"ROUTE\ninstead?":{"v":"ROUTE\nau lieu ?","t":"A","i":4090},"END\nCONTEST":{"v":"FIN\nCONCOURS","t":"A","i":1932},"[!v*1] [!v*2] = ____":{"v":"[!v*1] [!v*2] = ____","t":"A","i":704},"?":{"v":"?","t":"A","i":4398},"Red Room, Green Room, Hallway, Bedroom, Shop, Blackprint, Blueprint":{"v":"Chambre rouge, Chambre verte, Couloir, Chambre, Boutique, Plan noir, Plan bleu","t":"A","i":4571},"RED VIOLET":{"v":"ROUGE VIOLET","t":"A","i":4777},"REMINDER\nAFTER MEETING adjourns,\nTAKE ALL CONFERENCE \nNOTES AND PLACE THEM IN\nTHE OFFICE SAFE":{"v":"RAPPEL\nAPRÈS LA SUSPENSION DE\nLA RÉUNION, RANGEZ TOUTES\nLES NOTES DANS LE COFFRE\nDU BUREAU","t":"A","i":585},"Other notable night skies observed:\n\n[!v*1] - First appearance of both Diamondus Minor and Major\n in the same sky.\n\n[!v*2] - Seven different Constellations observed in\n a single night.\n\n[!v*3] - New Constellation spotted!\n\n\n":{"v":"Autres cieux nocturnes remarquables observés :\n\n[!v*1] - Première apparition de Diamondus Minor et Major\n dans le même ciel.\n\n[!v*2] - Sept constellations différentes observées en\n une seule nuit.\n\n[!v*3] - Nouvelle constellation repérée !\n\n\n","t":"A","i":4007},"A dead end is any room lacking a second doorway. If a room ever has additional doorways it is not considered a dead end, even if those doorways are blocked.":{"v":"Une impasse est toute pièce ne disposant que d'une seule porte. Si une pièce possède des portes supplémentaires, elle n'est pas considérée comme une impasse, même si ces portes sont bloquées.","t":"A","i":4455},"A HIDDEN HUE\n\nFrom prism pristine, three paths convene.\nThree lines of light. Three shades foreseen.\nThree colors to count, a sum of eighteen.\nBut the one left hidden, remains to be seen.\n":{"v":"UNE TEINTURE CACHÉE\n\nDu prisme pur, trois chemins convergent.\nTrois lignes de lumière. Trois teintes pressenties.\nTrois couleurs à compter, un total de dix-huit.\nMais celle restée cachée, reste à voir.\n","t":"A","i":2947},"A uniquely modern fashioned gaming room, the Rumpus Room has provided many guests of the estate with countless hours of recreation. The room is outfitted with a record player, two television sets, a collection of board games and a mysterious antique fortune telling automaton named “Alzara”.":{"v":"Une salle de jeu au design résolument moderne, la Rumpus Room a offert à de nombreux invités du domaine des heures infinies de divertissement. La pièce est équipée d'un tourne-disque, de deux téléviseurs, d'une collection de jeux de société et d'un mystérieux automate devinatoire antique nommé « Alzara ».","t":"A","i":4798},"A\n\n\n\n\n\n\n\n\nTO REDDINGTON":{"v":"A\n\n\n\n\n\n\n\n\nÀ REDDINGTON","t":"A","i":424},"A\n\n\n\n\nNEW\n\n\nCLUE":{"v":"A\n\n\n\n\nNOUVELLE\n\n\nINDICE","t":"A","i":1174},"ADMIN KEY - RevaD":{"v":"CLÉ D'ADMIN - RevaD","t":"A","i":877},"AMBITION\nOF THE PAWN":{"v":"AMBITION\nDU PION","t":"A","i":3457},"As you explore the house you will find that some doors are locked. To continue exploring, you will need to use a key to unlock them.

Locked doors appear more often the higher in rank you are in the house.":{"v":"En explorant la maison, vous constaterez que certaines portes sont verrouillées. Pour poursuivre votre exploration, vous devrez utiliser une clé pour les déverrouiller.

Les portes verrouillées apparaissent plus fréquemment à mesure que votre rang augmente dans la maison.","t":"A","i":4489},"B E N Y":{"v":"B E N Y","t":"A","i":1077},"BANNER OF\nTHE KING":{"v":"BANNIÈRE DE\nLE ROI","t":"A","i":2050},"BY GALE HERMES\nHERALD STAFF WRITER\n":{"v":"PAR GALE HERMES\nJOURNALISTE\n","t":"A","i":522},"Books purchased in the BOOKSHOP\nwill be permanently added to the LIBRARY\nand available to check out on your next visit.":{"v":"Les livres achetés dans la LIBRAIRIE\nseront ajoutés définitivement à la BIBLIOTHÈQUE\net disponibles pour consultation lors de votre prochaine visite.","t":"A","i":1783},"CORARICA":{"v":"CARACTER","t":"A","i":604},"CALL IT\nA DAY":{"v":"APPELEZ-LE\nUN JOUR","t":"A","i":1378},"CAN YOU\nFIND THE\nDIFFERENCE?":{"v":"POUVEZ-VOUS\nTROUVER LA\nDIFFÉRENCE ?","t":"A","i":270},"COMING\nPOST DEMO!":{"v":"À VENIR\nAPRÈS LA DÉMO !","t":"A","i":3898},"CONGRATULATIONS!\n\nYou have won the grand prize in our\nannual October Issue 'DEAD END CONTEST'\nby drafting DEAD END rooms!\n\nThis breaks the previous record and\nsecures your name in the architectural \nhistory books!\n\nIncluded in this package, is the grand\nprize, a check for TWO HUNDRED gold!":{"v":"FÉLICITATIONS !\n\nVous avez remporté le grand prix de notre\nconcours annuel « DEAD END » de l'édition d'octobre\nen concevant des salles DEAD END !\n\nCela bat le record précédent et\ngrave votre nom dans les livres d'histoire\nde l'architecture !\n\nInclus dans ce colis se trouve le grand\nprix, un chèque de DEUX CENTS pièces d'or !","t":"A","i":1700},"CORRESPONDANCE\nENVELOPES\n":{"v":"CORRESPONDANCE\nENVELOPPES\n","t":"A","i":1295},"Certain rooms have an effect that is only triggered upon physically entering the room. These rooms are marked on their floorplans by an icon of an open door.":{"v":"Certaines pièces possèdent un effet qui ne se déclenche qu'en y pénétrant physiquement. Ces pièces sont marquées sur leurs plans par une icône de porte ouverte.","t":"A","i":4476},"Certain rooms, like Mechanical rooms, are more likely to contain security doors.":{"v":"Certaines pièces, comme les salles mécaniques, ont plus de chances de contenir des portes de sécurité.","t":"A","i":733},"Chamber of Mirrors":{"v":"Chambre des miroirs","t":"A","i":4665},"Choose a color.\n\n\nRooms of the chosen color are more\nlikely to be drawn while drafting today.\n":{"v":"Choisissez une couleur.\n\n\nLes salles de la couleur choisie ont plus de\nprobabilités d'être tirées lors de la rédaction aujourd'hui.\n","t":"A","i":1578},"D R A F T I N G\nPOOL RULES":{"v":"D R A F T I N G\nRÈGLES DE POOL","t":"A","i":551},"D.C. Power’s designs for the V.A.C controls were partly inspired by the gift they received from their client:\nAn original Mora Jai box.":{"v":"Les conceptions des commandes V.A.C. de D.C. Power ont été partiellement inspirées par le cadeau reçu de leur client :\nune boîte originale de Mora Jai.","t":"A","i":1143},"DON'T BE AFRAID OF\nDRAFTING A FEW DEAD ENDS":{"v":"NE SOYEZ PAS EFFRAYÉ DE\nRÉDAIRE QUELQUES FINS MALHEUREUX","t":"A","i":2883},"DRAW ":{"v":"TIRER ","t":"A","i":967},"DRAWING\nFLOORPLANS":{"v":"DESSINS\nPLANS","t":"A","i":1166},"Dad\n[!v*2] Alice Dr.\n\nFenn Aries [!v*3]":{"v":"Papa\n[!v*2] Alice Dr.\n\nFenn Aries [!v*3]","t":"A","i":398},"Dear Baron,\nWelcome to Mount Holly - Your home.\n\nI still remember the first time I was addressed by my title. I was quite a bit older than you but it still felt strange, especially after a lifetime of hearing my father addressed daily by that same title.\n\nBut life is a journey of growth. Growing up. Growing older. Growing wiser. And in our case, growing into the Baron of Reddington.\n\nThe Baron doesn't have to be a daunting figure. He could be quiet and unassuming. Or loud, brash and boisterous. He could be deceptive or trustworthy. Humble or boastful. Or any measure of other things.\nBut always clever.":{"v":"Cher Baron,\nBienvenue à Mount Holly - Votre foyer.\n\nJe me souviens encore de la première fois où on m'a adressé par mon titre. J'étais bien plus âgé que vous, mais cela restait étrange, surtout après une vie entière d'entendre mon père être quotidiennement ainsi désigné.\n\nMais la vie est un voyage de croissance. Grandir. Vieillir. Devenir plus sage. Et dans notre cas, devenir le Baron de Reddington.\n\nLe Baron n'a pas besoin d'être une figure effrayante. Il peut être calme et discret. Ou bruyant, impétueux et jovial. Il peut être trompeur ou digne de confiance. Modeste ou vantard. Ou posséder toute autre mesure.\nMais toujours intelligent.","t":"A","i":4032},"Dear Baron,\nWelcome to Mount Holly - Your home.\n\nI still remember the first time I was addressed by my title. I was quite a bit older than you, but it still felt intensely strange, especially after a liftime of hearing my father addressed daily by that same token. But life is a journey of growth. Growing up, growing older, growing wiser, growing into yourself. And in our case, growing into the Baron of Reddington.\n\nThe Baron doesn't have to be a daunting figure. He could be quiet and unassuming. Or loud, brash and boistrous. He could be deceptive or trustworthy. Humble or boastful. Or any measure of other things.\nBut always clever.":{"v":"Cher Baron,\nBienvenue à Mount Holly - Votre foyer.\n\nJe me souviens encore de la première fois qu'on m'a appelé par mon titre. J'étais bien plus âgé que vous, mais cela m'a semblé extrêmement étrange, surtout après une vie entière à voir mon père s'adresser quotidiennement à ce même titre. Mais la vie est un voyage de croissance. Grandir, vieillir, devenir plus sage, devenir soi-même. Et dans notre cas, devenir le Baron de Reddington.\n\nLe Baron n'a pas besoin d'être une figure intimidante. Il pourrait être discret et modeste. Ou bruyant, arrogant et tapageur. Il pourrait être trompeur ou digne de confiance. Humble ou vantard. Ou n'importe quelle mesure d'autres choses.\nMais toujours rusé.","t":"A","i":2580},"Despite the Directory being reorganized and renumbered several times throughout the years, THE FOUNDATION has always maintained its position as the first floorplan of mount holly.":{"v":"Malgré les réorganisations et renumérotations multiples du Directory au fil des années, THE FOUNDATION a toujours conservé sa position de premier plan de Mount Holly.","t":"A","i":765},"Each terminal on the estate is connected to a local network named \"BLACKBRIDGE.\"

This network allows users to remotely connect to other active terminals, as well as providing access to staff services and other handy features, like this glossary!":{"v":"Chaque terminal du domaine est connecté à un réseau local nommé « BLACKBRIDGE ».

Ce réseau permet aux utilisateurs de se connecter à distance à d'autres terminaux actifs, tout en offrant un accès aux services du personnel et à d'autres fonctionnalités pratiques, comme ce glossaire !","t":"A","i":4521},"Effects - About half the the following day. \n \nI also discovered a stray die had found its way into my pocket. Which was hardly shocking, given Hartleys history.":{"v":"Effets - À peu près la moitié le lendemain. \n \nJ'ai aussi découvert un dé errant qui s'était glissé dans ma poche. Ce qui n'avait rien de surprenant, vu l'histoire de Hartley.","t":"A","i":2144},"Electric powered doors of reinforced steel that can only be accessed via Keycard are considered Security Locked. These doors appear with more frequency the higher up in Rank you are in the house.":{"v":"Les portes électriques en acier renforcé, accessibles uniquement par badge, sont considérées comme verrouillées par sécurité. Ces portes apparaissent avec une fréquence plus élevée à mesure que votre rang augmente dans la maison.","t":"A","i":4491},"Electric powered doors of reinforced steel that can only be accessed via Keycard are considered Security Locked. These doors appear with more frequency the more higher up in Rank you are in the house.":{"v":"Les portes électriques en acier renforcé, accessibles uniquement par badge, sont considérées comme verrouillées par sécurité. Ces portes apparaissent d'autant plus fréquemment que votre rang est élevé dans la maison.","t":"A","i":4539},"Foreward":{"v":"Faveur","t":"A","i":3002},"FLAG COLORS:\nGREEN for NUANCE.\nPINK for VERRA.\nORANGE for CORARICA.":{"v":"COULEURS DES DRAPEAUX :\nVERT pour NUANCE.\nROSE pour VERRA.\nORANGE pour CORARICA.","t":"A","i":719},"Floorplans that have a green border are known as Green Rooms. These rooms are associated with outdoor areas and gardens, and are naturally synergistic with one another.":{"v":"Les plans de salle avec une bordure verte sont connus sous le nom de Salles vertes. Ces salles sont associées aux espaces extérieurs et aux jardins, et sont naturellement synergiques entre elles.","t":"A","i":4488},"From its root meaning \"The Room Before\", all signs and paths point toward the Antechamber. This mysterious sealed room -resting on the [!v*1]th Rank- may prove, however, quite an initial challenge to even reach, let alone enter. Still, you can't help but draw a connection between this chamber and Room [!v*2].":{"v":"De son sens originel « La Salle Avant », tous les signes et les chemins pointent vers l'Antichambre. Cette mystérieuse salle scellée, reposant sur le [!v*1]e Rang, pourrait s'avérer un défi initial considérable, même pour simplement l'atteindre, sans parler de la franchir. Pourtant, vous ne pouvez vous empêcher d'établir un lien entre cette chambre et la Salle [!v*2].","t":"A","i":4579},"GAMBIT OF\nTHE QUEEN":{"v":"LE GAMBIT DE\nLA REINE","t":"A","i":3386},"Gain [!v*1]":{"v":"Gain[!v*1]","t":"A","i":2446},"HEWAMDDO\nFIRST ERAJA":{"v":"HEWAMDDO\nPREMIÈRE ERAJA","t":"A","i":2195},"HOTEL AND SPA\nBLACK BRIDGE":{"v":"HÔTEL ET SPA\nBLACK BRIDGE","t":"A","i":1312},"INSTRUCTIONS: Your exam has begun. You will now have\nfifteen minutes to complete the next [!v*1] pages of questions related to the\ncurriculum covered over the previous eight grades. If you do not know\nthe answer to a question, skip it and come back later. This is an open\nbook exam and you may use your notes and may retrieve information\nfrom other rooms to help you as long as you complete the test within\n[!v*2] minutes. After you have completed your exam, it will be graded\nremotely and results will be sent to you the following day.":{"v":"INSTRUCTIONS: Votre examen a commencé. Vous disposez désormais de\nquinze minutes pour répondre aux [!v*1] pages de questions suivantes portant sur le\nprogramme couvert au cours des huit dernières années. Si vous ne connaissez\npas la réponse à une question, passez à la suivante et revenez-y plus tard. Il s'agit d'un\nexamen à livre ouvert et vous pouvez utiliser vos notes et consulter des informations\ndans d'autres pièces pour vous aider, à condition de terminer l'épreuve dans les\n[!v*2] minutes. Une fois votre examen terminé, il sera corrigé\nà distance et les résultats vous seront envoyés le lendemain.","t":"A","i":1191},"INSTRUCTIONS: Your exam has begun. You will now have\nthirty minutes to complete the next [!v*1] pages of questions related to the\ncurriculum covered over the previous eight grades. If you do not know\nthe answer to a question, skip it and come back later. This is an open\nbook exam and you may use your notes and may retrieve information\nfrom other rooms to help you as long as you complete the test within\nthirty minutes. After you have completed your exam, it will be graded\nremotely and results will be sent to you the following day.":{"v":"INSTRUCTIONS: Votre examen a commencé. Vous aurez maintenant \ntrente minutes pour répondre aux [!v*1] pages de questions suivantes relatives au\nprogramme couvert au cours des huit années précédentes. Si vous ne connaissez pas\nla réponse à une question, passez-la et revenez-y plus tard. Il s'agit d'un examen\navec documents et vous pouvez utiliser vos notes et consulter des informations\ndans d'autres salles pour vous aider, tant que vous terminez le test dans\nles trente minutes. Une fois votre examen terminé, il sera noté\nà distance et les résultats vous seront envoyés le lendemain.","t":"A","i":3763},"If an item would be spread into the CHAMBER OF MIRRORS, four of those items are spread instead.":{"v":"Si un objet serait étalé dans la CHAMBRE DES MIROIRS, quatre de ces objets sont étalés à la place.","t":"A","i":803},"If you have a HALL PASS, BOOKSHOP will be more likely to be drawn while drafting in the LIBRARY.":{"v":"Si vous avez un PASSAGE, la BOUTIQUE aura plus de chances d'être tirée lors de la sélection dans la BIBLIOTHÈQUE.","t":"A","i":738},"Items refer both to Special Items (unique items in your inventory), as well as Resource Items such as keys, gems, gold etc.

As per the rules laid forth in your Great Uncle’s will, objects found on the estate must be left behind whenever you call it a day. ":{"v":"Les objets désignent à la fois les Objets spéciaux (objets uniques dans votre inventaire), ainsi que les Objets de ressources tels que les clés, les gemmes, l'or, etc.

Conformément aux règles stipulées dans le testament de votre grand-oncle, les objets trouvés sur le domaine doivent être laissés sur place lorsque vous mettez fin à votre journée. ","t":"A","i":4494},"Lune is the Erajan word for water.\n
\nEssa is the Erajan word for love. \n
\nJoro is the Erajan word for father.\n":{"v":"Lune est le mot erajan pour l'eau.\n
\nEssa est le mot erajan pour l'amour. \n
\nJoro est le mot erajan pour père.\n","t":"A","i":1270},"Monk":{"v":"Monk","t":"A","i":1827},"MAIL IN\nSWEEPSTAKES":{"v":"ENVOI PAR COURRIER\nJEU CONCOURS","t":"A","i":1649},"MANTLE OF\nTHE KNIGHT":{"v":"MANTEAU DE\nCHEVALIER","t":"A","i":3769},"MOST TIME SPENT IN\n_____________\n":{"v":"TEMPS MAXIMUM PASSÉ DANS\n_____________\n","t":"A","i":2362},"MT. HOLLY\nPUMP CONTROL":{"v":"MT. HOLLY\nCOMMANDE DE POMPE","t":"A","i":402},"MY \"FAVORITE\"\n FLOORPLANS":{"v":"MES \"FAVORIS\"\n PLANS DE SOL","t":"A","i":2376},"Most things on the estate reset from one day to the next. It's the nature of the house. However, a few things are permanent and are usually marked as such. Permanent changes do not reset each day.":{"v":"La plupart des éléments de la propriété se réinitialisent d'un jour à l'autre. C'est la nature de la maison. Cependant, certains éléments sont permanents et sont généralement marqués comme tels. Les modifications permanentes ne se réinitialisent pas chaque jour.","t":"A","i":4522},"None would dare\nto open it.\n":{"v":"Personne oserait\nl'ouvrir.\n","t":"A","i":3364},"OTHER\nFLOORPLAN COMBOS":{"v":"AUTRE\nCOMBOS DE PLAN","t":"A","i":1761},"On the coat of arms, the first number is one numeral. The rest are each two numerals.":{"v":"Sur le blason, le premier chiffre est un seul chiffre. Les autres sont chacun de deux chiffres.","t":"A","i":779},"One of the most common type of rooms. Bedrooms are typically used for resting and regaining steps, and are identifiable by the violet borders of their floorplans.":{"v":"L'un des types de pièces les plus courants. Les chambres sont généralement utilisées pour se reposer et récupérer des points de vie, et sont reconnaissables grâce aux bordures violettes de leurs plans.","t":"A","i":4443},"Only six of the notorious “red letters” were addressed to HERBERT S. Sinclair.\n":{"v":"Seulement six des notoriètes « lettres rouges » étaient adressées à HERBERT S. Sinclair.\n","t":"A","i":946},"Orange floorplans, known as Hallways, are rooms that often contain many doors. They provide architects the means to branch off into different paths, allowing for greater flexibility.":{"v":"Les plans d'étage orange, connus sous le nom de Couloirs, sont des pièces qui contiennent souvent de nombreuses portes. Ils offrent aux architectes la possibilité de créer des embranchements vers différents chemins, permettant ainsi une plus grande flexibilité.","t":"A","i":4500},"PIETY OF\nTHE BISHOP":{"v":"PIÉTÉ DE\nL'ÉVÊQUE","t":"A","i":3905},"REALM & RUNE\nSigils of the Past and Present\n\nBY\nPROF. R. WILLARD \n\n\n\n\n":{"v":"REALM & RUNE\nSigils of the Past Present\n\nBY\nPROF. R. WILLARD \n\n\n\n\n","t":"A","i":3500},"REALM & RUNE\nSigils of the Past and Present\n\nBY\nPROF. R. WILLARD \n\n\n\n\nFENN ARIES\nROBERT BIRD & SONS\n[!v*5]":{"v":"RÉALME & RUNE\nSigiles du Passé et du Présent\n\nPAR\nPROF. R. WILLARD \n\n\n\n\nFENN ARIES\nROBERT BIRD & FILS\n[!v*5]","t":"A","i":582},"REALM & RUNE\nSigils of the Past and Present\n\nBY\nTOMAS SINCLAIR \n":{"v":"RÉALME & RUNE\nSceaux de le Passé et Présent\n\nPAR\nTOMAS SINCLAIR \n","t":"A","i":899},"READER SUBMITTED\nGEM STRATS":{"v":"SOUMIS PAR UN LECTEUR\nGEM STRATS","t":"A","i":2328},"RESTORE\nFROM BACKUP":{"v":"RESTAURER\nDEPUIS LA SAUVEGARDE","t":"V","i":50},"Red memos were created by Kirk Darren and approved by the Baron and questionably served as the estate’s primary security system.":{"v":"Les mémos rouges ont été créés par Kirk Darren et approuvés par le Baron, et ont servi de manière douteuse de système de sécurité principal du domaine.","t":"A","i":665},"Rooms that provide benefits in the future belong to a special category of floorplans: TOMORROW ROOMS. They are marked with a clock symbol.":{"v":"Les pièces qui offrent des avantages futurs appartiennent à une catégorie spéciale de plans d’étage : PIÈCES DE DEMAIN. Elles sont marquées d’un symbole d’horloge.","t":"A","i":4549},"Rumored":{"v":"Rumeur","t":"A","i":4573},"SI O":{"v":"SI O","t":"A","i":4331},"SI O":{"v":"SI O","t":"A","i":4332},"S I X\n O R\n O":{"v":"S I X\n O R\n O","t":"A","i":1093},"S I X\n O R\n O":{"v":"S I X\n O R\n O","t":"A","i":4680},"SCRIPTS & RUDFORD MINING CO.\nPATENT FOR HIGH PRESSURE CONDENSER\nApplication filed Dec [!v*2] [!v*3]":{"v":"SCRIPTS & RUDFORD MINING CO.\nBREVET POUR CONDENSEUR À HAUTE PRESSION\nDemande déposée en déc. [!v*2] [!v*3]","t":"A","i":3450},"SECOND EDITION\n":{"v":"SECONDE ÉDITION\n","t":"A","i":822},"SIGHTSEER S\nGUIDE":{"v":"TOURISTES\nGUIDE","t":"A","i":3826},"SPREADING\nITEMS":{"v":"DÉPLOYER\nLES OBJETS","t":"A","i":1060},"STAMP\nCOLLECTION":{"v":"STAMP\nCOLLECTION","t":"A","i":3549},"SUCCESSFUL\nTRIGGERS: [!v*1]":{"v":"RÉUSSI\nDÉCLENCHEURS : [!v*1]","t":"A","i":2479},"Saunas are commonplace in both businesses and residences in Corarica.":{"v":"Les saunas sont courants aussi bien dans les entreprises que dans les résidences à Corarica.","t":"A","i":1241},"Simon P. Jones\nMount Holly Estate\nFenn Aries [!v*2]":{"v":"Simon P. Jones\nMount Holly Estate\nFenn Aries [!v*2]","t":"A","i":417},"Sinclair’s four canine companions are named Carter, Thoughtless, Hot Sauce and Drawbridge.":{"v":"Les quatre compagnons canins de Sinclair s'appellent Carter, Thoughtless, Hot Sauce et Drawbridge.","t":"A","i":1279},"Star Schedule\nSurvey of Constellations observed at the Mt. Holly Observatory":{"v":"Programme des étoiles\nObservatoire de la constellation observé à l'observatoire du mont Holly","t":"A","i":3365},"Star Schedule\nSurvey of constellations observed at the Mt. Holly Observatory":{"v":"Calendrier des étoiles\nRecensement des constellations observées à l'observatoire du mont Holly","t":"A","i":1232},"Surveillance recordings can only be accessed via the terminal located in Security.":{"v":"Les enregistrements de surveillance ne peuvent être consultés que via le terminal situé dans le service de sécurité.","t":"A","i":253},"T H E\nRED PRINCE":{"v":"T H E\nPRINCE ROUGE","t":"A","i":3574},"There was a red prince,\n":{"v":"Il y avait un prince rouge,\n","t":"A","i":2667},"THE ROYAL\nEAST AIRHANGER":{"v":"LE ROYAL\nEST AÉROPORT","t":"A","i":3100},"THE \nVERRIATION":{"v":"LA \nVÉRIFICATION","t":"A","i":1976},"THE ARCH ARIES\nVARIATION":{"v":"L'ARC ARRIÈRE\nVARIATION","t":"A","i":3620},"THE BOX THAT CLAIMS TO
BE BLACK HAS THE GEMS.":{"v":"LA BOÎTE QUI PRÉTEND ÊTRE
NOIRE A LES PIERRES.","t":"A","i":4787},"THE ERAJA\nVARIATION":{"v":"L'ERAJA\nVARIATION","t":"A","i":2241},"THE FAMILY CORE
IS UNLOCKED ONLY BY THE SUM OF
ITS DIGITS.":{"v":"LE CŒUR DE LA FAMILLE
NE S'OUVRE QUE PAR LA SOMME DE
SES CHIFFRES.","t":"A","i":1207},"THE FENN ARIES\nVARIATION":{"v":"LE FÉNIE ARRIÈS\nVARIATION","t":"A","i":3207},"THE GEMS ARE IN A BOX WITH A TRUE TOP STATEMENT

THE GEMS ARE IN A BOX WITH A FALSE BOTTOM STATEMENT\n\n":{"v":"LES GEMMES SONT DANS UNE BOÎTE AVEC UNE DÉCLARATION VRAIE SUR LE CAPOT

LES GEMMES SONT DANS UNE BOÎTE AVEC UNE DÉCLARATION FAUSSE SUR LE FOND\n\n","t":"A","i":1046},"THE GEMS ARE IN THIS BOX.":{"v":"LES PIERRES SONT DANS CETTE BOÎTE.","t":"A","i":4212},"THE GEMS ARE NOT IN THE WHITE BOX.":{"v":"LES PIERRES NE SONT PAS DANS LA BOÎTE BLANCHE.","t":"A","i":4211},"THE NUANCE\nVARIATION":{"v":"LA NUANCE\nVARIATION","t":"A","i":3536},"THE ORINDA ARIES\nVARIATION":{"v":"LES ARIES D'ORINDA\nVARIATION","t":"A","i":2443},"THE SAIL\n[!v*1] OFF\nTODAY ONLY":{"v":"LA VOILE\n[!v*1] HORS\nAUJOURD'HUI SEULEMENT","t":"A","i":1982},"THE SAIL\n[!v*1] OFF\nTODAY ONLY":{"v":"LA VOILE\n[!v*1] HORS\nAUJOURD'HUI SEULEMENT","t":"A","i":2161},"THE UNIVERSITY\nVARIATION":{"v":"L'UNIVERSITÉ\nVARIATION","t":"A","i":1392},"THE\nROYAL MUSEUM":{"v":"LE\nMUSÉE ROYAL","t":"A","i":1604},"THERE ARE THREE BOXES
IN THIS ROOM.":{"v":"IL Y A TROIS BOÎTES
DANS CETTE CHAMBRE.","t":"A","i":4793},"THERE ARE TWO TRUE BOXES\nIN THIS ROOM.\n":{"v":"IL Y A DEUX VRAIES BOÎTES\nDANS CETTE PIÈCE.\n","t":"A","i":1394},"THERE IS A SECOND WIND-UP
KEY IN THIS ROOM.":{"v":"IL Y A UNE DEUXIÈME CLÉ À REMETTRE DANS CETTE PIÈCE.
","t":"A","i":4708},"THERE IS NO END\nTO THIS JOURNEY":{"v":"IL N'Y A PAS DE FIN\nÀ CE VOYAGE","t":"A","i":2222},"THIS BOX CONTAINS GEMS. ":{"v":"CETTE BOÎTE CONTIENT DES PIERRES PRÉCIEUSES. ","t":"A","i":4755},"THIS BOX IS THE BLACK BOX.":{"v":"CETTE BOÎTE EST LA BOÎTE NOIRE.","t":"A","i":4615},"THIS BOX IS THE BLUE BOX.":{"v":"CETTE BOÎTE EST LA BOÎTE BLEUE.","t":"A","i":4788},"THIS BOX IS THE WHITE BOX.":{"v":"CETTE BOÎTE EST LA BOÎTE BLANCHE.","t":"A","i":4614},"The Ink Well is not the largest constellation.":{"v":"Le Bocal d'encre n'est pas la plus grande constellation.","t":"A","i":1108},"The answer of the exam’s final question is equal to its number.":{"v":"La réponse à la dernière question de l'examen est égale à son numéro.","t":"A","i":948},"The chess board in this room contains a portmanteau.":{"v":"L'échiquier de cette pièce contient un portemanteau.","t":"A","i":1036},"The figure of eight, in its symbolic guise as ∞ , has long served as a vessel of both death and the unfathomable.":{"v":"Le chiffre huit, dans sa symbolique de ∞ , a longtemps servi de réceptacle à la mort et à l'infini.","t":"A","i":927},"The high pressure condenser box is connected to not one, but two remote power boxes.\n":{"v":"La boîte du condenseur haute pression est connectée à non pas une, mais deux boîtes d'alimentation distantes.\n","t":"A","i":1086},"The ice in Master Sinclair’s personal freezer can only be thawed by applying a direct heat source.\n":{"v":"La glace dans le congélateur personnel du Maître Sinclair ne peut être dégelée qu'en appliquant une source de chaleur directe.\n","t":"A","i":1240},"The illustrations in The Red Prince and Swim Bird were made by Marion Marigold herself.":{"v":"Les illustrations de The Red Prince et Swim Bird ont été réalisées par Marion Marigold elle-même.","t":"A","i":1031},"The largest planet in the night sky is named after the paragon of ash.":{"v":"La plus grande planète du ciel nocturne porte le nom du paragon de la cendre.","t":"A","i":1196},"The massive reservoir below Mount Holly receives a natural filtration from the continuous flow of fresh water from two neighboring underground springs, before making its dramatic exit via a waterfall on the south-facing cliff.":{"v":"Le vaste réservoir situé sous le mont Holly bénéficie d'une filtration naturelle grâce au flux continu d'eau fraîche provenant de deux sources souterraines voisines, avant de faire une sortie spectaculaire par une cascade sur la falaise orientée au sud.","t":"A","i":962},"The sin associated with this room is often associated with one's use of time.":{"v":"Le péché associé à cette pièce est souvent lié à l'usage que l'on fait du temps.","t":"A","i":1219},"The third king of Orindia was the last in the line of Oris.":{"v":"Le troisième roi d'Orindia fut le dernier de la lignée d'Oris.","t":"A","i":1225},"The three advanced operations in modern Mathematics are Squaring, Inversion, and Rounding.\n":{"v":"Les trois opérations avancées en mathématiques modernes sont l'élévation au carré, l'inversion et l'arrondi.\n","t":"A","i":1048},"The\nBlue Prince":{"v":"Le\nPrince bleu","t":"A","i":1732},"There are [!v*1] different dishes that can be served in this room.":{"v":"Il y a [!v*1] plats différents qui peuvent être servis dans cette pièce.","t":"A","i":889},"There is only one location in the estate where every room in the drafting pool can be drafted.":{"v":"Il n'existe qu'un seul lieu dans le domaine où chaque salle du bassin de brouillons peut être tirée.","t":"A","i":1167},"These rooms are often heavy in mechanics and often contain control systems that can interact with other elements on the estate. These rooms are marked by the symbol of a gear.":{"v":"Ces pièces sont souvent riches en mécanismes et contiennent fréquemment des systèmes de commande pouvant interagir avec d'autres éléments du domaine. Elles sont marquées du symbole d'une roue dentée.","t":"A","i":4519},"This tank contains a red herring.":{"v":"Ce réservoir contient un leurre.","t":"A","i":1015},"UNLOCK\nDARE MODE":{"v":"DÉBLOQUER\nMODE DÉFI","t":"A","i":3424},"Until we meet on the\n shore of white sands,\n":{"v":"Jusqu'à ce que nous nous retrouvions sur\n la rive des sables blancs,\n","t":"A","i":1773},"When a spread occurs, items are randomly distributed across all rooms currently active on the estate. The more rooms in your house, the larger the spread.":{"v":"Lorsqu'une dispersion se produit, les objets sont répartis aléatoirement dans toutes les pièces actuellement actives du domaine. Plus votre maison a de pièces, plus la dispersion est importante.","t":"A","i":4532},"YOU HAVE REACHED THE\nEND OF YOUR JOURNEY":{"v":"VOUS AVEZ ATTEINT LA\nFIN DE VOTRE VOYAGE","t":"A","i":3909},"You do not have to pay tithes.\n\nInstead, gain the first time\nyou enter each day\nwith this power.":{"v":"Vous n'avez pas à payer la dîme.\n\nAu lieu de cela, gagnez la première fois\nque vous entrez chaque jour\navec ce pouvoir.","t":"A","i":1928},"You may draw floorplans up\nto [!v*1] times when drafting the\n[!v*3] corner rooms of your house.":{"v":"Vous pouvez dessiner des plans de sol jusqu'à\n[!v*1] fois lors de la conception des\n[!v*3] chambres d'angle de votre maison.","t":"A","i":2314},"You may, on rare occasions, notice some floorplans that have more than one color in their design. These rooms are unique in that they simultaneously share all the characteristics of each type of room associated with those colors. For example, a floorplan with a violet and gold border would be best described as a bedroom shop, while an orange and green one might contain a corridor of greenery and plants.":{"v":"Vous pouvez, à de rares occasions, remarquer certains plans d'étage qui comportent plus d'une couleur dans leur conception. Ces pièces sont uniques en ce qu'elles partagent simultanément toutes les caractéristiques de chaque type de pièce associé à ces couleurs. Par exemple, un plan d'étage avec une bordure violette et dorée serait le mieux décrit comme une boutique de chambre à coucher, tandis qu'un plan orange et vert pourrait contenir un couloir verdoyant avec des plantes.","t":"A","i":4003},"You no longer pay tithes.\n\nInstead, gain the first time\nyou enter each day\nwith this power.":{"v":"Vous ne payez plus les dîmes.\n\nÀ la place, gagnez la première fois\nque vous entrez chaque jour\navec ce pouvoir.","t":"A","i":3495},"[!v*1].":{"v":"[!v*1].","t":"A","i":2103},"[!v*1]. In ancient Orindia, the Number [!v*3] was considered\nby Ajeran scholars to be mathematically \"near-perfect\".\nThough many in the secular sphere held that only this\nadvanced form of [!v*5] was worthy of numerical perfection.":{"v":"[!v*1]. Dans l'ancienne Orindia, le Nombre [!v*3] était considéré\npar les savants d'Ajeran comme étant mathématiquement « quasi-parfait ».\nBien que beaucoup dans la sphère séculière affirment que seul ce\nforme avancée de [!v*5] mérite la perfection numérique.","t":"A","i":3952},"[!v*1]. How long did the \"War of the Fifth Era\" last?":{"v":"[!v*1]. Combien de temps a duré la « Guerre de la Cinquième Ère » ?","t":"A","i":3349},"[!v*1]. How many cities in Fenn Aries are larger than Reddington?":{"v":"[!v*1]. Combien de villes dans Fenn Aries sont plus grandes que Reddington ?","t":"A","i":3285},"[!v*1]. How many elements are on the top row of the\nperiodic table?":{"v":"[!v*1]. Combien d'éléments y a-t-il sur la première ligne du\ntableau périodique ?","t":"A","i":4050},"[!v*1]. How would you say the following phrase in Erajan,\n\"You have a very, very long name.\"":{"v":"[!v*1]. Comment diriez-vous la phrase suivante en Erajan,\n« Vous avez un nom très, très long. »","t":"A","i":3728},"[!v*1]. How would you tell an Erajan \"Count me out.\"":{"v":"[!v*1]. Comment diriez-vous « Je me retire » à un Érajien","t":"A","i":2271},"[!v*1]. In which era were the railways of Fenn Aries destroyed?":{"v":"[!v*1]. À quelle époque les chemins de fer de Fenn Aries ont-ils été détruits ?","t":"A","i":3273},"[!v*1]. Sam left his house at [!v*2] am and drove three hours north and passed [!v*3] flags. He then turned northwest at Tanner Fork and drove another three hours and passed [!v*4] additional flags of the same color before arriving at Trinsdale at noon. What color were the flags?":{"v":"[!v*1]. Sam a quitté sa maison à [!v*2] h et a conduit trois heures vers le nord en passant [!v*3] drapeaux. Il a ensuite tourné vers le nord-ouest à Tanner Fork et a conduit encore trois heures en passant [!v*4] drapeaux supplémentaires de la même couleur avant d'arriver à Trinsdale à midi. De quelle couleur étaient les drapeaux","t":"A","i":2025},"[!v*1]. Solve the following problem: ":{"v":"[!v*1]. Résolvez le problème suivant : ","t":"A","i":2293},"[!v*1]. The deciding battle of the War of the Fifth Era was\nfought on the southern shores near what famous landmark?":{"v":"[!v*1]. La bataille décisive de la Guerre de la Cinquième Ère a été \nluttée sur les rives du sud près de ce célèbre monument ?","t":"A","i":2985},"[!v*1]. The phrase \"Treivenle\" can be translated in\nseveral different ways. Which of the following is NOT an\nacceptable interpretation of this phrase?":{"v":"[!v*1]. L'expression « Treivenle » peut être traduite de \nplusieurs façons différentes. Laquelle des suivantes n'est PAS une \ninterprétation acceptable de cette expression ?","t":"A","i":3599},"[!v*1]. What Realm is directly north of Eraja?":{"v":"[!v*1]. Quel Royaume est directement au nord d'Eraja ?","t":"A","i":2646},"[!v*1]. What color is most often associated with Hallways?":{"v":"[!v*1]. Quelle couleur est le plus souvent associée aux couloirs ?","t":"A","i":3394},"[!v*1]. What does \"NEVYAIT\" mean in Erajan?":{"v":"[!v*1]. Que signifie « NEVYAIT » à Erajan ?","t":"A","i":2685},"[!v*1]. Where are you right now as you take this exam?":{"v":"[!v*1]. Où êtes-vous en ce moment alors que vous passez cet examen ?","t":"A","i":4089},"[!v*1]. Which element appears in the periodic table directly\nbelow Helium (He)?":{"v":"[!v*1]. Quel élément apparaît dans le tableau périodique directement\nsous l'hélium (He) ?","t":"A","i":3732},"[!v*1]. Which element could not be used in the spelling of\nthe word CLUES?\n":{"v":"[!v*1]. Quel élément ne peut pas être utilisé pour l'orthographe\ndu mot CLUES ?\n","t":"A","i":2564},"[!v*1]. Which of the following is not a real element found\non the periodic table?":{"v":"[!v*1]. Lequel des éléments suivants n'est pas un élément réel figurant\ndans le tableau périodique ?","t":"A","i":3844},"[!v*1]. Which of the following pieces of art is not\ndisplayed in Mt. Holly's Entrance Hall?":{"v":"[!v*1]. Laquelle des œuvres suivantes n'est pas\nexposée dans le hall d'entrée du Mt. Holly ?","t":"A","i":1861},"[!v*1]. Which of the following pieces of art was not\ndisplayed in the Grade [!v*2] Classroom?":{"v":"[!v*1]. Quelle œuvre d'art parmi les suivantes n'était pas\naffichée dans la salle de classe du grade [!v*2] ?","t":"A","i":2885},"[!v*1]. Which of the following realms is not near Fenn Aries?":{"v":"[!v*1]. Lequel des royaumes suivants n'est pas proche de Fenn Aries ?","t":"A","i":2191},"[!v*1]. Which realm gifted Fenn Aries a dirigible to headway\ntheir victory parade at the conclusion of the war?":{"v":"[!v*1]. Quel royaume a offert à Fenn Aries un dirigeable pour son\ndéfilé de victoire à la fin de la guerre ?","t":"A","i":2422},"[!v*1]\n":{"v":"[!v*1]\n","t":"A","i":1206},"[!v*1] LETTERS\n in the message":{"v":"[!v*1] LETTRES\n dans le message","t":"A","i":407},"a component in\n[!v*1] Contraption":{"v":"un composant de\n[!v*1]Contraption","t":"A","i":2711},"a component in\n[!v*1] Contraptions":{"v":"un composant de\n[!v*1] Contraptions","t":"A","i":2371},"ajera to eraja\n":{"v":"ajera to eraja\n","t":"A","i":654},"d Arthur Clementine":{"v":"DArthur Clementine","t":"A","i":1181},"n/a":{"v":"n/a","t":"A","i":4181},"techniques. In this issue of \"DRAFTING STRATEGY\", we will dive into the vast realm of INVENTORY, bringing to light the many hidden tools of the trade that can enhance your favorite strategies and elevate your architectural ambitions to unpreceden-ted heights.":{"v":"techniques. Dans ce numéro de « STRATÉGIE DE CONCEPTION », nous plongerons dans l'immense domaine de l'INVENTAIRE, mettant en lumière les nombreux outils cachés du métier qui peuvent renforcer vos stratégies préférées et élever vos ambitions architecturiques à des hauteurs inégalées.","t":"A","i":2400},"the rumored Room [!v*2]\n":{"v":"la légendaire Chambre [!v*2]\n","t":"A","i":1200},"the\n\n\nHistory\n\nof Orindia\n":{"v":"la\n\n\nHistoire\n\nd' Orindia\n\n","t":"H","i":2038},"A":{"v":"A","t":"A","i":311},"A\nPATIENT\nFIGURE\nA\nRECKONING\nGREAT":{"v":"A\nPATIENT\nFIGURE\nA\nRÈGLEMENT DE COMPTES\nGRAND","t":"A","i":2417},"A\nSULLEN\nCROSS\nAS\nFIVE\nSTARS\nALIGN":{"v":"A\nSULLEN\nCROISÉ\nAS\nCINQ\nÉTOILES\nS'ALIGNENT","t":"A","i":2002},"A ":{"v":"A ","t":"A","i":1160},"A LOGICAL\nTROPHY":{"v":"A LOGIQUE\nTROPHÉE","t":"A","i":307},"A FORMIDABLE":{"v":"UN FORMIDABLE","t":"A","i":2823},"A +":{"v":"A +","t":"A","i":1062},"A DEAD END is any room that lacks another door by which to exit. It is an understandable instinct to want to avoid these rooms while drafting your house as they limit your available paths for growth, how-ever, seasoned architects":{"v":"Un DEAD END est toute pièce qui ne possède pas d'autre porte par laquelle sortir. Il est compréhensible de vouloir éviter ces pièces lors de la conception de votre maison car elles limitent vos chemins disponibles pour la croissance, cependant, les architectes chevronnés","t":"A","i":4058},"A FOYER drafted before GREAT HALL would mean that all of its many doors would be unlocked.":{"v":"Un FOYER conçu avant GREAT HALL signifierait que toutes ses nombreuses portes seraient déverrouillées.","t":"A","i":3578},"A special item is referring to an item that is unique and inventory bound, as opposed to resource items such as keys, gems or coins.":{"v":"Un objet spécial désigne un objet unique et lié à l'inventaire, par opposition aux objets de ressource tels que les clés, les gemmes ou les pièces.","t":"A","i":4535},"A BEDROOM IN ERAJA":{"v":"UNE CHAMBRE À ÉRAJA","t":"A","i":3350},"A BLACK BOX\nCONTAINS\nALLOWANCE TOKENS.":{"v":"UNE BOÎTE NOIRE\nCONTIENT\nDES JETONS D'ALLOCATION.","t":"A","i":1896},"A BLACK SILK":{"v":"UN SOIE NOIRE","t":"A","i":2589},"A BLACKBRIDGE BACKUP ALREADY\nEXISTS ON THE SERVERS\n\n\nDO YOU WISH TO OVERWRITE?\n\nPress [E] to continue Press [ESC] to go back":{"v":"UNE SAUVEGARDE DE BLACKBRIDGE EXISTE\nDÉJÀ SUR LES SERVEURS\n\n\nVOULEZ-VOUS L'ÉCRASER ?\n\nAppuyez sur [E] pour continuer Appuyez sur [ESC] pour revenir","t":"A","i":1323},"A BOX NEXT TO THIS BOX CONTAINS GEMS.":{"v":"UNE BOÎTE À CÔTÉ DE CELLE-CI CONTIENT DES GEMMES.","t":"A","i":1045},"A BOX NEXT TO THIS BOX IS TRUE.":{"v":"UNE BOÎTE À CÔTÉ DE CETTE BOÎTE EST VRAIE.","t":"A","i":4842},"A CHAPEL IN FENN ARIES":{"v":"UNE CHAPELLE À FENN ARIES","t":"A","i":3772},"A CIRCUITED":{"v":"CIRCUIT","t":"A","i":2126},"A DISCOUNT":{"v":"UNE RÉDUCTION","t":"A","i":2978},"A FAMILIAR RED":{"v":"UN ROUGE FAMILIER","t":"A","i":1816},"A FEW":{"v":"QUELQUES","t":"A","i":2113},"A FEW EXAMPLES OF ROOM UPGRADES":{"v":"Quelques exemples d'améliorations de pièces","t":"A","i":3440},"A FEW OLD":{"v":"Quelques vieux","t":"A","i":4072},"A FEW UNIMPRESSIVE":{"v":"Quelques peu impressionnants","t":"A","i":2722},"A FLOORPLAN":{"v":"UN PLAN DU SOL","t":"A","i":2762},"A FUNCTIONAL":{"v":"UN FONCTIONNEL","t":"A","i":3106},"A FUNCTIONING":{"v":"EN FONCTIONNEMENT","t":"A","i":1313},"A GARDEN":{"v":"UN JARDIN","t":"A","i":1315},"A GARDEN READY":{"v":"JARDIN PRÊT","t":"A","i":1955},"A GENUINE":{"v":"UN VRAI","t":"A","i":4026},"A GLASS":{"v":"UN VERRE","t":"A","i":2260},"A GREENHOUSE IN CORARICA":{"v":"UN SERRE À CORARICA","t":"A","i":3363},"A Guide to Dead Ends . . . . . . . . . . . . . . . [!v*0]":{"v":"Un guide des impasses . . . . . . . . . . . . . . . . [!v*0]","t":"A","i":1111},"A HEAVY":{"v":"Lourd","t":"A","i":1924},"A HOBBYIST":{"v":"UN AMATEUR","t":"A","i":2253},"A JOURNEY\nNOTEWORTHY":{"v":"UN VOYAGE\nDIGNES D'INTÉRÊT","t":"A","i":503},"A LARGE":{"v":"GROS","t":"A","i":1688},"A LOGICAL TROPHY":{"v":"UN TROPHÉE LOGIQUE","t":"A","i":215},"A LONG BURIED":{"v":"UN LOIN ENFUI","t":"A","i":3069},"A M\n (LARGE)":{"v":"A M\n (GRANDE)","t":"A","i":1040},"A MAKESHIFT":{"v":"UN BRICOLAGE","t":"A","i":3051},"A METAL":{"v":"UN MÉTAL","t":"A","i":2250},"A MYSTERIOUS":{"v":"UN MYSTÉRIEUX","t":"A","i":3319},"A NAVIGATIONAL":{"v":"NAVIGATIONAL","t":"A","i":1709},"A NEW CLUE":{"v":"UN NOUVEL INDICE","t":"A","i":1974},"A New Clue\n\n u ncle Awe":{"v":"Un nouveau indice\n\n u ncle Awe","t":"A","i":2658},"A New Clue - Marion Marigold":{"v":"Un nouvel indice - Marion Marigold","t":"A","i":1289},"A PAIR OF":{"v":"UNE PAIRE DE","t":"A","i":1597},"A PAIR OF OLD":{"v":"UNE PAIRE D'ANCIEN","t":"A","i":1465},"A PRIZE IS\nIN A BOX\nMARKED BY":{"v":"UN PRIX EST\nDANS UNE BOÎTE\nMARQUÉE PAR","t":"A","i":1991},"A QUAINT FLORAL SITTING\nROOM SURROUNDED ENTIRELY\nBY TINTED GLASS PANES.\n\nTHIS ROOM IS IDEAL FOR\nTEA IN THE AFTERNOONS\nOR GETTING SOME SUN\nWITHOUT THE HASSLE OF\nGOING OUTSIDE.":{"v":"UN COIN FLORAL CHARMANT \nUNE PIÈCE ENTOURÉE PARFAITEMENT \nDE VITRAUX COLORÉS.\n\nCETTE PIÈCE EST IDÉALE POUR \nPRENDRE DU THÉ L'APRÈS-MIDI \nOU PROFITER DE LA CHALEUR DU SOLEIL \nSANS LE MALUS D'ALLER À L'EXTÉRIEUR.\n","t":"A","i":3053},"A RATHER CRUDE":{"v":"Un peu brut","t":"A","i":2839},"A RATHER CURIOUS":{"v":"ASSEZ CURIEUX","t":"A","i":1550},"A RATHER DIRTY":{"v":"ASSEZ SALE","t":"A","i":2261},"A RJE":{"v":"Un RJE","t":"A","i":703},"A Recognition of Outstanding Excellence":{"v":"Une reconnaissance d'une excellence remarquable","t":"A","i":249},"A S":{"v":"A S","t":"A","i":3784},"A SAFE":{"v":"UN COFFRE","t":"A","i":1833},"A SELF IGNITING":{"v":"UN AUTO-ALLUMAGE","t":"A","i":2532},"A SHOP IN ARCH ARIES":{"v":"UNE BOULANGERIE À ARCH ARIES","t":"A","i":3189},"A SHOVEL":{"v":"UNE PELLE","t":"A","i":4022},"A SINGLE":{"v":"UNIQUE","t":"A","i":1852},"A SMALL":{"v":"PETIT","t":"A","i":2009},"A SMALL DATA":{"v":"UNE PETITE DONNÉE","t":"A","i":1606},"A SPARE SET OF":{"v":"UN ENSEMBLE DE RECHANGE","t":"A","i":3243},"A SPYGLASS":{"v":"UNE LUNETTE D'ESPION","t":"A","i":2740},"A STAFF PREPARED":{"v":"UN PERSONNEL PRÊT","t":"A","i":4009},"A STUDENT":{"v":"UN ÉTUDIANT","t":"A","i":2060},"A TORN AND DISCARDED":{"v":"ARRACHÉ ET JETÉ","t":"A","i":3887},"A TOWERING LOFT SERVING\nHOME TO MANY OF THE\nFEATHERED LOCALS OF\nMT. HOLLY.\n\nAS A DEVOUT BIRDWATCHER\nAND AMATEUR ORNITHOLOGIST\nMARY HAD PETITIONED HER\nUNCLE FOR YEARS FOR THIS\nTO BE BUILT ON THE ESTATE.\n\n":{"v":"UNE TOUR IMPOSANTE SERVANT\nDE MAISON À BEAUCOUP DES\nOISEAUX LOCAUX DE\nLA MONTAGNE HOLY.\n\nPASSIONNÉE D'OBSERVATION DES OISEAUX\nET ORNITHOLOGUE AMATEUR,\nMARY AVAIT DEMANDÉ À SON\nONCLE PENDANT DES ANNÉES QUE\nCE BÂTIMENT SOIT CONSTRUIT SUR LE DOMAINE.\n\n","t":"A","i":2110},"A USEFUL":{"v":"UN UTILE","t":"A","i":2846},"A VERY":{"v":"UN TRÈS","t":"A","i":2644},"A VERY VALUABLE":{"v":"TRÈS PRÉCIEUX","t":"A","i":2821},"A WOOD AND BRASS":{"v":"BOIS ET LAITON","t":"A","i":1553},"A WORTHLESS":{"v":"UN INUTILE","t":"A","i":1626},"A WORTHLESS OLD":{"v":"UN VIEUX SANS VALEUR","t":"A","i":3694},"A Word From the Editor":{"v":"Un mot de l'éditeur","t":"A","i":712},"A Word from the Editor":{"v":"Un mot de l'éditeur","t":"A","i":989},"A box in the\nwater contains\n[!v*0] allowance tokens!":{"v":"Une boîte dans l'\neau contient \n[!v*0] jetons d'allocations !","t":"A","i":3234},"A challenging mode intended only for the\ntruly daring. Can you reach Room [!v*0]\nwithout failing a single dare?":{"v":"Un mode difficile réservé aux\nvraiment audacieux. Pouvez-vous atteindre la salle [!v*0]\nsans rater un seul défi ?","t":"H","i":184},"A charming path that winds through the wooded area that runs alongside the west wing of the house. This path can be accessed from both the garage and the west gate, which is usually kept latched and locked.":{"v":"Un chemin charmant qui serpente à travers la zone boisée longeant l'aile ouest de la maison. Ce chemin est accessible depuis le garage et depuis la porte ouest, généralement maintenue fermée à clé.","t":"A","i":4554},"A charming spot granting guests a bit of fresh air and open skies within the privacy of the manor walls.":{"v":"Un charmant coin offrant aux invités un peu d'air frais et de ciel ouvert au sein du périmètre privé des murs du manoir.","t":"A","i":4378},"A circular theater featuring a dome shaped projection screen upon which scenes of the stars and galaxies allow viewers to experience the splendor of the heavens.":{"v":"Un théâtre circulaire doté d'un écran de projection en forme de dôme sur lequel s'affichent des scènes d'étoiles et de galaxies, permettant aux spectateurs de ressentir la splendeur du ciel.","t":"A","i":4688},"A cloakroom where guests may leave their coats, bags or hats in exchange for a claim ticket. This floor plan was usually drafted adjoining the Entrance Hall during larger social events such as a ball or gala. ":{"v":"Une salle des manteaux où les invités peuvent déposer leurs manteaux, sacs ou chapeaux contre un ticket de retrait. Ce plan d’étage était généralement établi à proximité de la salle d’entrée lors de grands événements sociaux tels qu’un bal ou une gala. ","t":"A","i":4565},"A commissioned blueprint made for Reddington Elementary. These floorplans were deployed in Mt. Holly as a short term solution, to allow the curriculum to continue uninterrupted while the new school was being built.\n":{"v":"Un plan architectural commandité pour l'école élémentaire Reddington. Ces plans de sol ont été déployés à Mt. Holly en tant que solution temporaire, afin de permettre au programme d'études de se poursuivre sans interruption pendant la construction du nouvel établissement.\n","t":"A","i":3132},"A component of the Parlor Game":{"v":"Un composant du jeu de salon","t":"A","i":1865},"A control room with state of the art surveillance equipment, inventory system, and access control via an electronic computer terminal. This room is where the estate’s patrol guards kick up their feet and thank their stars they are living in a modern era. ":{"v":"Une salle de contrôle équipée d'un matériel de surveillance de pointe, d'un système d'inventaire et d'un contrôle d'accès via un terminal informatique électronique. C'est ici que les gardes patrouilleurs de la propriété se reposent sur leurs lauriers et remercient le ciel de vivre à une époque moderne. ","t":"A","i":4365},"A covered walk and colonnade surrounding an enclosed and seemingly inaccessible garden. A solitary angelic statue in the center of the grassy patch provides this secluded court a hallowed atmosphere. ":{"v":"Un portique et une galerie entourant un jardin clos et apparemment inaccessible. Une statue angélique solitaire au centre de la pelouse confère à cette cour isolée une atmosphère sacrée. ","t":"A","i":4850},"A dedicated mailing room in which incoming and outgoing post and packages are sorted and then delivered within the estate to their intended recipients.":{"v":"Une salle de tri dédiée où le courrier et les colis entrants et sortants sont triés puis livrés à l'intérieur du domaine à leurs destinataires respectifs.","t":"A","i":4670},"A dedicated storage space filled from end to end with a surplus of chairs, carpets, paintings and a handful of other things that had at one time been in vogue and on display elsewhere in the house.":{"v":"Un espace de stockage dédié, rempli de bout en bout d'un surplus de chaises, de tapis, de tableaux et d'une poignée d'autres objets qui avaient, à une époque, été à la mode et exposés ailleurs dans la maison.","t":"A","i":4560},"A delightfully expensive steak cut. Bone-in and extra marbled for maximum tenderness. A perfect dish for those who love extravagance.":{"v":"Un morceau de bœuf coûteux et délicieux. Avec os et double marmorisation pour une tendreté maximale. Un plat parfait pour ceux qui aiment l'extravagance.","t":"A","i":2988},"A familiar room that you may have slept in at some prior visit in the past. Like most bedrooms of the estate, these quarters offer you a little rest and recuperation during your long days exploring the surrounding rooms.":{"v":"Une chambre familière que vous avez peut-être déjà occupée lors d'une visite antérieure. Comme la plupart des chambres de l'ensemble du domaine, ces quartiers vous offrent un peu de repos et de récupération pendant vos longues journées d'exploration des pièces environnantes.","t":"A","i":4367},"A fear every architect faces.":{"v":"Une peur que tout architecte connaît.","t":"A","i":3792},"A feature on the NETWORK that you are now perusing: A list of words and architectural jargon that is intended to make simple, the terms you will encounter on the estate.

Entries marked ??????????? will become gradually revealed as you progress.":{"v":"Une fonctionnalité du RÉSEAU que vous consultez actuellement : une liste de mots et de jargon architectural destinée à simplifier les termes que vous rencontrerez sur le domaine.

Les entrées marquées ??????????? seront progressivement révélées au fil de votre progression.","t":"A","i":4484},"A fixed and stable reticle (cursor) serves as an anchoring fixation point and greatly helps reduce sensory conflict.\n\nWe recommend scaling up the cursor's size and replacing the semi-transparent \"subtle cursor\" reticle with something much more opaque like the standard or white cursor. ":{"v":"Un réticule fixe et stable sert de point de fixation d'ancrage et aide considérablement à réduire le conflit sensoriel.\n\nNous recommandons d'augmenter la taille du curseur et de remplacer le réticule « curseur discret » semi-transparent par un élément beaucoup plus opaque, comme le curseur standard ou blanc. ","t":"A","i":110},"A fully staffed research facility furnished with all manner of scientific equipment and measurement devices. This home laboratory provides a controlled environment in a remote location, far from prying eyes and traditional safety regulations.":{"v":"Un laboratoire de recherche entièrement équipé et doté de tous les instruments scientifiques et appareils de mesure nécessaires. Ce laboratoire privé offre un environnement contrôlé dans un lieu isolé, loin des regards indiscrets et des réglementations de sécurité traditionnelles.","t":"A","i":4800},"A game about you,\nAnd the plans that you made,\n\nAbout a blue prince and his blueprints,\nThe blue game we just played.\n":{"v":"Un jeu sur vous,\nEt les plans que vous avez faits,\n\nSur un prince bleu et ses plans,\nLe jeu bleu que nous venons de jouer.\n","t":"A","i":3865},"A game he had played,\nIn the house and on the grounds,\nAnd maybe you can guess,\nFrom the clues that we have found,\n":{"v":"Un jeu qu'il avait joué,\nDans la maison et sur les terres,\nEt peut-être pouvez-vous deviner,\nÀ partir des indices que nous avons trouvés,\n","t":"A","i":3290},"A group composed of members that\nhave similar characteristics.":{"v":"Un groupe composé de membres\naux caractéristiques similaires.","t":"A","i":964},"A growing dread grew as Miller approached the mouth of the cave. Her eyes now open wide despite the dust.\n\n Shouldn’ t it be day?\n\n Miller felt a hand in the darkness, pulling at her. It was Ravia. The two embraced, and Miller did not need to see her to understand. Ravia placed two bent fingers against Miller’s cheek. And with that touch against her face, Miller felt the same sinking feeling from the previous day. Two bent fingers confirmed what Miller had suspected. The girls had forgotten to relay one critical piece of information to the others.":{"v":"Une peur grandissante s'empara de Miller à l'approche de l'entrée de la caverne. Ses yeux s'ouvrirent grand malgré la poussière.\n\n Ne devrait- il pas faire jour ?\n\n Miller sentit une main dans l'obscurité, qui la tira. C'était Ravia. Les deux se serrèrent dans les bras, et Miller n'eut pas besoin de la voir pour comprendre. Ravia posa deux doigts pliés sur la joue de Miller. Et avec ce contact sur son visage, Miller ressentit la même sensation de malaise que la veille. Deux doigts pliés confirmaient ce que Miller avait soupçonné. Les filles avaient oublié de transmettre une information cruciale aux autres.","t":"A","i":2286},"A half-court intended for basketball and racquetball which is seldom used by anyone apart from the junior staff during their lunch hour. At least they did before Mrs. Babbage disallowed the practice after noticing how worn out staff members were after a game.":{"v":"Une demi-tribune destinée au basketball et au raquette-ball, rarement utilisée par quiconque, à l'exception du personnel junior pendant leur pause déjeuner. Du moins, c'était le cas avant que Mme Babbage n'interdise cette pratique après avoir constaté à quel point les employés étaient épuisés après une partie.","t":"A","i":4585},"A key crafted from infused Second Era gold and soot-black onyx, adorned with the original insignia of the Aries family crest.":{"v":"Une clé forgée en or de la Seconde Ère infusé et en onyx noir de suie, ornée de l'insigne d'origine du blason de la famille Bélier.","t":"A","i":2333},"A key crafted from infused second era gold and soot-black onyx, adorned with the original insignia of the Aries family crest.":{"v":"Une clé forgée à partir d'or de la Seconde Ère infusé et d'onyx noir suintant, ornée de l'insigne original du blason de la famille Aries.","t":"A","i":3437},"A long cramped series of unfinished passages used primarily by the servant staff to traverse the estate quickly.":{"v":"Une longue série de passages étroits et inachevés utilisés principalement par le personnel domestique pour traverser rapidement la propriété.","t":"A","i":4801},"A long hall with two doors at either end that had been one of your uncle’s most frequently traveled rooms. Consequently, he had left strict instructions with the household staff that the doors of this corridor should never under any circumstance be locked.":{"v":"Un long couloir avec deux portes à chaque extrémité qui avait été l'un des lieux où votre oncle parcourait le plus souvent. Par conséquent, il avait laissé des instructions strictes au personnel de la maison que les portes de ce corridor ne devaient jamais, sous aucun prétexte, être fermées à clé.","t":"A","i":4372},"A man obsessed, and cuckoo too,\nThey would say as he would wander through,\nThe best medicine is not yet evident,\nWhen he found a new clue, he’d know what to do.\n":{"v":"Un homme obsédé, et un peu fou,\nDisaient-ils tandis qu'il errait,\nLe meilleur remède n'est pas encore évident,\nQuand il découvrait un indice, il savait quoi faire.\n","t":"A","i":1616},"A measurement of the RADIATION levels\ndetected in the house and surrounding\ngrounds. (These readings are often\nspiked by the experiments conducted in\nMt. Holly's laboratory.)":{"v":"Une mesure des niveaux de RADIATION\ndétectés dans la maison et les\nterres environnantes. (Ces lectures sont souvent\naugmentées par les expériences menées dans\nle laboratoire du Mont Holly.)","t":"A","i":1993},"A monument of the victorious King Tiskin, adorned with sword, shield and wings. Made to commemorate the end of the War of the Fifth Era.":{"v":"Un monument du roi vainqueur Tiskin, orné d'une épée, d'un bouclier et d'ailes. Érigé pour commémorer la fin de la Guerre de la Cinquième Ère.","t":"A","i":2767},"A more short-term (very short-term) alternative to paying gem costs is utilizing a STOPWATCH to bypass any gem costs you encounter during a frantic one-minute drafting dash.":{"v":"Une alternative plus à court terme (très court terme) au paiement des coûts en gemmes consiste à utiliser un CHRONOMÈTRE pour contourner les coûts en gemmes que vous rencontrez lors d’une frénétique course de draft d’une minute.","t":"A","i":1829},"A more traditional family room, warm and inviting. So comfortable, one might assume that the countless clocks surrounding the sofas are placed in a futile attempt to avoid inevitably wasting the entire day here. ":{"v":"Une pièce familiale plus traditionnelle, chaleureuse et accueillante. Si confortable, on pourrait supposer que les innombrables horloges entourant les canapés sont placées dans une tentative vaine d'éviter inévitablement de perdre toute la journée ici. ","t":"A","i":4362},"A permanent addition\nto BUNK ROOM":{"v":"Un ajout permanent\nà la CHAMBRE","t":"A","i":2097},"A permanent addition\nto MASTER BEDROOM":{"v":"Un ajout permanent\nà la CHAMBRE MAÎTRESSE","t":"A","i":1888},"A permanent addition\nto THE CAMPSITE":{"v":"Ajout permanent\nau CAMP","t":"A","i":3673},"A permanent addition\nto THE DINING ROOM":{"v":"Ajout permanent\nà LA SALLE À MANGER","t":"A","i":3059},"A permanent addition\nto THE POOL":{"v":"Ajout permanent\nà LA PISCINE","t":"A","i":3034},"A permanent addition\nto THE SHRINE":{"v":"Une addition permanente\nà LE SANCTUAIRE","t":"A","i":2990},"A permanent addition\nto WALK-IN CLOSET":{"v":"Un ajout permanent\nau PLANTOIR","t":"A","i":1400},"A private sacristy, as ornate as the most lavish rooms of the estate, is watched over by eight Ajeran Angels depicted in stained glass. This room was more a tribute to your uncle’s vanity than it was to his faith.":{"v":"Un sacriste privé, aussi richement décoré que les plus somptueux salons du domaine, est surveillé par huit Anges ajérans représentés dans des vitraux. Cette pièce était davantage un hommage à la vanité de votre oncle qu'à sa foi.","t":"A","i":4354},"A private salon with a plethora of fainting couches and chaise longues that served both as a dressing room for her Ladyship in the mornings and a cozy sitting room for her in the evenings.":{"v":"Un salon privé avec une multitude de canapés et de chaises longues qui servaient à la fois de chambre d'apparat pour sa Dame le matin et de salon confortable pour elle le soir.","t":"A","i":4674},"A pump may be connected to more than one tank allowing you to store and retrieve even more water\n(recommended for cleaning larger Olympic-size pools).":{"v":"Une pompe peut être connectée à plusieurs réservoirs, vous permettant de stocker et de récupérer encore plus d'eau\n(recommandé pour le nettoyage de grandes piscines olympiques).","t":"A","i":1444},"A refreshing blend of tropical\nMora Jai melons, mangos, oranges, bananas and local grown orchard apples. Served chilled in a tall sauternes wine glass.":{"v":"Un mélange rafraîchissant de melons\nMora Jai tropicaux, mangues, oranges, bananes et pommes de vergers locaux. Servi bien frais dans un grand verre à sauternes.","t":"A","i":2003},"A roofed outdoor seating area located along the perimeter of the estate. During the summer evenings, it is not unusual for the grill to be employed while entertaining acquaintances of a more informal nature.":{"v":"Une zone de restauration en plein air couverte située le long du périmètre de la propriété. Pendant les soirées d'été, il n'est pas rare que la grille soit utilisée lors des réceptions à caractère plus informel.","t":"A","i":4806},"A room dedicated to photo processing, development and print-making. This room is outfitted with safelights which provide red illumination to which the photographic material is insensitive. However, due to a faulty installation the safelights often overload their circuit capacity and blow a fuse. ":{"v":"Une pièce dédiée au traitement photographique, au développement et à l'impression. Cette pièce est équipée de lampes de sécurité qui fournissent une illumination rouge à laquelle le matériel photographique est insensible. Cependant, en raison d'une installation défectueuse, les lampes de sécurité surchargent souvent leur capacité de circuit et font sauter un fusible. ","t":"A","i":4386},"A room of many doors and even more choices. The Great Hall is unquestionably the largest hallway of the house but it is also the least useful, for the doors “lining” its walls are always locked. Perhaps for a reason.":{"v":"Une pièce aux nombreuses portes et encore plus de choix. La Grande Salle est sans aucun doute le couloir le plus vaste de la maison, mais elle est aussi la moins utile, car les portes « bordant » ses murs sont toujours verrouillées. Peut-être pour une raison.","t":"A","i":4373},"A room one might go to great lengths to avoid showing guests despite them always probing for its location.":{"v":"Une pièce qu'on irait jusqu'à s'efforcer de ne pas montrer aux invités, malgré leurs incessantes recherches pour en trouver l'emplacement.","t":"A","i":4684},"A secret door lies hidden\nin the red house.":{"v":"Une porte secrète se cache\ndans la maison rouge.","t":"A","i":1250},"A seemingly impossible challenge awaits.\nStart each day CURSED and with\nonly [!v*0] steps to your name.":{"v":"Un défi apparemment impossible vous attend.\nCommencez chaque jour MAUDIT et avec\nseulement [!v*0] pas à votre nom.","t":"V","i":34},"A short staircase leads down to this below ground cellar revealing an impressive collection of bottles from every respectable vintage of the last [!v*0] years. To the seasoned wine aficionado, the labels displayed here would indicate a preference for prioritizing extravagance and rarity over quality.":{"v":"Un court escalier mène à ce sous-sol en dessous du sol qui révèle une collection impressionnante de bouteilles issues de chaque millésime respectable des dernières [!v*0] années. Pour l'amateur de vin chevronné, les étiquettes exposées ici indiqueraient une préférence pour privilégier l'extravagance et la rareté plutôt que la qualité.","t":"A","i":4797},"A simple shed with a variety of tools used by the groundskeepers in the course of their duties.":{"v":"Un simple abri contenant divers outils utilisés par les gardiens des terrains dans le cadre de leurs tâches.","t":"A","i":4815},"A small bedroom maintained and kept available for accommodating weekend guests and impromptu visitors who find themselves compelled to stay the night.":{"v":"Une petite chambre à coucher entretenue et tenue disponible pour accueillir les invités de week-end et les visiteurs imprévus qui se trouvent contraints de passer la nuit.","t":"A","i":4204},"A small wooden chest often found in rooms, always locked, and usually containing a few items of interest.":{"v":"Une petite caisse en bois souvent trouvée dans les pièces, toujours verrouillée, et contenant généralement quelques objets d'intérêt.","t":"A","i":4551},"A small “deadend” room with an ordinary bookcase, that exemplifies that the best means to escape the confinements of our world has always been through books.":{"v":"Une petite pièce sans issue avec une bibliothèque ordinaire, qui illustre que le meilleur moyen d'échapper aux contraintes de notre monde a toujours été à travers les livres.","t":"A","i":4221},"A snug corner reading room which serves as a quiet, private place for guests to spend a few hours of their afternoon away from the hustle and bustle of the staff.":{"v":"Un coin confortable pour la lecture qui sert de lieu calme et privé où les invités peuvent passer quelques heures de l'après-midi loin du tumulte du personnel.","t":"A","i":4202},"A social sitting room adorned wall to wall with artwork and drawings. An unfinished sketch of your uncle sits on an easel in the middle of the room, providing a vivid image of what were presumably his final days (depending on when the project was abandoned).":{"v":"Un salon de réception où les murs sont entièrement ornés d'œuvres et de dessins. Un croquis inachevé de votre oncle repose sur un chevalet au centre de la pièce, offrant une image saisissante de ce qui fut probablement ses derniers jours (selon le moment où le projet a été abandonné).","t":"A","i":4363},"A squalid dwelling on the edge of the estate belonging to one of the groundskeepers.":{"v":"Un logis sordide à la lisière du domaine appartenant à l'un des gardiens des terres.","t":"A","i":4816},"A standard kitchenette with all the typical amenities: a stove, refrigerator, oven and sink. This gallery is where the cooking staff prepares the daily cuisine that will be later served in the Dining Room.":{"v":"Une kitchenette standard avec tous les équipements typiques : un fourneau, un réfrigérateur, un four et un évier. Cette galerie est où le personnel de cuisine prépare la cuisine quotidienne qui sera ensuite servie dans la Salle à Manger.","t":"A","i":4383},"A story about you,\nIf it needs to be said.\nAbout a red prince and his book.\nThe red book, we just read.":{"v":"Une histoire sur toi,\nSi besoin est de le dire.\nSur un prince rouge et son livre.\nLe livre rouge, que nous venons de lire.","t":"A","i":2498},"A story he had read\nin the bath and the bed,\nAnd maybe you can guess,\nWith the clues that we have said.":{"v":"Une histoire qu'il avait lue\ndans le bain et au lit,\nEt peut-être pouvez-vous deviner,\navec les indices que nous avons cités.","t":"A","i":1906},"A stronger Sledge Hammer that\ncan also knock down weaker brick walls.":{"v":"Un marteau-pilon plus puissant qui peut également abattre des murs de briques plus faibles.\n","t":"A","i":3878},"A sun-warmed blend of fresh tumeric, golden ginger and zesty garlic, simmered in coconut milk, and finished with a touch of lemon.\nGood taste pays well. ":{"v":"Un mélange réchauffé par le soleil de curcuma frais, de gingembre doré et d'ail acidulé, mijoté dans du lait de coco et relevé d'une touche de citron.\nLe bon goût est bien payé. ","t":"A","i":2179},"A terrace balcony overlooking the grounds providing an ideal spot for appreciating all the verdure and greenery that the estate offers.":{"v":"Une terrasse donnant sur le parc, offrant un endroit idéal pour apprécier toute la verdure et la végétation que l'immense domaine propose.","t":"A","i":4805},"A traditional wood-lined Corarican style sauna, temperature controlled and exceptionally relaxing. The invigorating effects of this room will leave you waking up the next day feeling rejuvenated.":{"v":"Un sauna traditionnel de style corarien aux parois en bois, dont la température est contrôlée et qui offre une détente exceptionnelle. Les effets revitalisants de cette salle vous laisseront le lendemain matin vous sentir renaître de vos cendres.","t":"A","i":4669},"A useful drafting tool that adjusts the orientation of floorplans. If a room has another exit, it will have a high chance to lead north.":{"v":"Un outil de dessin utile qui ajuste l'orientation des plans d'étage. Si une pièce possède une autre sortie, elle aura de fortes chances de mener vers le nord.","t":"A","i":3006},"A very detailed\npaper model of\na safe.":{"v":"Un modèle en papier\ntrès détaillé\nd'un coffre-fort.","t":"A","i":1544},"A very modest recessed space used for storage. This particular closet is favored by the junior members of the staff, who utilize it to stash away assorted articles and knicknacks whose proper place in the estate is yet unknown to them.":{"v":"Un très modeste espace encastré utilisé pour le stockage. Ce placard particulier est favorisé par les membres juniors du personnel, qui s'en servent pour ranger divers articles et bibelots dont la véritable place dans l'immobilier leur reste encore inconnue.","t":"A","i":4208},"A well stocked pantry is always the true test of a large estate, and keeping Mt. Holly’s wide gamut of ingredients and supplies stocked has always been one of the primary priorities of the house staff. ":{"v":"Un garde-manger bien approvisionné est toujours le véritable test d'une grande propriété, et le maintien des stocks variés d'ingrédients et de fournitures du Mt. Holly a toujours été l'une des priorités principales du personnel de maison. ","t":"A","i":4206},"A) H[!v*0]O in liquid state is called _________\n\n\nB) H[!v*1]O in solid state is called __________\n\n\nC) H[!v*2]O in gaseous state is called ________":{"v":"A) H[!v*0]O à l'état liquide est appelé _________\n\n\nB) H[!v*1]O à l'état solide est appelé __________\n\n\nC) H[!v*2]O à l'état gazeux est appelé ________","t":"A","i":825},"A+":{"v":"A+","t":"A","i":1712},"A-D E-L M-S T-Z Return to Network Menu":{"v":"A-D E-L M-S T-Z Retour au menu du réseau","t":"A","i":2679},"ABBIT'S":{"v":"LAPIN","t":"A","i":2301},"ABINET":{"v":"ABINET","t":"A","i":1920},"ACCESS TO MT. HOLLY'S\nCLOCK TOWER HAS ALWAYS\nBEEN HEAVILY RESTRICTED.\n\nTIME IS SACRED AND ANY\nTAMPERING OF THE ESTATE'S\nGOVERNING TIMEPIECE HAS\nNEVER BEEN RISKED.":{"v":"L'ACCÈS À LA TOUR DE L'HORLOGE\nDE MOUNT HOLLY A TOUJOURS\nÉTÉ STRICTEMENT INTERDIT.\n\nLE TEMPS EST SACRÉ ET TOUTE\nMANIPULATION DE L'HORLOGE\nDU DOMAINE N'EST JAMAIS\nOSÉE.","t":"H","i":4148},"ACCESSIBILITY":{"v":"ACCESSIBILITÉ","t":"V","i":27},"ACK":{"v":"ACQUÉ","t":"A","i":1498},"ACON & ":{"v":"ACON & ","t":"A","i":3684},"ACTIVATE":{"v":"ACTIVER","t":"A","i":596},"ACTIVE CURSOR":{"v":"CURSEUR ACTIF","t":"A","i":133},"ADD THIS FLOORPLAN TO YOUR DRAFT POOL":{"v":"AJOUTER CE PLAN D'ÉTAGE À VOTRE RÉSERVE DE PROJETS","t":"A","i":1664},"ADJOINING":{"v":"VOISINANT","t":"A","i":4439},"ADMIN KEY:":{"v":"CLÉ ADMIN :","t":"A","i":3868},"ADMIN LOGS":{"v":"JOURNAUX D'ADMINISTRATION","t":"A","i":2486},"ADMIN NOT FOUND":{"v":"ADMIN NON TROUVÉ","t":"A","i":2616},"ADVANCED FUNCTIONS":{"v":"FONCTIONS AVANCÉES","t":"A","i":820},"AGNIFYING":{"v":"SIGNIFIANT","t":"A","i":1882},"AIL":{"v":"AIL","t":"A","i":2635},"AJERA":{"v":"AJERA","t":"A","i":3716},"AJHOUS":{"v":"AJHOUS","t":"A","i":1472},"AJINN ETT OVTREI ISSJA TREIVO":{"v":"AJINN ET OVTREI ISSJA TREIVO","t":"A","i":2835},"AJLOR ULTEACH NEVLOR":{"v":"AJLOR ULTEACH NEVLOR","t":"A","i":1068},"ALGEBRA":{"v":"ALGÈBRE","t":"A","i":1612},"ALGEBRA WORKSHEET":{"v":"FEUILLE D'EXERCICES D'ALGÈBRE","t":"A","i":815},"ALL":{"v":"TOUS","t":"A","i":1469},"ALL STAFF WELCOME":{"v":"BIENVENUE À TOUS LES MEMBRES DU PERSONNEL","t":"A","i":359},"ALL BOXES\nMARKED BY\n\n\n\nCONTAIN MEMOS\nTHAT ARE TRUE.":{"v":"TOUTES LES BOÎTES\nMARQUÉES PAR\n\n\n\nCONTIENNENT DES NOTES\nQUI SONT VRAIES.","t":"A","i":1123},"ALL DOORS UNLOCKED":{"v":"TOUTES LES PORTES DÉVERROUILLÉES","t":"A","i":1542},"ALL GREEN MEMOS\nFOUND IN BOXES\nIN THE WATER\nARE TRUE.":{"v":"TOUS LES MEMOS VERTS\nTROUVÉS DANS LES BOÎTES\nDANS L'EAU\nSONT VRAIS.","t":"A","i":1911},"ALL ITEMS UP TO":{"v":"TOUTES LES OBJETS JUSQU'À","t":"A","i":454},"ALL THREE BOXES
CONTAIN GEMS.":{"v":"TOUTES LES TROIS BOÎTES
CONTIENNENT DES PIERRES PRÉCIEUSES.","t":"A","i":4756},"ALL THREE BOXES
ARE EMPTY.":{"v":"TOUTES LES TROIS BOÎTES
SONT VIDES.","t":"A","i":4750},"ALLOWANCE":{"v":"ALLOCATION","t":"A","i":197},"ALT":{"v":"ALT","t":"A","i":1720},"ALUMINUM":{"v":"ALUMINIUM","t":"A","i":3813},"AM":{"v":"AM","t":"A","i":1596},"AMBITION\nOF THE PAWN":{"v":"AMBITION\nDU PION","t":"A","i":3837},"AMBITION OF THE PAWN":{"v":"AMBITION DU PION","t":"A","i":2120},"AMMER":{"v":"AMMER","t":"A","i":1883},"AMOUNT: [!v*0] gold":{"v":"MONTANT : [!v*0] or","t":"A","i":1671},"AMOUNT: [!v*0] gold":{"v":"MONTANT : [!v*0] or","t":"A","i":447},"AN":{"v":"AN","t":"A","i":3682},"AN ADJUSTABLE":{"v":"UN AJUSTABLE","t":"A","i":3238},"AN AEROSOL CAN OF":{"v":"UNE BOÎTE AÉROSOL DE","t":"A","i":2355},"AN AJERAN":{"v":"UN AJÉRAN","t":"A","i":2264},"AN ANCIENT ORINDIAN":{"v":"UN ANCIEN ORINDIAN","t":"A","i":1774},"AN ANTIQUE SILVER":{"v":"UN ARGENT ANTIQUE","t":"A","i":1368},"AN ELECTRONIC":{"v":"UN ÉLECTRONIQUE","t":"A","i":1794},"AN ELEGANT BEZEL SET":{"v":"UN CADRE ÉLÉGANT","t":"A","i":1842},"AN IMPROVED":{"v":"AMÉLIORÉ","t":"A","i":2200},"AN OLD DISCARDED":{"v":"UN ANCIEN ABANDONNÉ","t":"A","i":1576},"AN OLD RUSTED":{"v":"UN VIEUX ROUGI","t":"A","i":3764},"AN OLD RUSTY":{"v":"UN VIEUX ROUGILLOU","t":"A","i":3705},"AN OLD TATTERED":{"v":"UN VIEUX RAGLÉ","t":"A","i":2792},"AN OLD WEATHERED":{"v":"UN VIEUX USÉ","t":"A","i":1899},"AN ORDINARY":{"v":"ORDINAIRE","t":"A","i":1686},"AN ORNATE":{"v":"UN ORNEMENT","t":"A","i":2305},"AN ORNATELY FRAMED\nYET MODESTLY SIZED\nHALL. IT HAD SERVED\nAS THE ORIGINAL\nANTECHAMBER IN THE OLD\nDAYS BEFORE EVENTUALLY \nBEING REMOVED FROM THE\nESTATE FOR HAVING\nDOORS THAT WERE PRONE\nTO BECOMING STUCK.":{"v":"UN SALON ENCADRÉ SOIGNÉMENT\nMAIS DE PETITES DIMENSIONS\nQUI AVAIT SERVANT D'ANTI-CHAMBER\nLE CONSERVAT DANS LES\nJOURNEES DU PAST AVEC\nAVANT D'ÊTRE ÉVENTUELLEMENT\nDÉMONTÉ DE LA PROPRIÉTÉ\nPOUR SES PORTES QUI\nSOMMAIENT PRONCES À\nS'ACCROCHER.","t":"H","i":4165},"AN OVERSIZED":{"v":"UN SURDIMENSIONNÉ","t":"A","i":3354},"AN UNREMARKABLE":{"v":"UN REMARQUABLE","t":"A","i":2637},"ANCTUM":{"v":"ANCTUM","t":"A","i":1939},"AND\nIN\nSKY\nABOVE\nA\nBRILLIANT\nSIGN":{"v":"ET\n\nDANS LE\nCIEL\nAU-DESSUS\nUN\nSIGNE BRILLANT","t":"H","i":4152},"AND ADD \n TO TODAY S DRAFT POOL\n":{"v":"ET AJOUTER \n À AUJOURD'HUI S BROSSE PISCINE\n","t":"A","i":3497},"ANEW FINCLARK, STATIONERS, REDDINGTON, FENN ARIES":{"v":"UNE NOUVELLE FINCLARK, STATIONERS, REDDINGTON, FENN ARIES","t":"A","i":739},"ANGEL TOWER":{"v":"TOUR DE L'ANGE","t":"A","i":3245},"ANNUAL MAID'S DAY":{"v":"JOURNÉE ANNUELLE DES FEMMES DE CHAMBRE","t":"A","i":537},"ANTECHAMBER":{"v":"ANTICHAMBRE","t":"A","i":3147},"ANTECHAMBER ENTRY CONTROLS":{"v":"COMMANDES D'ENTRÉE DE L'ANTICHAMBRE","t":"A","i":1514},"AP":{"v":"AP","t":"A","i":2690},"APER":{"v":"APER","t":"A","i":1348},"APR":{"v":"AVR","t":"A","i":628},"APRIL":{"v":"AVRIL","t":"A","i":4828},"APRIL [!v*0]":{"v":"AVRIL [!v*0]","t":"A","i":1559},"AQUARIUM":{"v":"AQUARIUM","t":"A","i":3799},"AR":{"v":"AR","t":"A","i":2125},"ARCH ARIES":{"v":"ARCH ARIES","t":"A","i":479},"ARCHIVED FLOORPLAN":{"v":"PLAN DU SOL ARCHIVÉ","t":"A","i":4441},"ARDEN":{"v":"ARDEN","t":"A","i":1843},"ARE":{"v":"ÊTES","t":"A","i":278},"ARE YOU SURE YOU WANT TO DO THIS?":{"v":"ÊTES-VOUS SÛR DE VOULOIR FAIRE ÇA ?","t":"A","i":2047},"ARE YOU SURE YOU WISH TO DELETE THE SAVE DATA\nIN THIS SLOT? THIS ACTION CANNOT BE UNDONE.":{"v":"ÊTES-VOUS SÛR DE VOULOIR SUPPRIMER LES DONNÉES DE SAUVEGARDE\nDE CETTE EMPLACEMENT ? CETTE ACTION EST IRRÉVERSIBLE.","t":"A","i":2079},"ARE YOU SURE?\nCLEARING SAVE DATA\nCANNOT BE UNDONE.":{"v":"ÊTES-VOUS SÛR ?\nLA SUPPRESSION DES DONNÉES DE\nSAUVEGARDE NE PEUT ÊTRE ANNULÉE.","t":"H","i":17},"AREI":{"v":"AREI","t":"A","i":3303},"ARGON":{"v":"ARGON","t":"A","i":2630},"ART":{"v":"ART","t":"A","i":2809},"ART PROMPT":{"v":"ART PROMPT","t":"A","i":993},"ART / EXHIBIT":{"v":"ART / EXPOSITION","t":"A","i":1963},"ART DIRECTION":{"v":"DIRECTION ARTISTIQUE","t":"A","i":3544},"AS YOU HAVE ALWAYS SUSPECTED, THERE IS MORE TO THE DEN THAN MEETS THE EYE.":{"v":"COMME VOUS L'AVIEZ TOUJOURS SUPPOSÉ, IL Y A PLUS À LA TANNERIE QUE CE QUE L'ŒIL PEUT VOIR.","t":"A","i":833},"ASEMENT":{"v":"ÉTAGE","t":"A","i":2523},"ASK":{"v":"INTERROGER","t":"A","i":1972},"ASS":{"v":"CUL","t":"A","i":3362},"ASSAY [!v*0]":{"v":"ESSAI [!v*0]","t":"A","i":1379},"ASSEMBLE":{"v":"ASSEMBLER","t":"A","i":457},"ASSISTANT LAB TECHNICIAN":{"v":"TECHNICIENNE DE LABORATOIRE ASSISTANTE","t":"A","i":3863},"ASTER":{"v":"ASTÉR","t":"A","i":1342},"ATERING":{"v":"NUTRITION","t":"A","i":2068},"ATTERY":{"v":"BATTERIE","t":"A","i":1947},"AUG [!v*0] - '[!v*1]":{"v":"AUG [!v*0] - '[!v*1]","t":"A","i":3643},"AUG [!v*0] - [!v*1]":{"v":"AUG [!v*0] - [!v*1]","t":"A","i":480},"AUGUST":{"v":"AOÛT","t":"A","i":4832},"AUGUST ISSUE":{"v":"NUMÉRO D'AOÛT","t":"A","i":727},"AUTO STROLL":{"v":"BALADE AUTO","t":"A","i":132},"AVARICE":{"v":"AVARICE","t":"A","i":295},"AXEL HAAVIKKO":{"v":"AXEL HAAVIKKO","t":"A","i":2980},"AY NE":{"v":"AY NE","t":"A","i":452},"Abandoned Project":{"v":"Projet Abandonné","t":"A","i":4171},"Above us,\nblooms the crest\nof auravei":{"v":"Au-dessus de nous,\nfleurit le blason\nd'Auravei","t":"A","i":832},"Academia isn't only found in the mountains of Corarica. CLASSROOM is a great example of the scholastic strategies that this room type has to offer. Not only does it provide synergy for other Drafting Rooms, but it's also a valuable source of information and knowledge.":{"v":"L'Académie n'est pas uniquement présente dans les montagnes de Corarica. CLASSROOM en est un excellent exemple des stratégies scolaires que ce type de pièce peut offrir. Elle ne se contente pas d'offrir une synergie aux autres pièces de Conception, elle constitue également une source précieuse de informations et de connaissances.","t":"A","i":3770},"Acceptable":{"v":"Acceptable","t":"A","i":1236},"Access to Mt. Holly’s Clock Tower has always been heavily restricted. Which might explain why maintenence has been unable to mend the perpetually halted clockface, a testatement to the unchanging winds of the sacred hour.":{"v":"L'accès à la Tour de l'Horloge du Mont Holly a toujours été fortement restreint. Cela pourrait expliquer pourquoi l'équipe de maintenance n'a pas pu réparer le cadran d'horloge en perpétuel arrêt, un témoignage des vents immuables de l'heure sacrée.","t":"A","i":3117},"Ace the Classroom Final Exam":{"v":"Réussir l'examen final","t":"A","i":214},"Actions":{"v":"Actions","t":"A","i":177},"Add to\nyour draft pool.":{"v":"Ajouter à votre pool de brouillons\n","t":"A","i":3404},"Add to your draft pool.":{"v":"Ajouter à votre réserve de brouillons.","t":"A","i":3618},"Add [!v*0] Courtyards to today’s draft pool.":{"v":"Ajoutez [!v*0] Courtyards à la pool de draft d'aujourd'hui.","t":"A","i":3876},"Add a word to Spiral of Stars,":{"v":"Ajouter un mot à la Spirale des étoiles","t":"A","i":418},"Add in\nKing\nChess\npiece\nhere":{"v":"Ajoutez ici la pièce d'échecs\nKing\npiece\nhere\n","t":"A","i":3900},"Adjust your monitor or television's settings until the Mt. Holly symbol above is just barely visible and the images in the corners are not.\n\nPress [ENTER] whem you are satisfied.":{"v":"Ajustez les paramètres de votre moniteur ou télévision jusqu'à ce que le symbole Mt. Holly ci-dessus soit à peine visible et que les images dans les coins ne le soient plus.\n\nAppuyez sur [ENTRÉE] lorsque vous êtes satisfait.","t":"A","i":3850},"Adjust your monitor or telvesion's settings until the Mt. Holly symbol above is just barely visible and the images in the corners are not.\n\nPress [ENTER] whem you are satisfied.":{"v":"Ajustez les réglages de votre moniteur ou télévision jusqu’à ce que le symbole de Mt. Holly ci-dessus soit juste à peine visible et que les images dans les coins ne le soient plus.\n\nAppuyez sur [ENTER] lorsque vous êtes satisfait.","t":"V","i":35},"After [!v*0] days of pumping water up from the underground spring, the reservoir has finally been filled. It’s a shame that the old station had to be flooded as a consequence of this action, but I suspect that may have been the actual reason they chose to build the reservoir here and as an engineer I agree that flooding is preferable to collapsing the entire tunnel.\n\nOn the bright side, now that our water supply is no longer limited, we can start to leverage steam to a much greater extent. I suspect by this time next month, the steam-powered hoists at the main site will be able to run [!v*1] hours a day.\n":{"v":"Après [!v*0] jours de pompage d'eau depuis la source souterraine, le réservoir est enfin rempli. C'est dommage que l'ancienne station ait dû être inondée à la suite de cette opération, mais je soupçonne que c'était la vraie raison pour laquelle ils ont choisi de construire le réservoir ici, et en tant qu'ingénieur, je suis d'accord pour dire que l'inondation est préférable à l'effondrement du tunnel entier.\n\nCôté positif, maintenant que notre approvisionnement en eau n'est plus limité, nous pouvons commencer à exploiter la vapeur à une bien plus grande échelle. Je soupçonne qu'à la même date le mois prochain, les treuils à vapeur du site principal pourront fonctionner [!v*1] heures par jour.\n","t":"A","i":1930},"After [!v*0] days of pumping water up from the underground spring, the reservoir has finally been filled. It’s a shame that the old station had to be flooded as a consequence of this action, but I suspect that may have been the actual reason they chose to build the reservoir here and as an engineer I agree that flooding is preferable to collapsing the entire tunnel.\n\nOn the brightside, now that our water supply is no longer limited, we can start to leverage steam to a much greater extent. I suspect by this time next month, the steam-powered hoists at the main site will be able to run [!v*1] hours a day.\n":{"v":"Après [!v*0] jours de pompage d'eau depuis la source souterraine, le réservoir est enfin rempli. C'est dommage que l'ancienne station ait dû être inondée en conséquence de cette action, mais je soupçonne que ce soit peut-être la raison réelle pour laquelle ils ont choisi de construire le réservoir ici et, en tant qu'ingénieur, j'accorde que l'inondation est préférable à l'effondrement de tout le tunnel.\n\nDu bon côté, maintenant que notre approvisionnement en eau n'est plus limité, nous pouvons commencer à exploiter la vapeur dans une bien plus grande mesure. Je soupçonne qu'à cette époque du mois prochain, les treuils à vapeur du site principal pourront fonctionner [!v*1] heures par jour.\n","t":"A","i":2610},"After a few months of idleness I finally have a new cause to champion and I have submitted a request for a change of scenery. Specifically, I would like to replace the statue of Orinda currently in the Cloister with the much more appropriate angel, Rynna. After all, as beautiful as the statue is, shouldn't the greenery of Mt. Holly be governed by the paragon of Gardening? \n\nThough amused, I do not think Anne took the request too seriously, though she did humor me and listened to me rave and pontificate on the subject for the better part of our lunch yesterday.":{"v":"Après quelques mois d'inactivité, j'ai enfin une nouvelle cause à défendre et j'ai soumis une demande de changement de décor. Plus précisément, je souhaiterais remplacer la statue d'Orinda, actuellement dans le Cloître, par l'ange Rynna, bien plus appropriée. Après tout, aussi belle que soit la statue, ne devrait pas la verdure du Mont Holly être gouvernée par le parangon du jardinage ? \n\nBien qu'amusé, je ne pense pas qu'Anne ait pris la demande trop au sérieux, même si elle a bien voulu me faire plaisir et m'a écouté délirer et haranguer sur le sujet pendant la meilleure partie de notre déjeuner d'hier.","t":"A","i":3989},"After a short sea voyage, we arrived on the main island of Mora Jai last night in good spirits. The people here are belligerent in their politeness and after spending a full day among the Jaioreil I am just as afraid of eating another dish as I am of rejecting their offers. I may try to sneak away tomorrow and spend some time alone with my books as I have noticed that each realm I have visited has one thing in common. They each have been short on solitude.":{"v":"Après une courte traversée, nous sommes arrivés hier soir sur l’île principale de Mora Jai, de bonne humeur. Les gens d’ici sont belliqueux dans leur politesse et, après avoir passé une journée entière parmi les Jaioreil, je crains autant de manger un autre plat que de refuser leurs offres. Je tenterai peut-être de m’éclipser demain pour passer un moment seul avec mes livres, car j’ai remarqué que chaque royaume que j’ai visité a un point commun : ils manquent tous de solitude.","t":"A","i":2409},"After almost [!v*0] years in the tunnels, S&R has informed me that we will be closing up the site in June. It has been a somewhat bitter-sweet experience working on such a historically significant excavation over the past [!v*1] odd months yet being unable to share any of that work with the world. Maybe one day.\n\n\nStill, there is a significant amount of work that has yet to be done and it is vitally important that we conclude our efforts in the main cavern and reinforce the structural integrity of the site before we seal the tunnels next month. It may be many generations before they are reopened.\n":{"v":"Après presque [!v*0] années dans les tunnels, S&R m'a informé que nous fermerions le site en juin. C'est été une expérience à la fois amère et douce de travailler sur une excavation d'une telle importance historique au cours des derniers [!v*1] mois, sans pouvoir partager ce travail avec le monde. Peut-être un jour.\n\n\nNéanmoins, il reste encore beaucoup de travail à accomplir et il est vital que nous concluions nos efforts dans la grande cavité et renforçons l'intégrité structurelle du site avant de sceller les tunnels le mois prochain. Il se pourrait qu'il faille plusieurs générations pour qu'ils soient rouverts.\n","t":"A","i":3176},"After approval, this experimental feature will \n remain active for the rest of the day.":{"v":"Après approbation, cette fonctionnalité expérimentale restera active pour le reste de la journée.\n","t":"A","i":3329},"After approval, this experimental feature will \nremain active for the rest of the day.":{"v":"Après approbation, cette fonctionnalité expérimentale \nrestera active pour le reste de la journée.","t":"V","i":4728},"After running this process, \nchecks will be placed in each\nstaff member's room. This\nincludes each Servant's\nQuarter and Maid's Chamber\ncurrently on the estate.":{"v":"Après avoir exécuté ce processus, \ndes vérifications seront placées dans chaque\nchambre de personnel. Cela\ninclut chaque Quartier de Servant et Chambre de Maid\nactuellement sur le domaine.\n","t":"A","i":3914},"After the passing of King Desilets III, the Fourth Era came to an abrupt end. Thankfully, the king died naturally in his old age and surrounded by his people in Oris, far away from the growing unrest among the western city of Fenn.\n\nOn the very next day, the [!v*0]th of October, the self-proclaimed Prince Leerson of Fenn declared himself the true monarch. This declaration was bolstered by a surprising number of supporters, due to the fact that Desilets IV shared his father's good name but little of his virtues.\n\nAs the prospect of civil war seemed inevitable, the realm’s regiments were hastily recalled from ":{"v":"Après le décès du roi Desilets III, la Quatrième Ère s’est achevée brutalement. Heureusement, le roi est mort naturellement, dans la vieillesse, entouré de son peuple à Oris, loin de l’agitation croissante dans la ville occidentale de Fenn.\n\nLe lendemain même, le [!v*0] octobre, le soi-disant prince Leerson de Fenn s’est proclamé véritable monarque. Cette déclaration a été soutenue par un nombre surprenant de partisans, en raison du fait que Desilets IV partageait le bon nom de son père, mais peu de ses vertus.\n\nAlors que la perspective d’une guerre civile semblait inévitable, les régiments du royaume ont été rappelés précipitamment de ","t":"A","i":1958},"After the passing of the Baroness Auravei, her private study was claimed by her eldest son, Herbert Sinclair. For years, he immersed himself in the countless notebooks she left behind, drawing inspiration from her discarded ideas. From mechanical puzzles to architectural blueprints, each endeavor he pursued in this room was realized in the shade of her creative legacy.":{"v":"Après le décès de la baronne Auravei, son cabinet privé fut attribué à son fils aîné, Herbert Sinclair. Pendant des années, il se plongea dans les innombrables carnets qu'elle avait laissés derrière elle, puisant son inspiration dans ses idées abandonnées. Des énigmes mécaniques aux plans architecturaux, chaque entreprise qu'il entreprit dans cette pièce fut réalisée à l'ombre de son héritage créatif.","t":"A","i":4849},"After waiting the better part of three weeks for the equipment to be carefully hoisted down the cliffside one piece at a time, the wait is finally over. Today we begin our formal foray into the mountain and begin excavation of the first tunnel. The first of many.\n\nTo prevent future delays, Tomas Sinclair has generously volunteered to install a freight lift to facilitate both personnel transport. However, after seeing his ornate designs, one can't help but feeling the Baron's delicate taste might be better suited for the ballroom crowd.\n\nRegardless of the particulars, I'm sure my crew won't object to riding down to the tunnels in fashionable style.\n":{"v":"Après avoir attendu près de trois semaines que l'équipement soit soigneusement hissé le long de la falaise pièce par pièce, l'attente est enfin terminée. Aujourd'hui, nous commençons notre incursion officielle dans la montagne et l'excavation du premier tunnel. Le premier de nombreux.\n\nPour éviter d'avenir retards, Tomas Sinclair a généreusement offert son aide pour installer un ascenseur de fret afin de faciliter le transport du personnel. Cependant, après avoir vu ses designs ornés, on ne peut s'empêcher de penser que le goût délicat du Baron serait mieux adapté à la foule des bals.\n\nQuoi qu'il en soit, je suis sûr que mon équipage n'objectera pas à descendre vers les tunnels dans un style à la mode.\n","t":"A","i":2953},"After waiting the better part of three weeks for the equipment to be carefully hoisted down the cliffside piece by piece, the wait is finally over. Today we begin our formal foray into the mountain and begin excavation of the first tunnel. First of many.\n\n\nTo prevent future delays, Tomas has generously volunteered to install a freight lift to facilitate both personnel and gear transport. However, after seeing his ornate designs, I get the feeling the Baron's fine taste might be better suited for the ballroom crowd.\n\n\nBut I'm sure my crew won't object to riding down to their shifts in fashionable style.\n":{"v":"Après avoir attendu la majeure partie de trois semaines que l'équipement soit soigneusement descendu le long de la falaise, pièce par pièce, l'attente est enfin terminée. Aujourd'hui, nous entamons notre incursion formelle dans la montagne et le creusement du premier tunnel. Le premier d'une longue série.\n\n\nPour éviter tout retard à l'avenir, Tomas s'est généreusement porté volontaire pour installer un ascenseur de fret afin de faciliter le transport du personnel et du matériel. Cependant, après avoir vu ses dessins élaborés, j'ai l'impression que le goût raffiné du Baron conviendrait mieux à la clientèle du bal.\n\n\nMais je suis certain que mon équipage n'aura aucune objection à descendre vers leurs postes de travail avec style et élégance.\n","t":"A","i":1889},"After you draft a red room, if you have at least [!v*0] different ranks containing red rooms, gain [!v*1] gems.":{"v":"Après avoir conçu une salle rouge, si vous possédez au moins [!v*0] rangs différents contenant des salles rouges, gagnez [!v*1] gemmes.","t":"A","i":3452},"After you have selected a source using the WATER CONTROL PANEL, the next step is to set the pump\nassociated with that source to pump either in or out. This will initiate water flow to/from one of your supply tanks.":{"v":"Après avoir sélectionné une source via le PANNEAU DE CONTRÔLE DE L'EAU, l'étape suivante consiste à configurer la pompe\nassociée à cette source pour pomper soit dans, soit hors du système. Cela lancera un écoulement d'eau vers ou depuis l'un de vos réservoirs de stockage.","t":"A","i":3479},"Again, we feel guilty as sin and only time will tell if the financial recompense will outweigh our culpability.\n\nEven though you will never hear from us again, we hope this parting letter will result in you thinking of us and our dealings, if not favorably, at least sympathetically.\n\nSorry for the inconvenience.\n \n\n\n\n forever anonymous,\n\t\n X":{"v":"Encore une fois, nous ressentons un sentiment de culpabilité comparable à celui du péché, et seul le temps dira si la compensation financière surpassera notre responsabilité.\n\nBien que vous ne recevrez plus jamais de nouvelles de nous, nous espérons que cette lettre d'adieu vous incitera à penser à nous et à nos affaires, sinon favorablement, du moins avec sympathie.\n\nDésolé pour les désagréments.\n \n\n\n\n éternellement anonyme,\n\t\n X","t":"A","i":3084},"Ajlor Nevlor":{"v":"Ajlor Nevlor","t":"A","i":806},"Ajlor Ulteach Nevlor":{"v":"Ajlor Ulteach Nevlor","t":"A","i":684},"All he needed was to find a new clue,\nIf he found a new clue, he’d know what to do,\nIf he knew what to do, he’d likely tell you,\nFor you are looking for a new clue too!":{"v":"Tout ce qu'il lui fallait, c'était trouver un nouvel indice,\nS'il trouvait un nouvel indice, il saurait quoi faire,\nS'il savait quoi faire, il vous le dirait probablement,\nCar vous aussi, vous cherchez un nouvel indice !","t":"A","i":1358},"All he needed was to find a new clue.\nIf he found a new clue, he would know what to do.\nIf he knew what to do, he’d likely find two.\nFor clues come together, like a pair of new shoes.\n":{"v":"Tout ce qu'il lui fallait était de trouver un nouvel indice. \nS'il trouvait un nouvel indice, il saurait quoi faire. \nS'il savait quoi faire, il trouverait probablement deux. \nCar les indices se réunissent, comme une paire de nouvelles chaussures. \n","t":"A","i":2744},"All these questions can compound, adding layers of complexity and stress to the design process. That's why it's even more important to develop simple and effective strategies that you can employ while drafting your house to ensure a successful project outcome.\n\n In this volume of ARCHITECTURAL DIGEST, we aim to provide architects with some of those strategies and even assist them in developing their own!":{"v":"Toutes ces questions peuvent s'accumuler, ajoutant des couches de complexité et de stress au processus de conception. C'est pourquoi il est encore plus important de développer des stratégies simples et efficaces que vous pouvez mettre en œuvre lors de la conception de votre maison pour garantir un résultat de projet réussi.\n\n Dans ce numéro d'ARCHITECTURAL DIGEST, nous visons à fournir aux architectes certaines de ces stratégies et même à les aider à élaborer les leurs !","t":"A","i":3314},"Although an official registry of the lost jewels has not been publicly announced, among the treasured artifacts rumored to be stolen is the renowned Ruby Crown of Orinda Aries, the priceless crown jewel whose material worth pales in comparison to the historic value. If \nthese rumors are true, the evidence may suggest that\n the theft was politically motivated.\n":{"v":"Bien qu'un registre officiel des joyaux perdus n'ait pas été rendu public, parmi les artefacts précieux dont le vol est évoqué figure la célèbre Couronne de Rubis d'Orinda Aries, cette pierre de couronne inestimable dont la valeur matérielle pâlit face à sa valeur historique. Si \nces rumeurs sont vraies, les indices pourraient suggérer que\n le vol était d'origine politique.\n","t":"A","i":1607},"Although many architects employ different strategies when developing their house designs, most of them agree on one guiding principle:\n\n\n\n\nOne of the most common ways architects draft them-selves into a corner is by not having the resources they need when opening a new door. If you lack the GEMS to consider all three presented options, you may be forced to draft a room":{"v":"Bien que de nombreux architectes adoptent des stratégies différentes lors de la conception de leurs maisons, la plupart d’entre eux s’accordent sur un principe directeur :\n\n\n\n\nL’une des façons les plus courantes pour les architectes de se mettre dans une impasse est de ne pas disposer des ressources nécessaires lors de l’ouverture d’une nouvelle porte. Si vous ne disposez pas des GEMS suffisants pour envisager les trois options proposées, vous pourriez être contraint de dessiner une","t":"A","i":2141},"Although with this volume we have provided our readers\nwith many potential strategies and tricks to try, we here at ARCHITECTURAL DIGEST hope that aspiring architects know that there truly is no set blueprint for success. \n\nForging your own path and coming up with your own unique strategies will, in our humble opinion, always provide the best results. Each architect has his own favorite room, each builder his own favorite tool. And thus, each player in turn will develop their own style of play and discover their own secrets and tricks that they can share with the world (or keep to themselves).\n\nWhatever strategy you employ, we wish you best of luck drafting and hope you build the house of your dreams.":{"v":"Bien que ce volume ait fourni à nos lecteurs\nde nombreuses stratégies et astuces potentielles à essayer, nous d'ARCHITECTURAL DIGEST espérons que les architectes en herbe comprennent qu'il n'existe vraiment pas de plan directeur unique pour le succès. \n\nTracer votre propre voie et élaborer vos propres stratégies uniques offriront, selon notre modeste avis, toujours les meilleurs résultats. Chaque architecte a sa pièce préférée, chaque constructeur son outil préféré. Et ainsi, chaque joueur développera à son tour son propre style de jeu et découvrira ses propres secrets et astuces qu'il pourra partager avec le monde (ou garder pour lui-même).\n\nQuelle que soit la stratégie que vous adopterez, nous vous souhaitons bonne chance dans vos plans d'architecte et espérons que vous bâtirez la maison de vos rêves.","t":"A","i":2863},"Always your friend,":{"v":"Toujours ton ami,","t":"A","i":1094},"Among my many commissioned duties, I have been tasked with the conservation and oversight of Mount Holly’s alluring grounds. My domain stretches from gate to gate and encompasses the apple orchard, entrance drive and east yard. Fortunately for my workload the maintenance of the west grounds has not been a priority since Lady Epsen’s death and the ensuing closure of the West Wing. \n\nNevertheless, I take some pride in my work, so I still endeavor to brush the west path weekly even if none but myself take notice.":{"v":"Parmi mes nombreuses missions, on m'a confié l'entretien et la surveillance des jardins séduisants de Mount Holly. Mon territoire s'étend de portail à portail et englobe le verger de pommiers, l'allée d'entrée et la cour est. Heureusement pour ma charge de travail, l'entretien des jardins ouest n'a plus été une priorité depuis la mort de Lady Epsen et la fermeture subséquente de l'aile ouest. \n\nNéanmoins, je prends un certain plaisir à mon travail, si bien que je continue de balayer le chemin de l'ouest chaque semaine, même si personne d'autre que moi n'y prête attention.","t":"A","i":2430},"An Introduction to Drafting Items":{"v":"Introduction à la création d'objets","t":"A","i":1891},"An Introduction to the Shrine . . . . . . . . . . [!v*0]":{"v":"Une introduction au sanctuaire . . . . . . . . . . [!v*0]","t":"A","i":897},"An Introduction to the Tomb . . . . . . . . . . . [!v*0]":{"v":"Une introduction au tombeau . . . . . . . . . . . [!v*0]","t":"A","i":753},"An exercise room outfitted with weightlifting equipment. A good workout session here will wipe you out and leave you with little energy left for exploring. ":{"v":"Une salle de musculation équipée d'accessoires pour soulever des poids. Une bonne séance ici vous épuisera et vous laissera sans beaucoup d'énergie pour explorer. ","t":"A","i":4854},"An indoor Orindian pool was one of the more modern additions to the estate, the inclusion of which provided a convenient excuse for building a handful of other rooms which not only complement an indoor pool, but are often compulsory inclusions.":{"v":"Une piscine intérieure indienne était l'une des ajouts plus modernes de la propriété, dont l'inclusion offrait un prétexte commode pour construire une poignée d'autres pièces qui non seulement complètent une piscine intérieure, mais sont souvent des éléments obligatoires.","t":"A","i":4664},"An intimate and warm room with a large dining table boasting a serving tray with a silver dome cover. Dinner is served here each evening. ":{"v":"Une pièce intime et chaleureuse, avec une grande table à manger surmontée d'un plateau de service à dôme en argent. Le dîner y est servi chaque soir. ","t":"A","i":4567},"An introduction to the SHRINE":{"v":"Une introduction au SANCTUAIRE","t":"A","i":3421},"An introduction to the TOMB":{"v":"Une introduction au TOMBEAU","t":"A","i":1784},"An outpost established on the outskirts of Mount Holly in the era before the new realms. This station allowed the frontiersmen and trappers of these mountains to trade goods and services with the estate, the locals and one another.":{"v":"Un poste établi aux confins du mont Holly à l'époque des nouveaux royaumes. Cette station permettait aux pionniers et trappeurs de ces montagnes d'échanger des biens et des services avec la propriété, les habitants locaux et entre eux.","t":"A","i":4820},"An underground bunker located away from the main house. This fallout shelter was designed specifically for air raids and features thick walls made from lead and other materials intended to block radiation. A computer terminal within has been connected to the house’s network system should an emergency necessitate remote access. ":{"v":"Un abri souterrain situé à l'écart de la maison principale. Ce refuge anti-atomique a été conçu spécifiquement pour les raids aériens et dispose d'épais murs en plomb et autres matériaux destinés à bloquer le rayonnement. Un terminal informatique à l'intérieur est connecté au système de réseau de la maison afin de permettre un accès distant en cas d'urgence nécessitant une intervention à distance. ","t":"A","i":4839},"An unfurnished, unfinished and otherwise unremarkable empty room. If there had at some point been plans for this spare room, it would seem those designs are now long forgotten. ":{"v":"Une pièce vide, non meublée et sans autre intérêt particulier. Si des projets pour cette chambre d'appoint ont jamais existé, il semble que ces dessins soient désormais oubliés depuis longtemps. ","t":"A","i":4337},"And":{"v":"Et","t":"A","i":4112},"And I dare not dream,\nand I dare not speak\n":{"v":"Et je n'ose pas rêver,\net je n'ose pas parler\n","t":"A","i":2180},"And I dare not smile,\nand I dare not laugh.":{"v":"Et je n'ose pas sourire,\net je n'ose pas rire.","t":"A","i":2482},"And I dare not step foot\nin the ocean again.":{"v":"Et je ose pas remettre \nles pieds dans l'océan.","t":"A","i":2770},"And I will say goodbye\nto my dreams and the sea":{"v":"Et je dirai adieu\nà mes rêves et à la mer","t":"A","i":2307},"And I will say goodbye...":{"v":"Et je dirai au revoir...","t":"A","i":2586},"And as you my reader\nmight already assume,\nthis game is quite near you\nIn fact in the same room.\n":{"v":"Et comme vous, mon lecteur \npourriez déjà supposer, \nce jeu est tout près de vous \nEn fait, dans la même pièce. \n","t":"A","i":3670},"And as you my reader,\nMight already assume;\nThis book is quite near you,\nIn fact, in the same room!":{"v":"Et comme toi, mon lecteur,\nTu peux déjà le supposer ;\nCe livre est tout près de toi,\nEn fait, dans la même pièce !","t":"A","i":2593},"And do you know which book,\nThe prince always had?\nThe one that made him happy,\nWhenever he was sad?":{"v":"Et sais-tu quel livre,\nLe prince avait toujours ?\nCelui qui le rendait heureux,\nChaque fois qu'il était triste ?","t":"A","i":2426},"And do you know which game,\nThe prince instead would play?\nThe one that made him happy,\nWhenever skies were gray?\n":{"v":"Et sais-tu quel jeu\nLe prince aurait joué ?\nCelui qui lui apportait le bonheur,\nQuand les cieux étaient gris ?\n","t":"A","i":3483},"And having read this book so many times,\nHaving scoured over each of its cryptic lines,\nHave you exhausted your search?\nHave you seen all the signs?\n":{"v":"Et après avoir lu ce livre tant de fois,\nAprès avoir décortiqué chacune de ses lignes cryptiques,\nAs-tu épuisé ta quête ?\nAs-tu vu tous les signes ?\n","t":"A","i":2585},"And having read this over so many times,\nHaving scoured over each of the lines,\nHave you exhausted your search,\nHave you seen all the signs?\n":{"v":"Et après avoir lu cela si souvent,\nAprès avoir parcouru chaque ligne,\nAvez-vous épuisé votre recherche,\nAvez-vous vu tous les signes ?\n","t":"A","i":2852},"And he never looked up...\nFor fear of the view.\nHe had heard that the sky,":{"v":"Et il ne levait jamais les yeux...\nDe peur de la vue.\nIl avait entendu que le ciel,","t":"A","i":2930},"And he never looked up...\nFor fear of the view.\nHe had heard that the sky,\nWas not a red hue!":{"v":"Et il ne levait jamais les yeux...\nDe peur de la vue.\nIl avait entendu dire que le ciel,\nN'avait pas une teinte rouge !","t":"A","i":2514},"And if by morbid example this dark crypt makes any impression whatsoever on you. If reading this letter within these damp halls plants in you a seed of hope. If these words might grant you strength to bend if not break these chains….\n\nThen would I cherish this tomb more than oak, and sycamore and spruce. More than the wondrous woods and worldly mountains. This cold stone room would become the most cherished place in all our domain. \n\nI would have you raise a shrine upon this spot to commemorate the moment of your liberty. To treat this sepulcher as hallowed ground. To realize that grand gestures can be as effective as they are theatric. ":{"v":"Et si, par exemple morbide, cette crypte sombre fait la moindre impression sur vous. Si la lecture de cette lettre dans ces salles humides plante en vous une graine d’espoir. Si ces mots peuvent vous accorder la force de plier, sinon de briser, ces chaînes…\n\nAlors j’aimerais ce tombeau plus que le chêne, le platane et le sapin. Plus que les bois merveilleux et les montagnes du monde. Cette chambre de pierre froide deviendrait l’endroit le plus cher de tout notre domaine. \n\nJe voudrais que vous érigiez un autel sur ce lieu pour commémorer l’instant de votre liberté. Pour traiter ce sépulcre comme un sol sacré. Pour réaliser que les grands gestes peuvent être aussi efficaces qu’ils sont théâtraux. ","t":"A","i":2568},"And lastly, I wish to thank all my students, many of you here today whom I have not seen in years, whose faces I still remember as young and manners wild. Those here whose parents before them I have also taught and whose children I may yet. Without you, I would have had a lifetime of quiet peace. And yet what is all the peace in the world if you have no one to bestow demerits upon.\n\n\nThank you all sincerely, my time here has meant the world to me and if I am still standing in eight months, I will see you all at the slightly less melancholic ribbon-cutting ceremony next year.\n":{"v":"Et enfin, je tiens à remercier tous mes étudiants, beaucoup d’entre vous présents aujourd’hui que je n’ai pas vus depuis des années, dont je me souviens encore des visages jeunes et des manières sauvages. Ceux dont les parents, avant eux, m’ont également été confiés et dont les enfants pourraient l’être encore. Sans vous, j’aurais eu une vie de paisible tranquillité. Et pourtant, à quoi bon toute la paix du monde si l’on n’a personne à qui infliger des blâmes.\n\n\nJe vous remercie tous sincèrement, mon temps ici a compté pour moi au plus haut point et si je suis encore debout dans huit mois, je vous verrai tous lors de la cérémonie de coupure de ruban légèrement moins mélancolique l’an prochain.\n","t":"A","i":445},"And maybe that’s all that is left for us. The long walk and steps leading up to the gallows. A steep price to pay for ideals, I concede but a price that somehow seems cheaper and less cruel than another two fortnights bunkered down here beneath the sand and soot.\n\nAnd yet as I write this I have never felt so close to the sky and my dreams. Tomorrow, we will reclaim our birthright. Tomorrow, the Crown of Orinda will finally return to Oris. \n\nThe first step taken is half the journey.\n\nMay the Black Shores guide us,\n ":{"v":"Et peut-être que c’est tout ce qui nous reste. La longue marche et les marches menant à l’échafaud. Un prix élevé à payer pour nos idéaux, je l’admets, mais un prix qui semble pourtant moins cher et moins cruel que deux autres semaines à nous terrer ici, sous le sable et la suie.\n\nEt pourtant, en écrivant ces lignes, je ne me suis jamais senti aussi proche du ciel et de mes rêves. Demain, nous reprendrons notre droit de naissance. Demain, la Couronne d’Orinda retournera enfin à Oris. \n\nLe premier pas accompli est la moitié du chemin.\n\nQue les Rives Noires nous guident,\n ","t":"A","i":2043},"And now that you have reached your goal and are basking in your well deserved glory, shiny trophy in hand and showered with accolades and titles, will you be content to stop there?\n\nOr will you look to the horizon and wonder what dreams lie ahead.":{"v":"Et maintenant que vous avez atteint votre objectif et que vous savourez votre gloire bien méritée, trophée brillant en main et couvert d'éloges et de titres, allez-vous vous contenter de vous arrêter là ?\n\nOu allez-vous regarder vers l'horizon et vous demander quels rêves vous attendent.","t":"A","i":1984},"And now that you have reached your goal and are basking in your well deserved glory, shiny trophy in hand and showered with accolades and titles, will you be content to stop there?\n\nOr will you look to the horizon and wonder what dreams lie ahead ?":{"v":"Et maintenant que vous avez atteint votre objectif et que vous vous laissez bercer par la gloire bien méritée, le trophée étincelant à la main et submergé de louanges et de titres, serez-vous satisfait d'arrêter là ?\n\nOu regarderez-vous vers l'horizon et vous demanderez quels rêves attendent au-delà ?","t":"A","i":3623},"And she wonders why I avoid tending the Cloister? (Truth be told, I have forgotten how to access the inner garth and am too scared of chastisement to probe for the particulars for a third time!)":{"v":"Et elle s'interroge sur la raison pour laquelle j'évite de m'occuper du Cloître ? (Pour être honnête, j'ai oublié comment accéder au jardin intérieur et j'ai trop peur des châtiments pour tenter une troisième fois de trouver les détails !)","t":"A","i":3195},"And shouldn't you always\nListen to friends?":{"v":"Et ne devrait-on pas toujours\nÉcouter ses amis ?","t":"A","i":2897},"And to, in turn, as recompense for the freedom thus granted you, commit yourself to be buried here. Here, within this mausoleum of dreams, and when the day comes to write your own letter, to inspire the next generation that follows in our footsteps. \n\n \n\tAs is tradition.\n\n\n\n":{"v":"Et en retour, en récompense de la liberté ainsi accordée, vous engagez à être inhumé ici. Ici, dans ce mausolée de rêves, et lorsque viendra le jour d'écrire votre propre lettre, d'inspirer la génération suivante qui marchera dans nos pas. \n\n \n\tComme c'est la tradition.\n\n\n\n","t":"A","i":2505},"And to, in turn, as recompense for the freedom thus granted you, commit yourself to be buried here. Here, within this mausoleum of dreams, and when the day comes to write your own letter, to inspire the next generation that follows in our footsteps. \n\n \n \n As is tradition,\n\n\n\n":{"v":"Et toi, en retour, comme contrepartie de la liberté ainsi accordée, engage-toi à être enterré ici. Ici, au sein de ce mausolée des rêves, et lorsque viendra le jour d'écrire ta propre lettre, pour inspirer la génération suivante qui suivra nos pas. \n\n \n \n Comme l'exige la tradition,\n\n\n\n","t":"A","i":3953},"And wonder why daring\n\nfeels just like defeat.\n":{"v":"Et se demander pourquoi l'audace\n\nressemble tant à la défaite.\n","t":"A","i":2577},"And wonder why daring . . .":{"v":"Et s'étonner pourquoi oser . . .","t":"A","i":3438},"Anne Babbage":{"v":"Anne Babbage","t":"A","i":565},"Anne Babbage,":{"v":"Anne Babbage,","t":"A","i":2699},"Another aspect to consider when planning your house is the order in which you draft rooms. For instance, if you draft CLOISTER before TERRACE, you will be down [!v*0] gems. But, if you draft them in the reverse order, CLOISTER would":{"v":"Un autre aspect à prendre en compte lors de la planification de votre maison est l'ordre dans lequel vous choisissez les pièces. Par exemple, si vous choisissez CLÔTURE avant TERRASSE, vous perdrez [!v*0] gemmes. Mais, si vous les choisissez dans l'ordre inverse, CLÔTURE","t":"A","i":2512},"Another luxury item from the SHOWROOM, and likely the most useful drafting tool on this list. ORNATE COMPASS allows you to ROTATE FLOORPLANS as you draft them, allowing you to position doors to your advantage.":{"v":"Un autre article de luxe du SHOWROOM, et probablement l'outil de dessin le plus utile de cette liste. L'ORNATE COMPASS vous permet de FAIRE PIVOTER LES PLANS DE SOL pendant que vous les dessinez, vous permettant ainsi de positionner les portes à votre avantage.","t":"A","i":3532},"Another successful experiment, another letter.\n\nYou have certainly been keeping yourself busy! As I’ve spent the last few days racking my brain trying to come up with new clues for you, I’m reminded of your mother’s aptly named book, “A New Clue” and how fiendishly she hid the clues for her readers within its pages. Don’t worry, I won’t be hiding my clues for you in imagery or requiring you to comb the text with a magnifying glass! The truth is I’m not nearly as clever or creative as she was. The best I could muster trying to be cryptic and mysterious would be something like “Break the bricks in the Weight Room with something that has a handle and is very heavy.” I am afraid that in spite of my best efforts the result is not quite cryptic and even less mysterious.\n\nI suppose I’ll leave the riddles to your great uncle and his niece.\n\n -Randolph":{"v":"Un nouvel essai réussi, une nouvelle lettre.\n\nVous avez dû vous tenir bien occupé ! Comme j’ai passé les derniers jours à me creuser la tête pour trouver de nouveaux indices pour vous, je me souviens du livre de votre mère, au titre si approprié, « Un nouvel indice », et de la façon diabolique dont elle cachait les indices pour ses lecteurs entre ses pages. Ne vous inquiétez pas, je ne vais pas cacher mes indices dans des images ni vous obliger à passer le texte au peigne fin avec une loupe ! La vérité, c’est que je ne suis pas du tout aussi malin ni aussi créatif qu’elle. Le mieux que j’ai pu faire en essayant d’être cryptique et mystérieux, c’est quelque chose comme « Cassez les briques de la salle de pesée avec quelque chose qui a une poignée et qui est très lourd. » Je crains qu’en dépit de mes meilleurs efforts, le résultat ne soit pas très cryptique et encore moins mystérieux.\n\nJe suppose que je laisserai les énigmes à votre grand-oncle et à sa nièce.\n\n -Randolph","t":"A","i":2357},"Antechamber":{"v":"Antichambre","t":"A","i":4308},"Antechamber Lever Locations":{"v":"Emplacements des leviers de l'antichambre","t":"A","i":2918},"Apple Orchard":{"v":"Verger","t":"A","i":1594},"Approve Order\n\nGo Back":{"v":"Approuver la commande\n\nRetour","t":"A","i":2620},"Apr [!v*0] '[!v*1]":{"v":"Avr [!v*0] '[!v*1]","t":"A","i":310},"April [!v*0]":{"v":"Avril [!v*0]","t":"A","i":1177},"April [!v*0]th, [!v*1] - ":{"v":"[!v*0] avril [!v*1] - ","t":"A","i":1054},"April [!v*0]th, [!v*1] - ":{"v":"Le [!v*0] avril, [!v*1] - ","t":"A","i":2743},"Aquarium":{"v":"Aquarium","t":"A","i":2016},"Arch Aries was the very first\nrealm to introduce a new color":{"v":"L'Arche Bélier fut le tout premier\ndomaine à introduire une nouvelle couleur","t":"A","i":2265},"Architects may wish to utilize Bedroom strategies if they are the type who love to explore and backtrack frequently. Having an excess of steps usually affords bedroom enthusiasts the mobility to be more carefree with their plans for the day.":{"v":"Les architectes peuvent souhaiter utiliser des stratégies de Chambre s'ils sont du genre à explorer et à revenir en arrière fréquemment. Disposer d'un excès d'étages offre généralement aux amateurs de Chambres la mobilité nécessaire pour être plus libres dans leurs projets de la journée.","t":"A","i":3489},"Architectural Digest's Guide to Bedrooms":{"v":"Le guide d'Architectural Digest pour les chambres à coucher","t":"A","i":2749},"Architectural Digest's Guide to Dead Ends":{"v":"Le guide d'Architectural Digest sur les cul-de-sac","t":"A","i":3916},"Architectural Digest's Guide to Drafting Rooms":{"v":"Le guide d'Architectural Digest pour la conception de pièces","t":"A","i":3255},"Architectural Digest's Guide to Green Rooms":{"v":"Le guide d'Architectural Digest pour les chambres vertes","t":"A","i":3299},"Architectural Digest's Guide to Hallways":{"v":"Le guide des couloirs d'Architectural Digest","t":"A","i":1815},"Architectural Digest's Guide to Mechanical Rooms":{"v":"Le guide d'Architectural Digest sur les locaux mécaniques","t":"A","i":2742},"Architectural Digest's Guide to Multicolored Floorplans":{"v":"Le guide d'Architectural Digest sur les plans de sol multicolores","t":"A","i":2997},"Architectural Digest's Guide to Outer Rooms":{"v":"Le guide d'Architectural Digest pour les pièces extérieures","t":"A","i":3167},"Architectural Digest's Guide to Puzzle Rooms":{"v":"Le guide d'Architectural Digest sur les pièces à énigmes","t":"A","i":3401},"Architectural Digest's Guide to Red Rooms":{"v":"Le guide d'Architectural Digest sur les chambres rouges","t":"A","i":4004},"Architectural Digest's Guide to Shops":{"v":"Le Guide de boutiques d'Architectural Digest","t":"A","i":3798},"Architectural Digest's Guide to Spread Rooms":{"v":"Le guide d'Architectural Digest pour aménager les pièces","t":"A","i":2146},"Architectural Digest's Guide to Tomorrow Rooms":{"v":"Le guide des chambres de demain par Architectural Digest","t":"A","i":1748},"Architectural Digest's Guide to Upgrade Disks":{"v":"Le guide d'Architecture Digest pour les disques de mise à niveau","t":"A","i":2681},"Archives":{"v":"Archives","t":"A","i":4396},"Are you sure you want to":{"v":"Êtes-vous sûr de vouloir","t":"A","i":3672},"Around each sigil is an adorned edge serving as a container for the information within. There are eight different borders, each one corresponding to a different color. These borders always correspond to the banner and national colors of that specific realm.\n\n\n\n\n\n\n\n\n white":{"v":"Autour de chaque sigile se trouve un bord orné servant de conteneur pour les informations qu'il contient. Il existe huit bordures différentes, chacune correspondant à une couleur distincte. Ces bordures correspondent toujours aux couleurs de la bannière et de l'État de ce royaume spécifique.\n\n\n\n\n\n\n\n\n blanc","t":"A","i":1914},"Artie Anders":{"v":"Artie Anders","t":"A","i":1016},"As":{"v":"En","t":"A","i":1102},"As I suspected, they wanted the flower to serve primarily as a cheap way to produce resources for Special Floorplans.":{"v":"Comme je le soupçonnais, ils voulaient que la fleur serve principalement de moyen bon marché de produire des ressources pour les Plans spéciaux.","t":"A","i":1970},"As a final Security measure, at least four of the five computer terminals on the estate must be connected to the Network before access to BLACKBRIDGE\nis granted.\n\n(And even then, it will only be accessible from the BLACKBRIDGE terminal.)":{"v":"En guise de mesure de sécurité finale, au moins quatre des cinq terminaux informatiques du domaine doivent être connectés au Réseau avant que l'accès à BLACKBRIDGE\nne soit accordé.\n\n(Et même dans ce cas, il ne sera que accessible depuis le terminal BLACKBRIDGE.)","t":"A","i":1759},"As an architect, you may wish to view the previous layouts and room configurations from days past. This useful feature can be accessed from the SYSTEM MENU.":{"v":"En tant qu'architecte, vous souhaiterez peut-être consulter les plans et configurations de pièces des jours précédents. Cette fonctionnalité pratique est accessible depuis le MENU SYSTÈME.","t":"A","i":4497},"As architects, we know that designing a building is a complex and multi-faceted process. From the layout to the details, every decision we make can have a significant impact on the final result. Perhaps, that's why we're always looking for ways to improve our craft and refine our ideas. \n In this edition of \"Drafting Strategy,\" we're excited to introduce a useful concept that can take your designs to the":{"v":"En tant qu'architectes, nous savons que concevoir un bâtiment est un processus complexe et multidimensionnel. De la disposition générale aux détails, chaque décision que nous prenons peut avoir un impact significatif sur le résultat final. Peut-être est-ce pourquoi nous cherchons toujours des moyens d'améliorer notre métier et d'affiner nos idées. \n Dans cette édition de « Stratégie de conception », nous sommes ravis de présenter un concept utile qui peut porter vos designs à","t":"A","i":3529},"As cool as\nthis would be\nits too easy\nto track\n(literally)":{"v":"À quel point ce serait cool\nc'est trop facile\nde le suivre\n(littéralement)\n","t":"A","i":4100},"As cool as\nthis would be\nits too easy\nto track (literally)":{"v":"À quel point ce serait cool\nc'est trop facile\nde le suivre (littéralement)\n","t":"A","i":3686},"As fate would have it, just as I had begun to make progress in my quest of slumber, a most joyous event has interrupted my progress. My beloved daughter has given birth to a son, and has requested my presence in town to assist her during this exciting but demanding time. \n\nFor now, I shall take my leave of the bedrooms of Mount Holly. But I am certain, dear diary, that one day I shall return.":{"v":"Comme le destin l'a voulu, alors que je commençais à faire des progrès dans mon quête du sommeil, un événement très joyeux a interrompu mon avancée. Ma bien-aimée fille vient de mettre au monde un fils et m'a demandé ma présence en ville pour m'aider durant ce moment excitant mais exigeant. \n\nPour l'instant, je vais prendre congé des chambres du Mont Holly. Mais je suis certain, cher journal, qu'un jour je reviendrai.","t":"A","i":2794},"As for me, I am ashamed to admit that despite all my boasting, I have nothing to show for nearly three decades of effort. I am no closer to solving this than I was in those early months of daily obsession. And with each passing year, I fear my chances of reaching a satisfying conclusion to this adventure grow ever slimmer.\n\nSome might say this outcome is quite fitting - poetic justice for tormenting my readers for so many years with seemingly impossible bafflers. While I can certainly relate to their frustrations, I wonder if we really need to obtain answers to all of life's questions. Must we always quench our thirst for knowledge?":{"v":"Quant à moi, je suis honteux d’avouer que, malgré toutes mes vantardises, je n’ai rien à montrer après près de trois décennies d’efforts. Je ne suis pas plus proche de résoudre cette énigme que je ne l’étais lors de ces premiers mois d’obsession quotidienne. Et à chaque année qui passe, je crains que mes chances d’atteindre une conclusion satisfaisante à cette aventure ne deviennent de plus en plus minces.\n\nCertains diront que ce résultat est tout à fait approprié - une justice poétique pour avoir tourmenté mes lecteurs pendant tant d’années avec des casse-tête apparemment impossibles. Bien que je puisse tout à fait comprendre leur frustration, je me demande si nous avons vraiment besoin d’obtenir des réponses à toutes les questions de la vie. Devons-nous toujours étancher notre soif de savoir ?","t":"A","i":1669},"As foreboding as a black-bordered floorplan may seem, TOMB stands out as one of the most straightforward strategies centered around dead ends. This floorplan can only be drafted from":{"v":"Aussi sinistre qu’il puisse paraître, le plan de salle à bordure noire TOMB se distingue comme l’une des stratégies les plus directes centrées sur les impasses. Ce plan ne peut être tracé que","t":"A","i":2351},"As one final gift to my grand-nephew, Simon P. Jones, regardless of whether he finds ROOM [!v*0] or not, I leave and bequeath to him the original manuscripts of his mother’s works that were produced here, under the roof of her childhood home. These preliminary draft copies include RED PRINCE which she wrote while visiting the estate during the brightest of her days, and A NEW CLUE which she penned here during the darkest.\n\nI hope that in due time and in the natural order of things, you will come to be content, as I have, with what little of herself she left us.\n\n\n\n\nIN WITNESS WHEREOF, I have hereunto set my hand this [!v*1]th day of March, Nineteen Hundred and Ninety-three, ":{"v":"En guise de dernier cadeau à mon petit-neveu, Simon P. Jones, qu'il trouve ou non ROOM [!v*0], je lui lègue et laisse les manuscrits originaux des œuvres de sa mère qui ont été produits ici, sous le toit de la maison où elle a grandi. Ces copies de brouillon préliminaires incluent LE PRINCE ROUGE, qu'elle a écrit lors de sa visite à la propriété durant les plus beaux jours de sa vie, et UNE NOUVELLE PISTE, qu'elle a rédigée ici pendant les plus sombres.\n\nJ'espère que, dans le temps venu et selon l'ordre naturel des choses, vous parviendrez à être heureux comme moi de ce peu d'elle qui nous est resté.\n\n\n\n\nEN FOI DE QUOI, j'ai apposé ma signature ci-dessous le [!v*1]jour du mois de mars, mille neuf cent quatre-vingt-treize. ","t":"A","i":3012},"As our client Tomas Sinclair suspected, the arches that were visible from the south cliff were part of a much longer arcade carved into the rockface. Last week, when our crew first arrived, only two supporting pillars were visible, but after only a few days of clearing vines, moss and dirt, we have uncovered a dozen more.\n\n\nOur exploration, so far, has been limited and entirely superficial as every shaft we have surveyed has ended abruptly and every promising path leading deeper into the mountain has been blocked by tunnels packed tight with soil, rock and debris.\n\n\nThis site is either much older than we had first assumed or someone deliberately had these chambers buried.\n":{"v":"Comme notre client Tomas Sinclair l'avait soupçonné, les arches visibles depuis la falaise du sud faisaient partie d'une arcade bien plus longue taillée dans la paroi rocheuse. La semaine dernière, lorsque notre équipe est arrivée pour la première fois, seuls deux piliers de soutien étaient visibles, mais après seulement quelques jours de désherbage, de nettoyage des mousses et de la terre, nous avons mis au jour une douzaine d'autres.\n\n\nNotre exploration, jusqu'à présent, a été limitée et entièrement superficielle, car chaque puits que nous avons examiné s'est terminé brusquement et chaque chemin prometteur menant plus profondément dans la montagne a été bloqué par des tunnels comblés de terre, de roche et de débris.\n\n\nCe site est soit beaucoup plus ancien que ce que nous avions d'abord supposé, soit quelqu'un a délibérément fait enterrer ces chambres.\n","t":"A","i":3451},"As our client Tomas Sinclair suspected, the arches that were visible from the south cliff were part of a much longer arcade carved into the rockface. Last week, when our crew first arrived, only two supporting pillars were visible, but after only a few days of clearing vines, moss and dirt, we have uncovered a dozen more.\n\nOur exploration, so far, has been limited and entirely superficial as every shaft we have surveyed has ended abruptly and every promising path leading deeper into the mountain has been blocked by tunnels packed tight with soil, rock and debris.\n\nThis site is either much older than we had first assumed or someone deliberately had these chambers buried.\n":{"v":"Comme notre client Tomas Sinclair le soupçonnait, les arches visibles depuis la falaise sud faisaient partie d'une arcade bien plus longue, taillée dans la paroi rocheuse. La semaine dernière, lorsque notre équipe est arrivée pour la première fois, seules deux colonnes de soutien étaient visibles, mais après seulement quelques jours de nettoyage des lianes, de la mousse et de la terre, nous en avons mis au jour une douzaine de plus.\n\nNotre exploration, jusqu'ici, a été limitée et entièrement superficielle, car chaque puits que nous avons inspecté s'est terminé brutalement et chaque chemin prometteur menant plus profondément dans la montagne a été obstrué par des tunnels remplis à ras bord de terre, de roches et de débris.\n\nCe site est soit bien plus ancien que nous ne l'avions d'abord supposé, soit quelqu'un a délibérément fait enterrer ces chambres.\n","t":"A","i":2554},"As selected by the Editorial Staff of DRAFTING STRATEGY":{"v":"Sélectionné par le personnel éditorial de DRAFTING STRATEGY","t":"A","i":3233},"As the Second Era drew to a close, the three sovereign realms had achieved a period of remarkable progress and prosperity. Each of these distinct regions, ruled by their respective sibling monarchs, had blossomed, cultivating the bountiful resources of their lands, and developing a unique character and culture that set them apart from one another.\n\n\nDespite those differences, the sibling monarchs managed to maintain friendly relations throughout their lives, and were known for their cooperation in matters of trade and transportation. The succeeding generations of their heirs continued that tradition and the Third Era was defined by the construction ":{"v":"À la fin de la Deuxième Ère, les trois royaumes souverains avaient connu une période de progrès et de prospérité remarquables. Chacune de ces régions distinctes, gouvernée par ses monarques frères et sœurs respectifs, avait fleuri, cultivant les ressources abondantes de leurs terres et développant un caractère et une culture uniques qui les distinguaient les uns des autres.\n\n\nMalgré ces différences, les monarques frères et sœurs parvinrent à maintenir des relations amicales tout au long de leur vie et étaient connus pour leur coopération en matière de commerce et de transport. Les générations suivantes de leurs héritiers perpétuèrent cette tradition et la Troisième Ère fut définie par la construction ","t":"A","i":1960},"As the groundskeeper of a vast estate, it is my responsibility to ensure the property remains well-maintained and beautiful all year round. From the many green rooms of the manor to the sprawling lawns, it is my duty to attend to every aspect of the grounds, ensuring they are orderly, presentable and accessible so that they may be appreciated by both guests and the family.\n\n\nThis logbook, many years overdue, will serve as a record of some of my duties, discoveries and contributions I have made to the estate over the many years I have served here as groundskeeper and however many more are\nyet to come.\n\n\n -Denny Revane\n":{"v":"En tant que jardinier d'un vaste domaine, il est de mon devoir de veiller à ce que la propriété reste bien entretenue et magnifique toute l'année. Des nombreuses salles vertes du manoir aux pelouses étendues, il est mon devoir de m'occuper de chaque aspect des jardins, en veillant à ce qu'ils soient ordonnés, présentables et accessibles, afin qu'ils puissent être appréciés par les invités comme par la famille.\n\n\nCe journal, en retard de nombreuses années, servira de registre de certaines de mes tâches, découvertes et contributions apportées au domaine au fil des nombreuses années où j'ai servi ici en tant que jardinier, ainsi que de celles qui\nsont encore à venir.\n\n\n -Denny Revane\n","t":"A","i":1857},"As the kingdom of Orinda Aries entered the fourth era, a different kind of ruler took the reins of power. King Desilets III was a king who listened to the voices of all his subjects, from the most influential advisors to the humblest of citizens. \n\nHe was a king who often was seen among the people, eating, drinking and conversing - a sight that shocked not only the gentry and the court, but the masses as well, who could scarce believe that they, as peasantry, would ever sup with the crown.\n":{"v":"À l'entrée du royaume d'Orinda Aries dans la quatrième ère, un nouveau type de souverain prit les rênes du pouvoir. Le roi Desilets III était un roi qui écoutait la voix de tous ses sujets, des conseillers les plus influents aux citoyens les plus humbles. \n\nC'était un roi que l'on voyait souvent parmi le peuple, mangeant, buvant et conversant - un spectacle qui choquait non seulement la noblesse et la cour, mais aussi les masses, qui peinaient à croire qu'elles, en tant que paysans, pourraient un jour dîner avec la couronne.\n","t":"A","i":1474},"As the layout to the right demonstrates, even a path of rooms that snakes through the house and does not go in a straight line can also be structurally weak if you are leaving lots of unopened doors on the ranks behind you.\n\nBy starting each day on a strong foundation of rooms on the early ranks, you will have a much better chance of finding success when you eventually start heading further into the house.\n\n":{"v":"Comme le montre la disposition à droite, même un chemin de pièces qui serpente à travers la maison et ne suit pas une ligne droite peut être structurellement faible si vous laissez beaucoup de portes non ouvertes sur les rangs derrière vous.\n\nEn commençant chaque jour sur une base solide de pièces sur les premiers rangs, vous aurez beaucoup plus de chances de réussir lorsque vous commencerez à explorer plus en profondeur la maison.\n\n","t":"A","i":2020},"As we conclude this haunting October edition of DRAFTING STRATEGY, we trust that you have unearthed the darker side of architectural design and found inspiration in the morbid realm of death and DEAD END rooms. From the despair of a drafted LAVATORY to the chilling allure of the TOMB, we believe that even the most eerie aspects of our world can spark creative brilliance in the architect's mind.\n\nAs you venture forth into the shadows, remember that there is a certain beauty in the unknown and the macabre. Embrace the challenge of designing spaces that both captivate and unsettle, that provoke contemplation of our own mortality and the secrets that lie beyond. ":{"v":"À la conclusion de cette édition d'octobre effrayante de DRAFTING STRATEGY, nous espérons que vous avez mis au jour le côté sombre du design architectural et trouvé une inspiration dans le domaine morbide de la mort et des chambres DEAD END. Du désespoir d'un LAVATORY esquissé à l'allure glacée du TOMB, nous croyons que même les aspects les plus sinistres de notre monde peuvent susciter une brillance créative dans l'esprit de l'architecte.\n\nAlors que vous entrez dans les ombres, rappelez-vous qu'il existe une certaine beauté dans l'inconnu et le macabre. Embrassez le défi de concevoir des espaces qui captivent et déstabilisent, qui provoquent la réflexion sur notre propre mortalité et les secrets qui se cachent au-delà. ","t":"A","i":3446},"As we reach the end of this volume of \"Drafting Strategy,\" we hope you have found valuable insights and colorful inspiration for your next architectural project. From the purples of our dreams to the reds of our fears, we believe that no ambition for an architect is too brave and no design is too colorful. To achieve our goals, we must delve deep into the spectrum, drawing upon all colors and ideas of daring merit.\n\nAt the end of the day, color is just another tool. Some wield it to express their own creativity. Some hoist it up as a display of their own power. Some use it to calculate great sums. But all of us want to find a color we can call our own.":{"v":"À la fin de ce volume de « Stratégie de conception », nous espérons que vous avez trouvé des perspectives précieuses et une inspiration colorée pour votre prochain projet architectural. Des violets de nos rêves aux rouges de nos peurs, nous croyons qu'aucune ambition d'un architecte n'est trop courageuse et aucun design n'est trop coloré. Pour atteindre nos objectifs, nous devons plonger profondément dans le spectre, puisant en toutes les couleurs et idées audacieuses.\n\nEn fin de compte, la couleur n'est qu'un outil de plus. Certains l'utilisent pour exprimer leur propre créativité. D'autres l'arborent comme un symbole de leur puissance. D'autres encore l'emploient pour calculer d'immenses sommes. Mais tous nous voulons trouver une couleur que nous pouvons appeler nôtre.","t":"A","i":3645},"As you continue on your adventure, you may want to consider getting something to scribble down your notes and observations.\n\n A pad, scrap of paper or, perhaps most fittingly, a journal will prove to\nbe an invaluable tool you\nwill not regret having \nyou on your journey.":{"v":"Au fil de votre aventure, vous pourriez envisager de vous procurer quelque chose pour consigner vos notes et observations.\n\n Un bloc-notes, un bout de papier ou, peut-être le plus approprié, un journal s'avérera\nêtre un outil inestimable dont\nvous ne regretterez pas d'avoir \nfait usage lors de votre voyage.","t":"A","i":926},"Ascend the historic steps and be a part of history. The Royal Museum's Main Concourse, buit on the former estate of Prince Leerson, has served as the realm's central hub of art and culture for over [!v*0] years.":{"v":"Montez les escaliers historiques et faites partie de l'Histoire. Le grand hall du Musée royal, construit sur l'ancien domaine du prince Leerson, sert de centre névralgique de l'art et de la culture du royaume depuis plus de [!v*0] ans.","t":"A","i":2324},"Ascend the historic steps and be a part of history. The Royal Museum's main concourse, buit on the former estate of Prince Leerson has, for over [!v*0] years, served the realm's central hub of art and culture.":{"v":"Montez les escaliers historiques et faites partie de l'Histoire. Le grand hall du Musée Royal, construit sur l'ancien domaine du prince Leerson, sert depuis plus de [!v*0] ans de centre névralgique de l'art et de la culture du royaume","t":"A","i":2178},"Assign Controller":{"v":"Attribuer une manette","t":"A","i":170},"Assigned Controllers:":{"v":"Manettes assignées :","t":"A","i":172},"Assuming it was not moved again after I hid it, you should be able to find it in the Observatory, hidden within the lens compartment of the telescope therein.\n\nIf there was a reason behind the removal of these floorplans from the Drafting Studio, hopefully this will serve as the first illuminating step toward finding out why.\n\n -Randolph":{"v":"Sous réserve qu'il n'ait pas été déplacé depuis que je l'ai caché, vous devriez pouvoir le trouver dans l'Observatoire, dissimulé dans le compartiment de l'objectif du télescope qui s'y trouve.\n\nS'il y avait une raison à la disparition de ces plans de la Salle de dessin, j'espère que cela constituera la première étape éclairante vers la découverte des motifs.\n\n -Randolph","t":"A","i":2163},"Assuming it was not moved again after I hid it, you should be able to find it in the observatory. hidden within the lens compartment of the telescope therein.\n\n\nIf there was a reason behind the removal of these floorplans from the drafting studio, hopefully this will serve as the first illuminating step toward finding out why.\n":{"v":"Si ce n'était pas déplacé à nouveau après que je l'aie caché, vous devriez pouvoir le trouver dans l'observatoire, dissimulé dans le compartiment de l'objectif du télescope qui s'y trouve.\n\n\nS'il y avait une raison derrière la suppression de ces plans d'étage du studio de dessin, j'espère que cela servira de première étape éclairante pour découvrir pourquoi.\n","t":"A","i":4023},"Astrologer":{"v":"Astrologue","t":"A","i":4025},"At I W Te S Er Ce Am":{"v":"At I W Te S Er Ce Am","t":"A","i":847},"At an elevation of [!v*0] feet, Mount Holly is the tallest mountain in the Reddington range and the highest peak in the entire realm. Beyond the physical challenge itself, climbing Mount Holly Trail is a beautiful experience and one that many hikers and explorers will want to do at least once.":{"v":"À une altitude de [!v*0] pieds, le mont Holly est la plus haute montagne de la chaîne Reddington et le sommet le plus élevé de tout le royaume. Au-delà du défi physique lui-même, l'ascension du sentier du mont Holly est une expérience magnifique que de nombreux randonneurs et explorateurs voudront faire au moins une fois.","t":"A","i":2797},"At my age, I often find myself looking back at the long path behind me, and I think I am content to leave a few stones unturned. A life without some mystery is a life without imagination. So, I will lay down this burden and leave this stone, and the winding path of intrigue it precedes, for future generations to explore.\n\n -Herbert":{"v":"À mon âge, je me trouve souvent à regarder en arrière sur le long chemin derrière moi, et je pense que je suis satisfait de laisser quelques pierres sans les retourner. Une vie sans mystère est une vie sans imagination. Ainsi, je déposerai ce fardeau et laisserai cette pierre, ainsi que le sentier sinueux d'intrigue qu'elle précède, aux générations futures à explorer.\n\n -Herbert","t":"A","i":3278},"At my age, I often find myself looking back at the long path behind me, and I think I am content to leave a few stones unturned. A life without some mystery is a life without imagination. So, I will lay down this burden and leave this stone, and the winding path of intrigue it proceeds, for future generations to explore.\n\n -Herbert":{"v":"À mon âge, je me surprends souvent à regarder le long chemin derrière moi, et je pense qu'il est bien de laisser quelques pierres non retournées. Une vie sans un peu de mystère est une vie sans imagination. Alors, je déposerai ce fardeau et laisserai cette pierre, ainsi que le sinueux chemin d'intrigues qu'elle ouvre, aux générations futures à explorer.\n\n -Herbert","t":"A","i":2573},"At the center of each sigil is a unique shape, different for each realm. If the core gives us a name then the rest of the sigil tells us the history behind that name.\n\nStill, it is important to be able to identify\nand distinguish the core as a first step\nin deciphering any sigil as all the other\nparts are meaningless if we don't first know the place we are describing.":{"v":"Au centre de chaque sigile se trouve une forme unique, différente pour chaque royaume. Si le cœur nous donne un nom, le reste du sigile nous raconte l'histoire derrière ce nom.\n\nNéanmoins, il est essentiel de savoir identifier\net distinguer le cœur en première étape\npour déchiffrer n'importe quel sigile, car toutes les autres\nparties sont sans sens si nous ne connaissons pas d'abord le lieu que nous décrivons.","t":"A","i":1571},"At the end of the war of the\nFifth Era, after the Grand ":{"v":"À la fin de la guerre de la\nCinquième Ère, après le Grand ","t":"A","i":1492},"At the start of each day, a new dare will be revealed and added to the above dare list. All four dares on the list must be revealed before entering Room [!v*0].\nIf even a single dare is broken, the challenge will be considered failed.":{"v":"Au début de chaque journée, un nouveau défi sera révélé et ajouté à la liste des défis ci-dessus. Les quatre défis de la liste doivent être révélés avant d'entrer dans la salle [!v*0].\nSi un seul défi est rompu, l'épreuve sera considérée comme échouée.","t":"A","i":204},"Attention:\nMrs. Hannah Peterson":{"v":"Attention :\nMme Hannah Peterson","t":"A","i":990},"August [!v*0]th, [!v*1]\n\n\nWell, there's no turning back now. After finally reaching the objective I had been working toward for the last four months, I made an impulsive decision in the heat of the moment and took more than just my contract. I found something that I knew could give me the chance to make back some of the money I felt was owed to me and I grabbed the opportunity without really considering the consequences. Given that there is now only one missing file in the staff contracts, I have unwittingly left an incriminating trail leading directly back to me. My only hope is that they consider it too obvious to be plausible.\n\n\nI'm almost positive that I'm not going to get away with it, but at this point, I feel I owe it to myself to get what's coming to me, one way or another.\n":{"v":"Août [!v*0], [!v*1]\n\n\nBon, il n'y a plus de retour en arrière possible. Après avoir enfin atteint l'objectif vers lequel je travaillais depuis quatre mois, j'ai pris une décision impulsive dans la chaleur du moment et j'ai emporté bien plus que mon contrat. J'ai trouvé quelque chose qui pouvait me donner une chance de récupérer une partie de l'argent que je sentais être dû, et j'ai saisi l'opportunité sans vraiment considérer les conséquences. Étant donné qu'il ne manque désormais qu'un seul dossier dans les contrats du personnel, j'ai inconsciemment laissé une piste incriminante menant directement vers moi. Mon seul espoir est qu'ils jugent cela trop évident pour être plausible.\n\n\nJe suis presque certain que je ne vais pas m'en sortir, mais à ce stade, je sens que je dois me rendre à ce qui va arriver, d'une manière ou d'une autre.\n","t":"A","i":3408},"August [!v*0]th, [!v*1]\n\nAt last! I have finally discovered a location of one of the north levers! It is deep underground in a location so far removed from any of the estate's plant life that had I been discovered, I would have been completely vulnerable without any excuse but curiosity to offer to my captor.\n\nAs anxious as I was to pull it, I have decided to wait until the Baron is away as it reduces the risk of being caught significantly. And once he leaves, I don't think that a delay in returning will be too hard to engineer now that Christoph is under my thumb and beholden to do whatever I command.":{"v":"[!v*0] août, [!v*1]\n\nEnfin ! J’ai enfin découvert l’emplacement de l’un des leviers du nord ! Il se trouve profondément sous terre, dans un endroit si éloigné de toute la végétation du domaine que, si j’avais été découverte, j’aurais été complètement vulnérable, sans autre excuse que la curiosité à offrir à mon captif.\n\nMalgré mon impatience à l’actionner, j’ai décidé d’attendre que le Baron soit absent, car cela réduit considérablement le risque d’être prise. Et une fois qu’il sera parti, je ne pense pas qu’un retard au retour soit trop difficile à aménager, maintenant que Christoph est sous mon emprise et tenu d’exécuter mes ordres.","t":"A","i":1637},"Auravei":{"v":"Auravei","t":"A","i":2196},"Author\nTitle":{"v":"Auteur\nTitre","t":"A","i":306},"Automatically collect and when\nentering a room.":{"v":"Collecter automatiquement et à\nl'entrée d'une pièce.","t":"A","i":1775},"Available":{"v":"Disponible","t":"A","i":2570},"Available Controllers":{"v":"Contrôles Disponibles","t":"A","i":4700},"Available controllers":{"v":"Manettes disponibles","t":"A","i":165},"Aviation. Dirigibles. Balloons.\nThe five rays here suggest\ntravel \"above\" the horizon.":{"v":"Aviation. Dirigeables. Ballons.\nLes cinq rayons ici suggèrent\nun voyage « au-dessus » de l'horizon.","t":"A","i":1362},"Awarded for buying out the\n Showroom's entire stock\n (including this trophy!)":{"v":"Débloqué en rachetant tout\n le stock de la\n Salle d'exposition (ce trophée inclus !)","t":"A","i":300},"Awarded for completing the\n Mt. Holly Directory":{"v":"Attribué pour avoir complété le\n Annuaire du mont Holly","t":"A","i":508},"Awarded for creating all\n [!v*0] contraptions in the Workshop":{"v":"Attribué pour avoir créé les\n [!v*0] engins dans l'Atelier","t":"A","i":293},"Awarded for drafting a room\nin every single open slot of your house.":{"v":"Attribué pour avoir aménagé une pièce\ndans chaque emplacement libre de votre maison.","t":"A","i":277},"Awarded for getting an A\non the Classroom Final Exam":{"v":"Décerné pour avoir obtenu un A\nau contrôle final en classe","t":"A","i":421},"Awarded for mastering the Estate\n & completing the Trophy Case":{"v":"Décerné pour avoir maîtrisé le Domaine\n et complété la Vitrine de trophées","t":"A","i":289},"Awarded for prevailing against all\nthe odds and reaching Room [!v*0]\non Cursed Mode":{"v":"Décerné pour avoir triomphé de toutes\nles difficultés et atteint la salle [!v*0]\nen mode Maudit","t":"A","i":367},"Awarded for reaching\n Room [!v*0]":{"v":"Attribué pour avoir atteint\n la salle [!v*0]","t":"A","i":488},"Awarded for reaching\n Room [!v*0] on Dare Mode! ":{"v":"Attribué pour avoir atteint\n la salle [!v*0] en mode Dare ! ","t":"A","i":444},"Awarded for solving\n [!v*0] Dartboard Puzzles":{"v":"Attribué pour avoir résolu\n [!v*0] Puzzles de fléchettes","t":"A","i":561},"Awarded for solving [!v*0] puzzles\n in Room [!v*1] on Rank [!v*2]":{"v":"Attribué pour avoir résolu [!v*0] énigmes\n dans la salle [!v*1] au rang [!v*2]","t":"A","i":506},"Awarded for the incredible feat of\n reaching Room [!v*0] in a single day ":{"v":"Décerné pour l'exploit incroyable de\nrejoindre la salle [!v*0] en une seule journée ","t":"A","i":425},"Awarded for winning\n [!v*0] Parlor games":{"v":"Attribué pour avoir gagné\n [!v*0] jeux de salon","t":"A","i":601},"Awarded for winning the\n Drafting Strategy Sweepstakes":{"v":"Remis pour avoir remporté le\n Concours de stratégie de draft","t":"A","i":611},"Awarded on ":{"v":"Attribué le ","t":"A","i":185},"Axed":{"v":"Abattu","t":"A","i":2206},"B":{"v":" L","t":"H","i":462},"B ":{"v":"B ","t":"A","i":1150},"B -":{"v":"B","t":"A","i":1361},"B +":{"v":"B +","t":"A","i":263},"B -":{"v":"B -","t":"A","i":856},"B+":{"v":"B+","t":"A","i":834},"BA":{"v":"BA","t":"A","i":2221},"BACK":{"v":"RETOUR","t":"A","i":1486},"BACK TO MAIN MENU":{"v":"RETOUR AU MENU PRINCIPAL","t":"A","i":4017},"BACKUP RESORATION\nSUCCESSFUL\n\n\n[Press any key to return to DATA MENU]":{"v":"RÉTABLISSEMENT DE LA COPIE DE SÉCURITÉ\nRÉUSSI\n\n\n[Appuyez sur n'importe quelle touche pour retourner au MENU DES DONNÉES]","t":"A","i":3857},"BACON & EGGS":{"v":"BACON ET ŒUFS","t":"A","i":2793},"BALLROOM":{"v":"SALON DE BAL","t":"A","i":1496},"BANANA":{"v":"BANANE","t":"A","i":2026},"BANANA [!v*0]\nCLUB SANDWICH [!v*1]\nLUNCH DISH [!v*2]":{"v":"BANANE [!v*0]\nCLUB SANDWICH [!v*1]\nPLAT DE DÉJEUNER [!v*2]","t":"A","i":436},"BANNER\nOF THE KING":{"v":"BANNIÈRE\nDU ROI","t":"A","i":3185},"BANNER OF THE KING":{"v":"BANNIÈRE DU ROI","t":"A","i":1653},"BARREN\nGROUND":{"v":"TERRE STÉRILE\n","t":"A","i":3431},"BASEMENT":{"v":"SOUTERRAIN","t":"A","i":3571},"BATTERY PACK":{"v":"BATTERIE","t":"A","i":1885},"BEDROOM":{"v":"CHAMBRE","t":"A","i":1670},"BEDROOMS":{"v":"CHAMBRES","t":"A","i":2457},"BEQUEST":{"v":"LEG","t":"A","i":56},"BETTER NOT":{"v":"MIEUX VALE NE PAS","t":"A","i":2591},"BETTER THINK TWICE BEFORE PROCEEDING...":{"v":"PENSEZ-VOUS À Y RÉFLÉCHIR À DEUX REPRIS AVANT DE CONTINUER...","t":"A","i":1401},"BILLIARD\n\nROOM":{"v":"BILLARD\n\nSALLE","t":"A","i":2374},"BLACK":{"v":"NOIR","t":"A","i":3546},"BLACKBRIDGE":{"v":"NOIRPONT","t":"A","i":3138},"BLACKBRIDGE BACKUP\nCREATED\n\n\n[Press any key to return to DATA MENU]":{"v":"SAUVEGARDE DE BLACKBRIDGE\nCRÉÉE\n\n\n[Appuyez sur une touche pour revenir au MENU DES DONNÉES]","t":"A","i":2255},"BLACKBRIDGE BACKUP NOT FOUND.":{"v":"NOUVELLE DE BLACKBRIDGE NON TROUVÉE.","t":"A","i":3820},"BLACKBRIDGE NETWORK\nadministrator CONTROLS":{"v":"RÉSEAU BLACKBRIDGE\ncontrôles de l'administrateur","t":"A","i":1483},"BLACKPRINTS":{"v":"NOIRS","t":"A","i":3833},"BLESSING DURATION: ":{"v":"DURÉE DE LA BÉNÉDICTION : ","t":"A","i":1548},"BLESSING OF\n THE CHEF":{"v":"BÉNÉDICTION DU\n CHEF","t":"A","i":3515},"BLESSING OF\n THE MONK":{"v":"BÉNÉDICTIION DU\n MOINE","t":"A","i":3816},"BLESSING OF\n THE WRAITH":{"v":"BÉNÉDICTION DE\n LA SPECTRE","t":"A","i":1740},"BLESSING OF\n THE DANCER":{"v":"BÉNÉDICTION DE\n LA DANSEUSE","t":"A","i":3423},"BLESSING OF\n THE GENERAL":{"v":"BÉNÉDICTION DE\n LE GÉNÉRAL","t":"A","i":1440},"BLESSING OF\n THE TINKERER":{"v":"BÉNÉDICTION DE\n L'ARTISAN","t":"A","i":1384},"BLESSING OF\nTHE DREAMER":{"v":"BÉNÉDICTION DE\nLA RÊVESSE","t":"A","i":1753},"BLESSING OF\nTHE GARDENER":{"v":"BÉNÉDICTI0N DU JARDINIER\n","t":"A","i":3808},"BLESSING OF\nTHE MERCHANT":{"v":"BÉNÉDICTI0N DU MARCHAND\n","t":"A","i":2915},"BLESSING OF\nTHE MINSTREL":{"v":"BÉNÉDICTION DE\nLA MENESTRELLE","t":"A","i":2197},"BLESSING OF\nTHE NOBLE":{"v":"BÉNÉDICTION DE\nLA NOBLESSE","t":"A","i":1743},"BLESSING OF\nTHE PIONEER":{"v":"BÉNÉDICTION DE\nLA PIONNIÈRE","t":"A","i":1560},"BLESSING OF\nTHE THINKER":{"v":"BÉNÉDICTIO\nDU PENSEUR","t":"A","i":3839},"BLESSING OF\nTHE WANDERER":{"v":"BÉNÉDICTION DU\nVAGABOND","t":"A","i":3873},"BLESSING OF THE\n HIGH ROLLER":{"v":"BÉNÉDICTION DU\n HAUT ROLLER","t":"A","i":2427},"BLESSING OF THE\n BERRY PICKER":{"v":"BÉNÉDICTION DU\n RASSEUR DE BAIES","t":"A","i":3744},"BLESSING OF THE\nASTROLOGER":{"v":"BÉNÉDICTIO DE L'\nASTROLOGUE","t":"A","i":2884},"BLESSING of the BERRY PICKER":{"v":"BÉNÉDICTION DU RASSEUR DE BAIES","t":"A","i":2680},"BLESSING of the CHEF":{"v":"BÉNÉDICTION du CHEF","t":"A","i":2460},"BLESSING of the DANCER":{"v":"BÉNÉDICTION de la DANSEUSE","t":"A","i":1656},"BLESSING of the GARDENER":{"v":"BÉNÉDICTION DU JARDINIER","t":"A","i":3101},"BLESSING of the GENERAL":{"v":"BÉNÉDICTION DU GÉNÉRAL","t":"A","i":1866},"BLESSING of the HIGH ROLLER":{"v":"BÉNÉDICTION du HAUT ROLLER","t":"A","i":1807},"BLESSING of the MONK":{"v":"BÉNÉDICTION DU MOINE","t":"A","i":3141},"BLESSING of the TINKERER":{"v":"BÉNÉDICTION DU RÉPARATEUR","t":"A","i":3145},"BLUE":{"v":"BLEU","t":"A","i":3804},"BLUE GREEN YELLOW ORANGE RED PURPLE":{"v":"BLEU VERT JAUNE ORANGE ROUGE VIOLET","t":"A","i":751},"BLUE PRINCE":{"v":"PRINCE BLEU","t":"A","i":3341},"BLUE BOXES\nMARKED BY\n\n\n\nCONTAIN FALSE\nSTATEMENTS.":{"v":"LES BOÎTES BLEUES\nMARQUÉES PAR\n\n\n\nCONTIENNENT DE FAUSSES\nAFFIRMATIONS.","t":"A","i":873},"BLUE TENTS":{"v":"TENTES BLEUES","t":"A","i":2772},"BLUEPRINT":{"v":"PLAN","t":"A","i":3426},"BLUEPRINT MENU":{"v":"MENU DES PLANS","t":"A","i":169},"BOILER\nROOM":{"v":"SALLE\nDE CHAUDIÈRE","t":"A","i":1391},"BOMB SHELTER":{"v":"ABRI ANTIAÉRIEN","t":"A","i":3843},"BOOK REQUEST FORM":{"v":"FORMULAIRE DE DEMANDE DE LIVRE","t":"A","i":412},"BOOKS AND PERIODICALS REQUESTED WITH THIS FORM WILL BE\nPULLED AND AVAILABLE THE NEXT TIME YOU DRAFT THE LIBRARY":{"v":"LES LIVRES ET PÉRIODIQUES DEMANDÉS VIA CE FORMULAIRE SERONT\nRETIRÉS ET DISPONIBLES LORS DE VOTRE PROCHAINE VISITE À LA BIBLIOTHÈQUE","t":"A","i":314},"BOOKSHOP":{"v":"LIBRAIRIE","t":"A","i":1915},"BOTH BOXES NEXT TO THIS BOX CONTAIN GEMS.":{"v":"LES DEUX BOÎTES À CÔTÉ DE CETTE BOÎTE CONTENENT DES PIERRES PRÉCIEUSES.","t":"A","i":4843},"BOUDOIR":{"v":"COFFRET","t":"A","i":3287},"BOXES MARKED WITH\n\n\nALWAYS CONTAIN\nFALSE STATEMENTS.":{"v":"LES BOÎTES MARQUÉES DE\n\n\nCONTIENNENT TOUJOURS\nDES AFFIRMATIONS FAUSSES.","t":"A","i":956},"BRANSON":{"v":"BRANSON","t":"A","i":799},"BRASS COMPASS":{"v":"Boussole en laiton","t":"A","i":2127},"BRASS COMPASS\n\nMAGNIFYING GLASS\n\nMETAL DETECTOR\n\nRUNNING SHOES\n\nSHOVEL\n\nSLEEPING MASK\n\nSLEDGE HAMMER\n\n\nRETURN TO STAFF SERVICES":{"v":"COMPAS EN LAITON\n\nLOUPE\n\nDÉTECTEUR DE MÉTAL\n\nBOTTES DE COURSE\n\nPELLE\n\nMASQUE DE SOMMEIL\n\nMARTEAU PILEUR\n\n\nRETOUR AUX SERVICES DU PERSONNEL","t":"A","i":2008},"BREAK THE KEEPER":{"v":"CASSER LE GARDIEN","t":"A","i":2891},"BREAKFAST IS SERVED":{"v":"LE PETIT-DÉJUN EST SERVI","t":"A","i":2401},"BRIDGETTE,\nPlease check if any books matching these titles are available for purchase in Reddington.\n\n\n\n\n\n\n\n\n\n\nHad a little trouble reading the Baron's writing, so I am not sure if the last title is intended to be hearings or herrings, but knowing Herbert I suspect either would be suitable.\n":{"v":"BRIDGETTE,\nVeuillez vérifier si des livres correspondant à ces titres sont disponibles à l'achat à Reddington.\n\n\n\n\n\n\n\n\n\n\nJ'ai eu un peu de mal à déchiffrer l'écriture du Baron, je ne sais donc pas si le dernier titre est censé être « hearings » ou « herrings », mais connaissant Herbert, je soupçonne que l'un comme l'autre conviendrait.\n","t":"A","i":1154},"BRIGHTNESS":{"v":"LUMINOSITÉ","t":"A","i":71},"BROKEN LEVER":{"v":"LEVIER CASSÉ","t":"A","i":4709},"BULLSEYE TROPHY":{"v":"TROPHÉE BULLSEYE","t":"A","i":213},"BUNK ROOM":{"v":"CHAMBRE COMMUNE","t":"A","i":1510},"BURIED IN AN OLD JAR":{"v":"ENFUIE DANS UN VIEUX POT","t":"A","i":1386},"BabbA":{"v":"BabbA","t":"A","i":1549},"Back":{"v":"Retour","t":"A","i":116},"Backup Save File":{"v":"Sauvegarde Fichier","t":"A","i":154},"Bacon & Eggs":{"v":"Bacon et œufs","t":"A","i":4631},"Baron H. S. Sinclair\nMount Holly Estate\nReddington. Fenn Aries [!v*0]":{"v":"Baron H. S. Sinclair\nMont Holly Estate\nReddington. Fenn Aries [!v*0]","t":"A","i":3222},"Baron Sinclair,\n\nThank you so much for your cooperation with our department and this investigation. We know our presence is never convenient, especially for someone of your social status, so it means all the more that you are not only tolerant but also willing to aid our efforts in getting this business done as quickly as possible.\n\nWe are returning, with this letter, the book you lent us. Though I must confess, it was not as much help as I had hoped. I had heard that your library of rare and restricted books was quite extensive, and I was told by a reliable source that if a first edition (and uncensored) copy of \"The History of Orindia\" could be found, it would likely be found within the Baron's own collection. But perhaps, I was misinformed.\n\nStill, part of me thinks that you may have given me the censored copy as a jest, a taste if you will, for the bureaucrat of their own medicine. If that is the case, then I say \"Well done, fair play!\" And perhaps, on my next visit, we'll have a laugh about this after you have given me the actual manuscript.\n\nUntil then, \nDetective Bon Margle\nREDGUARD":{"v":"Baron Sinclair,\n\nJe vous remercie infiniment de votre coopération avec notre département et cette enquête. Nous savons que notre présence n'est jamais commode, surtout pour quelqu'un de votre statut social, ce qui rend d'autant plus significatif le fait que vous non seulement tolérez notre présence mais êtes également prêt à nous aider à mener cette affaire aussi rapidement que possible.\n\nNous vous renvoyons, avec cette lettre, le livre que vous nous avez prêté. Je dois cependant avouer qu'il n'a pas été aussi utile que j'espérais. J'avais entendu dire que votre bibliothèque de livres rares et restreints était très étendue, et un source fiable m'avait indiqué qu'une première édition (et non censurée) de \"L'Histoire d'Orindia\" serait probablement trouvée dans la collection même du Baron. Mais peut-être étais-je mal informé.\n\nNéanmoins, une partie de moi pense que vous m'avez donné la version censurée en guise de plaisanterie, un avant-goût si vous voulez, de leur propre remède administrateur. Si c'est le cas, alors je dis \"Bravo, jeu équitable !\" Et peut-être, lors de ma prochaine visite, nous rirons de cela après que vous m'ayez remis le manuscrit original.\n\nPour l'instant, \nLe Détective Bon Margle\nREDGUARD","t":"A","i":4063},"Bedroom":{"v":"Chambre à coucher","t":"A","i":4224},"Berry Picker":{"v":"Ramasseuse de baies","t":"A","i":1364},"Better write\nthis down":{"v":"Mieux vaut écrire\nça","t":"A","i":3720},"Beware the rooms of red! They offer powerful expansion options but come at a dangerous cost.":{"v":"Méfiez-vous des salles rouges ! Elles offrent de puissantes options d'expansion, mais au prix d'un danger certain.","t":"A","i":4529},"Beyond Luxury":{"v":"Au-delà du luxe","t":"A","i":3374},"Billiard Room":{"v":"Salle de billard","t":"A","i":4229},"Billiard Rooms :\nDartboards Solved :\nParlors Drafted :\nParlors Solved :\n":{"v":"Salles de billard :\nTableaux de tir résolus :\nSalons recrutés :\nSalons résolus :\n","t":"A","i":3558},"Bird in the sky,\n Not in the sea!":{"v":"Oiseau dans le ciel,\n Pas dans la mer !","t":"A","i":2258},"Black":{"v":"Noir","t":"A","i":4192},"Blackbridge Grotto":{"v":"Grotte de Blackbridge","t":"A","i":2843},"Blue":{"v":"Bleu","t":"A","i":2543},"Blue Prince":{"v":"Prince Bleu","t":"A","i":88},"Blue Tents":{"v":"Tentes bleues","t":"A","i":1355},"Blueprint":{"v":"Plan","t":"A","i":84},"Blueprint Map":{"v":"Carte du plan","t":"A","i":4187},"Blueprint Menu":{"v":"Menu des plans","t":"A","i":136},"Blueprints":{"v":"Plans","t":"A","i":3184},"Blueprints Are More Than Just Blue.":{"v":"Les plans sont plus que du simple bleu.","t":"A","i":3748},"Boiled chuck stew, layered and then baked to perfection. Topped with a Mashed Potato Parmesan Cheese Crust.":{"v":"Ragoût de paleron mijoté, superposé puis cuit à la perfection. Garni d'une croûte de purée de pommes de terre au parmesan.","t":"A","i":1430},"Boiled chuck stew, layered and then baked to perfection. Topped with a mashed potato parmesan cheese crust.":{"v":"Ragoût de bœuf bouilli, empilé puis cuit à la perfection. Garni d'une croûte de purée au parmesan.","t":"A","i":4015},"Boiler Room":{"v":"Salle des machines","t":"A","i":3227},"Both Leerson Hall and the Main Concourse feature a number of quote 'Closed Exhibits' which are reserved for an upper tier of elite patronage and are not currently open to the public for admission.":{"v":"Les galeries Leerson et le Grand Hall comportent plusieurs « Expositions fermées », réservées à un cercle restreint de mécènes d'élite, et qui ne sont actuellement pas ouvertes au public.","t":"A","i":1795},"Both Leerson Hall and the Main Concourse feature a number of quote 'Closed Exhibits' which are reserved for an upper tier of elite patronatage and are not open to the public for admission.":{"v":"À la fois dans le Hall de Leerson et dans le Grand Vestibule, plusieurs « Expositions fermées » sont réservées à une élite de mécènes et ne sont pas ouvertes au public pour l'admission.","t":"A","i":2919},"Boudoir":{"v":"Boudoir","t":"A","i":4635},"Boundaries":{"v":"Limites","t":"A","i":1183},"Brass Compass":{"v":"Boussole en laiton","t":"A","i":4785},"Bridgette,\n\nI have received word that the Baron has decided to end his residency in Trinsdale and will be returning home next week. You have done an amazing job running the bar over the last few months, and it is sad that it is coming to an end.\n\nDenny has found a buyer who will likely pay more than the penniless staff here on the estate, so I expect our financial situation will remain stable despite this turn of event.\n\nIf you can persuade Kirk to change the floorplan back to the Billiard Room this weekend, our tracks should be covered. And if you need more gems to pay him off, Denny has you covered.\n\n - CHRISTOPH":{"v":"Bridgette,\n\nJ'ai appris que le Baron a décidé de mettre fin à son séjour à Trinsdale et qu'il rentrera chez lui la semaine prochaine. Vous avez fait un travail remarquable en gérant le bar ces derniers mois, et c'est regrettable que cela touche à sa fin.\n\nDenny a trouvé un acheteur qui paiera probablement plus que le personnel dépourvu de cette propriété, je m'attends donc à ce que notre situation financière reste stable malgré ce revirement.\n\nSi vous pouvez convaincre Kirk de rétablir le plancher de la Salle de Billard ce week-end, nos traces devraient être effacées. Et si vous avez besoin de plus de gemmes pour le payer, Denny s'occupe de tout.\n\n - CHRISTOPH","t":"A","i":1066},"Bunk Room":{"v":"Chambre des dortoirs","t":"A","i":3750},"But one day,\n the prince saw something new,\n\nAnd if you look closely, \n you might see it too.":{"v":"Mais un jour,\n le prince a vu quelque chose de nouveau,\n\nEt si vous regardez de près, \n vous pourriez le voir aussi.","t":"A","i":1502},"But why remove gem costs when you can just\nremove the whole room? REPELLENT SPRAY can\nfree you of that annoying floorplan for up to a week!":{"v":"Mais pourquoi supprimer les coûts en gemmes quand on peut\nsimplement supprimer toute la pièce ? LE SPRAY RÉPELLEUR peut\nvous débarrasser de ce plan de sol agaçant pendant une semaine !","t":"A","i":2432},"Button":{"v":"Bouton","t":"V","i":13},"Buy Out the entire Showroom":{"v":"Acheter l'intégralité du showroom","t":"A","i":244},"By default in Blue Prince, you will move at walk speed. You can speed up to stroll speed by either tapping or by holding .\n\nIf you tap, then you will stay at stroll speed until you stop moving.\n\nWhen you resume movement after stopping, you will again be moving at walk speed, and will need to tap or hold to resume strolling.":{"v":"Par défaut dans Blue Prince, vous vous déplacez à la vitesse de marche. Vous pouvez accélérer à la vitesse de balade en appuyant brièvement sur ou en maintenant .\n\nSi vous appuyez brièvement, vous resterez à la vitesse de balade jusqu'à ce que vous arrêtiez de vous déplacer.\n\nLorsque vous repartez après vous être arrêté, vous serez de nouveau à la vitesse de marche, et devrez appuyer brièvement ou maintenir pour reprendre la balade.","t":"A","i":119},"By far my favorite realm I have visited during this trip, but I have always had a penchant for technology and am less moved by the beauty of nature than others. The soot filled streets and soaring skyscrapers here are just as stirring to me as the mountains of Corarica or the beaches of Mora Jai. Perhaps I am just letting my childhood love of Dirigiblocks compromise my objectivity. From the shops I have visited, it seems the series is just as popular here as it is back home. Speaking of home, as I look across the eastern sea, I can almost see its shores. I never thought that I would miss the sight of red flags.":{"v":"De loin, le royaume que j'ai le plus apprécié lors de ce voyage, bien que j'aie toujours eu une prédilection pour la technologie et que je sois moins ému par la beauté de la nature que les autres. Les rues enfumées et les gratte-ciels qui s'élèvent ici me touchent autant que les montagnes de Corarica ou les plages de Mora Jai. Peut-être laisse-t-il simplement ma passion d'enfant pour Dirigiblocks compromettre mon objectivité. D'après les boutiques que j'ai visitées, la série semble être aussi populaire ici qu'à la maison. En parlant de chez moi, en regardant vers l'est, au-delà de la mer, je peux presque apercevoir ses rivages. Je n'aurais jamais cru que je manquerais tant le spectacle des drapeaux rouges.","t":"A","i":2807},"By far my favorite realm I have visited during this trip, but I have always had a penchant for technology and am less moved by the beauty of nature than others. The soot-filled streets and soaring skyscrapers here are just as stirring to me as the mountains of Corarica or the beaches of Mora Jai. Perhaps I am just letting my childhood love of Dirigiblocks compromise my objectivity. From the shops I have visited, it seems the series is just as popular here as it is back home. Speaking of home, as I look across the eastern sea, I can almost see its shores. I never thought that I would miss the sight of red flags.":{"v":"De loin, le royaume que j'ai le plus apprécié lors de ce voyage, bien que j'aie toujours eu une prédilection pour la technologie et que je sois moins ému par la beauté de la nature que les autres. Les rues enfumées et les gratte-ciels qui s'élèvent ici me touchent autant que les montagnes de Corarica ou les plages de Mora Jai. Peut-être laisse-t-il simplement ma passion d'enfant pour les Dirigiblocks compromettre mon objectivité. D'après les boutiques que j'ai visitées, la série semble être aussi populaire ici qu'à la maison. En parlant de chez moi, en regardant vers l'est, au-delà de la mer, je peux presque apercevoir ses rivages. Je n'aurais jamais cru que je manquerais tant du spectacle des drapeaux rouges.","t":"A","i":2717},"By studying the core, rays, motes and border of a sigil, you should now be able to unlock the meaning behind what had previously been an undecipherable enigma.":{"v":"En étudiant le cœur, les rayons, les particules et la bordure d'un sigile, vous devriez désormais être en mesure de déverrouiller le sens caché derrière ce qui était auparavant un énigme indéchiffrable.","t":"A","i":1581},"C":{"v":"C","t":"A","i":395},"C ":{"v":"C ","t":"A","i":1030},"C -":{"v":"C -","t":"A","i":3882},"C +":{"v":"C +","t":"A","i":2143},"C -":{"v":"C","t":"A","i":1163},"C +":{"v":"C +","t":"A","i":952},"C -":{"v":"C -","t":"A","i":1175},"C X\n\n\n\n\nE T":{"v":"C X\n\n\n\n\nE T","t":"A","i":737},"CABINET":{"v":"BUREAU","t":"A","i":572},"CALCIUM":{"v":"CALCIUM","t":"A","i":2623},"CALEB":{"v":"CALEB","t":"A","i":1009},"CALIBRATION":{"v":"ÉTALONNAGE","t":"A","i":2876},"CALL IT ":{"v":"APPELLEZ-LA ","t":"A","i":3963},"CALL IT A DAY":{"v":"FINIR ICI","t":"A","i":1738},"CALL IT A DAY?":{"v":"C'EST LA FIN ?","t":"A","i":3622},"CAN YOU BEAT\nHIS RECORD?":{"v":"PEUX-TU BATTRE\nCE RECORD ?","t":"A","i":2394},"CANCEL":{"v":"ANNULER","t":"A","i":1508},"CAR KEYS":{"v":"CLÉS DE VOITURE","t":"A","i":4656},"CARBON":{"v":"CARBONE","t":"A","i":2048},"CASH OUT":{"v":"ENCAISSEMENT","t":"A","i":376},"CASINO":{"v":"CASINO","t":"A","i":3191},"CATACOMBS":{"v":"CATACOMBES","t":"A","i":1172},"CECW":{"v":"CECW","t":"A","i":637},"CEPTER":{"v":"SCEPTRE","t":"A","i":1316},"CERTIFICATE OF BIRTH":{"v":"ACTE DE NAISSANCE","t":"A","i":906},"CHANGE CONFIRMED":{"v":"MODIFICATION CONFIRMÉE","t":"A","i":1817},"CHAPEL":{"v":"CHAPELLE","t":"A","i":2049},"CHECK ITEM":{"v":"VERIFIER L'OBJET","t":"A","i":3304},"CHECKED":{"v":"VÉRIFIÉ","t":"A","i":2855},"CHEF SALAD":{"v":"SALADE DU CHEF","t":"A","i":3755},"CHLORINE":{"v":"CHLORE","t":"A","i":3187},"CHOOSE PLAN":{"v":"CHOISIR UN PLAN","t":"A","i":3993},"CHOOSE YOUR PIECE":{"v":"CHOISISSES VOTRE PIÈCE","t":"A","i":3819},"CHRONOGRAPH\n":{"v":"CHRONOGRAPHE\n","t":"A","i":3853},"CLAIM TICKET":{"v":"RÉCLAMER LE BILLET","t":"A","i":1357},"CLASSROOM":{"v":"SALLE DE CLASSE","t":"A","i":1660},"CLASSROOM\nPUZZLE!":{"v":"SALLE DE CLASSE\nÉNIGME !","t":"A","i":331},"CLEAR SAVE":{"v":"SUPPRIMER LA SAUVEGARDE","t":"H","i":39},"CLEAR SAVE DATA":{"v":"EFFACER LES DONNÉES DE SAUVEGARDE","t":"A","i":2678},"CLOCK TOWER":{"v":"TOWER DE L'HORLOGE","t":"A","i":2747},"CLOCKMAKER":{"v":"HORLOGER","t":"A","i":4016},"CLOISTER":{"v":"CLÔTURE","t":"A","i":3817},"CLOSED\nEXHIBIT":{"v":"FERMÉ\nPIÈCE À CONVICTION","t":"A","i":1871},"CLOSED EXHIBITS":{"v":"EXPOSÉS FERMÉS","t":"A","i":2971},"CLOSET":{"v":"ARMOIRE","t":"A","i":1322},"CLOSET data has been":{"v":"Les données du placard ont été","t":"A","i":4307},"CLUB SANDWICH":{"v":"SANDWICH CLUB","t":"A","i":2377},"CLUE = [!v*0]":{"v":"INDICE = [!v*0]","t":"A","i":1272},"COAT CHECK":{"v":"GARDEROB","t":"A","i":1646},"COFFERS":{"v":"COFFRES","t":"A","i":3475},"COIN PURSE":{"v":"BOURSE","t":"A","i":2527},"COLE FORJA":{"v":"COLE FORGE","t":"A","i":814},"COLLECTOR'S COPY":{"v":"ÉDITION COLLECTOR","t":"A","i":1117},"COLOR":{"v":"COULEUR","t":"A","i":2463},"COLOR ASSIST":{"v":"ASSISTANCE COULEURS","t":"A","i":148},"COLOR ASSIST MODE":{"v":"MODE ASSISTE COULEURS","t":"A","i":1945},"COLOR ASSIST SETTINGS":{"v":"PARAMÈTRES D'AIDE À LA COULEUR","t":"A","i":101},"COLOR WORKSHEET":{"v":"FEUILLE DE TRAVAIL DES COULEURS","t":"A","i":909},"COLORBLIND SETTINGS":{"v":"PARAMÈTRES DE LA CECITÉ AUX COULEURS","t":"A","i":3037},"COLOSSUS ORINDA":{"v":"COLOSSUS ORINDA","t":"A","i":4021},"COMBINE":{"v":"COMBINER","t":"V","i":4729},"COMBINE INVENTORY TO CREATE NEW ITEMS":{"v":"COMBINER L'INVENTAIRE POUR CRÉER DE NOUVEAUX OBJETS","t":"A","i":2187},"COME TOWARDS ME":{"v":"VENEZ VERS MOI","t":"A","i":4081},"COMING SOON.":{"v":"BIENTÔT DISPONIBLE.","t":"A","i":2506},"COMMISSARY":{"v":"COMMISSAIRE","t":"A","i":2691},"COMPLETE":{"v":"COMPLET","t":"A","i":3951},"CONFIRM":{"v":"CONFIRMER","t":"A","i":173},"CONNECTING TO NETWORK":{"v":"CONNEXION AU RÉSEAU","t":"A","i":2150},"CONNECTING TO TERMINAL":{"v":"CONNEXION AU TERMINAL","t":"A","i":3871},"CONNECTION?":{"v":"CONNEXION ?","t":"A","i":1237},"CONSOLE\nEDITION":{"v":"CONSOLE\nÉDITION","t":"A","i":2726},"CONSTELLATIONS":{"v":"CONSTELLATIONS","t":"A","i":985},"CONTENTS":{"v":"CONTENU","t":"A","i":778},"CONTINUE":{"v":"CONTINUER","t":"V","i":53},"CONTROL REBIND":{"v":"RELIER LE CONTRÔLE","t":"A","i":2941},"CONTROLS":{"v":"COMMANDES","t":"V","i":28},"COPPER":{"v":"CUivre","t":"A","i":3505},"CORA COVE":{"v":"BAIE DE CORA","t":"A","i":2729},"CORARICA":{"v":"CORARICA","t":"A","i":1946},"CORARICA\n UNIVERSITY":{"v":"CORARICA\n UNIVERSITÉ","t":"A","i":945},"CORRIDOR":{"v":"COULOIR","t":"A","i":2850},"COST :":{"v":"COUT :","t":"A","i":1462},"COUNTRY STEW PIE":{"v":"Tarte rustique","t":"A","i":1590},"COUPON BOOK":{"v":"LIVRET DE COUPONS","t":"A","i":4752},"CRAP":{"v":"PUTAIN","t":"A","i":3870},"CREATE BACKUP FILE":{"v":"CRÉER UN FICHIER DE SAUVEGARDE","t":"A","i":2872},"CREDITS":{"v":"CRÉDITS","t":"V","i":62},"CURRENT PASSWORD:":{"v":"MOT DE PASSE ACTUEL :","t":"A","i":3892},"CURSE":{"v":"MALÉDICTION","t":"H","i":49},"CURSE DURATION: ":{"v":"DURÉE DE LA MALEDICTION : ","t":"A","i":2974},"CURSE MODE":{"v":"MODE MAUDIT","t":"V","i":54},"CURSED":{"v":"MAUDIT","t":"A","i":1749},"CURSED COFFERS":{"v":"COFFRES MAUDITS","t":"A","i":2256},"CURSED TROPHY":{"v":"TROPHÉE MAUDIT","t":"A","i":245},"CURSOR SCALE":{"v":"TAILLE DU CURSEUR","t":"A","i":128},"CURSOR SET":{"v":"CURSEUR","t":"A","i":69},"CURSOR SETTINGS":{"v":"PARAMÈTRES DU CURSEUR","t":"A","i":123},"CUSTOM":{"v":"PERSONNALISÉ","t":"V","i":25},"CUSTOM EXPERIMENT\nPACKET SUCCESSFULLY \nCREATED!":{"v":"EXPÉRIENCE PERSONNALISÉE\nPAQUET CRÉÉ AVEC SUCCÈS!\n","t":"A","i":3339},"CUSTOM ORDERS":{"v":"ORDRES PERSONNALISÉS","t":"A","i":2531},"CUSTOMER'S COPY":{"v":"EXEMPLAIRE CLIENT","t":"A","i":525},"Caleb":{"v":"Caleb","t":"A","i":2552},"Caleb Manning and his publisher Phillip White were two of three dozen names that appeared on a leaked dossier naming them a \"person of interest\" in the Trinsdale bombing that killed four people last Tuesday.\n Although, no group has come forth to officially take responsibility of the attack, it is widely believed by authorities to be the work of the insurgent group RLCF who also call themselves \"The Children of Black Water\".\n (cont. on page [!v*1])":{"v":"Caleb Manning et son éditeur Phillip White figuraient parmi les douze noms d'une liste de personnes cités dans un dossier fuité les désignant comme des \"personnes d'intérêt\" dans l'attentat de Trinsdale qui a fait quatre morts mardi dernier.\n Bien qu'aucun groupe n'ait pris officiellement la responsabilité de l'attaque, il est largement admis par les autorités que celle-ci est l'œuvre du groupe insurgé RLCF, qui se surnomme également \"Les Enfants de Black Water\".\n (suite page [!v*1])","t":"A","i":3178},"Calendars never hide important dates.":{"v":"Les calendriers ne cachent jamais les dates importantes.","t":"A","i":644},"Calibrate":{"v":"Calibrer","t":"V","i":15},"Camels. Pack mules. Arid or\ndesert trails. Two rays to\nindicate a flat terrain.":{"v":"Chameaux. Mulets de bât. Sentiers arides ou\ndésertiques. Deux rayons pour\nindiquer un terrain plat.","t":"A","i":2804},"Campsite":{"v":"Campement","t":"A","i":2539},"Can affect one greatly when made\nby someone with a strong spirit.":{"v":"Peut avoir un grand effet lorsqu'il est fait\npar quelqu'un doté d'un esprit puissant.","t":"A","i":1081},"Can knock the locks off chests and trunks.":{"v":"Peut briser les serrures des coffres et des malle.","t":"A","i":1585},"Can light candles and ignite fuses.":{"v":"Peut allumer des bougies et des mèches.","t":"A","i":1330},"Can light special candles and ignite fuses.":{"v":"Peut allumer des bougies spéciales et enflammer des mèches.","t":"A","i":3123},"Can shatter padlocks on locked trunks.":{"v":"Peut briser des cadenas sur des coffres fermés.","t":"A","i":2693},"Can't seem to\n ever pass it up!":{"v":"Je n'arrive jamais à résister !\n","t":"A","i":3276},"Cancel":{"v":"Annuler","t":"V","i":7},"Casandra L.":{"v":"Casandra L.","t":"A","i":935},"Castle Orindia":{"v":"Château d'Orindia","t":"A","i":2858},"Categories:":{"v":"Catégories :","t":"A","i":160},"Cavern Stability -":{"v":"Stabilité de la caverne -","t":"A","i":2168},"Certified Copy":{"v":"Copie certifiée","t":"A","i":638},"Chamber of Mirrors":{"v":"Chambre des miroirs","t":"A","i":4655},"Change the ending -\n too political!":{"v":"Changer la fin -\n trop politique !","t":"A","i":782},"Change the ending -\n too political!":{"v":"Changer la fin -\n trop politique !","t":"A","i":290},"Change the master volume of the game using the slider above.\nPress when you are done.":{"v":"Modifiez le volume principal du jeu à l'aide du curseur ci-dessus.\nAppuyez sur lorsque vous avez terminé.","t":"V","i":47},"Change the sensitivity of your mouse using the slider above.\nPress when you are done.":{"v":"Modifiez la sensibilité de votre souris à l'aide du curseur ci-dessus.\nAppuyez sur lorsque vous avez terminé.","t":"A","i":66},"Change the settings of your controller in this screen.\nPress when you are done.":{"v":"Modifiez les paramètres de votre contrôleur sur cet écran.\nAppuyez lorsque vous avez terminé.","t":"A","i":3443},"Change the settings of your mouse in this screen.\nPress when you are done.":{"v":"Modifiez les paramètres de votre souris dans cet écran.\nAppuyez sur lorsque vous avez terminé.","t":"A","i":4138},"Chapel":{"v":"Chapelle","t":"A","i":4215},"Charbroiled Cajun spiced Salmon, Lemon Butter Sauce, served over Spinach Leaf":{"v":"Saumon épicé cajun grillé, sauce au beurre citronné, servi sur une feuille d'épinard","t":"A","i":3969},"Charbroiled cajun-spiced salmon, lemon butter sauce, served over spinach leaf.":{"v":"Saumon grillé aux épices cajun, sauce au beurre citronné, servi sur une feuille d'épinard.","t":"A","i":3294},"Chef":{"v":"Chef","t":"A","i":1485},"Choose a \"cause\" from column A\nand an \"effect\" from column B":{"v":"Choisissez une « cause » dans la colonne A\net un « effet » dans la colonne B","t":"A","i":1969},"Choose a \"cause\" from column A\nand an \"effect\" from column B":{"v":"Choisissez une « cause » dans la colonne A\net un « effet » dans la colonne B","t":"V","i":4730},"Chris":{"v":"Chris","t":"A","i":3498},"Chris tmas":{"v":"Chris tmas","t":"A","i":1057},"Christoph, here's the rest of your share (forty gold) from the moonshine shipment we made last week. This may be the last batch for quite some time as I feel it is no longer worth the risk, especially given Anne's continually increasing suspicion. But I do need to ask another small favor of you. \n\nNext week, when you take the Baron to town, if you can fabricate some excuse to delay your return by an hour or two, I would be much beholden to you.\n":{"v":"Christoph, voici le reste de ta part (quarante pièces d’or) de l’expédition de contrebande de la semaine dernière. Ce sera probablement le dernier lot pour un bon moment, car je sens que le risque n’en vaut plus la chandelle, surtout vu les soupçons d’Anne qui ne cessent de s’intensifier. Mais j’ai besoin de te demander une petite faveur. \n\nLa semaine prochaine, quand tu emmèneras le Baron en ville, si tu peux trouver un prétexte pour retarder ton retour d’une ou deux heures, je te serais très reconnaissant.\n","t":"A","i":880},"Christoph, this is the third time this\nmonth you and the car have been gone\nwhen your services were required. I\ndon't care how long you have been\ndriving for his lordship, your absences must be accounted for.\n":{"v":"Christoph, c'est la troisième fois ce\nmois-ci que vous et la voiture êtes absents\nalors que vos services étaient requis. Je\nm'en fiche de la durée de votre service auprès de Son Excellence, vos absences doivent être justifiées.\n","t":"H","i":1929},"Christoph, this is the third time this\nmonth you and the car have been gone\nwhen your services were required. I\ndon't care how long you have been\ndriving for his lordship, your absences must be accounted for.\n\t\t":{"v":"Christoph, c'est la troisième fois ce\nmois-ci que vous et la voiture êtes absents\nalors que vos services étaient requis. Peu\nimporte depuis combien de temps vous\nconduisez pour Son Excellence, vos absences doivent être justifiées.\n\t\t","t":"A","i":1898},"Christopher Manson":{"v":"Christopher Manson","t":"A","i":298},"Chronograph":{"v":"Chronographe","t":"A","i":2814},"Clara &\n Simon\n\n Inneclipse Ball [!v*1]":{"v":"Clara &\n Simon\n\n Inneclipse Ball [!v*1]","t":"A","i":1194},"Clara Epsen":{"v":"Clara Epsen","t":"A","i":403},"Classroom":{"v":"Salle de classe","t":"A","i":2444},"Clavis, the Key\n+[!v*1] Key":{"v":"Clavis, la Clé\n+[!v*1] Clé","t":"A","i":3509},"Clever!":{"v":"Malin !","t":"A","i":706},"Cloister":{"v":"Cloître","t":"A","i":4844},"Cloister Grounds\nAccess\n\n\n\n\n\n\n\n\n\n\n\nWhile face-to-face with the angel, press the base of the two pillars on either side of you.\n":{"v":"Clos du monastère\nAccès\n\n\n\n\n\n\n\n\n\n\n\nFace à face avec l'ange, appuyez sur la base des deux piliers de part et d'autre de vous.\n","t":"A","i":1131},"Close supporters of the exiled family are of course concerned, as this public announcement displays a notable shift in conduct for the royals, and sets the stage for the family to exit private life and return once again to the public sphere, a change that would undoubtedly stir up long-buried allegiances and unrest in our realm.":{"v":"Les proches soutiens de la famille exilée sont bien sûr inquiets, car cette annonce publique révèle un changement notable dans le comportement des membres de la royauté et prépare le terrain pour que la famille quitte sa vie privée afin de revenir une fois encore sur la scène publique, une évolution qui ne manquera pas de réveiller d'anciennes alliances enfouies et de provoquer l'agitation dans notre royaume.","t":"A","i":3659},"Close your eyes and imagine tranquil, serene stillness, rolling fogs, clear water, and gliding swans. In the midst of all that beauty, sits Trinsdale Lake, one of Fenn Aries' premier vacation destinations, exclusive for its more privileged citizens. The lakeside resort and cabins have been frequented by royalty and the realm's gentry for generations. However, on the southern shore of the lake, tourists are free to enjoy the views and rub elbows with the rich and famous in the Hundred Bells Tea Room, which is open to the general public for lunch on Mondays and Fridays.":{"v":"Fermez les yeux et imaginez une quiétude paisible et sereine, des brumes qui roulent, une eau limpide et des cygnes qui glissent sur la surface. Au cœur de toute cette beauté se trouve le lac de Trinsdale, l'une des destinations de vacances de premier choix de Fenn Aries, réservée aux citoyens les plus privilégiés. Le complexe hôtelier et les cabanes en bordure du lac ont été fréquentés par la royauté et la noblesse du royaume depuis des générations. Toutefois, sur la rive sud du lac, les touristes sont libres d'admirer les paysages et de côtoyer les riches et les célèbres dans la salle de thé des Cent Cloches, ouverte au grand public pour le déjeuner les lundis et les vendredis.","t":"A","i":2262},"Closet":{"v":"Armoire","t":"A","i":4188},"Coat Check":{"v":"Garde-robe","t":"A","i":4557},"Coat Check is drawn slightly more often the day after checking a new item.":{"v":"Le Vestiaire apparaît légèrement plus souvent le lendemain de la vérification d'un nouvel objet.","t":"A","i":787},"Coins Spent : ":{"v":"Pièces dépensées : ","t":"A","i":3706},"Collection of Mt. Holly":{"v":"Collection du mont Holly","t":"A","i":324},"Color blind mode":{"v":"Mode daltonien","t":"A","i":127},"Color labels":{"v":"Étiquettes de couleurs","t":"A","i":109},"Color labels can be toggled to help identify the color of certain items, floorplans, and documents. \n\nLabels are intended to be used within close proximity\nof an object of inquiry and can be toggled on and off by pressing while stationary. \n\nIn the true spirit of Mount Holly, labels do not necessarily indicate importance, and colors should not always be trusted.\n\n":{"v":"Les étiquettes de couleur peuvent être activées ou désactivées pour aider à identifier la couleur de certains objets, plans et documents. \n\nLes étiquettes sont conçues pour être utilisées à proximité immédiate\nd'un objet d'intérêt et peuvent être activées ou désactivées en appuyant sur en restant immobile. \n\nDans l'esprit authentique de Mount Holly, les étiquettes n'indiquent pas nécessairement l'importance, et les couleurs ne doivent pas toujours être prises au sérieux.\n\n","t":"A","i":120},"Color patterns are intended to be a more immersive way to distinguish colors in the more frequently encountered puzzles that rely on colors.\n\n":{"v":"Les motifs de couleurs sont conçus pour offrir une manière plus immersive de distinguer les couleurs dans les énigmes plus fréquemment rencontrées qui reposent sur les couleurs.\n\n","t":"A","i":92},"Colorblind labels":{"v":"Étiquettes pour daltoniens","t":"A","i":1672},"Colorblind mode":{"v":"Mode daltonien","t":"A","i":3845},"Colossus Orinda":{"v":"Colosse Orinda","t":"A","i":432},"Combine inventory to create new items":{"v":"Combiner l'inventaire pour créer de nouveaux objets","t":"A","i":463},"Commissary":{"v":"Boutique","t":"A","i":4314},"Commonplace\nStandard\nUnusual\nRare":{"v":"Commun\nStandard\nInhabituel\nRare","t":"A","i":2601},"Complete Thaw ":{"v":"Terminer la décongélation ","t":"A","i":1299},"Complete the Mount Holly Directory":{"v":"Compléter l'annuaire de Mount Holly","t":"A","i":192},"Complete the Trophy Case":{"v":"Compléter le vitrine des trophées","t":"A","i":198},"Conference Room":{"v":"Salle de conférence","t":"A","i":4641},"Confirm":{"v":"Confirmer","t":"A","i":4699},"Confirm Setting\n\n":{"v":"Confirmer les paramètres\n\n","t":"A","i":4341},"Confirm Setting\n\nBack":{"v":"Confirmer le paramètre\n\nRetour","t":"A","i":2631},"Congratulations\n\n\n":{"v":"Félicitations\n\n\n","t":"A","i":1008},"Congratulations!":{"v":"Félicitations !","t":"A","i":2297},"Considering the amount of floor plans and different doors that can appear on any given day, it was only a matter of time before a fulltime locksmith service became an essential requisite on the estate.":{"v":"Compte tenu de la quantité de plans d'étage et de portes différentes qui peuvent apparaître chaque jour, il n'était que question de temps avant qu'un service complet de serrurier ne devienne une nécessité absolue sur l'ensemble du domaine.","t":"A","i":4813},"Constellation effects only trigger when clicked on.":{"v":"Les effets de constellation ne se déclenchent qu'au clic.","t":"A","i":3368},"Content Text":{"v":"Texte du contenu","t":"A","i":12},"Continue with Experiment\n\nBack to Main Menu":{"v":"Expérience\n\nRetour au menu principal","t":"A","i":3959},"Contraption\ncomponents":{"v":"Artifices\ncomposants","t":"A","i":3979},"Contraptions\n I've made":{"v":"Contraptions\n J'ai fait","t":"A","i":2922},"Controller":{"v":"Manette","t":"A","i":163},"Controller:":{"v":"Manette :","t":"A","i":161},"Corarica were among the last strongholds where the puzzle box fad spread. Unlike other realms, whose regional rule variations emerged organically over time, the students of Corarica designed ORANGE TILES by committee, voting on student-submitted designs and picking the one they felt best represented the realm.\n\nWhen these tiles are pressed, if the majority of adjacent tiles share a color, then the pressed tile will change to that color.":{"v":"Corarica fut l’un des derniers bastions où la mode des boîtes à énigmes s’est répandue. Contrairement à d’autres royaumes, dont les variantes régionales des règles sont apparues naturellement au fil du temps, les étudiants de Corarica ont conçu les CARRÉS ORANGE en comité, en votant sur les designs soumis par les étudiants et en choisissant celui qu’ils estimaient le mieux représenter le royaume.\n\nLorsqu’on appuie sur ces carrés, si la majorité des carrés adjacents partagent une couleur, le carré pressé prend cette couleur.","t":"A","i":1463},"Corridor":{"v":"Couloir","t":"A","i":4210},"Could prove to\nbe useful.":{"v":"Pourrait s'avérer\nutile.","t":"A","i":1602},"Counting the\nsigil will rev\ntransportatio\nWere they a\non ships or\nhave emplo\nexpanse of\n":{"v":"Compter le\nsigil révé\nle télépor\nÉtaient-ils\nsur les navires ou\navaient-ils em\nl'étendue de\n","t":"A","i":1820},"Counting the number of dividing lines in a sigil will reveal to us what method of transportation was prevalent in a realm. Were they a seaside kingdom that relied on ships or a desert domain that might have employed camels to cross the sandy\nexpanse of their lands?\n":{"v":"Compter le nombre de lignes divisant un sigil nous révélera quel mode de transport était prédominant dans un royaume. Étaient-ils un royaume côtier qui comptait sur les navires ou un domaine désertique qui aurait pu employer des chameaux pour traverser l'immense\nétendue de leurs terres?\n","t":"A","i":3307},"Countless shelves of documents and towering file cabinets make this otherwise immense space seem small and cramped. These archives contain almost a century of records and files pertaining to the Sinclair family's numerous interests, many of which are sealed and unable to be accessed. ":{"v":"Des étagères innombrables de documents et des armoires à dossiers surplombent cet espace immense, lui donnant un aspect étroit et confiné. Ces archives renferment près d'un siècle d'archives et de dossiers relatifs aux nombreux intérêts de la famille Sinclair, dont beaucoup sont scellés et inaccessibles. ","t":"A","i":4581},"Coupon Book":{"v":"Carnet de bons","t":"A","i":569},"Courtyard":{"v":"Cour","t":"A","i":4324},"Covenants":{"v":"Pactes","t":"A","i":698},"Crafted from the depths of resourcefulness and inno-vation, CONTRAPTIONS are makeshift creations born from the fusion of two or more distinct tools. Through soldering, taping, and a liberal amount of hot glue,":{"v":"Forgées dans les profondeurs de la débrouillardise et de l'innovation, les CONTRAPTIONS sont des créations éphémères nées de la fusion de deux outils ou plus distincts. Par soudure, ruban adhésif et une généreuse dose de colle chaude,","t":"A","i":3961},"Create Custom Packet\n\nBack to Main Menu":{"v":"Créer un paquet personnalisé\n\nRetour au menu principal","t":"A","i":3829},"Create a Blackbridge Backup\n\n\nReturn to DATA menu":{"v":"Créer une sauvegarde Blackbridge\n\n\nRetourner au menu DONNÉES","t":"A","i":4059},"Create all [!v*0] Workshop Contraptions":{"v":"Créer toutes les [!v*0] inventions d'atelier","t":"A","i":247},"Current uSv levels":{"v":"Niveaux actuels de U.Sv","t":"A","i":3205},"D":{"v":"D","t":"A","i":361},"D ":{"v":"D ","t":"A","i":533},"D +":{"v":"D +","t":"A","i":801},"D E E D.":{"v":"F A I T.","t":"A","i":883},"DERIGITROPHY":{"v":"TROPHÉE","t":"A","i":212},"Det. Bon Margle":{"v":"Det. Bon Margle","t":"A","i":621},"DANGER":{"v":"DANGER","t":"A","i":280},"DARE":{"v":"DÉFI","t":"H","i":30},"DARE #1:\n":{"v":"DÉFI N°1:\n","t":"A","i":231},"DARE #1:\nDARE #2:\nDARE #3:\nDARE #4:":{"v":"DÉFI #1:\nDÉFI #2:\nDÉFI #3:\nDÉFI #4:","t":"A","i":1910},"DARE #5:":{"v":"DÉFI N°5 :","t":"A","i":1351},"DARE #5:\n":{"v":"DÉFI N°5:\n","t":"A","i":211},"DARE #6:":{"v":"DARE #6 :","t":"A","i":2894},"DARE #7:":{"v":"DÉFI N°7 :","t":"A","i":2036},"DARE #8:":{"v":"DÉFI N°8 :","t":"A","i":1442},"DARE BIRD TROPHY":{"v":"TROPHÉE OISEAU AUDACIEUX","t":"A","i":219},"DARE LIST":{"v":"LISTE DES DÉFIS","t":"A","i":1353},"DARE MODE":{"v":"MODE DÉFI","t":"V","i":16},"DARK ROOM":{"v":"PIÈCE SOMBRE","t":"A","i":580},"DARLE, ANDREW\nA SIGHTSEER'S GUIDE TO REDDINGTON":{"v":"DARLE, ANDREW\nGUIDE DU VISITEUR À REDDINGTON","t":"A","i":469},"DATA CLEAR\nSUCCESSFUL\n\n\n\n[Press any key to return to DATA MENU]":{"v":"DONNÉES EFFACÉES\nAVEC SUCCÈS\n\n\n\n[Appuyez sur une touche pour revenir au MENU DES DONNÉES]","t":"A","i":1547},"DATA DUPLICATION\nSUCCESSFUL\n\n\n\n[Press any key to return to DATA MENU]":{"v":"DUPLICATION DES DONNÉES\nRÉUSSIE\n\n\n\n[Appuyez sur une touche pour retourner au MENU DES DONNÉES]","t":"A","i":4074},"DATA FILES":{"v":"FICHIERS DE DONNÉES","t":"A","i":3810},"DATA IMPORTED SUCCESSFULLY":{"v":"DONNÉES IMPORTÉES AVEC SUCCÈS","t":"A","i":2660},"DATA PACKET CONTENTS":{"v":"CONTENU DES DONNÉES","t":"A","i":3056},"DATA PACKET CONTENTS:\n[!v*0] NEW EXPERIMENTAL TRIGGERS\n[!v*1] NEW EXPERIMENTAL EFFECTS":{"v":"CONTENU DU PAQUET DE DONNÉES :\n[!v*0] NOUVEAUX DÉCLENCHEURS EXPÉRIMENTAUX\n[!v*1] NOUVEAUX EFFETS EXPÉRIMENTAUX","t":"A","i":1648},"DATA PACKET MANAGEMENT":{"v":"GESTION DES PAQUETS DE DONNÉES","t":"A","i":1331},"DATA PACKET PERMANENTLY INSTALLED":{"v":"PAQUET DE DONNÉES INSTALLÉ DÉFINITIVEMENT","t":"A","i":3680},"DATA PACKET SOURCE: SYNKA LABS":{"v":"DONNÉES : SYNAK LABS","t":"A","i":3583},"DATA TRANSFERS FROM SYNKA\nARE NOT CURRENTLY AVAILABLE.":{"v":"TRANSFERTS DE DONNÉES À PARTIR DE SYNKA\nNE SONT PAS ACTUELLEMENT DISPONIBLES.","t":"A","i":3528},"DATE BORROWER":{"v":"DATE PRÊTEUR","t":"A","i":2677},"DATE BORROWER":{"v":"DATE EMPRUNTEUR","t":"A","i":976},"DATE BORROWER":{"v":"DATE PRÊTEUR","t":"A","i":2924},"DATE BORROWER":{"v":"DATE EMPRUNTEUR","t":"A","i":305},"DATE BORROWER":{"v":"DATE EMPRUNTEUR","t":"A","i":575},"DATE: OCT. [!v*0] [!v*1] RE: fusebox repair\n\nThe v.a.c. indicator lights installed per instructions have \nbeen turned on. \n\nHowever, it should be noted that the WHITE Indicator is \nonly displayed after syncing all [!v*2] indicators to PURPLE.\n\nIf this is not the desired functionality, let us know and\nwe will fix it in our regular service visit next week.\n \n\n~ Gabe, DCPOWER inc.":{"v":"DATE: OCT. [!v*0] [!v*1] RE: réparation du boîtier de fusibles\n\nLes voyants d'indicateur V.A.C. installés selon les instructions ont \nété activés. \n\nCependant, il convient de noter que le voyant BLANC est \nuniquementaffiché après avoir synchronisé tous les [!v*2] indicateurs en VIOLET.\n\nSi ce n'est pas la fonctionnalité souhaitée, faites-le-nous savoir et\nnous le réglerons lors de notre visite de service régulière la semaine prochaine.\n \n\n~ Gabe, DCPOWER inc.","t":"A","i":4073},"DAUJA":{"v":"DAUJA","t":"A","i":3465},"DAUVENJA":{"v":"DAUVENJA","t":"A","i":2095},"DAVIDE PELLINO":{"v":"DAVIDE PELLINO","t":"A","i":1849},"DAY":{"v":"JOUR","t":"A","i":2756},"DAY ONE TROPHY":{"v":"TROPHÉE DU PREMIER JOUR","t":"A","i":243},"DAY X":{"v":"JOUR X","t":"A","i":322},"DAY [!v*0]":{"v":"JOUR [!v*0]","t":"V","i":22},"DAY [!v*0] & [!v*1]":{"v":"JOUR [!v*0] & [!v*1]","t":"A","i":411},"DAY [!v*0] - EXPERIMENT [!v*1] - SUCCESSFUL TRIGGERS : [!v*2]\n":{"v":"JOUR [!v*0] - EXPÉRIENCE [!v*1] - DÉCLENCHEURS RÉUSSIS : [!v*2]\n","t":"A","i":1707},"DAYS":{"v":"JOURS","t":"A","i":2462},"DCPOWER inc.":{"v":"DCPOWER inc.","t":"A","i":846},"DEAD":{"v":"MORT","t":"A","i":2758},"DEAD\nHERRINGS":{"v":"MORTS\nSAURONS","t":"A","i":1681},"DEAD END":{"v":"IMPASSE","t":"A","i":4454},"DEAD END CONTEST":{"v":"CONCOURS SANS ISSUE","t":"A","i":1683},"DECEMBER":{"v":"DÉCEMBRE","t":"A","i":4835},"DECEMBER [!v*0], [!v*1]":{"v":"DÉCEMBRE [!v*0], [!v*1]","t":"A","i":2052},"DEED":{"v":"ACTE","t":"A","i":824},"DELETE IT!":{"v":"SUPPRIME-LE !","t":"A","i":2145},"DEMO OFF\n":{"v":"DÉMO OFF\n","t":"A","i":1511},"DEMO ON\n":{"v":"DEMO ON\n","t":"A","i":3778},"DEN":{"v":"DEN","t":"A","i":2089},"DEPART":{"v":"PARTIR","t":"A","i":3561},"DEPOSIT BOX IS":{"v":"BOÎTE DE DÉPÔT","t":"A","i":2046},"DESILETS III":{"v":"DÉSILETS III","t":"A","i":3019},"DESILETS IV":{"v":"DÉSILETS IV","t":"A","i":3797},"DESILETS PRINCESS BORN IN EXILE":{"v":"PRINCESSE DESILETS NÉE EN EXIL","t":"A","i":2896},"DIARY":{"v":"JOURNAL","t":"A","i":248},"DICE are a resource that allow you to REROLL\nfor new floorplans while drafting.":{"v":"Les DICE sont une ressource qui vous permet de \nREFUSER pour obtenir de nouveaux plans lors de la phase de conception.","t":"A","i":3860},"DID THEY EVER PROVE HE WAS\nTHE ONE THAT STOLE THE MAIL":{"v":"ONT-ILS JAMAIS PUVÉ PREUVER QU'IL ÉTAIT\nCELUI QUI AVAIT VOLÉ LA POSTE","t":"A","i":3595},"DID YOU KNOW?":{"v":"LE SAVIEZ-VOUS ?","t":"A","i":2037},"DID YOU KNOW? DRAFTING FROM A DOOR THAT IS STEAM-POWERED WILL INCREASE THE LIKELIHOOD OF DRAWING ROOMS WITH DUCTS!":{"v":"SACHIEZ-VOUS ? FAIRE UN PLAN À PARTIR D'UNE PORTE QUI EST ALIMENTÉE PAR UNE CHAUDIÈRE À VAPEUR AUGMENTERA LA PROBABILITÉ DE CRÉER DES PIÈCES CONTENANT DES CONDUITS !","t":"A","i":3057},"DIE":{"v":"MOURIR","t":"A","i":838},"DIE CLEANING":{"v":"NETTOYAGE","t":"A","i":3745},"DINNER SERVED":{"v":"DÎNER SERVI","t":"A","i":3513},"DIPLOMA TROPHY":{"v":"TROPHÉE DE DIPLÔME","t":"A","i":223},"DIPLOMATIC PASS [!v*0] FA[!v*1]\n\n":{"v":"PASSES DIPLOMATIQUES [!v*0] FA[!v*1]\n\n","t":"A","i":1666},"DIRECTORY":{"v":"RÉPERTOIRE","t":"A","i":3013},"DIRIGIBLOCKS":{"v":"BLOCS DIRIGEABLES","t":"A","i":2640},"DIRIGIBLOCKS\nRECORDS":{"v":"DIRIGIBLOCS\nENREGISTREMENTS","t":"A","i":4064},"DIRIGIBLOCKS!":{"v":"DIRIGIBLOCS !","t":"A","i":2530},"DIRT":{"v":"TERRE","t":"A","i":4451},"DISCOVERY\nRECORDS":{"v":"DÉCOUVERTE\nENREGISTREMENTS","t":"A","i":3681},"DOCK level":{"v":"Niveau Dock","t":"A","i":3550},"DOORS IN THE\nWEST WING ARE\nMORE LIKELY TO\nBE LOCKED":{"v":"LES PORTES DU\nPAVILLON OUEST\nSONT PLUS\nSOUVENT FERMÉES","t":"A","i":1218},"DORMITORY":{"v":"DORTOIR","t":"A","i":3709},"DOVECOTE":{"v":"DOVECOTE","t":"A","i":3308},"DOWNLOAD SUCCESSFUL":{"v":"TÉLÉCHARGEMENT RÉUSSI","t":"A","i":2434},"DOWNLOADING PACKET":{"v":"TÉLÉCHARGEMENT DU PAQUET","t":"A","i":2811},"DRAFT\nRECORDS":{"v":"\nRÉSUMÉS","t":"A","i":3010},"DRAFT EARLY\nRANKS FIRST":{"v":"BROUILLON TÔT\nRANGS D'ABORD","t":"A","i":2386},"DRAFT POOL":{"v":"PISCINE DE BROC","t":"A","i":4447},"DRAFT ROOMS YOU HAVE\nNEVER SEEN BEFORE":{"v":"PIÈCES QUE VOUS N'AVEZ JAMAIS VUES\nAVANT","t":"A","i":2771},"DRAFTED :":{"v":"BROUILLON :","t":"A","i":1782},"DRAFTING":{"v":"RÉDACTION","t":"A","i":4449},"DRAFTING\nCOST":{"v":"RÉDACTION\nCOÛT","t":"A","i":1429},"DRAFTING LOCATIONS":{"v":"RÉDACTION DES LIEUX","t":"A","i":1185},"DRAFTING COMPASS":{"v":"COMPAS DE RÉDACTION","t":"A","i":2627},"DRAFTING STRATEGY VOL. [!v*0]":{"v":"STRATÉGIE DE RÉDACTION VOL. [!v*0]","t":"A","i":2352},"DRAW":{"v":" DESSINER","t":"H","i":4051},"DRAWING\nROOM":{"v":"DESSINAGE\nPIECE","t":"A","i":2820},"DRAXUS":{"v":"DRAXUS","t":"A","i":1698},"DREMM":{"v":"DREMM","t":"A","i":3636},"DUCTS!":{"v":"LES CONDUITS !","t":"A","i":1335},"DUE":{"v":"DÉLAI","t":"A","i":3008},"DUPLICATE SAVE DATA":{"v":"DONNÉES DE SAUVEGARDE EN DOUBLE","t":"A","i":1494},"Dancer":{"v":"Danseur","t":"A","i":1742},"Dark Shadow":{"v":"Ombre sombre","t":"A","i":1964},"Darkroom":{"v":"Salle noire","t":"A","i":4351},"Date Packed ________ By ________________\nDept. __________ Ser. No _______________\n\nITEMS INCLUDED IN THIS ORDER:\n\n ______\n\n ______\n\n ______\n\n ______\n\n ______\n\n\nShipped __________ Invoice No __________\n Customer's Order No __________":{"v":"Date d'expédition ________ Par ________________\nDépartement __________ N° de série _______________\n\nARTICLES INCLUS DANS CETTE COMMANDE:\n\n ______\n\n ______\n\n ______\n\n ______\n\n ______\n\n\nExpédié __________ N° de facture __________\n N° de commande client __________","t":"A","i":478},"Dauja":{"v":"Dauja","t":"A","i":2778},"Day One":{"v":"Jour un","t":"A","i":1297},"Day [!v*0]":{"v":"Jour [!v*0]","t":"A","i":2908},"Dead End Contest":{"v":"Concours des impasses","t":"A","i":807},"Dead Zone:":{"v":"Zone morte :","t":"V","i":10},"Dear Herbert:\n It was a great honor receiving the invitation to dine at your estate with the Oldham's this past Thursday. If I'm being frank, it had been quite a while since we had been seen in decent society and we were begninning to worry that my wife's wit had lost it's charm (I have no delusions that my company is rival to hers on this score!)\n If I can refresh your memory, we both spent much of that evening discussing our mutual love of games and puzzles and I had mentioned to you a rather singular parlor game I had played some years back involving three boxes of different colors. You had pressed me to write with the particulars of this game (when I found the time) and I have included with this letter atll the details you will need to share with guests should you be inclined to play this confounding game.":{"v":"Cher Herbert:\n Ce fut un grand honneur de recevoir votre invitation à dîner chez vous avec les Oldham ce jeudi dernier. Si je suis franc, il y avait fort longtemps que nous n'avions pas été vus dans la bonne société et nous commencions à craindre que l'esprit de ma femme ait perdu son charme (je n'ai aucune illusion sur le fait que mon compagnonnage rivalise avec le sien à cet égard !)\n Si je peux rafraîchir votre mémoire, nous avons passé une grande partie de cette soirée à discuter de notre amour commun pour les jeux et les énigmes, et j'avais mentionné à vous un jeu de salon assez singulier que j'avais joué il y a quelques années impliquant trois boîtes de couleurs différentes. Vous m'avez pressé d'écrire avec les détails de ce jeu (quand j'ai trouvé le temps) et j'ai joint à cette lettre toutes les informations dont vous aurez besoin pour partager ce jeu déroutant avec vos invités, si vous êtes enclin à y jouer.","t":"A","i":3523},"Dear Herbert:\n It was a great honor receiving the invitation to dine at your estate with the Oldhams this past Thursday. If I'm being frank, it had been quite a while since we had been seen in decent society and we were beginning to worry that my wife's wit had lost its charm (I have no delusions that my company is rival to hers!)\n If I can refresh your memory, we both spent much of that evening discussing our mutual love of games and puzzles and I had mentioned to you a rather singular parlor game I had played some years back involving three boxes of different colors. You had pressed me to write with the particulars of this game (when I found the time) and I have included with this letter all the details you will need to share with guests should you be inclined to play this confounding game.":{"v":"Cher Herbert :\n C'était un grand honneur de recevoir l'invitation à dîner dans votre domaine avec les Oldham jeudi dernier. Si je suis franc, cela faisait un bon moment que nous n'avions pas été vus dans la bonne société et nous commencions à craindre que l'esprit de ma femme ait perdu de son charme (je n'ai aucune illusion sur le fait que ma compagnie soit à la hauteur de la sienne !)\n Si je puis raviver votre mémoire, nous avons passé une grande partie de cette soirée à discuter de notre amour commun pour les jeux et les énigmes, et je vous avais mentionné un jeu de salon assez singulier que j'avais joué il y a quelques années, impliquant trois boîtes de couleurs différentes. Vous m'aviez pressé de vous écrire les détails de ce jeu (dès que j'aurais le temps) et j'ai joint à cette lettre toutes les précisions dont vous aurez besoin pour le partager avec vos invités, si vous êtes tenté de jouer à ce jeu confondant.","t":"A","i":1115},"Dear Mother,\nIf you are reading this, that means Juni made it home safely! I imagine he's going to be quite tired after such a long flight, so make sure he gets some treats and rest. School is going well, though I do miss you terribly. Unfortunately, even though the dean gave me permission to keep my birds here on campus, I'm afraid it's getting a bit too cold for them as the semester marches on, so I've made the decision to send them all home before the winter months arrive. All that to say, expect some more letters soon!\n ":{"v":"Chère Mère,\nSi tu lis ceci, c'est que Juni est rentré sain et sauf ! Je suppose qu'il doit être très fatigué après un si long vol, alors veille à ce qu'il reçoive des friandises et qu'il se repose. Les études se passent bien, bien que je te manque terriblement. Malheureusement, même si le doyen m'a autorisé à garder mes oiseaux sur le campus, il fait un peu trop froid pour eux à mesure que le semestre avance, j'ai donc décidé de les renvoyer tous chez nous avant l'arrivée de l'hiver. Tout cela pour dire : attends-toi à recevoir d'autres lettres bientôt !\n ","t":"A","i":2061},"Dear Mr. Revane,\nYour half-hearted dedication and maintenance of the grounds has been greatly appreciated. However, I regret to inform you that your services as the groundskeeper at Mount Holly will no longer be required, effective immediately.\n\nThis decision has been made after careful consideration and is based upon repeated observations and documented instances of neglect in the performance of your duties. The state of the green rooms in particular, has deteriorated significantly over the last few months, which reflects poorly on the rest of the staff.\n\nYou are required to vacate the groundskeeper’s hovel by the [!v*0]th of March, ensuring all tools and equipment belonging to the estate are returned to the tool shed in good condition.Your final wages will be settled promptly upon completion of these instructions.\n\nWe thank you for your time and service and wish you the best in your future endeavors,\n \n \n Anne Babbage, House Manager":{"v":"Cher M. Revane,\nVotre dévouement et votre entretien des jardins, bien que mitigés, ont été grandement appréciés. Toutefois, je regrette de vous informer que vos services en tant que jardinier de Mount Holly ne seront plus nécessaires, à compter de ce jour.\n\nCette décision a été prise après mûre réflexion et repose sur des observations répétées et des cas documentés de négligence dans l'exercice de vos fonctions. L'état des salons verts, en particulier, s'est considérablement dégradé au cours des derniers mois, ce qui jette un discrédit sur le reste du personnel.\n\nVous êtes tenu de quitter la cabane du jardinier d'ici le [!v*0] mars, en veillant à ce que tous les outils et équipements appartenant au domaine soient rendus à l'abri des outils en bon état.Votre dernier salaire sera réglé rapidement après l'accomplissement de ces consignes.\n\nNous vous remercions pour votre temps et votre service et vous souhaitons le meilleur pour vos futures entreprises,\n \n \n Anne Babbage, Intendante","t":"A","i":1222},"Dear Mr. Revane,\nYour half-hearted dedication and maintenance of the grounds have been greatly appreciated. However, I regret to inform you that your services as the groundskeeper at Mount Holly will no longer be required, effective immediately.\n\nThis decision has been made after careful consideration and is based upon repeated observations and documented instances of neglect in the performance of your duties. The state of the green rooms in particular has deteriorated significantly over the last few months, which reflects poorly on the rest of the staff.\n\nYou are required to vacate the hovel by the [!v*0]th of March, ensuring all tools and equipment belonging to the estate are returned to the toolshed in good condition. Your final wages will be settled promptly upon completion of these instructions.\n\nWe thank you for your time and service and wish you the best in your future endeavors,\n \n \n Anne Babbage, House Manager":{"v":"Cher Monsieur Revane,\nVotre engagement et votre entretien des lieux, bien que mitigés, ont été grandement appréciés. Cependant, je regrette de vous informer que vos services en tant que gardien des jardins à Mount Holly ne seront plus requis, avec effet immédiat.\n\nCette décision a été prise après une réflexion approfondie et repose sur des observations répétées ainsi que sur des cas documentés de négligence dans l'exécution de vos fonctions. L'état des chambres vertes en particulier s'est considérablement dégradé au cours des derniers mois, ce qui reflète mal sur le reste du personnel.\n\nVous êtes tenu de quitter cette misérable demeure d'ici le [!v*0] mars, en veillant à ce que tous les outils et équipements appartenant à la propriété soient rendus au hangar aux outils dans un état correct. Vos derniers salaires seront réglés immédiatement après l'exécution de ces instructions.\n\nNous vous remercions pour votre temps et vos services et vous souhaitons le meilleur dans vos futures entreprises,\n \n \n Anne Babbage, Directrice de maison","t":"A","i":3049},"Dear Mr. Sinclair,\n\nThank you for promptly answering all our demands, not involving the police, and allowing this unfortunate transaction to transpire as smoothly as one could hope.\n\nAnd while I’m guessing you had hoped to never hear from us again once we had given you back the envelopes, we felt that one final red letter of our own was merited given the circumstances. Hopefully, you will not be as careless with this missive as you were with the others. \n\nCorrespondence this incriminating should be kept in safes, not desk drawers. \n\nLet’s first put your apprehensions aside, as I’m sure another red envelope is the last thing you expected to find on your desk this week. No, we are not making more demands, and no, we do not have “copies” of the other letters.":{"v":"Cher Monsieur Sinclair,\n\nNous vous remercions d'avoir répondu sans délai à toutes nos exigences, en évitant l'intervention de la police, et en permettant à cette malheureuse transaction de se dérouler aussi parfaitement que possible.\n\nBien que nous pensions que vous espériez ne plus jamais entendre parler de nous une fois les enveloppes rendues, nous avons estimé qu'une ultime lettre rouge de notre part était justifiée compte tenu des circonstances. Nous espérons que vous ne serez pas aussi négligent avec ce message qu'avec les autres. \n\nLa correspondance cette incriminante doit être conservée dans des coffres-forts, et non dans des tiroirs de bureau. \n\nMettons d'abord vos appréhensions de côté, car je suis sûr qu'une autre enveloppe rouge est la dernière chose que vous attendiez sur votre bureau cette semaine. Non, nous ne faisons pas de nouvelles demandes, et non, nous n'avons pas de « copies » des autres lettres.","t":"A","i":2987},"Dear Ms. Marigold,\n\nThank you so much for giving our editors the opportunity to consider your illustrated children’s book, ‘The Red Prince’. Unfortunately, I regret that we have come to the conclusion that although the illustrations are wonderful, we do not think the material is a good fit with Ruffington’s current catalogue and therefore will not be pursuing a partnership at this time.\n\nIf you provided us with a return envelope, your manuscript will be returned to you. Otherwise, it has been recycled.\n\nThank you again for thinking of us here at Ruffington, and do not be discouraged to submit any work you complete in the future. We wish you every success in finding a home for your book.\n\nThomas Yanders, Editor\n\nRuffington Red Publishing\nChildren’s Book Department\n[!v*0] Concetta Ct.\n[!v*1][!v*2]":{"v":"Chère Madame Marigold,\n\nNous vous remercions vivement d'avoir donné à nos éditeurs l'occasion d'examiner votre album illustré pour enfants, « Le Prince Rouge ». Malheureusement, nous regrettons de vous informer que, bien que les illustrations soient merveilleuses, nous estimons que le contenu ne correspond pas à la collection actuelle de Ruffington et que nous ne poursuivrons donc pas de partenariat à ce stade.\n\nSi vous nous avez fourni une enveloppe de retour, votre manuscrit vous sera renvoyé. Sinon, il a été recyclé.\n\nMerci encore d'avoir pensé à nous chez Ruffington, et ne vous découragez pas à soumettre tout travail que vous réaliserez à l'avenir. Nous vous souhaitons plein succès dans la recherche d'un éditeur pour votre livre.\n\nThomas Yanders, Éditeur\n\nRuffington Red Publishing\nDépartement des livres pour enfants\n[!v*0] Concetta Ct.\n[!v*1][!v*2]","t":"A","i":1210},"Dear Simon,\n \nAs I’ve been running out of ideas of my own, yesterday I asked Kirk Darren if he had any additional security advice I could pass on and to my surprise he gave me an envelope and directed me to include it in my next correspondence to you. I did not ask him what it contained, so I’ll be very curious to hear from you after this is all over and find out whether or not it was of any use.\n\n Until next time,\n":{"v":"Cher Simon,\n \nN’ayant plus d’idées de mon propre chef, j’ai demandé hier à Kirk Darren s’il avait des conseils de sécurité supplémentaires à me transmettre. À ma grande surprise, il m’a remis une enveloppe et m’a indiqué de l’inclure dans ma prochaine correspondance à ton intention. Je ne lui ai pas demandé ce qu’elle contenait, donc je serai très curieux d’avoir de tes nouvelles une fois tout cela terminé pour savoir si elle a été utile ou non.\n\n À la prochaine,\n","t":"A","i":1381},"Dear Simon,\n \nAs I’ve been running out of ideas of my own, yesterday I asked Kirk Darren if he had any additional security advice I could pass on and to my surprise he gave me an envelope and directed me to include it in my next correspondence to you. I did not ask him what it contained, so I’ll be very curious to hear from you after this is all over and find out whether or not it was of any use.\n\n Until next time,\n Randolph":{"v":"Cher Simon,\n \nN’ayant plus d’idées de mon propre chef, j’ai demandé hier à Kirk Darren s’il avait des conseils de sécurité supplémentaires à me transmettre. À ma grande surprise, il m’a remis une enveloppe et m’a indiqué de l’inclure dans ma prochaine correspondance à votre attention. Je ne lui ai pas demandé ce qu’elle contenait, je serai donc très curieux de savoir, une fois tout cela terminé, si elle a été d’une quelconque utilité.\n\n À la prochaine,\n Randolph","t":"A","i":2579},"Dear Simon, \n \nAfter giving it some thought, I've decided I'm going to continue helping you. I also just had a small chat with the probate lawyer and he assures me there's nothing in the baron's instructions that would preclude me from offering you my modest assistance. So let me tell you what I know.\n\nAbout a week before Sinclair died, something rather curious happened. A few lab assistants were called by Mrs. Babbage, the house manager, to remove several floorplans from Sinclair's Drafting Studio. Typically all of the unused floorplans are kept there and I have never heard of them being moved to another location, nor would I presume to guess the reason for such an action. I'm not sure which floorplans were removed or where they were moved to, save one, which I was instructed to remove myself.\n":{"v":"Cher Simon,\n \nAprès y avoir réfléchi, j'ai décidé de continuer à vous aider. J'ai également eu une petite conversation avec l'avocat des successions et il m'a assuré qu'il n'y avait rien dans les instructions du baron qui m'empêcherait de vous offrir mon modeste assistance. Laissez-moi donc vous dire ce que je sais.\n\nUne semaine environ avant la mort de Sinclair, quelque chose de plutôt curieux se produisit. Quelques assistants de laboratoire furent appelés par Mme Babbage, la directrice du domaine, pour retirer plusieurs plans d'étage du Studio de dessin de Sinclair. Habituellement tous les plans d'étage inutilisés y sont conservés et je n'ai jamais entendu parler de leur déplacement vers un autre endroit, ni ne me permettrai de deviner la raison d'une telle action. Je ne sais pas quels plans ont été retirés ou où ils ont été déplacés, sauf pour l'un que j'ai été chargé de retirer moi-même.\n","t":"A","i":3244},"Dear Uncle,\n\nThe disappearance of my cousin Mary has long sat unfavorably with me and my father. And I will freely admit to you that the chilly airs of indifference you may have felt in my presence can be attributed entirely to the suspicions that I have harbored for these past years. Suspicions entirely aimed at yourself. \n\nAnd while I have never had the opportunity to prove it, I felt very strongly that you had some deeper involvement in those events four years ago. The circulating rumors of those months did nothing but further reinforce my convictions in this fact.\n\nThose of us that are once bitten are twice shy and I am aware of the cost my aggressively aloof behavior has had on the social standing of our family. I do not apologize for my actions, though I am now willing to admit that the conclusions I reached may have been flawed. ":{"v":"Cher Oncle,\n\nLa disparition de ma cousine Mary m'a longtemps pesé lourd, tout comme à mon père. Je vous avoue sans détour que le froid et l'indifférence que vous avez pu ressentir en ma présence sont entièrement dus aux soupçons que j'ai nourris ces dernières années. Des soupçons entièrement dirigés contre vous.\n\nBien que je n'aie jamais eu l'occasion de prouver mon point, j'étais fermement convaincu que vous aviez une implication plus profonde dans les événements il y a quatre ans. Les rumeurs qui circulaient ces mois-là n'ont fait qu'affirmer davantage mes convictions à ce sujet.\n\nCeux qui ont été mordus une fois font deux fois demi-tour, et je suis conscient du prix que mon comportement agressivement distant a fait payer au prestige social de notre famille. Je ne m'excuse pas pour mes actions, bien que je sois maintenant prêt à admettre que les conclusions auxquelles j'ai abouti pouvaient être erronées. ","t":"A","i":3507},"Dearest Children,\n\n The pieces are in place and all rigid cogs have been greased. However, if our ambitious plans are to succeed, we must strike this Tuesday. The routine changing of guard personnel on the first of each month means the opportunity we have created for ourselves will likely never be so opportune. If we wait even one additional week, the window will be closed.\n\n On Tuesday, there will be three Royal Guards stationed at Leerson Hall, two of which will be wearing black gloves in lieu of the traditional white. We would be wise to sacrifice almost everything to avoid the white gloved guard, striking only when he takes a recess. The two black gloved guards have been instructed to bind, blind and gag themselves, to spare us the precious extra minutes it would take your group to execute that task on their behalf. However, that also means that once we reach the exhibit, we will truly be on our own.\n\n May the Black Shores guide us, may the Black Skies shield us, may our fathers be proud of us,\n\n\n In arms,\n\n your faithful soldier, \n \n Farro":{"v":"Chers enfants,\n\n Les pièces sont en place et tous les engrenages rigides ont été graissés. Toutefois, pour que nos plans ambitieux réussissent, nous devons frapper ce mardi. La rotation habituelle du personnel de garde le premier du mois signifie que l'opportunité que nous nous sommes créée sera probablement jamais aussi propice. Si nous attendons même une semaine de plus, la fenêtre se refermera.\n\n Mardi, il y aura trois Gardes Royaux postés au Hall de Leerson, dont deux porteront des gants noirs au lieu des traditionnels blancs. Nous serions sages de sacrifier presque tout pour éviter le garde aux gants blancs, ne frappant que lorsqu'il prendra une pause. Les deux gardes aux gants noirs ont reçu l'ordre de se ligoter, se bander les yeux et se bâillonner, afin de nous épargner les précieuses minutes supplémentaires qu'il faudrait à votre groupe pour accomplir cette tâche à leur place. Cependant, cela signifie aussi que, une fois arrivés à l'exposition, nous serons véritablement seuls.\n\n Que les Rives Noires nous guident, que les Cieux Noirs nous protègent, que nos pères soient fiers de nous,\n\n\n En armes,\n\n votre fidèle soldat, \n \n Farro","t":"A","i":1070},"Dearest Mother,\n This should be the fifth letter you've received from me this month. Though I know statistically, it is very unlikely that every single member of my flock has found their way home. And please, please don't tell me if they didn't arrive! It's going to be hard enough now that I am truly on my own. \n In other news, my classes have been engaging and I am slowly making friends, so please ignore the dramatic despair of my previous letter. Things are indeed looking brighter, but I still maintain that three years is too long a time to be away from home.\n\n":{"v":"Chère Maman,\n Cela devrait être la cinquième lettre que vous avez reçue de moi ce mois-ci. Bien que je sache statistiquement qu'il est très improbable que chaque membre de mon troupeau ait trouvé son chemin vers la maison, et s'il vous plaît, s'il vous plaît ne me dites pas s'ils n'ont pas arrivé ! Ce sera déjà assez difficile maintenant que je suis vraiment seul.\n Pour les autres nouvelles, mes cours ont été engageants et j'ai lentement fait des amis, alors ignorez le désespoir dramatique de ma lettre précédente. Les choses semblent en effet plus claires, mais je maintiens toujours que trois ans est trop longtemps pour être loin de chez moi.\n\n","t":"A","i":2655},"Dearest diary,\n Last night, I retired to the guest room\nas I have yet to gain the courage to ask anyone to surrender their room to me, even for a night. This bedroom is a cozy space, normally reserved for guests staying the weekend, however, I found, despite having a choice between two beds, that neither proved to be very comfortable. I must speak with Herbert about this, as our guests deserve, at the very least, as much comfort in their stay as we have.":{"v":"Cher journal,\n Hier soir, je me suis retirée dans la chambre d'amis\ncar je n'ai pas encore le courage de demander à quiconque de me céder sa chambre, même pour une nuit. Cette chambre est un espace confortable, normalement réservé aux invités séjournant le week-end ; cependant, j'ai constaté que, malgré le choix entre deux lits, aucun ne s'est avéré très confortable. Je dois en parler à Herbert, car nos invités méritent, à tout le moins, autant de confort pendant leur séjour que nous.","t":"A","i":2064},"Dec [!v*0] '[!v*1]":{"v":"Déc [!v*0] '[!v*1]","t":"A","i":385},"December [!v*0]th\n\nM, \n\nBe prepared for our plans to be set in motion in a month or two. It's all lining up and all of our hard work is about to come to fruition. I have just learned that several members of the Museum's guard are sympathetic to our cause. We suspect two more to be pure opportunists whose loyalty extends only to their coin purse.\n\n\nYour uncle has already agreed to let us use Mt. Holly's \"flexible\" floorplan for a trial run, assuming the redprint we have secured of the museum's 'Closed Exhbit' is in fact accurate and up-to-date.\n\n":{"v":"Décembre [!v*0]e\n\nM, \n\nPréparez-vous à voir nos plans se mettre en mouvement dans un ou deux mois. Tout s'aligne et tout notre dur travail est sur le point de porter ses fruits. Je viens d'apprendre que plusieurs membres de la garde du Musée sont sympathiques à notre cause. Nous soupçonnons deux autres d'être de purs opportunistes dont la loyauté ne s'étend qu'à leur porte-monnaie.\n\n\nVotre oncle a déjà accepté de nous laisser utiliser le plan « flexible » des Monts Holly pour un essai, à condition que les plans que nous avons sécurisés concernant l'« Exposition fermée » du Musée soient en effet exacts et à jour.\n\n","t":"A","i":2674},"December [!v*0]th\n\nM, \n\nBe prepared for our plans to be set in motion in a month or two. It's all lining up and all of our hard work is about to come to fruition. I have just learned that several members of the Museum's guard are sympathetic to our cause. We suspect two more to be pure opportunists whose loyalty extends only to their coin purse.\n\n\nYour uncle has already agreed to let us use Mt. Holly's \"flexible\" floorplan for a trial run, assuming the redprint we have secured of the museum's 'Closed Exhibit' is in fact accurate and up-to-date.\n\n":{"v":"Décembre [!v*0]e\n\nM, \n\nPréparez-vous à voir nos plans se mettre en mouvement dans un ou deux mois. Tout s'aligne et tout notre dur travail est sur le point de porter ses fruits. Je viens d'apprendre que plusieurs membres de la garde du Musée sont sympathiques à notre cause. Nous soupçonnons deux autres d'être de purs opportunistes dont la loyauté ne s'étend qu'à leur porte-monnaie.\n\n\nVotre oncle a déjà accepté de nous laisser utiliser le plan « flexible » de Mt. Holly pour un essai, à condition que les plans que nous avons sécurisés du 'Exposition Fermée' du Musée soient en effet exacts et à jour.\n\n","t":"A","i":4122},"Decoy Car":{"v":"Décoy","t":"A","i":1838},"Default":{"v":"Par défaut","t":"A","i":11},"Den":{"v":"Dén","t":"A","i":4226},"Derigiblocks":{"v":"Dérigiblocs","t":"A","i":3347},"Description":{"v":"Description","t":"V","i":1},"Desilets was renowned as “The King of the People” and it was therefore a surprise to no one when he made the decision to move the capital from the secluded mountains of Reddington to the public stage of Oris, leaving castle and court behind. The people were overjoyed by this choice, and the city welcomed their king with open arms and great fanfare. Yet, not all were swayed so easily. There were those that viewed the king’s conduct to be unbecoming of his station, and were wary of how readily he could be persuaded by the tears and tales of the common folk.\n\nThese dissenting voices planted the seeds of discontent, which took root in the lawns and gardens of the nobles of Fenn, or as I have been instructed to say, the Grand City of Fenn.\n":{"v":"Desilets était renommé comme « Le Roi du Peuple » et il n’a donc surpris personne lorsqu’il a pris la décision de déplacer la capitale des montagnes isolées de Reddington à la scène publique d’Oris, laissant derrière lui le château et la cour. Le peuple était ravi de ce choix, et la ville a accueilli son roi à bras ouverts et dans de grandes fanfares. Pourtant, tous n’ont pas été aussi facilement convaincus. Il y avait ceux qui estimaient que la conduite du roi était indigne de sa station, et qui se méfiaient de la facilité avec laquelle il pouvait être persuadé par les larmes et les récits du peuple commun.\n\nCes voix dissidentes ont planté les graines du mécontentement, qui ont pris racine dans les pelouses et les jardins des nobles de Fenn, ou comme on m’a instruit de le dire, la Grande Cité de Fenn.\n","t":"A","i":2091},"Despite having been warned of the cavern's stability,":{"v":"Malgré les avertissements concernant la stabilité de la grotte,","t":"A","i":3884},"Despite my prejudice against Mother Nature, I own that I have deeply loved my time here at Verra. The memories of the youthful trip I took here with my brother have been relentless, and as I have gotten older, I find less and less occasion to recollect on such trivial pleasures. One thing I do remember vividly which has not lost a single speck of charm are the famous turtles. Each visitor of Verra, upon arriving, is lent one of these hard shell friends for the duration of their stay, to serve as both steed, guide and companion. I am still under the spell of island life, even if the weather here is\nmuch more severe than it was on Mora Jai.":{"v":"Malgré mes préjugés contre la Mère Nature, j'admets avoir profondément aimé mon séjour ici, à Verra. Les souvenirs du voyage de jeunesse que j'ai effectué ici avec mon frère ont été tenaces, et à mesure que j'ai vieilli, je trouve de moins en moins d'occasions de me remémorer de tels plaisirs triviaux. Une chose que je me rappelle avec une vive clarté, et qui n'a pas perdu la moindre étincelle de charme, ce sont les célèbres tortues. Chaque visiteur de Verra, à son arrivée, se voit prêter l'une de ces amies à carapace pour la durée de son séjour, afin de servir à la fois de monture, de guide et de compagnon. Je suis encore sous le charme de la vie insulaire, même si le climat ici est\nbien plus rude qu'il ne l'était sur Mora Jai.","t":"A","i":2345},"Dialog Title":{"v":"Titre du dialogue","t":"A","i":3},"Digs deeper and finds better items.":{"v":"Creuse plus profondément et trouvez de meilleurs objets.","t":"A","i":2672},"Dining Room":{"v":"Salle à manger","t":"A","i":4388},"Directions: Draw two things that share\nall but one letter of their name.":{"v":"Consigne : Dessinez deux choses qui partagent\ntoutes les lettres de leur nom sauf une.","t":"A","i":723},"Directions: Find each sum without using signs":{"v":"Trouvez chaque somme sans utiliser de signes","t":"A","i":697},"Directions: Identify each REALM on the map below.":{"v":"Consigne : Identifiez chaque ROYAUME sur la carte ci-dessous.","t":"A","i":252},"Directions: Use the Elements below to form the\nanswers to each question below.":{"v":"Utilisez les éléments ci-dessous pour former\nles réponses à chaque question ci-dessous.","t":"A","i":682},"Diving so deep bird,\nA ride on the wave bird!":{"v":"Plonger si profond, oiseau,\nUne chevauchée sur la vague, oiseau !","t":"A","i":2557},"Do you accept this power?":{"v":"Acceptez-vous ce pouvoir ?","t":"A","i":1731},"Do you want to create and activate this\n Experimental House Feature?":{"v":"Voulez-vous créer et activer cette\n Fonction expérimentale de la Maison ?","t":"A","i":1327},"Do you want to create and activate this\nExperimental House Feature?":{"v":"Voulez-vous créer et activer cette fonctionnalité expérimentale de la Maison ?\n","t":"V","i":4731},"Do you wish to keep these settings?":{"v":"Souhaitez-vous conserver ces paramètres ?","t":"A","i":81},"Do you wish to purchase this item for ?":{"v":"Souhaitez-vous acheter cet objet pour","t":"A","i":1443},"Do you wish to purchase this item for ?":{"v":"Souhaitez-vous acheter cet objet pour","t":"A","i":1459},"Done":{"v":"Terminé","t":"A","i":9},"Doubles all the you find.":{"v":"Doublez tous les que vous trouvez.","t":"A","i":3491},"Dovecote":{"v":"Tour à pigeons","t":"A","i":4121},"Draft a room in each open slot of your house":{"v":"Ébauchez une pièce dans chaque emplacement libre de votre maison","t":"A","i":229},"Drafting BUNK ROOM after NURSERY will give you [!v*0] extra steps because it counts as two separate bedroom triggers.":{"v":"Rédiger CHAMBRE D'AMI après NOURRICE vous donnera [!v*0] étapes supplémentaires, car cela compte comme deux déclencheurs de chambre distincts.","t":"A","i":2349},"Drafting Strategy: Architectural Digest (Vol [!v*0])":{"v":"Stratégie de rédaction : Architectural Digest (Vol [!v*0])","t":"A","i":282},"Drafting Strategy: Architectural Digest (Vol. [!v*0])":{"v":"Stratégie de rédaction : Architectural Digest (Vol. [!v*0])","t":"A","i":1677},"Drafting Strategy: Architectural Digest (Vol. [!v*1])":{"v":"Rédaction de la stratégie : Architectural Digest (Vol. [!v*1])","t":"A","i":1294},"Draw floorplans leading North more frequently":{"v":"Générer plus souvent des plans de sol orientés vers le nord","t":"A","i":1880},"Drawing Room":{"v":"Salon","t":"A","i":3109},"Draxus, the Dead\nDead End rooms are more\ncommon today":{"v":"Draxus, le Mort\nLes salles de Fin de l'Enfer sont plus\ncommunes aujourd'hui","t":"A","i":2736},"Dreamer":{"v":"Rêveur","t":"A","i":1344},"Due to the rules set forth in your Great Uncle's will, you are not allowed to stay in the estate overnight.\n\nLuckily, however, your scouting skills have been put to good use to fabricate a very respectable offsite sleeping quarters.\n\n\n":{"v":"En raison des stipulations du testament de votre grand-oncle, vous n'êtes pas autorisé à passer la nuit dans la propriété.\n\nHeureusement, vos compétences d'exploration ont été mises à profit pour aménager un dortoir hors-site tout à fait respectable.\n\n\n","t":"A","i":2951},"Dynamite... A little too dangerous to pick up.":{"v":"De la dynamite... Un peu trop dangereux à ramasser.","t":"A","i":4796},"E":{"v":"E","t":"A","i":336},"E R":{"v":"E R","t":"A","i":2549},"E L\n (I /ME )":{"v":"E L\n (J /MOI )","t":"A","i":746},"E.P.C.W.":{"v":"E.P.C.W.","t":"A","i":730},"EACH OF THESE CLOCKS SHOULD BE SET TO A DIFFERENT TIME":{"v":"CHAQUE HORLOGE DOIT ÊTRE RÉGLÉE SUR UNE HEURE DIFFÉRENTE","t":"A","i":1162},"EACH OF THESE CLOCKS SHOULD BE SET TO A DIFFERENT TIME.":{"v":"CHACUN DE CES HORLOGES DOIT ÊTRE RÉGLÉ SUR UNE HEURE DIFFÉRENTE.","t":"A","i":3328},"EACH TIME YOU CLICK ON A DOOR, \nYOU WILL THREE FLOORPLANS,\nFROM WHICH YOU MUST SELECT ONE TO DRAFT.\nHOWEVER, THERE ARE SOME ITEMS AND ROOMS\nTHAT WILL ALLOW YOU TO \"REDRAW\" IF YOU DO NOT LIKE YoUR INITIAL THREE OPTIONS.":{"v":"CHAQUE FOIS QUE VOUS CLIQUEZ SUR UNE PORTE, \nVOUS POURREZ TROIS PLANS DE BÂTIMENT,\nDONT VOUS DEVEZ EN CHOISIR UN POUR LE RÉALISER.\nCEPENDANT, CERTAINS OBJETS ET PIÈCES\nVOUS PERMETTRONT DE « REFAIRE » VOTRE CHOIX SI VOUS N'AIMEZ PAS VOS TROIS PREMIÈRES OPTIONS.","t":"H","i":996},"EALTH":{"v":"SANT","t":"A","i":340},"EAR":{"v":"OREILLE","t":"A","i":1470},"EARLY ERAJAN DID NOT\nUSE ANY VERBS , SO TODAY\nTHE RARE USAGE OF VERBS\nARE COMPRISED ALMOST\nENTIRELY OF LOAN WORDS\nAND ARE MAINLY USED TO\nDESCRIBE PHYSICAL ACTIONS.":{"v":"L'ANCIEN ERAJAN NE\nUTILISAIT AUCUN VERBE, AINSI\nLES RARES EMPLOIS DE VERBES\nSONT COMPOSÉS PRESQUE\nENTIEREMENT DE MOTS EMPRUNTÉS\nET SONT PRINCIPALEMENT UTILISÉS\nPOUR DÉCRIRE DES ACTIONS PHYSIQUES.","t":"A","i":1000},"EAST":{"v":"EST","t":"A","i":4128},"EAST EXTENSION":{"v":"EXTENSION EST","t":"A","i":2281},"EAST GROUNDS":{"v":"TERRES DE L'EST","t":"A","i":3036},"EAST WING":{"v":"AILE EST","t":"A","i":4475},"EBBLES":{"v":"EBBLES","t":"A","i":3206},"ECRET":{"v":"SECRET","t":"A","i":1693},"EFFECTIVE IMMEDIATELY,\nELECTRONIC MAIL CAN ONLY\nBE ACCESSED VIA THE\nSECURITY TERMINAL":{"v":"EFFET IMMÉDIAT,\nLE COURRIEL ÉLECTRONIQUE N'EST ACCESSIBLE QUE\nVIA LE TERMINAL DE SÉCURITÉ\n","t":"A","i":504},"EFFECTIVE IMMEDIATELY,\nELECTRONIC MAIL CAN ONLY BE ACCESSED VIA THE SECURITY TERMINAL.":{"v":"EFFET IMMÉDIAT,\nLE COURRIEL ÉLECTRONIQUE NE PEUT ÊTRE ACCÉDÉ QUE VIA LE TERMINAL DE SÉCURITÉ.","t":"A","i":1754},"EIN MEANS DREAMS\nIN ERAJAN.":{"v":"À ERAJAN, EIN SIGNIFIE RÊVES\n.","t":"A","i":1203},"EJ":{"v":"EJ","t":"A","i":3344},"ELCOUNTVO":{"v":"ELCOUNTVO","t":"A","i":3128},"ELECT LUEPRINT ILE":{"v":"ÉLECTION LAN ICHIER","t":"H","i":65},"ELECTRONIC MAIL":{"v":"COURRIER ÉLECTRONIQUE","t":"A","i":1823},"ELECTRONIC MAIL - LABORATORY":{"v":"CORREAU ÉLECTRONIQUE - LABORATOIRE","t":"A","i":2626},"ELECTRONIC MAIL - SECURITY":{"v":"CORREAU ÉLECTRONIQUE - SÉCURITÉ","t":"A","i":2755},"ELECTRONIC MAIL - SHELTER":{"v":"COURRIER ÉLECTRONIQUE - ABRI","t":"A","i":1543},"ELECTRONIC MAIL SETTINGS":{"v":"PARAMÈTRES DU COURRIER ÉLECTRONIQUE","t":"A","i":2320},"ELECTRONIC TIMECARD":{"v":"FEUILLE DE TEMPS ÉLECTRONIQUE","t":"A","i":2764},"ELESCOPE":{"v":"ÉLÉSCOPE","t":"A","i":1822},"ELEVATOR":{"v":"ASCENSEUR","t":"A","i":316},"ELEVATOR\nCONTROLS":{"v":"COMMANDES\nDE L'ASCENSEUR","t":"A","i":383},"ELIGIBILITY: The \"DEAD END CONTEST\" Sweepstakes is open to legal residents of FENN ARIES who are at least [!v*0] years of age at the time of entry. Employees of DRAFTING STRATEGY, its affiliates, subsidiaries, advertising and promotion agencies, and their immediate family members and/or those living in the same household of each are not eligible to participate in the Sweepstakes.\n\nENTRY: To enter the Sweepstakes, players must draft rooms in a single house during a single day. Any number of rooms may be drafted, but only DEAD END rooms drafted during that day will be counted toward the DEAD END tally If the DEAD END tally, exceeds the current record [[!v*1]], participant is considered a winner.\n\nPRIZE: The cash prize has an approximate shop value equal to [!v*2] gold, paid out to the WINNER of sweepstakes in a check equal to the prize amount. The Trophy of Sweepstakes has an approximate shop value of [!v*3] gold. Please note, the trophy is not composed of real gold but features a gold-like coating for decorative purposes only. The WINNER will be notified and receive their prize by mail no later than [!v*4] days after obtaining the DEAD END record. (Check MAIL ROOM for prize delivery.)\n\nODDS: The odds of winning this CONTEST are not very promising. The architect who set this record was VERY, VERY good at drafting. But BEST OF LUCK regardless.":{"v":"ÉLIGIBILITÉ : Le concours « DEAD END CONTEST » est ouvert aux résidents légaux de FENN ARIES âgés d'au moins [!v*0] ans au moment de l'inscription. Les employés de DRAFTING STRATEGY, de ses filiales, de ses agences de publicité et de promotion, ainsi que leurs proches et/ou les personnes vivant au même foyer, ne sont pas éligibles pour participer au concours.\n\nPARTICIPATION : Pour participer au concours, les joueurs doivent composer des pièces dans une seule maison au cours d'une seule journée. Un nombre quelconque de pièces peut être composé, mais seules les pièces DEAD END composées au cours de cette journée seront comptabilisées dans le total DEAD END. Si le total DEAD END dépasse le record actuel [[!v*1]], le participant est considéré comme gagnant.\n\nPRIX : Le prix en espèces a une valeur approximative en boutique égale à [!v*2] or, versé au GAGNANT du concours par chèque d'un montant égal au prix. Le Trophée du concours a une valeur approximative en boutique de [!v*3] or. Veuillez noter que le trophée n'est pas composé d'or véritable, mais présente un revêtement doré à des fins purement décoratives. Le GAGNANT sera notifié et recevra son prix par courrier au plus tard [!v*4] jours après avoir établi le record DEAD END. (Consultez la SALLE DU COURRIER pour la livraison du prix.)\n\nPROBABILITÉS : Les chances de gagner ce CONCOURS ne sont pas très prometteuses. L'architecte qui a établi ce record était TRÈS, TRÈS bon en composition. Mais BONNE CHANCE quand même.","t":"A","i":2100},"ELSWIM NEVDAU":{"v":"ELSWIM NEVDAU","t":"A","i":829},"EM":{"v":"EM","t":"A","i":2810},"EMERALD BRACELET":{"v":"BRACELET D'ÉMERAUDE","t":"A","i":2567},"EMS":{"v":"EMS","t":"A","i":2383},"END OF GAME\n(cinematic pending)":{"v":"FIN DU JEU\n(cinématique en attente)","t":"A","i":3822},"ENDANT":{"v":"ENDANT","t":"A","i":2413},"ENTRY":{"v":"ENTRÉE","t":"A","i":4477},"ENVY":{"v":"JALOUSIE","t":"A","i":433},"EPCW Pump System User Manual":{"v":"Manuel d'utilisation du système de pompe EPCW","t":"A","i":994},"EPCW Pump System User Manual ":{"v":"Manuel d'utilisation du système de pompe EPCW ","t":"A","i":415},"EPELLENT":{"v":"ÉPÉLLENT","t":"A","i":2619},"EPOSIT":{"v":"DÉPÔT","t":"A","i":1471},"ER":{"v":"PV","t":"A","i":627},"ERAJA":{"v":"ERAJA","t":"A","i":450},"ERAJA NAI":{"v":"ERAJA NAI","t":"A","i":2558},"ERAJAN":{"v":"ERAJAN","t":"A","i":609},"ERAJAN\nAFFIX\n\n\nPAIRINGS":{"v":"ERAJAN\nAFFIX\n\n\nASSOCIATIONS","t":"A","i":659},"ERAJAN WORKSHEET":{"v":"ERAJAN FEUILLE DE TRAVAIL","t":"A","i":1021},"ERAJAN VOCABULARY":{"v":"VOCABULAIRE D'ERAJAN","t":"A","i":1193},"ESTATE":{"v":"BIENS","t":"A","i":4478},"ESTATE INVENTORY":{"v":"INVENTAIRE DU DOMAINE","t":"A","i":3396},"ESTATE INVENTORY\n\n":{"v":"INVENTAIRE DE LA PROPRIÉTÉ\n\n","t":"A","i":4347},"ETAL":{"v":"ÉTAI","t":"A","i":1326},"ETECTOR":{"v":"ECTEUR","t":"A","i":2226},"ETT":{"v":"ETT","t":"A","i":2899},"ETT TREI":{"v":"TROIS","t":"A","i":2135},"EVER":{"v":" ASSÉ","t":"H","i":1449},"EVERYTHING\nUP TO [!v*0] OFF":{"v":"TOUT\nJUSQU'À [!v*0] DÉSACTIVÉ","t":"A","i":388},"EWLING, REDFORD\nTHE CURSE OF BLACK BRIDGE":{"v":"EWLING, REDFORD\nLA MALÉDICTION DU PONT NOIR","t":"A","i":1037},"EXAM RESULTS":{"v":"RÉSULTATS DE L'EXAMEN","t":"A","i":864},"EXCAVATION\nTUNNEL":{"v":"FOUILLE\nTUNNEL","t":"A","i":2322},"EXHAUST":{"v":"ÉPUISER","t":"A","i":4480},"EXHIBIT SECURITY SYSTEM":{"v":"SÉCURITÉ DES EXPOSÉS","t":"A","i":1226},"EXIT":{"v":"QUITTER","t":"A","i":1853},"EXIT ":{"v":"QUITTER ","t":"A","i":1536},"EXPERIMENT #001":{"v":"EXPÉRIENCE #001","t":"A","i":3340},"EXPERIMENT #01":{"v":"EXPÉRIENCE #01","t":"V","i":4732},"EXPERIMENT IN PROGRESS":{"v":"EXPÉRIENCE EN COURS","t":"V","i":4733},"EXPERIMENT IN PROGRESS . . .":{"v":"EXPÉRIENCE EN COURS . . .","t":"A","i":3221},"EXPERIMENT PAUSED":{"v":"EXPÉRIENCE EN PAUSE","t":"A","i":1641},"EXPERIMENT STARTED !":{"v":"EXPÉRIENCE DÉMARRÉE !","t":"A","i":3991},"EXPERIMENTAL HOUSE FEATURES":{"v":"FONCTIONNALITÉS EXPÉRIMENTALES DE LA MAISON","t":"A","i":1435},"EXPLORER'S TROPHY":{"v":"TROPHÉE D'EXPLORATEUR","t":"A","i":242},"EY":{"v":"EY","t":"A","i":1311},"EYCARD":{"v":"EYCARD","t":"A","i":3284},"EYS":{"v":"EYS","t":"A","i":2279},"Each dead end room an architect drafts removes that floorplan from the draft pool. The more dead ends you draft, the less likely you are to draw them later on when decisions are more critical.":{"v":"Chaque dead end room an architect drafts removes that floorplan from the draft pool. The more dead ends you draft, the less likely you are to draw them later on when decisions are more critical.","t":"A","i":3272},"Each color is\nonly used twice!":{"v":"Chaque couleur est\nutilisée deux fois seulement !","t":"A","i":879},"Each day, you may choose a color.\n\nRooms of the chosen color are more\nlikely to be drawn while drafting.":{"v":"Chaque jour, vous pouvez choisir une couleur.\n\nLes pièces de la couleur choisie sont plus\nprobables d'être dessinées lors du tirage.","t":"A","i":3320},"Each morning, the house returns to its default position and all drafted rooms, inventory and resources are reset.

Permanent changes, however, do not reset.":{"v":"Chaque matin, la maison retrouve sa position par défaut et toutes les pièces esquissées, l'inventaire et les ressources sont réinitialisés.

Les modifications permanentes, en revanche, ne sont pas réinitialisées.","t":"A","i":4541},"Each row of rooms in your house make up a rank. As you progress north, the rank increases.

There are nine ranks listed on Mount Holly's official blueprint.

However, among the staff, whispers of a tenth Rank can often be overheard.":{"v":"Chaque rangée de pièces de votre maison constitue un rang. En progressant vers le nord, le rang augmente.

Neuf rangs sont répertoriés sur le plan officiel de Mount Holly.

Cependant, parmi le personnel, on entend souvent chuchoter l'existence d'un dixième Rang.","t":"A","i":4524},"Each time you access\n a different terminal today,\n":{"v":"Chaque fois que vous accédez\n à un terminal différent aujourd'hui,\n","t":"A","i":2598},"Each time you access a\n different terminal today,\n":{"v":"À chaque fois que vous accédez à un\n terminal différent aujourd'hui,\n","t":"A","i":3315},"Each time you collect ,\nearn an additional in interest.":{"v":"Chaque fois que vous collectez ,\ngagnez un supplémentaire d'intérêts.","t":"A","i":1819},"Each time you collect , earn \nan additional in interest.":{"v":"Chaque fois que vous collectez , vous gagnez \nun intérêt supplémentaire de","t":"A","i":1451},"Each time you draft\n an upgraded floorplan,":{"v":"Chaque fois que vous concevez\n un plan de niveau amélioré,","t":"A","i":2600},"Each time you draft\n an upgraded floorplan,":{"v":"À chaque fois que vous élaborez\nun plan d'étage amélioré,","t":"A","i":3171},"Each time you draft a floorplan,\nyou may permanently adjust its rarity.\n":{"v":"À chaque fois que vous concevez un plan d'étage,\nvous pouvez modifier définitivement sa rareté.\n","t":"A","i":2645},"Each time you draft a mechanical floorplan,\nyou may permanently adjust its rarity.\n":{"v":"Chaque fois que vous concevez un plan de sol mécanique,\nvous pouvez en ajuster définitivement la rareté.\n","t":"A","i":1979},"Each time you draft a BEDROOM, lose \n\nEach time you draft a HALLWAY, lose \n\nEach time you draft a GREEN ROOM, lose \n\nEach time you draft a SHOP, lose \n\n\n":{"v":"Chaque fois que vous piochez une CHAMBRE, perdez \n\nChaque fois que vous piochez un COULOIR, perdez \n\nChaque fois que vous piochez une LOGE, perdez \n\nChaque fois que vous piochez une BOUTIQUE, perdez \n\n\n","t":"A","i":1890},"Each time you draft a room on the\nQueenside (West Wing) of your house,\nlose [!v*0] and gain .":{"v":"À chaque fois que vous concevez une pièce sur la\nCôte Ouest (Aile Ouest) de votre maison,\nvous perdez [!v*0] et gagnez","t":"A","i":3337},"Each time you draft a room on the\nQueenside (West Wing) of your house,\nlose [!v*0] and gain .":{"v":"À chaque fois que vous concevez une pièce sur la\nCôte Ouest (Aile ouest) de votre maison,\nvous perdez [!v*0] et gagnez .","t":"A","i":3134},"Each time you draft a room on the\nQueenside (West Wing) of your house,\nlose [!v*0] and gain [!v*1] .":{"v":"À chaque fois que vous concevez une pièce sur la\nCôte Ouest (Aile ouest) de votre maison,\nvous perdez [!v*0] et gagnez [!v*1] .","t":"A","i":4113},"Each time you draft a shop, gain an ivory die.\n\nGain [!v*0] gold whenever you roll an ivory die.":{"v":"Chaque fois que vous créez une boutique, gagnez un dé d'ivoire.\n\nGagnez [!v*0] or à chaque fois que vous lancez un dé d'ivoire.","t":"A","i":2266},"Each time you draft a tomorrow room,":{"v":"Chaque fois que vous concevez une chambre de demain,","t":"A","i":1438},"Each time you eat an apple,":{"v":"À chaque fois que vous mangez une pomme,","t":"A","i":3805},"Each time you enter a room you will lose .\n\nWhen you no longer have\nany left, you will be too tired to continue\nsearching the manor and must call it a day.":{"v":"À chaque fois que vous entrez dans une pièce, vous perdrez .\n\nLorsque vous n'aurez plus\nde , vous serez trop fatigué pour continuer\nà explorer le manoir et devrez mettre un terme à la journée.","t":"H","i":205},"Each time you enter a room you will lose .\n\nWhen you no longer have any left, you will be too tired to continue searching the manor and must call it a day.":{"v":"À chaque fois que vous entrez dans une pièce, vous perdrez .\n\nLorsque vous n'aurez plus aucun , vous serez trop fatigué pour continuer à explorer le manoir et devrez mettre un terme à votre quête.","t":"A","i":4132},"Each time you enter a room you will lose .\n\nWhen you no longer have\nany left, you will be too tired to continue\nsearching the manor and must call it a day.":{"v":"À chaque fois que vous entrez dans une pièce, vous perdrez .\n\nLorsque vous n'aurez plus\naucun , vous serez trop fatigué pour continuer\nà explorer le manoir et devrez mettre un terme à votre quête.","t":"H","i":3035},"Each time you find some\n trash while digging,\n":{"v":"À chaque fois que vous trouvez des\n déchets en creusant,\n","t":"A","i":3493},"Each time you pull a\n different antechamber lever,":{"v":"Chaque fois que vous tirez sur\n un levier de vestibule différent,","t":"A","i":2330},"Each time you pull a\n different antechamber lever,":{"v":"Chaque fois que vous tirez sur\n un levier d'antichambre différent,","t":"A","i":1428},"Each time you unlock or\n bypass a security door,\n":{"v":"À chaque fois que vous débloquez ou contournez une porte de sécurité,\n \n","t":"A","i":4092},"Each time you unlock or\nbypass a security door,":{"v":"Chaque fois que vous déverrouillez ou\ncontournez une porte sécurisée,","t":"A","i":2015},"East Reddington Hospital":{"v":"Hôpital Est de Reddington","t":"A","i":1067},"Effective the first week of December, Payroll for all Live-out and Seasonal Staff will be managed electronically. As your attendance will no longer be registered at morning roll call, it is doubly important that you do not fail to clock in (and out) at one of the Electronic Computer terminals on the Estate.\n\nTwo of these terminals can be found at Security (where the punch-clock used to be)\nand in the Laboratory. \n\nAny questions or concerns regarding this process should be directed as always to our House Manager Mrs. Babbage.":{"v":"À compter de la première semaine de décembre, la paie de tout le personnel externe et saisonnier sera gérée électroniquement. Comme votre présence ne sera plus enregistrée lors de l'appel du matin, il est d'autant plus important de ne pas oublier de pointer (à l'entrée et à la sortie) sur l'un des terminaux informatiques électroniques du domaine.\n\nDeux de ces terminaux se trouvent à la Sécurité (là où se trouvait l'horloge d'émargement)\net au Laboratoire. \n\nToute question ou préoccupation concernant ce processus doit être adressée, comme d'habitude, à notre Intendante, Mme Babbage.","t":"A","i":573},"Effective the first week of December, Payroll for all Live-out and Seasonal Staff will be managed electronically. As your attendance will no longer be registered at morning roll call, it is doubly important that you do not fail to clock in (and out) at one of the Electronic Computer terminals on the Estate.\n\nTwo of these terminals can be found at Security (where the punch-clock used to be)\nand in the Laboratory. \n\nAny questions or concerns regarding this process should be directed as always to our House Manager Mrs. Babbage.\n":{"v":"À compter de la première semaine de décembre, la paie de tout le personnel externe et saisonnier sera gérée électroniquement. Comme votre présence ne sera plus enregistrée lors de l'appel du matin, il est d'autant plus important de ne pas oublier de pointer (à l'entrée et à la sortie) sur l'un des terminaux informatiques électroniques du domaine.\n\nDeux de ces terminaux se trouvent à la Sécurité (là où se trouvait l'horloge d'émargement)\net au Laboratoire. \n\nToute question ou préoccupation concernant ce processus doit être adressée, comme d'habitude, à notre Intendante, Mme Babbage.\n","t":"A","i":332},"Effective the first week of December, Payroll for all Live-out and Seasonal Staff will be managed electronically. As your attendance will no longer be registered at morning roll call, it is doubly important that you do not fail to clock in (and out) at one of the Electronic Computer terminals on the Estate.\n\nTwo of these terminals can be found at Security (where the punch-clock used to be) and in the Laboratory. \n\nAny questions or concerns regarding this process should be directed as always to our House Manager Mrs. Babbage.\n":{"v":"À compter de la première semaine de décembre, la paie de tout le personnel externe et saisonnier sera gérée électroniquement. Comme votre présence ne sera plus enregistrée lors de l'appel du matin, il est d'autant plus important de ne pas oublier de pointer (et de dépointer) sur l'un des terminaux informatiques électroniques du domaine.\n\nDeux de ces terminaux se trouvent à la Sécurité (là où se trouvait l'horloge de pointage) et au Laboratoire. \n\nToute question ou préoccupation concernant ce processus doit être adressée, comme d'habitude, à notre Intendante, Mme Babbage.\n","t":"A","i":2012},"Elswim Ajdau":{"v":"Elsuim Ajdau","t":"A","i":683},"Elswim Nevdau":{"v":"Elsuim Nevdaou","t":"A","i":937},"Empty Closet":{"v":"Armoire Vide","t":"A","i":4350},"End of Exam.":{"v":"Fin de l'examen.","t":"A","i":3917},"Enjoy a leisurely stroll on one of our many winding garden pathways, which can be accessed from both a west and south entry and are free to use without ticket purchase. ":{"v":"Profitez d'une promenade tranquille sur l'un de nos nombreux sentiers sinueux dans le jardin, accessibles depuis les entrées ouest et sud, et gratuits sans achat de billet. ","t":"A","i":4011},"Enjoy a leisurly stroll on one of our many winding garden pathways, which can be accessed from both a west and south entry and are free to use without ticket purchase. ":{"v":"Profitez d'une promenade paisible sur l'un de nos nombreux sentiers sinueux, accessibles par les entrées ouest et sud, et gratuits sans achat de billet. ","t":"A","i":2473},"Enshrined Ideals":{"v":"Idéaux sacrés","t":"A","i":757},"Entering FURNACE or SAUNA, after drafting FREEZER, will thaw any frozen gems or gold you are carrying and you will once again be able to use them. However, if you still wish your accounts to carry over to the next day, you will have to refreeze your assets again by re-entering FREEZER.":{"v":"En entrant dans le FOUR ou le SAUNA après avoir utilisé le CONGÉLATEUR, tout gemme ou or gelé que vous transportez sera décongelé et vous pourrez à nouveau les utiliser. Cependant, si vous souhaitez toujours que vos comptes soient conservés pour le lendemain, vous devrez à nouveau congeler vos actifs en réentrant dans le CONGÉLATEUR.","t":"A","i":2853},"Entering and exiting out through the west facing private drive, the Garage serves as a more practical and informal entrance point into the estate.":{"v":"En entrant et en sortant par l'allée privée orientée à l'ouest, le garage sert de point d'entrée plus pratique et informel vers le domaine.","t":"A","i":4562},"Entrance Hall":{"v":"Salle d'entrée","t":"A","i":1426},"Erase":{"v":"Effacer","t":"A","i":4231},"Escape Route":{"v":"Route de dénouement","t":"A","i":3217},"Estate Connectivity":{"v":"Connectivité du domaine","t":"A","i":1776},"Estate Connectivity . . . . . . . . . . . . . . . . . [!v*0]":{"v":"Connectivité du domaine . . . . . . . . . . . . . . . . . [!v*0]","t":"A","i":759},"Estate Layout and Drafting":{"v":"Disposition de la propriété et brouillon","t":"A","i":3270},"Estate Layout and Drafting . . . . . . . . . . . [!v*0]":{"v":"Disposition du domaine et rédaction . . . . . . . . . . . [!v*0]","t":"A","i":666},"Even better items can be found in the TRADING POST, that is, if you have something valuable to offer! This shop is frequented by local farmers and hunters who supply the estate with goods in exchange for a few shiny trinkets.":{"v":"On peut trouver de meilleurs objets au COMPTOIR D'ÉCHANGE, à condition d'avoir quelque chose de précieux à proposer ! Cette boutique est fréquentée par des fermiers et des chasseurs locaux qui fournissent le domaine en marchandises en échange de quelques bijoux étincelants.","t":"A","i":2488},"Even further underground, provisions are also stored in the estate's bomb shelter. The purpose of this, of course, like the root cellar, is preservation. However, in this case, it's the preservation of people rather than food, against fallout, radiation, and red rooms.":{"v":"Plus en profondeur encore, des provisions sont également stockées dans l'abri anti-bombes du domaine. Le but de celui-ci est, bien sûr, comme pour la cave à racines, la conservation. Toutefois, dans ce cas, il s'agit de la préservation des personnes plutôt que de la nourriture, à l'abri des retombées, des radiations et des chambres rouges.","t":"A","i":1582},"Every architect has experienced it. You're drafting your house, room by room, and everything is going smoothly. Suddenly, you realize there's only a single path available for expansion, and it is imperative you draft a hallway, or else your design will have no hope of further development. But, on the critical draw, the drafting gods offer you nothing but dead ends, rooms with no exit and even fewer prospects. Dead ends are the death":{"v":"Tout architecte l’a vécu. Vous dessinez votre maison, pièce par pièce, et tout se passe bien. Soudain, vous réalisez qu’il ne reste qu’une seule voie de développement, et qu’il est impératif de tracer un couloir, sinon votre conception n’a aucune chance d’évoluer. Mais, au moment crucial, les dieux du dessin ne vous offrent que des impasses, des pièces sans issue et encore moins de perspectives. Les impasses","t":"A","i":1619},"Every architect needs them.":{"v":"Chaque architect en a besoin.","t":"A","i":2284},"Excavation progress is going smoothly and crew spirits are higher than they have been in weeks. I believe this increase in morale is in no small part due to the installation of the boiler which has honestly been a godsend. We now have steam power and no longer have to rely on raw muscle to scrape and heave at the clay like dogs. \n\nThe new steam-power hoists and winches are fully operational and we have been able to unearth over five times as much sediment per shift as we had been previously excavating.\n":{"v":"Les travaux d'excavation avancent bien et le moral de l'équipe est plus élevé qu'il ne l'était depuis des semaines. Je pense que cette hausse du moral est en grande partie due à l'installation de la chaudière, qui a été un véritable coup de chance pour nous. Nous disposons désormais de la vapeur et n'avons plus besoin de compter uniquement sur la force brute pour gratter et soulever la terre comme des chiens.\n\nLes nouveaux treuils et palans à vapeur sont pleinement opérationnels et nous avons pu dégager plus de cinq fois plus de sédiments par poste que lors de nos précédentes excavations.\n","t":"A","i":3016},"Experiment Setup\n\nResearch Logs\n\nPause Experiment\n\nLogin to Network\n\nExit":{"v":"Configuration de l'expérience\n\nJournaux de recherche\n\nMettre en pause l'expérience\n\nSe connecter au réseau\n\nQuitter","t":"A","i":3593},"Experiment Setup\n\nResearch Logs\n\nPause Experiment\n\nPacket Management\n\nLogin to Network\n\nExit":{"v":"Configuration de l'expérience\n\nJournaux de recherche\n\nMettre en pause l'expérience\n\nGestion des paquets\n\nConnexion au réseau\n\nQuitter","t":"A","i":3729},"Experiment Successful":{"v":"Expérience réussie","t":"A","i":2182},"Explain to him, if you can, the intersection between foolishness and doctrine. The thin wire we stood upon, above the world, holding hands and throwing stones. \n\n Holding hands and throwing stones.\n\n In those days, we were guilty of everything.":{"v":"Explique-lui, si tu le peux, l'intersection entre la sottise et la doctrine. Le fil tendu sur lequel nous nous tenions, au-dessus du monde, la main dans la main, jetant des pierres. \n\n La main dans la main, jetant des pierres.\n\n En ces jours-là, nous étions coupables de tout.","t":"A","i":2107},"F":{"v":"F","t":"A","i":465},"Fo m r i c ":{"v":"Fo m e r i ","t":"A","i":1049},"FA [!v*0] - FENN ARIES":{"v":"FA [!v*0] - FENN ARIES","t":"A","i":2694},"FEATHERFALL KEEP, ORIS, FENN ARIES":{"v":"BARRAGE DE PLUMES, ORIS, FÉNIX ARRIÈS","t":"A","i":3413},"FEATURES":{"v":"FONCTIONNALITÉS","t":"A","i":2382},"FEAUTRES":{"v":"AUTRES","t":"A","i":612},"FEB [!v*0] - '[!v*1]":{"v":"FÉV [!v*0] - '[!v*1]","t":"A","i":2788},"FEBRUARY":{"v":"FÉVRIER","t":"A","i":4826},"FENN":{"v":"FENN","t":"A","i":327},"FENN ARIES":{"v":"FENN ARIES","t":"A","i":2867},"FENN ARIES\nROBERT BIRD & SONS\n[!v*0]":{"v":"FENN ARIES\nROBERT BIRD & FILS\n[!v*0]","t":"A","i":1383},"FENN ARIES BORDERS\nA POETIC REALM.":{"v":"FENN ARIES FRONTIÈRES\nUN DOMAINE POÉTIQUE.","t":"A","i":736},"FENN ARIES PATENT OFFICE":{"v":"BUREAU DES BREVETS DE FENN ARIES","t":"A","i":3920},"FENNMORA":{"v":"FENNIMORA","t":"A","i":3467},"FFIGY":{"v":"FFIGY","t":"A","i":1999},"FINAL EXAM":{"v":"EXAMEN FINAL","t":"A","i":1132},"FINAL EXAM":{"v":"EXAMEN FINAL","t":"A","i":4052},"FINAL EXAM GRADE":{"v":"NOTE FINALE","t":"A","i":1952},"FINALIZE":{"v":"FINALISER","t":"A","i":3377},"FIRST CITY\nOF STEEL":{"v":"PREMIÈRE VILLE\nD'ACIER","t":"A","i":2296},"FIT THE LOCK":{"v":"ADAPTER LA SERRURE","t":"A","i":1405},"FIVE APPLES\nFIVE BANANAS\nFIVE ORANGES":{"v":"CINQ POMMES\nCINQ BANANES\nCINQ ORANGES","t":"A","i":756},"FIVE OF THESE CLOCKS\nSHOULD BE SET TO A TIME\nENDING \"ON THE HOUR\"\n":{"v":"CINQ DE CES HORLOGES\nDOIVENT ÊTRE RÉGLÉES SUR UNE HEURE\nFINISSANT « À L'HEURE PILE »\n","t":"A","i":1127},"FIve of these clocks\nshould be set to A TIME\nENDING \"ON THE HOUR\".":{"v":"Cinq de ces horloges\ndevraient être réglées sur une heure\nFINISSANT « À L'HEURE PILE ».","t":"A","i":2247},"FLAN":{"v":"FLAN","t":"A","i":3664},"FLOORPLAN":{"v":"PLAN","t":"A","i":190},"FLOORPLAN\n\n\nPROGRAM":{"v":"PLAN DU BÂTIMENT\n\n\nPROGRAMME","t":"A","i":3542},"FLOORPLAN CONSERVATION":{"v":"CONSERVATION DU PLAN","t":"A","i":536},"FLUFF & FOLD":{"v":"DUVET & PLI","t":"A","i":1521},"FNU Axshog":{"v":"FNU Axshog","t":"A","i":549},"FOOTAGE NOT FOUND":{"v":"AUCUNE SÉQUENCE TROUVÉE","t":"A","i":2390},"FOR EVERY \n IN YOUR HOUSE":{"v":"POUR CHAQUE \n DE MAISON","t":"A","i":2007},"FORCED ENTRY":{"v":"ENTRÉE FORCÉE","t":"A","i":3110},"FOREIGN LANGUAGE CLASS":{"v":"CLASSE DE LANGUE ÉTRANGÈRE","t":"A","i":588},"FOREMAN'S LOG: ______ DATE: _______":{"v":"JOURNAL DU CHEF D'ÉQUIPE : ______ DATE : _______","t":"A","i":1452},"FOREWORD":{"v":"AVANT-PROPOS","t":"A","i":3806},"FOUND FLOORPLANS":{"v":"PLANS DES ÉTAGES TROUVÉS","t":"A","i":1505},"FOUNDATION":{"v":"FONDATION","t":"A","i":294},"FOYER":{"v":"FOYER","t":"A","i":1997},"FPS LIMIT":{"v":"LIMITATION DES IPS","t":"A","i":75},"FREDDY":{"v":"FREDDY","t":"A","i":1212},"FREE SPIN":{"v":"TOURNANT LIBRE","t":"A","i":2246},"FREE ACCESS":{"v":"ACCÈS LIBRE","t":"A","i":2072},"FRUIT COCKTAIL":{"v":"FRUIT COCKTAIL","t":"A","i":2176},"FULL HOUSE TROPHY":{"v":"TROPHÉE MAISON PLEINE","t":"A","i":216},"FULLSCREEN":{"v":"Plein écran","t":"A","i":95},"FUN":{"v":"AMUSANT","t":"A","i":523},"FUN FOR THE\nFAMILY!":{"v":"AMUSEMENT POUR\nTOUTE LA FAMILLE !","t":"A","i":1278},"FURNACE":{"v":"FOURNEAU","t":"A","i":2882},"Face & Ace":{"v":"Face et As","t":"A","i":562},"Fantastic job !":{"v":"Travail fantastique","t":"A","i":1296},"Far from the port towns of the\nlesser islands, the academies of ":{"v":"Loin des ports des\npetites îles, les académies ","t":"A","i":1415},"Farmer's Apple\nApples are extra delicious today":{"v":"Pomme du Fermier\nLes pommes sont particulièrement délicieuses aujourd'hui","t":"A","i":2666},"Featherfall Keep":{"v":"Château de la Plume","t":"A","i":3715},"Feb [!v*0] '[!v*1]":{"v":"[!v*0] fév. [!v*1]","t":"A","i":887},"Feb [!v*0] '[!v*1]":{"v":"févr. [!v*0] '[!v*1]","t":"A","i":1079},"February [!v*0] - ":{"v":"Février [!v*0] ","t":"A","i":963},"February [!v*0] - ":{"v":"[!v*0] février - ","t":"A","i":1013},"February [!v*0]th, [!v*1]\n\nA few months ago I made a truly remarkable discovery in my role of Mt. Holly horticulturist. Through years of breeding and experimentation, I successfully created a new species of flower with a fruit that resembles a gemstone in every detail. Although the fruit is not edible, it is nevertheless a marvel of nature, possessing all the beauty and brilliance of a genuine jewel, but with the added benefit of being entirely organic.\n\nDespite the creation of this flower being my proudest accomplishment to date, my joy was slightly curbed when I was informed by Randolph Moore that my employer's company, SYNKA, had decided to deny my request to announce my discovery to the public, completely disregarding my years of hard work and dedication to this project.":{"v":"Le [!v*0] février, [!v*1]\n\nil y a quelques mois, j'ai réalisé une découverte véritablement remarquable dans mon rôle d'horticulteur de Mt. Holly. Après des années d'élevage et d'expérimentation, j'ai réussi à créer une nouvelle espèce de fleur dont le fruit ressemble à un gemme en tous points. Bien que ce fruit ne soit pas comestible, il constitue néanmoins un miracle de la nature, possédant toute la beauté et l'éclat d'un véritable bijou, mais avec l'avantage supplémentaire d'être entièrement organique.\n\nMalgré le fait que la création de cette fleur soit mon accomplissement le plus fier à ce jour, ma joie a été légèrement freinée lorsque Randolph Moore m'a informé que l'entreprise de mon employeur, SYNKA, avait décidé de refuser ma demande d'annoncer ma découverte au public, ignorant complètement mes années de travail acharné et de dévouement envers ce projet.","t":"A","i":2904},"Feeling motion sickness, dizziness, or disorientation while moving or turning? We've gathered the relevant settings here, along with recommended adjustments to reduce motion discomfort.\n":{"v":"Vous ressentez des nausées, des vertiges ou une désorientation en vous déplaçant ou en tournant ? Nous avons regroupé les paramètres pertinents ici, ainsi que des ajustements recommandés pour réduire l'inconfort lié au mouvement.\n","t":"A","i":90},"Fenn Aries":{"v":"Fenn Aries","t":"A","i":428},"Fenn Aries\nThe Grand Realm\n\n\n\n\nTransportation: Road/Carriage\n\nWeather: Foggy\n\nSociety: Militaristic\n\nBanner: Red":{"v":"Fenn Aries\nLe Grand Royaume\n\n\n\n\nTransport : Route/Carrosse\n\nMétéo : Brumeux\n\nSociété : Militariste\n\nBannière : Rouge","t":"A","i":1798},"Field of View":{"v":"Champ de vision","t":"A","i":134},"Field of view":{"v":"Champ de vision","t":"A","i":125},"Fill in each object below with its correct color!":{"v":"Remplissez chaque objet ci-dessous avec sa bonne couleur !","t":"A","i":842},"Finding it won't be easy.":{"v":"Le trouver ne sera pas facile.","t":"A","i":3637},"First Item Checked\n_____________\n\n\n\n\n\n\n\n\n\n\n\n\n\n_____________":{"v":"Premier article vérifié\n_____________\n\n\n\n\n\n\n\n\n\n\n\n\n\n_____________","t":"A","i":2824},"Five Combos You Won't Want to Miss . . . . . [!v*0]":{"v":"Cinq combos à ne pas manquer . . . . . [!v*0]","t":"A","i":1625},"Five Combos You Won't Want to Miss!":{"v":"Cinq combinaisons que vous ne voudrez pas manquer !","t":"A","i":3158},"Five combos you won't want to miss . . . . . . [!v*0]":{"v":"Cinq combos à ne pas manquer . . . . . . [!v*0]","t":"A","i":1088},"Floorplans":{"v":"Plans","t":"A","i":1325},"Floorplans adorned by borders of golden yellow are Shops that typically offer goods or a service in exchange for coins.":{"v":"Les plans de sol bordés de jaune doré sont des boutiques qui proposent généralement des marchandises ou des services en échange de pièces.","t":"A","i":4538},"Floorplans of the chosen color are\nmore common today.":{"v":"Les plans de cette couleur sont\nplus courants aujourd'hui.","t":"A","i":1374},"Floorplans that are hidden from view after drafting ARCHIVES are considered ‘ARCHIVED FLOORPLANS’.":{"v":"Les plans de sol masqués après la rédaction des ARCHIVES sont considérés comme « PLANS DE SOL ARCHIVÉS ».","t":"A","i":4442},"Fluorine Uranium Nitrogen":{"v":"Fluore Uranium Azote","t":"A","i":456},"For Sale Today":{"v":"En vente aujourd'hui","t":"A","i":2194},"For each bedroom you draft\n after your second,\n":{"v":"Pour chaque chambre que vous élaborez\n après votre deuxième,\n","t":"A","i":3539},"For each different type of \n. SPREAD that you do each day, add an extra dish to the DINING ROOM.\n":{"v":"Pour chaque type de VARIÉTÉ que vous faites chaque jour, ajoutez un plat supplémentaire à la SALLE À MANGER.\n\n","t":"A","i":1568},"For each different type of SPREAD that you do each day, add an extra dish to the DINING ROOM.\n":{"v":"Pour chaque type de SPREAD différent que vous faites chaque jour, ajoutez un plat supplémentaire dans la SALLE À MANGER.\n","t":"A","i":3018},"For each different type of spread that you do today, add an extra dish to the Dining Room.\n":{"v":"Pour chaque type de plat différent que vous préparez aujourd'hui, ajoutez un plat supplémentaire dans la Salle à manger.\n","t":"A","i":4111},"For each room with\n a fireplace you draft,":{"v":"Pour chaque pièce avec\nune cheminée que vous concevez,","t":"A","i":3223},"For each room with\n a fireplace you draft,\n":{"v":"Pour chaque pièce avec\n une cheminée que vous dessinez,\n","t":"A","i":1517},"For each room you draft\n in the next [!v*0] seconds,":{"v":"Pour chaque pièce que vous concevez\n dans les [!v*0] prochaines secondes,","t":"A","i":1873},"For every room you draft\n within the next [!v*0] seconds,\n":{"v":"Pour chaque pièce que vous esquissez\n dans les [!v*0] prochaines secondes,\n","t":"A","i":2845},"For larger special events, the lot west is opened to serve for overflow parking should the main South lot be at maximum capacity.":{"v":"Pour les événements spéciaux plus importants, le lot ouest est ouvert pour servir de stationnement de débordement en cas où le lot principal du sud atteint sa capacité maximale.","t":"A","i":3073},"For maybe my friends,\nWon't like the real me.":{"v":"Pour peut-être mes amis,\nNe aimeront pas le vrai moi.","t":"A","i":2844},"For special events of a certain magnitude, the lot west is opened to serve for overflow parking should the main south lot be at maximum capacity.":{"v":"Pour les événements spéciaux d'une certaine ampleur, le lot ouest est ouvert pour servir de stationnement de déversement en cas où le lot sud principal atteint sa capacité maximale.","t":"A","i":3411},"For the endeavoring gardener, a WATERING CAN is a fundamental tool. But did you know, you can refill this item with ? All you need to do is find a faucet with running water.":{"v":"Pour le jardinier acharné, une ARROSEUR est un outil fondamental. Mais saviez-vous que vous pouvez recharger cet objet avec ? Tout ce que vous devez faire est de trouver un robinet avec de l'eau qui coule.","t":"A","i":3568},"For the last [!v*0] years, it has been my pleasure of serving as your schoolmaster in this humble little facility. And meager as it may look by modern standards, I think most of us who spent our afternoons here will readily admit that we are reluct to see this small piece of Reddingon history go.\n\nI first wish to thank Lady Epson, our most gracious host today, for not only paying attention in my classes those many years ago - but for all the fundraising she has done on behalf of our community and our children. Without her, Reddington Elementary would still be a distant and blurry vision. A vision that I dared not even dream. \n\nThat dreamer is of course, the incomparable Mrs. Peterson, our future principal and my reluctant successor who I might add, forced me to give this speech, so I think I’ll end my praise of her there, though she deserves much more I’ll admit.\n\nTo the architect of our new school, the Baron Sinclair, thank you for following in your father’s footsteps in building Reddington yet another school. And for also allowing the use of your own private residence and floorplans to serve as our interim facility until the new campus is completed in March. A decision, I’m certain he will immediately regret tomorrow morning when he hears the children running through his halls.\n\n":{"v":"Pour les dernières [!v*0] années, il a été un plaisir pour moi de servir en tant que directeur de votre école dans cet humble petit établissement. Et si ce lieu peut paraître modeste aux yeux des standards modernes, je pense que la plupart d'entre nous qui avons passé nos après-midi ici admettront volontiers que nous sommes réticents à voir cette petite pièce de l'histoire de Reddingon disparaître.\n\nJe tiens tout d'abord à remercier Lady Epson, notre hôte le plus gracieux aujourd'hui, non seulement pour avoir fait attention à mes cours il y a tant d'années, mais aussi pour tous les fonds qu'elle a levés au nom de notre communauté et de nos enfants. Sans elle, l'école élémentaire Reddington serait toujours une vision lointaine et floue. Une vision que je n'osais même pas rêver.\n\nCe rêveur est bien sûr, l'incomparable Mme Peterson, notre future directrice et mon successeur réticent, qui, j'ajoute, m'a forcé à prononcer ce discours ; donc, je pense que j'en finirai là avec mes éloges envers elle, même si elle mérite beaucoup plus, je l'avoue.\n\nÀ l'architecte de notre nouvelle école, le Baron Sinclair, merci d'avoir suivi les pas de votre père en construisant une autre école à Reddingon. Et pour avoir également autorisé l'utilisation de votre propre résidence privée et de vos plans d'étage afin de servir d'établissement provisoire jusqu'à ce que le nouveau campus soit achevé en mars. Une décision, je suis certain qu'il regrettera immédiatement demain matin lorsqu'il entendra les enfants courir dans ses couloirs.\n\n","t":"A","i":3608},"For the last [!v*0] years, it has been my pleasure of serving as your schoolmaster in this humble little facility. And meager as it may look by modern standards, I think most of us who spent our afternoons here will readily admit that we are reluct to see this small piece of Reddington history go.\n\nI first wish to thank Lady Epsen, our most gracious host today, for not only paying attention in my classes those many years ago - but for all the fundraising she has done on behalf of our community and our children. Without her, Reddington Elementary would still be a distant and blurry vision. A vision that I dared not even dream. \n\nThat dreamer is of course, the incomparable Mrs. Peterson, our future principal and my reluctant successor who I might add, forced me to give this speech, so I think I’ll end my praise of her there, though she deserves much more I’ll admit.\n\nTo the architect of our new school, the Baron Sinclair, thank you for following in your father’s footsteps in building Reddington yet another school. And for also allowing the use of your own private residence and floorplans to serve as our interim facility until the new campus is completed in March. A decision, I’m certain he will immediately regret tomorrow morning when he hears the children running through his halls.\n\n":{"v":"Ces [!v*0] dernières années, j’ai eu le plaisir de servir de directeur d’école dans cette modeste petite institution. Et aussi modeste qu’elle puisse paraître aux standards actuels, je pense que la plupart d’entre nous qui avons passé nos après-midis ici admettront volontiers que nous sommes réticents à voir disparaître ce petit morceau d’histoire de Reddington.\n\nJe tiens d’abord à remercier Lady Epsen, notre hôtesse la plus gracieuse aujourd’hui, non seulement pour avoir prêté attention à mes cours il y a tant d’années, mais aussi pour toutes les collectes de fonds qu’elle a organisées au nom de notre communauté et de nos enfants. Sans elle, l’école élémentaire de Reddington serait encore une vision lointaine et floue. Une vision que j’osais à peine rêver. \n\nCette rêveuse est bien sûr l’incomparable Mme Peterson, notre future directrice et ma réticente successeure, à qui j’ajouterai qu’elle m’a forcé à prononcer ce discours, si bien que je pense m’arrêter là dans mes éloges à son encontre, bien qu’elle mérite bien plus, je l’avoue.\n\nÀ l’architecte de notre nouvelle école, le Baron Sinclair, merci d’avoir suivi les pas de votre père en construisant une autre école à Reddington. Et pour avoir également autorisé l’utilisation de votre propre résidence privée et de ses plans pour servir d’établissement provisoire jusqu’à l’achèvement du nouveau campus en mars. Une décision qu’il regrettera, je suis certain, dès demain matin lorsqu’il entendra les enfants courir dans ses couloirs.\n\n","t":"A","i":2526},"For the last [!v*0] years, it has been my pleasure of serving as your schoolmaster in this humble little facility. And meager as it may look by modern standards, I think most of us who spent our afternoons here will readily admit that we are reluct to see this small piece of Reddington history go.\n\nI first wish to thank Lady Epson, our most gracious host today, for not only paying attention in my classes those many years ago - but for all the fundraising she has done on behalf of our community and our children. Without her, Reddington Elementary would still be a distant and blurry vision. A vision that I dared not even dream. \n\nThat dreamer is of course, the incomparable Mrs. Peterson, our future principal and my reluctant successor who I might add, forced me to give this speech, so I think I’ll end my praise of her there, though she deserves much more I’ll admit.\n\nTo the architect of our new school, the Baron Sinclair, thank you for following in your father’s footsteps in building Reddington yet another school. And for also allowing the use of your own private residence and floorplans to serve as our interim facility until the new campus is completed in March. A decision, I’m certain he will immediately regret tomorrow morning when he hears the children running through his halls.\n\n":{"v":"Ces [!v*0] dernières années, j’ai eu le plaisir de servir de directeur d’école dans cette modeste petite institution. Et aussi modeste qu’elle puisse paraître aux standards actuels, je pense que la plupart d’entre nous qui avons passé nos après-midis ici admettront volontiers que nous sommes réticents à voir disparaître ce petit morceau d’histoire de Reddington.\n\nJe tiens d’abord à remercier Lady Epson, notre hôtesse la plus gracieuse aujourd’hui, non seulement pour avoir prêté attention à mes cours il y a tant d’années, mais aussi pour tout le travail de collecte de fonds qu’elle a réalisé au nom de notre communauté et de nos enfants. Sans elle, l’école élémentaire de Reddington serait encore une vision lointaine et floue. Une vision que j’osais à peine rêver. \n\nCette rêveuse est bien sûr l’incomparable Mme Peterson, notre future directrice et ma réticente successeure, à qui j’ajouterai que c’est elle qui m’a forcé à prononcer ce discours, si bien que je pense m’arrêter là dans mes éloges à son égard, bien qu’elle mérite bien plus, je l’avoue.\n\nÀ l’architecte de notre nouvelle école, le baron Sinclair, merci d’avoir suivi les pas de votre père en construisant une autre école à Reddington. Et pour avoir également autorisé l’utilisation de votre propre résidence privée et de ses plans pour servir d’établissement provisoire jusqu’à l’achèvement du nouveau campus en mars. Une décision qu’il regrettera, je suis certain, dès demain matin lorsqu’il entendra les enfants courir dans ses couloirs.\n\n","t":"A","i":363},"For the lazier tourists wishing to stay in town, one might try braving the Mainway Station Bazaar. But don’t be too hasty. Without proper guidance, the Mainway Station can be a dangerous place. Located underground in Downtown Reddington, this unique marketplace was once Reddington’s railway station, back when the realm’s trains were still in service. Now the turnstiles, footbridge and platform have been appropriated and turned into a cavern of tents and torches. \n\nWhether you are bargain hunting, looking for adventure, or finding a souvenir to commemorate your visit, the Mainway Station Bazaar will be a worthy conclusion to your sightseeing adventure in Reddington.":{"v":"Pour les touristes les plus paresseux souhaitant rester en ville, on peut tenter de braver le Bazar de la Gare Principale. Mais ne vous précipitez pas. Sans un guide approprié, la Gare Principale peut être un lieu dangereux. Située sous terre dans le centre-ville de Reddington, ce marché unique était autrefois la gare ferroviaire de Reddington, à l’époque où les trains du royaume étaient encore en service. Aujourd’hui, les tourniquets, le pont piétonnier et le quai ont été réquisitionnés et transformés en une caverne de tentes et de torches. \n\nQue vous soyez à la recherche de bonnes affaires, d’aventure, ou d’un souvenir pour commémorer votre visite, le Bazar de la Gare Principale sera une conclusion digne de votre excursion touristique à Reddington.","t":"A","i":1722},"For the next one minute, you will not\nlose when entering rooms, when opening doors or when drafting special rooms.\n":{"v":"Pendant la minute suivante, vous ne perdrez pas\nen entrant dans les pièces, en ouvrant les portes ou en tirant des pièces spéciales.\n","t":"A","i":2396},"For the sentimental tourists wishing to pick up a souvenir to remember their stay, one might try braving the Mainway Station Bazaar. But don't be too hasty. Without proper guidance, the Mainway Station can be a dangerous place. Located underground, this unique marketplace was once Reddington's central railway station, in a time when the realm's trains were still in service. Now the turnstiles, footbridge, and platform have been appropriated and turned into a cavern of tents and torches.\n\n\nWhether you are bargain hunting, looking for adventure, or finding a memento to commemorate your visit, the Mainway Station Bazaar will be a worthy conclusion to your sightseeing adventure in Reddington.":{"v":"Pour les touristes sentimentaux souhaitant ramener un souvenir de leur séjour, on pourrait tenter de s'aventurer dans le Marché du Gare Principale. Mais ne soyez pas trop pressé. Sans une bonne direction, la Gare Principale peut être un endroit dangereux. Située en sous-sol, cette place unique fut jadis la gare ferroviaire centrale de Reddington, à une époque où les trains du royaume étaient encore en service. Aujourd'hui, les barrières d'accès, le pont piétonnier et la plateforme ont été réaménagés pour former une caverne de tentes et de torches.\n\n\nQue vous cherchiez des affaires, l'aventure ou un memento pour commémorer votre visite, le Marché du Gare Principale sera une conclusion digne à votre aventure touristique dans Reddington.","t":"A","i":3043},"For they know me best,\nor so they pretend.":{"v":"Car ils me connaissent le mieux,\nou du moins, c'est ce qu'ils prétendent.","t":"A","i":1640},"For they will do it for me,\nand on my behalf.":{"v":"Car ils le feront pour moi,\net en mon nom.","t":"A","i":2495},"For this is, despite everything else, a land rich in history, a land of myth and wonder, a land that sprung forth the greatest empire the world has ever seen, the land of our fathers, of our mothers, and of our children. \n\nThis land is, after all that has happened… \n":{"v":"Ceci est, malgré tout le reste, une terre riche en histoire, une terre de mythes et d'émerveillement, une terre qui a vu naître le plus grand empire que le monde ait jamais connu, la terre de nos pères, de nos mères et de nos enfants. \n\nCette terre est, après tout ce qui s'est passé… \n","t":"A","i":2841},"For this setting, we recommend you experiment to find the right FOV settings for you.\n\nFor many people suffering from motion discomfort, increasing the field of view has helped. But for a smaller minority, relief was found at lower levels.":{"v":"Pour ce réglage, nous vous recommandons d’expérimenter afin de trouver les paramètres de FOV qui vous conviennent.\n\nPour de nombreuses personnes souffrant de malaise lié au mouvement, l’augmentation du champ de vision a été bénéfique. Mais pour une minorité, le soulagement a été trouvé à des niveaux plus bas.","t":"A","i":137},"For you are looking for a new clue too!":{"v":"Pour toi aussi, tu cherches une nouvelle indice !","t":"A","i":2910},"Fragments of information that have cost me plenty, for our country is never short of opportunists and blackmailers.\n\nStill, as I am now dead, I don't want this knowledge to be buried with me, even if that means passing the burden of these fragments onto you. Even if that information may weigh even heavier on your head than the crown involved.":{"v":"Des fragments d’informations qui m’ont coûté cher, car notre pays ne manque jamais d’opportunistes et de chantageurs.\n\nPourtant, étant désormais mort, je ne veux pas que ces connaissances soient ensevelies avec moi, même si cela signifie vous transmettre le fardeau de ces fragments. Même si ces informations pourraient peser plus lourd sur votre tête que la couronne en question.","t":"A","i":1447},"Freezer":{"v":"Congélateur","t":"A","i":3800},"From classic compasses and T-squares to state-of-the-art software upgrades, the variety of drafting tools available to architects today is staggering. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAs we navigate this diverse landscape, regardless of whether you are a seasoned professional seeking to refine your toolkit or a budding draftsman searching for a basic set of instruments, the following articles will provide invaluable insights and guidance for architects of all levels.":{"v":"Des compas classiques et des équerres T aux mises à jour logicielles de pointe, la variété des outils de dessin disponibles aujourd'hui pour les architectes est stupéfiante. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nEn naviguant dans ce paysage diversifié, qu'il s'agisse d'un professionnel chevronné cherchant à affiner son kit ou d'un dessinateur débutant à la recherche d'un ensemble d'instruments de base, les articles suivants offriront des aperçus et des conseils inestimables pour les architectes de tous niveaux.","t":"A","i":4101},"From what I was told, I believe Margle's directory is\ncurrently [!v*0] rooms short of completion. No cause for concern yet\nas Uncle has thankfully removed pump room from the draft pool.":{"v":"D'après ce que j'ai été dit, je crois que le répertoire de Margle manque encore de [!v*0] salles pour être achevé\nPas d'inquiétude pour l'instant\npuisque Oncle a heureusement retiré la salle des pompes du pool de brouillon.","t":"A","i":3869},"Function Successful.\n\nA number of gold coins\nhave been withdrawn from\nthe Sta":{"v":"Fonction réussie.\n\nUn certain nombre de pièces d'or\nont été retirées de\nla Sta","t":"A","i":4295},"Function Successful.\n\nA number of gold coins\nhave been withdrawn from\nthe Staf":{"v":"Fonction réussie.\n\nUn certain nombre de pièces d'or\nont été retirées de\nla Staf","t":"A","i":4296},"Function Successful.\n\nA number of gold coins\nhave been withdrawn from\nthe Staff ":{"v":"Fonction réussie.\n\nUn certain nombre de pièces d'or\nont été retirées de\nla Baguette ","t":"A","i":4297},"Function Successful.\n\nA number of gold coins\nhave been withdrawn from\nthe Staff I":{"v":"Fonction réussie.\n\nUn certain nombre de pièces d'or\nont été retirées de\nla Baguette I","t":"A","i":4298},"Function Successful.\n\nA number of gold coins\nhave been withdrawn from\nthe Staff Inc":{"v":"Fonction réussie.\n\nUn certain nombre de pièces d'or\nont été retirées de\nla Staff Inc","t":"A","i":4299},"Function Successful.\n\nA number of gold coins\nhave been withdrawn from\nthe Staff Ince":{"v":"Fonction réussie.\n\nUn certain nombre de pièces d'or\nont été retirées de\nla Staff Ince","t":"A","i":4300},"Function Successful.\n\nA number of gold coins\nhave been withdrawn from\nthe Staff Incen":{"v":"Fonction réussie.\n\nUn certain nombre de pièces d'or\nont été retirées de\nla Staff Incen","t":"A","i":4301},"Function Successful.\n\nA number of gold coins\nhave been withdrawn from\nthe Staff Incent":{"v":"Fonction réussie.\n\nUn certain nombre de pièces d'or\nont été retirées de\nla Prime du personnel","t":"A","i":4302},"Function Successful.\n\nA number of gold coins\nhave been withdrawn from\nthe Staff Incenti":{"v":"Fonction réussie.\n\nUn certain nombre de pièces d'or\nont été retirées de\nla Staff Incenti","t":"A","i":4303},"Function Successful.\n\nA number of gold coins\nhave been withdrawn from\nthe Staff Incentiv":{"v":"Fonction réussie.\n\nUn certain nombre de pièces d'or\nont été retirées de\nla Staff Incentiv","t":"A","i":4304},"Function Successful.\n\nA number of gold coins\nhave been withdrawn from\nthe Staff Incentive":{"v":"Fonction réussie.\n\nUn certain nombre de pièces d'or\nont été retirées de\nla Prime du Personnel","t":"A","i":4305},"Function Successful.\n\nA number of gold coins\nhave been withdrawn from\nthe Staff Incentives\nProgram and spread\nthroughout the estate.\n":{"v":"Fonction réussie.\n\nUn certain nombre de pièces d'or\nont été retirées du\nprogramme Incitatifs pour le personnel\net dispersées dans\nl'ensemble des domaines.\n","t":"A","i":3592},"Furnace":{"v":"Fourneau","t":"A","i":3214},"Further west, the Royal Museum's dedicate and now defunct train station sits and has been converted into a resteraunt for our patrons to enjoy after visiting the museum.":{"v":"Plus à l'ouest, la gare dédiée et désormais fermée du Musée royal est située et a été convertie en restaurant pour que nos clients puissent s'y restaurer après avoir visité le musée.","t":"A","i":3196},"Further west, the Royal Museum's dedicated and now defunct train station sits and has been converted into a restaurant for our patrons to enjoy after visiting the museum.":{"v":"Plus à l'ouest, la gare dédiée du Musée Royal, désormais fermée, est installée et a été convertie en un restaurant pour que nos clients puissent s'y détendre après avoir visité le musée.","t":"A","i":3137},"G":{"v":"G","t":"A","i":467},"G As ":{"v":"G En ","t":"A","i":797},"Game Over":{"v":"Jeu Sur","t":"A","i":2803},"GALLERY":{"v":"GALERIE","t":"A","i":2471},"GAMBIT\nOF THE QUEEN":{"v":"GAMBIT\nDE LA REINE","t":"A","i":3226},"GAMBIT OF THE QUEEN":{"v":"LE GAMBIT DE LA REINE","t":"A","i":3031},"GAME CONTROLS":{"v":"COMMANDES DU JEU","t":"A","i":79},"GARAGE":{"v":"GARAGE","t":"A","i":320},"GARDEN PATHWAY":{"v":"CHEMIN D'ACCÈS AU JARDIN","t":"A","i":3280},"GARDENER'S LOGBOOK":{"v":"JOURNAL DU JARDINIER","t":"A","i":764},"GARDENS":{"v":"JARDINS","t":"A","i":2081},"GEAR WRENCH":{"v":"CLÉ À BOITE","t":"A","i":4115},"GEM ([!v*0])":{"v":"GEM ([!v*0])","t":"V","i":4734},"GEM COST:":{"v":"COUT EN GEMMES :","t":"A","i":2525},"GEM REQUIREMENT":{"v":"EXIGENCE EN GEMMES","t":"A","i":1805},"GEMS":{"v":"GEMMES","t":"A","i":4095},"GENERAL TESKIN":{"v":"GÉNÉRAL TESKIN","t":"A","i":3691},"GEOGRAPHY":{"v":"GÉOGRAPHIE","t":"A","i":2745},"GEOGRAPHY WORKSHEET":{"v":"GÉOGRAPHIE FICHE DE TRAVAIL","t":"A","i":795},"GGS":{"v":"GGS","t":"A","i":2671},"GIANT":{"v":"GEANT","t":"A","i":3946},"GIFT":{"v":"CADEAU","t":"A","i":233},"GIFT SHOP":{"v":"BOUTIQUE DE CADEAUX","t":"A","i":3388},"GLOSSARY OF TERMS":{"v":"GLOS SAIRE DES TERMES","t":"A","i":3335},"GLUTTONY":{"v":"GOURMANDISE","t":"A","i":541},"GNIFYING":{"v":"SIGNIFIANT","t":"A","i":1577},"GOLD":{"v":"OR","t":"A","i":1674},"GOLD (COINS)":{"v":"OR (PIÈCES)","t":"A","i":4485},"GOLDEN SUNRISE SOUP":{"v":"SOUPE AU LEVANT DE SOLEIL DORÉ","t":"A","i":1990},"GOOD\nSOIL":{"v":"BON\nSOL","t":"A","i":1389},"GRAND CITY FENN":{"v":"GRANDE VILLE FENN","t":"A","i":2041},"GRAND CITY OF FENN":{"v":"GRANDE VILLE DE FENN","t":"A","i":2571},"GRAPHICS":{"v":"GRAPHISMES","t":"V","i":48},"GREAT DEALS AHOY!":{"v":"GROSSES AFFAIRES EN VUE","t":"A","i":297},"GREAT DEALS AHOY!":{"v":"GROSSES OFFRES AHOY!","t":"A","i":4067},"GREEN":{"v":"VERT","t":"A","i":3556},"GREEN MEMOS\nARE LIES.":{"v":"LES NOTES VERTES\nSONT DES MENTONS.","t":"A","i":1893},"GREEN MEMOS\nIN BLUE BOXES\nARE TRUE.":{"v":"LES MEMOS VERTS\nDANS LES BOÎTES BLEUES\nSONT VRAIS.","t":"A","i":2306},"GREEN MEMOS\nIN PINK BOXES\nARE ALWAYS\nFALSE.":{"v":"LES MEMOS VERTS\nDANS LES BOÎTES ROSES\nSONT TOUJOURS\nFAUX.","t":"A","i":1104},"GREEN MEMOS\nin WHITE BOXES\nARE LIES.":{"v":"MEMOIRES VERTES\nDANS DES BOÎTES BLANCHES\nSONT DES MENTIRIES.","t":"A","i":3082},"GREEN MEMOS IN\nWHITE BOXES\nARE ALWAYS LIES.":{"v":"LES MEMOS VERTS DANS\nLES BOÎTES BLANCHES\nSONT TOUJOURS DES MENTES.","t":"A","i":923},"GREEN MEMOS IN BLUE BOXES\nARE SOMETIMES\nFALSE.":{"v":"LES NOTES VERTES DANS LES BOÎTES BLEUES\nSONT PARFOIS\nFAUSSES.","t":"A","i":1230},"GREEN ROOM":{"v":"SALLE VERT","t":"A","i":4487},"GREEN ROOMS":{"v":"SALLES VERTES","t":"A","i":2199},"GROTTO!!!!":{"v":"GROTTE!!!!","t":"A","i":940},"GROUNDS":{"v":"TERRES","t":"A","i":4503},"GROUNDSKEEPER (former)":{"v":"JARDINIER (ancien)","t":"A","i":2796},"GUARD HOUSE":{"v":"MAISON DE LA GARDE","t":"A","i":3050},"GUESS THE BEDROOM\n AND WIN ???":{"v":"DEVINE LA CHAMBRE\n ET GAGNE ???","t":"A","i":2387},"GUESS THE CORRECT BEDROOM TO WIN AN UNKNOWN (???) PRIZE. YOU MAY ONLY MAKE ONE GUESS PER DAY. ONLY BEDROOMS IN YOUR DRAFT POOL AT THE TIME OF DRAFTING GUESS BEDROOM SHOULD BE CONSIDERED. THE (???) PRIZE WILL NOT BE ANNOUNCED (YOUR GUESS IS AS GOOD AS OURS!) ALL GUESSES ARE FINAL.":{"v":"DEVINEZ LA CHAMBRE À COUCHER CORRECTE POUR GAGNER UN PRIX INCONNU (???). VOUS NE POUVEZ FAIRE QU'UNE SEULE DEVINÉE PAR JOUR. SEULES LES CHAMBRES À COUCHER DE VOTRE POOL DE DRAFT AU MOMENT DU DRAFT SERONT CONSIDÉRÉES POUR LA DEVINÉE. LE PRIX (???) NE SERA PAS ANNONCÉ (VOTRE DEVINÉE EST AUSSI BONNE QUE LA NÔTRE !) TOUTES LES DEVINÉES SONT DÉFINITIVES.","t":"A","i":3177},"GUEST\nBEDROOM":{"v":"INVITÉ\nCHAMBRE","t":"A","i":1634},"GUEST BEDROOM data has been\n":{"v":"DONNÉES DE LA CHAMBRE D'HÔTE ont été\n","t":"A","i":3327},"GYMNASIUM":{"v":"GYMNASIUM","t":"A","i":372},"Gain [!v*0] extra each time\nyou roll .":{"v":"Gagnez [!v*0] supplémentaire à chaque fois\nque vous lancez .","t":"A","i":2397},"Gain an additional ~\nwhenever you draft an\n\nOBSERVATORY":{"v":"Gagnez un supplément de ~\nchaque fois que vous sélectionnez un\n\nOBSERVATOIRE","t":"A","i":2934},"Gain an additional ~\nwhenever you draft an\nOBSERVATORY":{"v":"Obtenez un ~\nchaque fois que vous piochez un\nOBSERVATOIRE","t":"A","i":2234},"Gain an additional effect of each\nconstellation observed in the Observatory.":{"v":"Gagnez un effet supplémentaire pour chaque constellation observée dans l'Observatoire.\n","t":"A","i":3714},"Gain an additional effect of each constellation\nobserved in the Observatory.":{"v":"Gagnez un effet supplémentaire pour chaque constellation \nobservée dans l'Observatoire.","t":"A","i":3419},"Gain greater rewards\nfor solving .":{"v":"Obtenez de plus grands récompenses\npour résoudre .","t":"A","i":2948},"Games Played : ":{"v":"Parties jouées : ","t":"A","i":1901},"Garage":{"v":"Garage","t":"A","i":4390},"Gardener":{"v":"Jardinier","t":"A","i":2906},"Gem Strategies and Tips . . . . . . . . . . . . . . [!v*0]":{"v":"Stratégies et astuces pour les gemmes . . . . . . . . . . . . . . [!v*0]","t":"A","i":811},"Gems":{"v":"Gémes","t":"A","i":3248},"Gems, Gems, Gems":{"v":"Gems, Gems, Gems","t":"A","i":988},"Gemstone Cavern":{"v":"Caverne aux gemmes","t":"A","i":1971},"General":{"v":"Général","t":"A","i":3044},"Get your hands dirty with a bowl of Corarica chocolate swirl ice cream infused with a rich coffee syrup and dripping with a ribbon of melted mocha chunks.":{"v":"Savourez un bol de glace à la corarica marbrée de chocolat, arrosée d'un riche sirop de café et nappée d'un ruban de morceaux de mocha fondus.","t":"A","i":2490},"Getaway Car":{"v":"Voiture d'évasion","t":"A","i":2411},"Glazed Salmon":{"v":"Saumon glacé","t":"A","i":4658},"Glossary of Terms\n\nF.A.Q.\n\nStaff Tips\n\nCredits\n\nReturn to Network Menu":{"v":"Glossaire des termes\n\nFAQ\n\nConseils du personnel\n\nCrédits\n\nRetour au menu réseau","t":"A","i":3093},"Glove | Love\nSting | Sing\nCrowd | Crow\nGrown | Gown\nSnack | Sack":{"v":"Gant | Amour\nPiqûre | Chant\nFoule | Corbeau\nGrandi | Robe\nCollation | Sac","t":"A","i":570},"Glue, Grease and Guts":{"v":"Colle, graisse et tripes","t":"A","i":663},"Gold":{"v":"Or","t":"A","i":4219},"Golden Trim":{"v":"Bordure dorée","t":"A","i":639},"Grade\n[!v*1]":{"v":"Grade\n[!v*1]","t":"A","i":394},"Grave Mistakes":{"v":"Fautes graves","t":"A","i":901},"Great Hall":{"v":"Grande Salle","t":"A","i":3926},"Greater chance of finding and .\n\nMuch greater chance of finding and \nwhile digging.":{"v":"Chance accrue de trouver et .\n\nChance bien plus élevée de trouver et \nen creusant.","t":"A","i":1834},"Greater chance of finding and .":{"v":"Plus de chances de trouver et .","t":"A","i":2319},"Greater chance of finding and .\n\nMuch greater chance of finding and \nwhile digging.":{"v":"Plus grande chance de trouver et de .\n\nBeaucoup plus grande chance de trouver et de en creusant.\n","t":"A","i":3726},"Greater chance of finding and .":{"v":"Plus de chances de trouver et","t":"A","i":1654},"Greater chance of finding items.":{"v":"Plus de chances de trouver des objets.","t":"A","i":2269},"Greater chance of picking\nhigh sensitivity locks.":{"v":"Plus de chances de choisir\ndes serrures à haute sensibilité.","t":"A","i":1411},"Green":{"v":"Vert","t":"A","i":4214},"Green Rooms are a wonderful way to bring the outdoors inside and provide a breath of fresh air for the home. The abundance of plant life, rich soil and natural resources in these spaces makes them extremely appealing for architects who enjoy gardening and open spaces. These floorplans are extremely synergistic, and strategies centered around green will often involve drafting as many of this color as":{"v":"Les Green Rooms constituent un moyen merveilleux d'introduire l'extérieur à l'intérieur et d'apporter une bouffée d'air frais au domicile. L'abondance de la végétation, des sols riches et des ressources naturelles dans ces espaces les rend extrêmement attrayants pour les architectes qui aiment le jardinage et les grands espaces. Ces plans sont extrêmement synergiques, et les stratégies centrées sur le vert impliquent souvent de dessiner autant de cette couleur que","t":"A","i":3531},"Greenhouse":{"v":"Serre","t":"A","i":2719},"Greetings Simon, Hope all is going well on the estate,\nI was discussing my communications with you with another fellow technician, Kimberly Thompson, and she suggested I disclose to you the locations of the Drafting Strategy issues she’s personally found on the estate.\n\n\n Issue I: Dormitory\n Issue II: Drafting Studio\n Issue III: Library\n Issue IV: Bookshop\n Issue V: Bookshop\n\n\nThe above list is according to her, so I can’t personally vouch that these are accurate.\n \n -Randolph":{"v":"Salutations Simon, J'espère que tout se passe bien sur la propriété,\nJ'étais en train de discuter de mes communications avec toi avec un autre technicien, Kimberly Thompson, et elle m'a suggéré de te révéler les emplacements des problèmes de Stratégie de Croquis qu'elle a personnellement trouvés sur la propriété.\n\n\n Problème I : dortoir\n Problème II : Studio de croquis\n Problème III : Bibliothèque\n Problème IV : Librairie\n Problème V : Librairie\n\n\nLa liste ci-dessus est selon elle, donc je ne peux personnellement garantir que ces informations sont exactes.\n \n -Randolph","t":"A","i":3597},"Greetings from":{"v":"Salutations de","t":"A","i":1197},"Gregory":{"v":"Grégoire","t":"A","i":1252},"Grey":{"v":"Gris","t":"A","i":4401},"Grey Daniels":{"v":"Grey Daniels","t":"A","i":2044},"Grounds for Termination":{"v":"Motifs de résiliation","t":"A","i":741},"Guards":{"v":"Gardes","t":"A","i":1989},"Guest Bedroom":{"v":"Chambre d'invité","t":"A","i":3867},"Guide to Bedrooms . . . . . . . . . . . . . . . . . [!v*0]":{"v":"Guide des chambres . . . . . . . . . . . . . . . . . [!v*0]","t":"A","i":998},"Guide to Drafting Rooms . . . . . . . . . . . . . [!v*0]":{"v":"Guide à la conception des salles . . . . . . . . . . . . . [!v*0]","t":"A","i":769},"Guide to Green Rooms . . . . . . . . . . . . . . . [!v*0]":{"v":"Guide des salles vertes . . . . . . . . . . . . . . . [!v*0]","t":"A","i":928},"Guide to Hallways . . . . . . . . . . . . . . . . . [!v*0]":{"v":"Guide des couloirs . . . . . . . . . . . . . . . . . [!v*0]","t":"A","i":678},"Guide to Mechanical Rooms . . . . . . . . . . . . [!v*0]":{"v":"Guide des salles mécaniques . . . . . . . . . . . . [!v*0]","t":"A","i":914},"Guide to Multicolored Floorplans . . . . . . . . . [!v*0]":{"v":"Guide des plans de sol multicolores . . . . . . . . . [!v*0]","t":"A","i":925},"Guide to Outer Rooms . . . . . . . . . . . . . . . [!v*0]":{"v":"Guide des pièces extérieures . . . . . . . . . . . . . . . . [!v*0]","t":"A","i":861},"Guide to Puzzle Rooms . . . . . . . . . . . . . . . [!v*0]":{"v":"Guide des salles d'énigmes . . . . . . . . . . . . . . . [!v*0]","t":"A","i":857},"Guide to Red Rooms . . . . . . . . . . . . . . . . [!v*0]":{"v":"Guide des salles rouges . . . . . . . . . . . . . . . . [!v*0]","t":"A","i":884},"Guide to Shops . . . . . . . . . . . . . . . . . . . [!v*0]":{"v":"Guide des boutiques . . . . . . . . . . . . . . . . . . . [!v*0]","t":"A","i":1179},"Guide to Spread Rooms . . . . . . . . . . . . . . [!v*0]":{"v":"Guide des salles étendues . . . . . . . . . . . . . . [!v*0]","t":"A","i":773},"Guide to Tomorrow Rooms . . . . . . . . . . . . [!v*0]":{"v":"Guide des salles de demain . . . . . . . . . . . . [!v*0]","t":"A","i":919},"Guide to Upgrade Disks . . . . . . . . . . . . . [!v*0]":{"v":"Guide des disques de mise à niveau . . . . . . . . . . . . . [!v*0]","t":"A","i":676},"Guiding Light":{"v":"Lumière guidante","t":"A","i":1397},"Gymnasium":{"v":"Gymnase","t":"A","i":2487},"H":{"v":"H","t":"A","i":309},"H o l l y":{"v":"Holly","t":"A","i":3922},"H. S. SINCLAIR\nAND ANNE BABBAGE\nARE THE ONLY\nTWO ON THE ESTATE\nWITH NETWORK\nADMIN ACCESS.":{"v":"H. S. SINCLAIR\nET ANNE BABBAGE\nSONT LES SEULS\nDEUX SUR LE DOMAINE\nAVEC UN ACCÈS\nADMINISTRATEUR AU RÉSEAU.","t":"A","i":1116},"H. S. Sinclair":{"v":"H. S. Sinclair","t":"A","i":440},"H.S. has requested yet another print of her Ladyship, I assume for one of her rooms in the West Wing, as well as an enlarged print of the enclosed photograph.\n\nHe said the last development was too dark so keep an eye on that.":{"v":"H.S. a demandé un autre tirage de Son Altesse, probablement pour l’une de ses chambres dans l’aile ouest, ainsi qu’un agrandissement de la photographie jointe.\n\nIl a dit que le dernier développement était trop sombre, donc surveillez bien ce point.","t":"A","i":1267},"H[!v*1][!v*2] melting point at [!v*4]ppt - [!v*5] ppt":{"v":"Point de fusion de H[!v*1][!v*2] à [!v*4]ppt - [!v*5] ppt","t":"A","i":1256},"HAKER":{"v":"HACKER","t":"A","i":1987},"HALLWAY":{"v":"COULOIR","t":"A","i":4501},"HALLWAY data has been":{"v":"Les données du couloir ont été","t":"A","i":4309},"HALLWAYS":{"v":"COULOIRS","t":"A","i":3442},"HANDWRITTEN GREEN MEMOS ARE ALWAYS FALSE, BUT WOULD BE TRUE IF YOU CHANGED ONE COLOR IN THE TEXT.":{"v":"LES MEMOS MANUSCRITS VERTS SONT TOUJOURS FAUX, MAIS SERAIENT VRAIS SI VOUS CHANGIEZ UNE COULEUR DANS LE TEXTE.","t":"A","i":1106},"HAS BEEN CHECKED":{"v":"VÉRIFIÉ","t":"A","i":2239},"HAS BEEN POWERED AND\n PERMANENTLY UNLOCKED\n\n\nEach day, you may access one\noffline terminal from the network.\n\n\n\n(Permanent changes do not reset each day)":{"v":"A ÉTÉ ALIMENTÉ ET \n DÉVERROUILLÉ À JAMAI \n\n\nChaque jour, vous pouvez accéder à un\nterminal hors ligne du réseau.\n\n\n\n(Les modifications permanentes ne se réinitialisent pas chaque jour)","t":"A","i":3429},"HAS BEEN RETURNED\nTO YOU.":{"v":"A ÉTÉ RETOURNÉ\nÀ VOUS.","t":"A","i":3508},"HAS BEEN PERMANENTLY UNLOCKED\n\n\n\n(Permanent changes do not reset each day)":{"v":"A ÉTÉ DÉVERROUILLÉ EN PERMANENCE\n\n\n\n(Les modifications permanentes ne se réinitialisent pas chaque jour)","t":"A","i":2622},"HAS BEEN PERMANENTLY UNLOCKED\n\n\n\nThe WEST GATE PATH allows access\nto the OUTER ROOM each day.\n\n\n(Permanent changes do not reset each day)":{"v":"A ÉTÉ DÉVERROUILLÉ EN PERMANENCE\n\n\n\nLe CHEMIN DE LA PORTE OUEST permet d'accéder\nà la PIÈCE EXTÉRIEURE chaque jour.\n\n\n(Les modifications permanentes ne se réinitialisent pas chaque jour)","t":"A","i":3606},"HAS BEEN PERMANENTLY UNLOCKED\n AND ADDED TO YOUR CAMPSITE.\n\n\n Starting tomorrow, you will start \n each new day with [!v*2] ":{"v":"A ÉTÉ DÉBLOQUÉ DÉFINITIVEMENT\n ET AJOUTÉ À VOTRE CAMP.\n\n\n À partir de demain, vous commencerez \n chaque nouvelle journée avec [!v*2] ","t":"A","i":2112},"HAS BEEN PERMANENTLY UNLOCKED\nAND ADDED TO YOUR CAMPSITE.":{"v":"A ÉTÉ DÉBLOQUÉ DÉFINITIVEMENT\nET AJOUTÉ À VOTRE CAMP.","t":"A","i":2379},"HAVE A GREAT DAY!":{"v":"VOUS AVEZ UNE BELLE JOURNÉE !","t":"A","i":2776},"HAVE BEEN PERMANENTLY UNLOCKED\nand ADDED TO THE CAMPSITE.\n\n\nEach BLUE ROOM you draft on the [!v*2]th Rank\nwill contain a hidden BLUE MEMO.\n\n\n(Permanent changes do not reset each day)":{"v":"ONT ÉTÉ DÉVERROUILLÉS PERMANENTEMENT\net AJOUTÉS AU CAMP.\n\n\nChaque PIECE BLEUE que vous recrutez au [!v*2]e Rang\ncontient un MEMO BLEU caché.\n\n\n(Les modifications permanentes ne se réinitialisent pas chaque jour)","t":"A","i":3563},"HAVE COURSE":{"v":"BÉNÉVOLEMENT","t":"A","i":3062},"HAVE DINNER":{"v":"PRENDRE LE DÎNER","t":"A","i":1307},"HAVE GEMS\nWHILE DRAFTING":{"v":"AVOIR DES GEMMES\nPENDANT LA RÉDACTION","t":"A","i":1714},"HE":{"v":"IL","t":"A","i":2210},"HELP & ADVICE":{"v":"AIDE ET CONSEILS","t":"A","i":1490},"HELP DESK":{"v":"BUREAU D'ASSISTANCE","t":"A","i":3557},"HER LADYSHIP'S CHAMBER":{"v":"LE CABINET DE SA SEIGNEURIE","t":"A","i":2649},"HERBIE is mean and really stupid\n and today is a ":{"v":"HERBIE est méchant et vraiment bête\n et aujourd'hui ","t":"A","i":2245},"HEW":{"v":"HÉW","t":"A","i":3967},"HEWAM OVETT":{"v":"HEWAM OVETT","t":"A","i":916},"HI SCORE":{"v":"RECORD","t":"A","i":1801},"HIELD":{"v":"CHAMP","t":"A","i":2520},"HIGH":{"v":"ÉLEVÉ","t":"A","i":72},"HIGH RADIATION\nLEVELS DETECTED":{"v":"HAUTE RADIOACTIVITÉ\nNIVEAUX DÉTECTÉS","t":"A","i":3852},"HIGHEST GRADE":{"v":"MEILLEURE NOTE","t":"A","i":3551},"HIGHSCORE\n_____________\n\n\n\n\n\n\n\n\n\n\n\n\n\n_____________":{"v":"MEILLEUR SCORE\n_____________\n\n\n\n\n\n\n\n\n\n\n\n\n\n_____________","t":"A","i":3849},"HISTOR":{"v":"HISTORIQUE","t":"A","i":448},"HISTORY":{"v":"HISTORIQUE","t":"A","i":4496},"HISTORY WORKSHEET":{"v":"HISTOIRE FEUILLE DE TRAVAIL","t":"A","i":890},"HISTORY OF ORINDIA (FIRST EDITION)":{"v":"HISTOIRE D'ORINDIA (PREMIÈRE ÉDITION)","t":"A","i":3600},"HISTORy":{"v":"HISTOIRE","t":"A","i":3399},"HOE":{"v":"HOE","t":"A","i":4116},"HOES":{"v":"FOUCHETTES","t":"A","i":1611},"HOLD HOLD HOLD":{"v":"MAINTENIR MAINTENIR MAINTENIR","t":"A","i":492},"HOME\nSECURITY\nsurveillance":{"v":"ACCUEIL\nSÉCURITÉ\nsurveillance","t":"A","i":3430},"HOME CONSOLE EDITION":{"v":"ÉDITION CONSOLE DE MAISON","t":"A","i":1567},"HOME TO SEVERAL OF\nSINCLAIR'S HUNTING\nCOMPANIONS.\n\nIT CAN BE ASSUMED\nTHESE FRIENDLY\nHOUNDS HAVE BEEN\nANXIOUS TO MEET\nTHEIR NEW MASTER.":{"v":"MAISON DE PLUSIEURS\nCOMPAGNONS DE CHASSE\nDE SINCLAIR.\n\nON PEUT SUPPOSER\nQUE CES CHIENS\nAMICAUX ÉTAIENT\nIMPATIENTS DE RENCONTRER\nLEUR NOUVEAU MAÎTRE.","t":"A","i":1552},"HOPING YOUR HEALTH\nIMPROVES SHORTLY,":{"v":"ESPÉRANT QUE VOTRE SANTÉ\nS'AMÉLIORE BIENTÔT,","t":"A","i":392},"HOUSE":{"v":"MAISON","t":"A","i":4498},"HOUSE HISTORy":{"v":"HISTOIRE DE LA MAISON","t":"A","i":3596},"HOUSE MANAGER":{"v":"GESTIONNAIRE DE LA MAISON","t":"A","i":2022},"HOVEL":{"v":"MISÈRE","t":"A","i":1630},"HRONOGRAPH":{"v":"CHRONOGRAPHE","t":"A","i":1864},"HUBRIS":{"v":"HUBRIS","t":"A","i":559},"Hallway":{"v":"Couloir","t":"A","i":3068},"Hannah,\n\nAfter a few false leads, I managed to track down one of the old textbooks from your list. The original compendium was in archival storage on a restricted floor of the campus library, to which I fortunately still have access. However, I’m devastated to report that the pages ([!v*0] and [!v*1]) pertaining to your query had been removed. It’s such a shame that the progress of higher academia is constantly thwarted by the political whims of the C.B.E. \n\nIf you wish, I can transcribe the surviving pages and send them to you, but I don't believe there is any mention of cores of any kind in their text.\n \n Your friend,\n Prof. L. Charity":{"v":"Hannah,\n\nAprès quelques pistes fausses, je suis parvenu à retrouver l'un des vieux manuels de votre liste. Le compendium original se trouvait dans le stockage d'archives d'un étage restreint de la bibliothèque du campus, auquel j'ai heureusement toujours accès. Cependant, je suis navré de vous annoncer que les pages ([!v*0] et [!v*1]) relatives à votre demande avaient été retirées. C'est vraiment dommage que l'avancement des hautes études soit constamment entravé par les caprices politiques du C.B.E.\n\nSi vous le souhaitez, je peux transcrire les pages survivantes et vous les envoyer, mais je ne pense pas qu'il y ait mention de noyaux d'aucune sorte dans leur texte.\n \n Votre ami,\n Prof. L. Charity","t":"A","i":2665},"Hartley,\nI know we spoke often of this day and I don’t think there’s anything I can say of the past [!v*0] years that I haven’t already attempted to tell you innumerous times in the past, half-stated gratitude always interrupted with tactful and polite repudiations from you. I had always known this final letter could give me the perfect opportunity to finally express myself uninterrupted by you and unfettered by social graces, but I don’t feel the inclination to say aloud what has always been unsaid between us.\n\nWith my passing, I release you from your post and service to the Sinclair family and implore you to live the remainder of your years on your own terms, as scary and unfamiliar of a concept as that may be to you. Besides, I think a more junior valet would be better situated to meet the needs of young master Simon. To that end, if you wish you may stay on long enough to oversee the training and establishment of your successor in their post, but as soon as he or she has the lay of the land, my instructions for you to quit must be satisfied.\n":{"v":"Hartley,\nJe sais que nous avons souvent parlé de ce jour et je ne pense pas qu’il y ait quoi que ce soit à dire des [!v*0] dernières années que je n’aie déjà tenté de vous confier d’innombrables fois par le passé, des remerciements à demi-mots toujours interrompus par vos réticences pleines de tact et de politesse. J’avais toujours su que cette lettre finale me donnerait l’occasion parfaite de m’exprimer enfin sans être interrompu par vous et sans être contraint par les convenances sociales, mais je n’ai pas l’envie de dire à voix haute ce qui est resté toujours non dit entre nous.\n\nAvec mon départ, je vous libère de votre poste et de votre service à la famille Sinclair et vous implore de vivre le reste de vos années selon vos propres termes, aussi effrayant et inconnu que ce concept puisse vous paraître. D’ailleurs, je pense qu’un valet plus junior serait mieux placé pour répondre aux besoins du jeune maître Simon. À cet effet, si vous le souhaitez, vous pouvez rester le temps nécessaire pour superviser la formation et l’installation de votre successeur dans ses fonctions, mais dès qu’il ou elle aura pris ses marques, mes instructions pour que vous partiez devront être respectées.\n","t":"A","i":971},"Have a great day!":{"v":"Bonne journée !","t":"A","i":1875},"Have you heard of the Children of Black Water?\n\nI have no idea how forthcoming your father has been about the details surrounding your mother's final chapter... or the role he thinks I played in that end. I have always denied involvement. To him. To the detectives. To the crown. And now to you as well.\n\nBut can I honestly say I had nothing to do with her disappearance? And yes, I speak of disappearance, not death. For I, too, cling to the hope that our fears are unfounded, and have occasionally, from time to time, caught fragments of information that bolster this belief.":{"v":"Avez-vous entendu parler des Enfants des Eaux Noires ?\n\nJe n'ai aucune idée de la mesure dans laquelle votre père a été transparent quant aux détails entourant le dernier chapitre de votre mère... ou quant au rôle qu'il m'attribue dans cette fin. J'ai toujours nié toute implication. À lui. Aux détectives. À la couronne. Et maintenant à vous aussi.\n\nMais puis-je honnêtement affirmer n'avoir rien à voir avec sa disparition ? Et oui, je parle de disparition, pas de mort. Car moi aussi, je m'accroche à l'espoir que nos craintes sont infondées, et j'ai parfois, de temps à autre, saisi des fragments d'informations qui étayent cette croyance.","t":"A","i":1620},"Having never had a family name nor fortune of my own, I cannot personally condemn you for faltering in your commitment to make the same sacrifices she did. But for the love of god, do not by that same display of weakness clutch your petty assets so tightly that you undermine the cause that she forfeited everything to further.\n\nOur countrymen must be made aware of the price she paid and must be made to see the color of the flag she flew as she rode into the darkness of a hundred nights.\n\nTo deny her story is to deny her life.\n":{"v":"N'ayant jamais eu de nom ni de fortune, je ne peux personnellement vous condamner pour avoir failli à votre engagement de faire les mêmes sacrifices qu'elle. Mais par amour du dieu, ne laissez pas cette même démonstration de faiblesse vous faire serrer vos biens modestes si fort que vous compromettiez la cause pour laquelle elle a tout sacrifié.\n\nIl faut que nos compatriotes prennent conscience du prix qu'elle a payé et qu'ils voient la couleur du drapeau qu'elle arborait alors qu'elle chevauchait vers les ténèbres d'une centaine de nuits.\n\nNier son histoire, c'est nier sa vie.\n","t":"A","i":3302},"He changed all the letters in the lines that he found,\nHe checked all the colors for each key that he wound,\nHe doubled the meaning of each seasonal greeting,\nAnd found that the diction of each word was sound.\n":{"v":"Il a changé toutes les lettres dans les lignes qu'il a trouvées,\nIl a vérifié toutes les couleurs pour chaque touche qu'il a enroulée,\nIl a doublé le sens de chaque salutation saisonnière,\nEt il a découvert que la diction de chaque mot était solide.\n","t":"A","i":4037},"He changed all the letters in the lines that he found,\nHe checked all the colors of the spines that were bound,\nHe doubled the meaning of each seasonal greeting,\nAnd found that the diction of each word was sound.\n":{"v":"Il a modifié toutes les lettres des lignes qu'il a trouvées,\nIl a vérifié toutes les couleurs des dos des livres reliés,\nIl a doublé le sens de chaque vœu saisonnier,\nEt a constaté que la diction de chaque mot était juste.\n","t":"A","i":2154},"He could not stand the sight,\nOf a canary or a crow.\nHe could not stand the white,\nOf a swan in the snow.\n":{"v":"Il ne supportait pas la vue,\nD'un canari ou d'un corbeau.\nIl ne supportait pas le blanc,\nD'un cygne dans la neige.\n","t":"A","i":2367},"He couldn’t stand the tint,\nOf a hallway or a shop.\nHe couldn’t stand the shade,\n\n":{"v":"Il ne supportait pas la teinte,\nD’un couloir ou d’une boutique.\nIl ne supportait pas l’ombre,\n\n","t":"A","i":1504},"He didn’t see the birds,\nOr the changing of the leaves,\nAnd he never saw the sights,\n Of life’s many symphonies.\n":{"v":"Il ne vit pas les oiseaux,\nNi le changement des feuilles,\nEt il n'a jamais vu les spectacles,\nDes nombreuses symphonies de la vie.\n","t":"A","i":3114},"He had looked high and low in all of the rooms,\nHe had searched every corner in all of the tombs,\nFor in this case, he had searched every space,\nIf he found a new clue, he’d know what to do.\n":{"v":"Il avait cherché haut et bas dans toutes les pièces,\nIl avait fouillé chaque recoin de tous les tombeaux,\nCar dans ce cas, il avait exploré chaque espace,\nS'il trouvait une nouvelle piste, il saurait quoi faire.\n","t":"A","i":2806},"He had looked high and low in all of the rooms,\nHe had searched every corner in each of the tombs,\nIn this particular case, he had checked every space.\nIf he found a new clue, he’d know what to do.\n":{"v":"Il avait cherché partout, dans toutes les pièces,\nIl avait fouillé chaque recoin de chaque tombe,\nDans ce cas précis, il avait inspecté chaque espace.\nS’il trouvait un nouvel indice, il saurait quoi faire.\n","t":"A","i":1343},"He had retraced his sketches and studied the files,\nReviewed all his cases and gone through the piles\nOf the evidence present and precedents evident,\nAnd retraced his steps, as it stretched on for miles.\n":{"v":"Il avait refait ses esquisses et étudié les dossiers,\nRevue tous ses cas et parcouru les tas\nDes preuves présentes et des précédents évidents,\nEt retracé ses pas, alors qu'ils s'étendaient sur des miles.\n","t":"A","i":2932},"He had retraced his sketches and studied the files,\nRewritten his theories and gone through the piles\nOf the evidence shown to god only known,\nAnd retraced his steps, as it stretched on for miles.\n":{"v":"Il avait refait ses esquisses et étudié les dossiers,\nRéécrit ses théories et parcouru les tas\nDe preuves montrées à Dieu seul connu,\nEt refait son chemin, alors que cela s'étendait sur des miles.\n","t":"A","i":4117},"He looked and he looked under beds and in nooks,\nHe questioned the maids, he questioned the cooks,\nIt was already over when he spoke to the chauffeur, \nWho told him new clues were found only in books.\n":{"v":"Il regarda et il chercha sous les lits et dans les recoins,\nIl interrogea les femmes de chambre, il questionna les cuisiniers,\nC'était déjà fini quand il parla au chauffeur,\nQui lui dit que de nouveaux indices ne se trouvaient que dans les livres.\n","t":"A","i":3971},"He looked and he looked under beds and in nooks,\nhe questioned the maids, he questioned the cooks,\nIt was already over, when he spoke to the chauffeur, \nWho told him new clues were found only in books.\n":{"v":"Il regarda et il chercha sous les lits et dans les recoins,\nil interrogea les femmes de chambre, il questionna les cuisiniers,\nC'était déjà fini, quand il parla au chauffeur,\nQui lui dit que de nouveaux indices n'étaient trouvés que dans les livres.\n","t":"A","i":3895},"He seldom talked to others,\nFor they rarely shared this view.\nHe never went to town,\nNor saw the flags they flew,\n":{"v":"Il parlait rarement aux autres,\nCar ils partageaient rarement cette vision.\nIl ne se rendait jamais en ville,\nNi ne voyait les drapeaux qu'ils arboraient,\n","t":"A","i":2080},"He stayed up all night and studied the maps,\nHe laid out the floorplans and measured the gaps,\nAnd his directory was a trajectory\nNothing short of a full mental lapse.\n":{"v":"Il resta éveillé toute la nuit et étudia les cartes,\nIl dressa les plans au sol et mesura les écarts,\nEt son répertoire était une trajectoire\nRien de moins qu'un effondrement mental complet.\n","t":"A","i":3322},"He stayed up all night and studied the maps,\nHe laid out the floorplans and measured the gaps,\nAnd if his directory was considered a trajectory,\nIt was nothing short of a full mental lapse.\n":{"v":"Il est resté éveillé toute la nuit à étudier les cartes,\nIl a déployé les plans et mesuré les écarts,\nEt si son annuaire était considéré comme une trajectoire,\nC'était rien de moins qu'une complète défaillance mentale.\n","t":"A","i":2438},"Heating and cooling curves":{"v":"Courbes de chauffage et de refroidissement","t":"A","i":1269},"Her Ladyship Clara Epsen was laid to rest on the [!v*0]th of june [!v*1].":{"v":"Son Altesse Clara Epsen a été inhumée le [!v*0] juin [!v*1].","t":"A","i":636},"Her Ladyship's Chamber Boudoir Walk-in Closet Observatory Parlor West Wing Hall Her Ladyship's Chamber Boudoir Her Ladyship's Chamber Boudoir Walk-in Closet Observatory Parlor West Wing Hall Her Ladyship's Chamber Boudoir ":{"v":"Chambre de Son Altesse Boudoir Vestiaire Observatoire Salon Hall du Pavillon Ouest Chambre de Son Altesse Boudoir Chambre de Son Altesse Boudoir Vestiaire Observatoire Salon Hall du Pavillon Ouest Chambre de Son Altesse Boudoir ","t":"A","i":2706},"Her Ladyship's Sleep":{"v":"Le sommeil de Son Altesse","t":"A","i":194},"Her Ladyships":{"v":"Mesdames","t":"A","i":4093},"Her Ladyships Sleep":{"v":"Le Sommeil de Sa Seigneurie","t":"A","i":2720},"Herb -":{"v":"Herbe -","t":"A","i":323},"Herbert":{"v":"Hébert","t":"A","i":3293},"Herbert S. Sinclair":{"v":"Herbert S. Sinclair","t":"A","i":254},"Herbert S. Sinclair
\nBaron of Mount Holly\n\n\n\n\n\n\n\n\n\n[!v*1] - [!v*2]":{"v":"Herbert S. Sinclair
\nBaron de Mount Holly\n\n\n\n\n\n\n\n\n\n[!v*1] - [!v*2]","t":"A","i":1216},"Herbert,\n\nI was distraught to learn that you have chosen to omit the details of our dear Marion’s “disappearance” from the public record.\n\nIt is no surprise to me that the Royal Court would want this embarrassment kept as quiet as possible, but I am shocked that you have so little regard for your niece that you would play the king’s scullion and stoop to kissing the foot that treads upon her memory.\n\nShe gave up her family, her fortune and her life and all you can do is think of your name.":{"v":"Herbert,\n\nJ’ai été bouleversé d’apprendre que vous avez choisi d’omettre les détails de la «disparition» de notre chère Marion des registres publics.\n\nJe ne suis pas surpris que la Cour royale veuille que cet embarras reste aussi discret que possible, mais je suis choqué que vous ayez si peu d’égards pour votre nièce au point de jouer le rôle de valet du roi et de baisser la tête devant celui qui foule aux pieds sa mémoire.\n\nElle a sacrifié sa famille, sa fortune et sa vie, et tout ce que vous pouvez faire, c’est penser à votre nom.","t":"A","i":2027},"Herbert,\n Thank you so much for your gift of the \"wedding doves,\" whom I, of course, recognized immediately. And, yes, I got the hint. So here's your letter. I know it's long, long overdue.\nThe mahew life suits me I think. Not that I didn't love Mount Holly, of course, but after years of being confined in a tiny dormitory, the small place Daniel and I have picked out in Reddington feels more like a stately manor! Once we've finished unpacking and setting everything up, I'll insist on you making an exception to your reclusive lifestyle to come, share a meal and admire our somewhat less impressive but much more personal view of the town.":{"v":"Herbert,\n Merci infiniment pour ton cadeau des « colombes de mariage », que j’ai, bien sûr, reconnues immédiatement. Et oui, j’ai compris l’allusion. Voici donc ta lettre. Je sais qu’elle est très, très en retard.\nLa vie de mahew me convient, je crois. Non que je n’aie pas adoré Mount Holly, bien sûr, mais après des années passées confinée dans une minuscule chambre, le petit endroit que Daniel et moi avons choisi à Reddington ressemble davantage à un manoir de prestige ! Une fois que nous aurons fini de déballer et d’installer tout, je t’insisterai pour que tu fasses une exception à ton mode de vie reclus et viennes partager un repas et admirer notre vue sur la ville, un peu moins impressionnante mais bien plus personnelle.","t":"A","i":1814},"Herbert,\n Thank you so much for your gift of the \"wedding doves,\" whom I, of course, recognized immediately. And, yes, I got the hint. So here's your letter. I know it's long, long overdue.\nThe mahew life suits me I think. Not that I didn't love Mount Holly, of course, but after years of being confined in a tiny dormitory, the small place Daniel and I have picked out in Reddington feels more like a stately manor! Once we've finished unpacking and setting everything up, I'll insist on you making an exception to your reclusive lifestyle to come, share a meal and admire our somwhat less impressive but much more personal view of the town.":{"v":"Herbert,\n Merci infiniment pour ton cadeau des « colombes de mariage », que j’ai, bien sûr, reconnues immédiatement. Et oui, j’ai compris l’allusion. Voici donc ta lettre. Je sais qu’elle est très, très en retard.\nLa vie de mahew me convient, je crois. Ce n’est pas que je n’aimais pas Mount Holly, bien sûr, mais après des années passées confinée dans une minuscule chambre, le petit endroit que Daniel et moi avons choisi à Reddington ressemble davantage à un manoir de prestige ! Une fois que nous aurons fini de déballer et d’installer tout, j’insisterai pour que tu fasses une exception à ton mode de vie reclus et viennes partager un repas et admirer notre vue sur la ville, moins impressionnante certes, mais bien plus personnelle.","t":"A","i":1724},"Here is the last of the equipment for the new mine. I don’t think we’re gonna need more than this especially if we’re gonna limit excavation to [!v*0] stones per day. I was told by the engineer that getting greedier than that might risk the structural integrity of the cave walls, so I suppose we’ll have to adhere to his expert opinion, at least for now.\n\nWe managed to remove all but one minecart from the old tunnels, two of which were too rusted and worn down to be of any use to us up here, so Dave went ahead and made the call to scrap them. I’m not sure that the foreman is going to be too happy about that but hopefully you can smooth it over.\n\nNow, there is still one more cart down there, but it’s locked on a short track and it’s way too difficult to move from the reservoir side. It’s a little bit awkward because it’s blocking the passage, so I suggest someone move it from the other side if they can get over there.\n\nThe boss informed us that there are two other ways into the site from that side but I think we’re gonna leave that for someone else to finish up if the old man really wants it done.\n":{"v":"Voici le dernier équipement pour la nouvelle mine. Je ne pense pas que nous en aurons besoin de plus, surtout si nous limitons l'extraction à [!v*0] pierres par jour. L'ingénieur m'a dit qu'être encore plus avide risquerait d'endommager l'intégrité structurelle des parois de la grotte, donc je suppose que nous devrons suivre son avis expert, du moins pour le moment.\n\nNous avons réussi à retirer tous les wagons de mine sauf un dans les anciens tunnels ; deux d'entre eux étaient trop rouillés et usés pour être utiles ici-haut, alors Dave a pris la décision de les mettre au rebut. Je ne suis pas sûr que le chef d'équipe sera très content de cela, mais j'espère que vous pourrez régler ça.\n\nIl reste encore un wagon en bas, mais il est bloqué sur un court tronçon et il est bien trop difficile à déplacer du côté du réservoir. C'est un peu inconfortable car il bloque le passage, donc je suggère qu'on le déplace de l'autre côté si quelqu'un peut s'y rendre.\n\nLe patron nous a informés qu'il y a deux autres accès vers le site de ce côté-là, mais je pense que nous allons laisser ça à quelqu'un d'autre pour finir si le vieil homme veut vraiment que ce soit fait.\n","t":"A","i":2786},"Hewam OvEtt":{"v":"Hewam OvEtt","t":"A","i":1286},"Hewam Ovett":{"v":"Hewam Ovett","t":"A","i":930},"Hey Simon,\n \nI’m going to assume at this point, you’ve likely reached the upper ranks of the house and run into our keycard security doors. These are actually a fairly new addition to the house that were designed by Kirk Darren and myself and were installed after an unfortunate incident last year when some of your Uncle’s correspondence was stolen by a member of the staff who had somehow managed to reach rank [!v*1]. We’re still not [!v*2] sure how he got past the antechamber seals, but it was clear after that episode, that not every member of the staff should have unchecked access to the higher ranks of the estate. \n\nIt’s important to note here, that in my own experience, I have found every member of the staff to be extremely trustworthy and unwavering in their loyalty to your family.":{"v":"Salut Simon,\n \nJe vais supposer qu'à ce stade, tu as probablement atteint les rangs supérieurs de la maison et rencontré nos portes à sécurité par badge-clé. Ce sont en fait une addition relativement récente à la maison, conçues par Kirk Darren et moi-même, et installées après un incident malheureux l'année dernière où certaines correspondances de ton oncle ont été volées par un membre du personnel qui avait d'une manière ou d'une autre réussi à atteindre le rang [!v*1]. Nous ne sommes toujours pas [!v*2] sûrs de la façon dont il a pu passer les scellés de l'antichambre, mais après cet épisode, il était clair que tous les membres du personnel ne devraient pas avoir un accès non vérifié aux rangs supérieurs de la propriété. \n\nIl est important de noter ici qu'à ma propre expérience, j'ai trouvé chaque membre du personnel extrêmement digne de confiance et inébranlable dans sa loyauté envers ta famille.","t":"A","i":4041},"Hey Simon,\n \nI’m going to assume at this point, you’ve likely reached the upper ranks of the house and run into our keycard security doors. These are actually a fairly new addition to the house that were designed by Kirk Darren and myself and were installed after an unfortunate incident two years ago when some of your Uncle’s correspondence was stolen by a member of the staff who had somehow managed to reach a room that they should not have been able to find. We’re still not [!v*1] sure how he got past the antechamber seals, but it was clear after that episode, that not every member of the staff should have unchecked access to the higher ranks of the estate. \n\nIt’s important to note here, that in my own experience, I have found every other member of the staff to be extremely trustworthy and unwavering in their loyalty to your uncle.":{"v":"Salut Simon,\n \nJe suppose qu’à ce stade, vous avez probablement atteint les étages supérieurs de la maison et rencontré nos portes sécurisées par badge. Il s’agit en réalité d’une innovation assez récente, conçue par Kirk Darren et moi-même, et installée après un incident malheureux il y a deux ans, lorsque certaines correspondances de votre oncle ont été volées par un membre du personnel qui avait d’une manière ou d’une autre réussi à accéder à une chambre qu’il n’aurait pas dû pouvoir trouver. Nous ne sommes toujours pas [!v*1] certains de la façon dont il a franchi les sceaux de l’antichambre, mais il était clair après cet épisode que tous les membres du personnel ne devaient pas avoir un accès inconditionnel aux étages supérieurs du domaine. \n\nIl est important de noter ici que, d’après mon expérience, j’ai trouvé tous les autres membres du personnel extrêmement fiables et inébranlables dans leur loyauté envers votre oncle.","t":"A","i":2134},"Hey Simon,\n \nIt's Randolph again. In my last letter, I mentioned the terminal network but it completely slipped my mind to give you the network password so that you can log into it.\n\nEven with all off site connections disabled, you should still be able to use the local network to access different house-based functions from any terminal regardless of where it is located on the estate which you will likely find very useful.\n\nTHE NETWORK PASSWORD IS - \n SWANSONG\n\n\n\n Happy hunting,\n Randolph\n":{"v":"Salut Simon,\n \nC'est encore Randolph. Dans ma dernière lettre, j'ai mentionné le réseau terminal mais j'ai complètement oublié de te donner le mot de passe pour que tu puisses y accéder.\n\nMême avec toutes les connexions hors site désactivées, tu devrais toujours pouvoir utiliser le réseau local pour accéder à différentes fonctions basées sur la maison depuis n'importe quel terminal, où qu'il soit situé dans l'immense domaine, ce que tu trouveras probablement très utile.\n\nLE MOT DE PASSE DU RÉSEAU EST - \n SWANSONG\n\n\n\n Bonne chance,\n Randolph\n","t":"A","i":2709},"Hey buddy,\n\nHow's it going up there in that big house? I think most people would be pretty scared being alone for this length of time, but I have a feeling you’re doing just fine. I imagine you happy as a clam, perfectly content on the estate with the exploration and opportunities for adventure that present themselves each day.\n\nAs I’m writing this, you’re currently in the garage packing the tent. I wanted to try to post this letter before we depart tomorrow so that it has a chance to arrive during your first few days on the estate, but with all the preparations, I’m not sure that I'm going to find the time.":{"v":"Salut mon pote,\n\nÇa va bien là-haut dans cette grande maison ? Je pense que la plupart des gens auraient peur d'être seuls aussi longtemps, mais j'ai l'impression que tu te débrouilles à merveille. Je t'imagine heureux comme un crabe, parfaitement à l'aise sur le domaine avec les explorations et les occasions d'aventure qui se présentent chaque jour.\n\nAlors que je rédige cette lettre, tu es actuellement dans le garage en train de ranger la tente. J'essayais de poster ce courrier avant notre départ demain afin qu'il ait une chance d'arriver pendant tes premiers jours sur le domaine, mais avec toutes les préparations, je ne suis pas sûr(e) de trouver le temps.","t":"A","i":3162},"High Roller":{"v":"Grand Jouet","t":"A","i":3986},"Highscore :\nLevel Reached :\nGames Played :\nCherry Bombers :\n":{"v":"Meilleur score :\nNiveau atteint :\nJeux joués :\nBombes cerises :\n","t":"A","i":3535},"His elderly comrades and colleagues from his old mining outfit proved, however, to be not nearly as discreet and considered with their words.\n\nDuring the wake, fueled by a seemingly endless supply of spirits, these venerable gentlemen embarked on a journey down memory lane, recounting as much of the good old days as they could dredge up. While such reminiscences might typically be dismissed as the fanciful ramblings of age, the volume and specificity of their accounts lend a certain credence to their words.\n\nNow, me, I am not a presumptive man. I don't presume these stories to be true. I don't presume your house is host to secrets of this magnitude. Yet... I find myself irresistibly drawn to the idea of sharing these tales, true or not. They seem, after all, stories worthy of being heard. \n\n":{"v":"Ses anciens camarades et collègues de son ancienne compagnie minière se sont toutefois révélés bien moins discrets et mesurés dans leurs propos.\n\nPendant les veillées, nourris par un approvisionnement en spiritueux qui semblait inépuisable, ces vénérables messieurs se sont lancés dans un voyage dans le temps, racontant autant de souvenirs des bons vieux temps qu’ils pouvaient exhumer. Si de telles réminiscences pourraient d’ordinaire être écartées comme les divagations fantaisistes de l’âge, le volume et la précision de leurs récits confèrent une certaine crédibilité à leurs paroles.\n\nMoi, je ne suis pas un homme présomptueux. Je ne prétends pas que ces histoires soient vraies. Je ne prétends pas que votre maison abrite des secrets d’une telle envergure. Pourtant... je me sens irrésistiblement attiré par l’idée de partager ces récits, qu’ils soient vrais ou non. Ils semblent, après tout, dignes d’être entendus. \n\n","t":"A","i":2078},"History of Orindia - Caleb Manning":{"v":"Histoire d'Orindia - Caleb Manning","t":"A","i":589},"History of Orindia First Edition - Caleb Manning":{"v":"Histoire d'Orindia Première édition - Caleb Manning","t":"A","i":1189},"Ho":{"v":"Ho","t":"A","i":1687},"Ho l l y":{"v":"Holly","t":"A","i":629},"Holly":{"v":"Holly","t":"A","i":193},"Hope this helps,\n -Randolph":{"v":"J'espère que cela vous aidera,\n -Randolph","t":"A","i":3230},"Hoping your health improves shortly,":{"v":"En espérant que votre santé s'améliore rapidement,","t":"A","i":1245},"Horseback. Rough trails. Another\nsigil that uses four rays, however,\nthese will always be configured\nto suggest a horse galloping.":{"v":"À cheval. Sentiers accidentés. Un autre \nsigil utilisant quatre rayons, cependant, \nces derniers seront toujours configurés \npour suggérer un cheval au galop.","t":"A","i":3759},"Hour hand (hold to adjust)":{"v":"Aiguille des heures (maintenir pour ajuster)","t":"A","i":2132},"Housing an impressively large telescope, Mount Holly’s observatory is a window to the world above and beyond the clouds and sky. Through its mirrored lens, even a novice stargazer will be able to distinctly appreciate the wonder, signs and constellations that punctuate the tapestry of night.":{"v":"Abritant un télescope impressionnant par sa taille, l'observatoire de Mount Holly est une fenêtre sur le monde au-dessus et au-delà des nuages et du ciel. À travers son objectif miroir, même un observateur amateur des étoiles sera en mesure d'apprécier distinctement la merveille, les signes et les constellations qui ponctuent la tapisserie de la nuit.","t":"A","i":4672},"Hovel":{"v":"Masure","t":"A","i":3355},"How often a floorplan is drawn from the drafting pool is determined by its rarity.

There are four rarities: •Commonplace, ••Normal, •••Uncommon and ••••Rare.":{"v":"La fréquence avec laquelle un plan de salle est tiré du pool de conception est déterminée par sa rareté.

Il existe quatre niveaux de rareté : •Commun, ••Normal, •••Peu commun et ••••Rare.","t":"A","i":4527},"However, my friends\n Are not very open":{"v":"Cependant, mes amis\n Ne sont pas très ouverts","t":"A","i":2816},"I":{"v":"Je","t":"A","i":399},"I\n\nI\nO\nO":{"v":"I\n\nI\nO\nO","t":"A","i":2493},"I\nAJERA":{"v":"I\nAJERA","t":"A","i":1818},"I IX\n\n\nV IIV":{"v":"I IX\n\n\nV IIV","t":"A","i":3080},"I Ce":{"v":"Je","t":"A","i":1283},"I RECOMMEND\nYOU THINK AGAIN\nIF I AM EVER IN\nA BIN FAR FROM THE FIN\n":{"v":"JE RECOMMANDE\nQUE TU RÉFLÉCHISSES\nSI JE ME TROUVE JAMAIS\nDANS UNE PoubELLE LOIN DE LA FIN\n","t":"A","i":688},"I SHARE A TREND\nWITH MY NEIGHBOR'S SIN\nA LETTER AND ITS TWIN\nAPPEAR ON EACH BIN":{"v":"JE PARTAGE UNE TENDANCE\nAVEC LE PÉCHÉ DE MON VOISIN\nUNE LETTRE ET SON JUMEAU\nAPPARAISSENT SUR CHAQUE PAPIER","t":"A","i":615},"I am a DARE BIRD!\nA daring and brave bird!":{"v":"Je suis un OSSELET!\nUn oiseau audacieux et courageux !","t":"A","i":1921},"I am actually writing this last postcard sitting at\n my desk at home. I suppose I should put forth the extra effort and drop it in the mail for consistency, but I am tempted to save the postmaster a trip as it will just wind up here once again to join the other seven, which I am pleased to report were all waiting for me on my desk safe as can be. Flipping through them has reminded me of the many friends I made and lessons learned along the way, and as I look back one truth shines brighter than the others:\n Air travel is much better than sea travel. \n":{"v":"Je rédige en fait cette dernière carte postale assis à\n mon bureau chez moi. Je devrais sans doute faire l'effort supplémentaire et la déposer dans la boîte aux lettres pour rester cohérent, mais j'ai envie d'économiser un trajet au facteur car elle finira ici de toute façon pour rejoindre les sept autres, que je suis heureux de signaler être tous toujours là sur mon bureau, en sécurité. Les parcourir m'a rappelé les nombreux amis que j'ai faits et les leçons apprises en chemin, et en regardant en arrière, une vérité brille plus fort que les autres:\n Le voyage aérien est bien meilleur que le voyage maritime. \n","t":"A","i":2775},"I am actually writing this last postcard sitting at\n my desk at home. I suppose I should put forth the extra effort and drop it in the mail for consistency, but I am tempted to save the postmaster some effort as it will just wind up here once again to join the other seven which I am to report, were all waiting for me on my desk when I arrived. Flipping through them has reminded me of the many friends I made and lessons I learned along the way, and as I look back one truth shines brighter than the others:\n Air travel is much better than sea travel. \n":{"v":"J'écris cette dernière carte postale en train de m'asseoir à \n mon bureau, chez moi. Je devrais peut-être faire l'effort supplémentaire et la remettre à la poste pour garder la cohérence, mais j'ai envie d'épargner un peu de travail au facteur car elle risque quand même de se retrouver ici une fois encore pour s'ajouter aux sept autres que je dois signaler et qui attendaient déjà tous sur mon bureau lorsque je suis arrivé. Les parcourir m'a rappelé de nombreux amis que j'ai faits et nombreuses leçons que j'ai apprises en cours de route, et en regardant en arrière, une vérité brille plus nettement que les autres:\n Le voyage en avion est bien meilleur que le voyage en mer. \n","t":"H","i":4167},"I am not an old tree.":{"v":"Je ne suis pas un vieux arbre.","t":"A","i":3886},"I am unsure if these instruments can be restored to working condition, but if they can, I may yet find a use for the sugar beets and potato stores rotting away in the Root Cellar.":{"v":"Je ne suis pas sûr que ces instruments puissent être remis en état de marche, mais si c'est le cas, je pourrais peut-être trouver un usage aux betteraves sucrières et aux pommes de terre qui pourrissent dans la cave à racines.","t":"A","i":3740},"I can not see the tree trunk.":{"v":"Je ne vois pas le tronc de l'arbre.","t":"A","i":1601},"I could not bring myself to ask Hartley directly if I could borrow his room for my sleep study, the mere thought of it was mortifying. Instead, I decided to Roll the die, as he often puts it and wait for his night off to sneak into his room to nap. The experience of sleeping in a servants room was thrilling, but the fear of getting caught was overwhelming. Every little noise startled me, and I couldnt manage to sleep for more than a few moments, fearing Hartley would return at any time.":{"v":"Je n’arrivais pas à me résoudre à demander directement à Hartley si je pouvais emprunter sa chambre pour mon étude du sommeil, la simple idée m’était insupportable. J’ai donc décidé de lancer le dé, comme il aime à le dire, et d’attendre qu’il ait une nuit de congé pour m’y glisser et faire la sieste. Dormir dans une chambre de serviteur était exaltant, mais la peur d’être surpris était écrasante. Le moindre bruit me faisait sursauter, et je n’arrivais pas à dormir plus de quelques instants, craignant que Hartley ne revienne à tout moment.","t":"A","i":1414},"I don't know if it's possible with so little time left, but I need to remember to ask Anne if we can commission new artwork for ALL the rooms of the house.\n\n":{"v":"Je ne sais pas si c'est possible avec si peu de temps restant, mais je dois me souvenir de demander à Anne si nous pouvons commander de nouveaux visuels pour TOUTES les pièces de la maison.\n\n","t":"A","i":708},"I don't think anyone else has access to this network this month except you Simon, so if you're reading this just know we're all rooting for you!

-Your friends in faithful service ":{"v":"Je ne pense que personne d'autre n'ait accès à ce réseau ce mois-ci, à part toi Simon, alors si tu lis ceci, sache que nous sommes tous derrière toi!

-Tes amis en service fidèle ","t":"A","i":2231},"I dont neEd Any \n presInts becUse \n i have my\n brothers book because he wont stop ritInG ":{"v":"Je n'ai pas besoin de \n presEnts parce que \n j'ai le\n livre de mon frère parce qu'il ne cesse pas d'écrire ","t":"A","i":1846},"I give and bequeath, to my grandnephew, Simon P. Jones, son of my dear niece Mary Matthew, all the rest, residue and remainder of my estate, and of my right, title and interest in and to the house and land which I own near Mount Holly as a token of the cordial and affectionate friendship which for nearly a half century his grandmother, Clara Epsen has shown me.\n\n\nThe above provision and bequest is contingent on my aforementioned grandnephew discovering the location of the [!v*1]th room of my [!v*2] room estate of Mount Holly. This room among other things of value holds the physical deed to the entire estate as well as many other personal effects and policies of insurance. The location of the room has been kept a secret from all the staff and servants of the manor, but I am confident that any heir worthy of the Sinclair legacy should have no trouble uncovering its whereabouts within a timely manor.\n\n\nShould my grandnephew fail to uncover this room or provide proof of his discovery to the executors of my will then this gift shall lapse and the above clauses (on this page) and provisions pertaining to that clause shall be considered null and void and the rest of my estate shall be disposed of and gifted to the Orindian Heritage Foundation, under condition that the house be immediately winnowed and sealed with explicit instructions and allowances that the site shall not be reopened until black flags are once again flying over Oris or One Hundred and Ten years have passed since my death, whichever day shall come first.":{"v":"Je donne et lègue, à mon petit-neveu, Simon P. Jones, fils de ma chère nièce Mary Matthew, le reste, le résidu et le reliquat de mon héritage, ainsi que mes droits, titres et intérêts sur la maison et les terres que je possède près de Mount Holly, en signe de l'amitié cordiale et affectueuse que sa grand-mère, Clara Epsen, m'a témoignée depuis près d'un demi-siècle.\n\n\nCette disposition et ce legs sont conditionnés par la découverte, par mon petit-neveu susmentionné, de l'emplacement de la [!v*1]e chambre de mon domaine de [!v*2] chambres à Mount Holly. Cette chambre, entre autres choses de valeur, contient l'acte de propriété physique de l'ensemble du domaine, ainsi que de nombreux effets personnels et polices d'assurance. L'emplacement de la chambre a été gardé secret pour tout le personnel et les serviteurs du manoir, mais je suis convaincu que tout héritier digne de l'héritage Sinclair devrait pouvoir en découvrir l'emplacement sans difficulté dans un délai raisonnable.\n\n\nSi mon petit-neveu échoue à découvrir cette chambre ou à fournir la preuve de sa découverte aux exécuteurs de mon testament, ce don sera caduc et les clauses (sur cette page) et dispositions relatives à cette clause seront considérées nulles et non avenues, et le reste de mon héritage sera disposé et légué à la Fondation du Patrimoine Orindien, sous la condition que la maison soit immédiatement vidée et scellée, avec des instructions et des autorisations explicites stipulant que le site ne devra pas être rouvert avant que les drapeaux noirs ne flottent à nouveau sur Oris ou qu'une centaine et dix ans se soient écoulés depuis ma mort, selon le jour qui arrivera en premier.","t":"A","i":2497},"I give up,":{"v":"Je me rends,","t":"A","i":745},"I have poured my heart and soul into this project, investing countless hours of research and experimen-tation to create something truly extraordinary. I feel this flower has the potential to make a significant impact on the field of horticulture, and it feels like such a waste to keep a gem like this hidden away for quote: \"further research\".":{"v":"J'ai mis tout mon cœur et toute mon âme dans ce projet, investissant un temps considérable dans la recherche et l'expérimentation pour créer quelque chose de véritablement extraordinaire. Je sens que cette fleur a le potentiel de faire une différence significative dans le domaine de l'horticulture, et il me semble tel un gaspillage de garder un tel joyau caché pour « de plus amples recherches ».","t":"A","i":2477},"I haven't spoken too much about him since his departure, and I know you didn't know him that well, but as soon as you're ready I'm going to have plenty of stories to tell. He was a fearless businessman with the greatest respect for invention. Of all the laboratories I've worked in, I can tell you Mount Holly was a gem... and I'm hoping that we can continue that work once you've taken up the reins.\n\nBut I won't get ahead of myself. You still have to find the forty-sixth room.\n\n -Randolph":{"v":"Je n'ai pas beaucoup parlé de lui depuis son départ, et je sais que vous ne le connaissiez pas très bien, mais dès que vous serez prêt(e), j'aurai plein d'histoires à raconter. Il était un homme d'affaires intrépide qui avait le plus grand respect pour l'invention. De tous les laboratoires où j'ai travaillé, je peux vous dire que Mount Holly était une pépite... et j'espère que nous pourrons poursuivre ce travail une fois que vous aurez pris les rênes.\n\nMais je ne vais pas m'avancer trop vite. Vous devez encore trouver la quarante-sixième pièce.\n\n-Randolph","t":"A","i":3980},"I hope this isn't\na political statement":{"v":"J'espère que ce n'est pas\nune déclaration politique","t":"A","i":1034},"I knew what we were looking at as soon as we uncovered the first spire, but it wasn't until the first floorplan was unearthed that most of the crew realized what ruins we were exhuming. The border was as pitch as the sunless cavern we found it in, a dark trimmed floorplan of the era or Orindia.\n\nWe had found a blackprint.\n\nThe sooner we seal this site back up, the better for us all.":{"v":"Je savais à quoi nous avions affaire dès que nous avons dégagé la première flèche, mais ce n'est que lorsque le premier plan a été exhumé que la plupart de l'équipe ont compris quelles ruines nous étions en train de mettre au jour. La bordure était aussi noire que la caverne sans lumière où nous l'avons trouvée, un plan sombre de l'ère d'Orindia.\n\nNous avions trouvé un noirplan.\n\nPlus nous refermons ce site rapidement, mieux ce sera pour nous tous.","t":"A","i":1580},"I knew what we were looking at as soon as we uncovered the first spire, but it wasn't until the first floorplan was unearthed that most of the crew realized what ruins we were exhuming. The border was the same pitch as the sunless cavern we found it in, a dark-trimmed floorplan of ill-fated Orindia.\n\nWe had found an authentic blackprint.\n\nThe sooner we seal this site back up, the better for us all.":{"v":"Je savais à quoi nous avions affaire dès que nous avons dégagé la première flèche, mais ce n'est que lorsque le premier plan a été exhumé que la plupart de l'équipe ont compris quelles ruines nous étions en train de mettre au jour. La bordure était de la même teinte que la caverne sans lumière où nous l'avons trouvée, un plan aux bords sombres de la malheureuse Orindia.\n\nNous avions trouvé un authentique noirplan.\n\nPlus nous refermons ce site rapidement, mieux ce sera pour nous tous.","t":"A","i":2230},"I really, really should have.":{"v":"J'aurais vraiment, vraiment dû le faire.","t":"A","i":1856},"I typically work over at SYNKA labs but got sent over here for a month to assist Moore with the new turbine tests.\n\nI think I need some help.\n\nFor the past three days, I have been unable to find the laboratory on the estate. (Today was the first success on that front!) Can anyone tell me if this is typical and if so how do you get any work done? Before I arrived, I was briefed on the way the doors work, but I must admit, I did not expect to be excluded from my new workstation for the first week!\n\nAny tips from my fellow technicians would be appreciated,\n":{"v":"Je travaille habituellement aux laboratoires SYNKA, mais j’ai été détaché ici pour un mois afin d’aider Moore avec les nouveaux tests de turbine.\n\nJe crois que j’ai besoin d’un coup de main.\n\nDepuis trois jours, je n’arrive pas à trouver le laboratoire sur le domaine. (Aujourd’hui, c’est la première fois que j’y parviens !) Quelqu’un peut-il me dire si c’est courant et, le cas échéant, comment vous parvenez à faire quoi que ce soit ? Avant mon arrivée, on m’a expliqué le fonctionnement des portes, mais je dois avouer que je ne m’attendais pas à être exclu de mon nouveau poste de travail pendant la première semaine !\n\nTous les conseils de mes collègues techniciens seraient les bienvenus,\n","t":"A","i":1851},"I typically work over at SYNKA labs but got sent over here for a month to assist Moore with the new turbine tests.\n\nI think I need some help.\n\nFor the past three days, I have been unable to find the laboratory on the estate. (Today was the first success on that front!) Can anyone tell me if this is typical and if so how do you get any work done? Before I arrived, I was briefed on the way the doors work, but I must admit, I did not expect to be excluded from my new workstation for the first week!\n\nAny tips from my fellow technicians would be appreciated,\n":{"v":"Je travaille habituellement aux laboratoires SYNKA, mais j’ai été détaché ici pour un mois afin d’aider Moore avec les nouveaux tests de turbine.\n\nJe crois que j’ai besoin d’un coup de main.\n\nDepuis trois jours, je n’arrive pas à trouver le laboratoire sur le domaine. (Aujourd’hui, première réussite sur ce point !) Quelqu’un peut-il me dire si c’est courant et, le cas échéant, comment vous parvenez à travailler ? Avant mon arrivée, on m’a expliqué le fonctionnement des portes, mais je dois avouer que je ne m’attendais pas à être exclu de mon nouveau poste de travail pendant la première semaine !\n\nTous les conseils de mes collègues techniciens seraient les bienvenus,\n","t":"A","i":1071},"I wanted to use this segment to thank all our readers for the wonderful mail and feedback we've received after we sent out our very first issue of Drafting Strategy. It's incredibly rewarding to create something that is appreciated. It's even more rewarding to know that somewhere out there, a young architect is reading our magazine and getting inspired to build something of his own that may one day, in turn, inspire others.\n\nWhen I was a child, I vividly remember the experience of reading the memoirs of the court's Grand Architect, Louza T. Reyland. To say it changed me is an understatement. It had a profound effect on the way I view the world and the spaces within it. We each draft our own dreams as a child- faint sketches on blurry blueprints, illegible to all, especially ourselves. And our purpose?\n\nWhy, it is found hidden in the floorplans of our youth.":{"v":"Je voulais utiliser ce segment pour remercier tous nos lecteurs pour les merveilleuses lettres et retours que nous avons reçus après la publication de notre tout premier numéro de Drafting Strategy. Il est incroyablement gratifiant de créer quelque chose qui est apprécié. C'est encore plus gratifiant de savoir qu'partout ailleurs, un jeune architecte lit notre magazine et se laisse inspirer pour construire quelque chose de son propre chef, qui pourra peut-être, à son tour, inspirer d'autres personnes.\n\nLorsque j'étais enfant, je me souviens très vivement de l'expérience de la lecture des mémoires du Grand Architecte de la cour, Louza T. Reyland. Dire que cela m'a changé est un euphémisme. Cela a eu une profonde influence sur ma façon de voir le monde et les espaces qui y sont contenus. Chacun dresse ses propres rêves dès l'enfance – des esquisses floues sur des plans bleutés, illisibles pour tous, surtout pour nous-mêmes. Et notre but ?\n\nPourquoi, il se trouve caché dans les plans de nos jeunes années.","t":"A","i":2873},"I was a little disappointed that there has not been a drop of rain during my time here as every Erajan story I have ever heard has begun with rain. I suppose the anecdotes I make on this trip will have to do without that flavorful setting. However, even without the rain, the puddles and ponds that dot the countryside make this place feel different than home.\n Lorja Yenna, Ajlor Lune,":{"v":"J'ai été un peu déçu qu'il n'ait pas goutte de pluie pendant mon séjour ici, car chaque histoire Erajane que j'ai jamais entendue commence par la pluie. Je suppose que les anecdotes que je ferai lors de ce voyage devront se passer sans ce décor si évocateur. Cependant, même sans la pluie, les flaques et les étangs qui parsèment la campagne donnent à cet endroit un aspect différent du chez-soi.\n Lorja Yenna, Ajlor Lune,","t":"A","i":3517},"I, Herbert S. Sinclair of the Mount Holly Estate at Reddington, do publish and declare this instrument my last will and testament. and hereby revoke all wills and codicils heretofore made by me.\n\nI declare that I am not and have never been married and have no children.\n\n\nFirst, I direct that all my debts and outstanding expenses be paid as soon after my decease as possible.\n\n\nSecondly, I direct all the servants and staff in my employ at the time of my death shall be granted indefinite leave to be paid out of the reserves of my estate set aside for such occasion, until such a time as a new master of Mount Holly bids their return. In the event that the aforesaid reserves for this purpose are depleted before a new master of the estate is found, I direct my executor to make provisions for their future employment, and to do so in a manner that is just and equitable to all parties involved.\n\n":{"v":"Moi, Herbert S. Sinclair de la propriété de Mount Holly à Reddington, publie et déclare par le présent acte que c'est mon dernier testament. Je révoque par ailleurs tous les testaments et codiciles que j'ai pu établir auparavant.\n\nJe déclare que je ne suis pas et n'ai jamais été marié et que je n'ai pas d'enfants.\n\n\nPremièrement, je dispose que toutes mes dettes et dépenses en suspens soient payées le plus tôt possible après mon décès.\n\n\nDeuxièmement, je dispose que tous les serviteurs et le personnel à mon service au moment de ma mort se voient accorder un congé indéfini, payé sur les réserves de ma propriété constituées à cet effet, jusqu'à ce qu'un nouveau maître de Mount Holly ordonne leur retour. Si les réserves susmentionnées sont épuisées avant qu'un nouveau maître de la propriété ne soit trouvé, je charge mon exécuteur testamentaire de pourvoir à leur emploi futur, et de le faire de manière juste et équitable pour toutes les parties concernées.\n\n","t":"A","i":870},"I, Auravei of Mount Holly, architect, mother, and reluctant baroness, being weak of body but of perfect mind and memory, thanks be to Orinda, do make and ordain this document my last will and testament; As I commit my final wishes to paper, may it be done so in the tapestry and color of my life's work. May it be written under the tree of creativity and in the shade of truth that has sheltered my loved ones from the villainy of country and countrymen. In that same spirit of defiance, I hereby revoke all wills and codicils heretofore printed on common hueless parchment.\n\nI, first, being somewhat religious, give my soul to Rynna, my ashes to Veia, and my remainder to man - as will be detailed in the pages and clauses that follow this foolishly superstitious passage.\n\n":{"v":"Je, Auravei de la Montagne Holly, architecte, mère et baronne réticente, faible de corps mais d'une mémoire et d'un esprit parfaits, grâce à Orinda, fais et ordonne ce document comme mon dernier testament ; Alors que je confie mes derniers vœux au papier, qu'il soit fait dans le tapisserie et la couleur de l'œuvre de ma vie. Qu'il soit écrit sous l'arbre de la créativité et à l'ombre de la vérité qui a abrité mes proches contre la méchanceté du pays et de ses compatriotes. Dans cet même esprit de défi, je révoque ici toutes les volontés et codicilles imprimés jusqu'à présent sur un parchemin commun dépourvu de couleur.\n\nJe, premièrement, étant quelque peu religieuse, donne mon âme à Rynna, mes cendres à Veia, et le reste aux hommes - comme sera détaillé dans les pages et clauses qui suivent ce passage superstitieux.\n\n","t":"A","i":3055},"I, Baroness Auravei of Reddington, formerly Lady Auravei of Trinsdale, Architect, being weak of body but of perfect mind and memory, thanks be to Veia, do make and ordain this blueprint my last will and testament; Untraditional as it may be, as I commit my final wishes to paper, may it be done so in the tapestry and color of my life's work. Under the tree of creativity in the shade of truth that has sheltered me and my own from the villainy of country and countrymen. I hereby revoke all wills and codicils heretofore printed on common hueless parchment.\n\n\nI, first, being somewhat religious, give my soul to the eight, my ashes to Veia, and my remainder to man - as will be detailed in the clauses that follow this sentiment.\n\n":{"v":"Moi, la baronne Auravei de Reddington, autrefois dame Auravei de Trinsdale, architecte, faible de corps mais d'esprit et de mémoire parfaits, grâce à Veia, je fais et ordonne ce plan comme mon dernier testament ; bien que cela soit peu conventionnel, en confiant mes derniers vœux au papier, qu'ils soient inscrits dans la tapisserie et les couleurs de mon œuvre de vie. Sous l'arbre de la créativité, à l'ombre de la vérité qui m'a abritée moi et les miens contre la méchanceté du pays et de ses habitants. Je révoque par la présente tous les testaments et codicilles antérieurs imprimés sur un parchemin commun dépourvu de couleur.\n\n\nMoi, premièrement, étant quelque peu religieuse, je donne mon âme aux huit, mes cendres à Veia, et le reste à l'homme - comme il sera détaillé dans les clauses qui suivent cette pensée.\n\n","t":"A","i":4020},"I, Herbert S. Sinclair, dare you, Simon P. Jones to reach Room [!v*0] without failing any of the following DARES.":{"v":"Moi, Herbert S. Sinclair, je te défie, Simon P. Jones, d'atteindre la salle [!v*0] sans échouer à aucune des DÉFIS suivants.","t":"A","i":224},"I, of course, write you all this in the hope that I can set your mind at peace when imagining the worst case scenarios, not because I think such an outcome is likely. No, Mary, I have few apprehensions and fewer fears. Assuming everything goes according to plan, you should be reunited with Simon again before his [!v*1]th birthday. And while two years might seem like an eternity to a mother, I’ve always heard the days pass by more quickly in the east.\n\nAs for me and you, I have already come to terms that our meeting yesterday was very likely our last.\n\nI am too old and too stubborn to ever leave this place. I am too attached to the home our family has built up, ":{"v":"Je vous écris tout cela, bien entendu, dans l’espoir de vous rassurer face aux pires scénarios, et non parce que je crois qu’un tel dénouement est probable. Non, Mary, j’ai peu d’inquiétudes et encore moins de peurs. Si tout se passe comme prévu, vous devriez être réunie avec Simon avant son [!v*1]e anniversaire. Et bien que deux ans puissent sembler une éternité pour une mère, j’ai toujours entendu dire que le temps passe plus vite à l’est.\n\nQuant à nous, j’ai déjà accepté que notre rencontre d’hier était très probablement la dernière.\n\nJe suis trop vieux et trop têtu pour jamais quitter cet endroit. Je suis trop attaché au foyer que notre famille a bâti, ","t":"A","i":1872},"IARY":{"v":"IARY","t":"A","i":2989},"ICE":{"v":"GLACE","t":"A","i":1575},"ICK":{"v":"GLISSADE","t":"A","i":1638},"ICROCHIP":{"v":"PUCE","t":"A","i":1760},"IE":{"v":"IE","t":"A","i":3484},"IF":{"v":"SI","t":"A","i":3655},"IF WE SPEND A MIN OR TEN\nLOUNGING IN THE DEN\nYOU’LL KNOW WHICH BIN\nI’M OFTEN IN\n":{"v":"SI ON PASSES UNE DIZIENE DE MIN\nÀ FLÂNER DANS LE REPAIRE\nVOUS SAUREZ DANS QUEL COIN\nJE ME TROUVE SOUVENT\n","t":"A","i":740},"IF WE SPEND A MIN OR TEN\nSITTING IN THE DEN\nYOU’LL KNOW WHICH BIN\nI’M OFTEN IN\n":{"v":"SI ON PASSE UNE DIZIENE DE MINUTES\nÀ S'ASSEOIR DANS LE REPAIRE\nVOUS SAUREZ DANS QUEL COFFRE\nJE ME TROUVE SOUVENT\n","t":"A","i":681},"IGILS":{"v":"IGILS","t":"A","i":530},"II":{"v":"II","t":"A","i":2236},"II\nSECOND ERA":{"v":"II\nÈPOQUE SECONDE","t":"A","i":3890},"III":{"v":"III","t":"A","i":1421},"III\nTHIRD ERA":{"v":"III\nÈRE TROISIÈME","t":"A","i":3665},"ILE":{"v":"ÎLE","t":"A","i":3168},"ILVER":{"v":"ILVER","t":"A","i":2399},"IMMEDIATE":{"v":"IMMÉDIAT","t":"A","i":2054},"IMPORT SELECTION\n\nBACK":{"v":"SÉLECTION DE L'IMPORTATION\n\nRETOUR","t":"A","i":1668},"IMPORT TROPHY DATA":{"v":"IMPORTER LES DONNÉES DE TROPHÉES","t":"A","i":1680},"IN":{"v":"DANS","t":"A","i":2019},"IN A CLASS\nOF ITS OWN!":{"v":"DANS UNE CLASSE\nÀ PART !","t":"A","i":3353},"IN THE CONSERVATORY, YOU WILL BE ABLE TO PERMANENTLY ADJUST THE RARITY AND RATES THAT DETERMINE HOW OFTEN CERTAIN FLOORPLANS ARE DRAWN.":{"v":"DANS LE CONSERVATOIRE, VOUS POUVEZ AJUSTER DÉFINITIVEMENT LA RARITÉ ET LES TAUX QUI DÉTERMINENT LA FRÉQUENCE DE GÉNÉRATION DE CERTAINS PLANS DE SOL.","t":"A","i":2499},"IN THE DRAFTING STUDIO, YOU WILL BE ABLE TO CHOOSE A BRAND NEW FLOORPLAN TO PERMANENTLY ADD TO YOUR DRAFT POOL.":{"v":"DANS L'ÉTUDE DE PROJET, VOUS POUVREZ CHOISIR UN NOUVEAU PLAN POUR AJOUTER DÉFINITIVEMENT À VOTRE POULE DE PROJETS.","t":"A","i":3585},"INACTIVE CURSOR":{"v":"CURSEUR INACTIF","t":"A","i":139},"INBOUND | OUTBOUND CONNECTIONS\nAND ELECTRONIC MAIL COMMUNICATIONS\nOUTSIDE OF THE LOCAL NETWORK HAVE\nBEEN TEMPORARILY DISABLED.":{"v":"CONNEXIONS ENTRANTES | SORTANTES\nET COMMUNICATIONS PAR COURRIEL ÉLECTRONIQUE\nHORS DU RÉSEAU LOCAL ONT\nÉTÉ TEMPORAIREMENT DÉSACTIVÉES.","t":"A","i":1437},"INCORRECT PASSWORD":{"v":"MOT DE PASSE INCORRECT","t":"A","i":3345},"IND UP":{"v":"IND HAUT","t":"A","i":2439},"IND UP":{"v":"IND HAUT","t":"A","i":3166},"INHERITANCE TROPHY":{"v":"TROPHÉE DE L'HÉRITAGE","t":"A","i":228},"INN":{"v":"AUBERGE","t":"A","i":2982},"INN ETT ISS":{"v":"INN ETT ISS","t":"A","i":3624},"INSTRUCTIONS / MANUALS\nEPCW PUMP SYSTEM USER MANUAL":{"v":"INSTRUCTIONS / MANUELS\nMANUEL D'UTILISATION DU SYSTÈME DE POMPE EPCW","t":"A","i":1170},"INTERNATIONAL PASSPORT\n\n\n":{"v":"PASSEPORT INTERNATIONAL\n\n\n","t":"A","i":1985},"INTRODUCTION":{"v":"INTRODUCTION","t":"A","i":3004},"INVENTORY":{"v":"INVENTAIRE","t":"A","i":2099},"INVERT STROLL":{"v":"INVERSER LA PROMENADE","t":"A","i":121},"IPLOMA":{"v":"DIPLOME","t":"A","i":413},"IRD":{"v":"IRD","t":"A","i":505},"ISK":{"v":"ISK","t":"A","i":2621},"ISS":{"v":"ISS","t":"A","i":3924},"IT CONTAINS":{"v":"IL CONTIENT","t":"A","i":2848},"IT CONTAINS\n AND":{"v":"IL CONTIENT\n ET","t":"A","i":3700},"IT NEVER RAINS\nIN ARCH ARIES.":{"v":"IL NE PLEUT JAMAIS\nÀ ARCH ARIES.","t":"A","i":943},"ITEMS":{"v":"OBJETS","t":"A","i":4493},"ITEMS THAT AFFECT DRAWING AND THE DRAFT POOL":{"v":"OBJETS AFFECTANT LE TRACÉ ET LE PUIS DE BROC","t":"A","i":2380},"ITEMS THAT AFFECT SPECIAL FLOORPLAN COSTS":{"v":"OBJETS QUI INFLUENT SUR LES COÛTS SPÉCIAUX DES PLANS","t":"A","i":3814},"IV":{"v":"IV","t":"A","i":4030},"IV\nFOURTH ERA":{"v":"IV\nQUATRIÈME ÈRE","t":"A","i":1450},"IVORY DICE":{"v":"DÉS D'IVOIRE","t":"A","i":2190},"IX":{"v":"IX","t":"A","i":2802},"I[!v*0]\n[!v*1]\n":{"v":"I[!v*0]\n[!v*1]\n","t":"A","i":1345},"I[!v*0]\n[!v*1]\n[!v*2]\n[!v*3]\n[!v*4]":{"v":"I[!v*0]\n[!v*1]\n[!v*2]\n[!v*3]\n[!v*4]","t":"A","i":1309},"I[!v*0]\n[!v*1]\n[!v*2]\n[!v*3]\n[!v*4]\n[!v*5]":{"v":"I[!v*0]\n[!v*1]\n[!v*2]\n[!v*3]\n[!v*4]\n[!v*5]","t":"A","i":2214},"I_":{"v":"JE","t":"A","i":202},"Ice":{"v":"Glace","t":"A","i":1053},"Identifying the style of the ray used in the sigil will show us what weather the kingdom considered native. Some are intuitive like the jagged lightning shaped lines to indicate stormy lands.":{"v":"L'identification du style de la foudre utilisée dans le sigil nous révélera si le royaume considéré est natif. Certains sont intuitifs, comme les lignes en forme d'éclairs sinueux pour indiquer des terres orageuses.","t":"A","i":2765},"If FURNACE is drafted within a few ranks of FREEZER then the temperature will start rising and everything will melt, including your assets. If the temperature gets too high, refreezing will no longer be possible.":{"v":"Si le FOURNEAU est recruté à quelques rangs du GLACIER, la température commencera à augmenter et tout fondra, y compris vos actifs. Si la température devient trop élevée, il ne sera plus possible de recongeler.","t":"A","i":2683},"If TOOLSHED is good, then ATTIC is really good. Even at a steep gem cost this room cannot be passed up. It always pays for itself and more.":{"v":"Si TOOLSHED est bon, alors ATTIC est vraiment bon. Même à un coût élevé en gemmes, cette pièce ne peut être ignorée. Elle rembourse toujours son investissement et plus encore.","t":"A","i":2817},"If even a single dare on the above list is broken,\nthe challenge will be considered failed.":{"v":"Si même un seul défi de la liste ci-dessus est rompu,\nle défi sera considéré comme échoué.","t":"A","i":234},"If the bedroom is the \"heart of the home,\" then hallways are the \"arteries,\" serving as diverging paths that branch out to connect different parts of the house and lead visitors to their intended destin-ation. While these orange corridors are often overlooked as one travels through them, they are a vital component of any house. The numerous doors found in each hall provide the means to add more rooms to your house,":{"v":"Si la chambre est le « cœur de la maison », alors les couloirs en sont les « artères », servant de chemins divergents qui se ramifient pour relier différentes parties de la maison et guider les visiteurs vers leur destination. Bien que ces couloirs orange soient souvent négligés lors de leur traversée, ils constituent un élément vital de toute maison. Les nombreuses portes présentes dans chaque couloir offrent le moyen d’ajouter plus de pièces à votre maison,","t":"A","i":2039},"If the reading is [!v*0] uSv or higher,\nemergency protocol will initiate, and all\ndoors in the house will automatically unlock.":{"v":"Si la lecture est de [!v*0] uSv ou plus,\nle protocole d'urgence sera déclenché et toutes les\nportes de la maison se déverrouilleront automatiquement.","t":"A","i":3458},"If there is not a Red Room among\nthe first three floorplans you draw while drafting, you may redraw floorplans.\n\n(Also useful for rehearsing museum burglary)":{"v":"Si vous n'avez pas de Red Room parmi les trois plans que vous dessinez lors de la phase de schéma\n, vous pouvez redessiner des plans.\n\n(Aussi utile pour s'entraîner à un cambriolage de musée)","t":"H","i":4154},"If through your silence you bless this betrayal, our son, Simon, your heir, will inherit a fortune of lies and will spit upon your grave when he learns of your cursed foolishness.\n\n Needless to say we will not be\n coming for christmas this year,\n Daniel":{"v":"Si par ton silence tu bénis cette trahison, notre fils, Simon, ton héritier, héritera d'une fortune de mensonges et crachera sur ta tombe en apprenant ta malédiction stupide.\n\n Sans surprise, nous ne viendrons\n pas pour Noël cette année,\n Daniel","t":"A","i":2084},"If you CALL IT A DAY\nin a bedroom on the estate,\ntomorrow will still be ":{"v":"Si vous ARRÊTEZ LA JOURNÉE\ndans une chambre de la propriété,\ndemain sera toujours ","t":"A","i":2868},"If you CALL IT A DAY\nin a bedroom on the estate,\ntomorrow will still be ":{"v":"Si vous ARRÊTEZ LA JOURNÉE\ndans une chambre de la propriété,\ndemain sera toujours ","t":"A","i":4028},"If you are friend bird,\n Fly in the wind, bird.":{"v":"Si tu es l'oiseau ami,\n Vole dans le vent, oiseau.","t":"A","i":1539},"If you call it a day in a room in your house, you will have the opportunity to draft that room from\nthe grounds the following day.":{"v":"Si vous mettez fin à votre journée dans une pièce de votre maison, vous aurez l'occasion de la dessiner\nsur les terrains le lendemain.","t":"A","i":1691},"If you call it a day in a room on your estate, you will draw that room while drafting from the grounds the following day.":{"v":"Si vous mettez fin à votre journée dans une pièce de vos terres, vous dessinerez cette pièce en préparant le terrain le lendemain.","t":"A","i":3212},"If you call it a day while wearing the\nMoon Pendant, tomorrow you will start\nwith two of the items in your inventory.":{"v":"Si vous mettez fin à la journée en portant le\nPendentif de Lune, vous commencerez demain\navec deux des objets de votre inventaire.","t":"A","i":1613},"If you call it a day while wearing the Moon Pendant,\ntomorrow you will start with two of the\nitems in your inventory.":{"v":"Si vous arrêtez la journée en portant le Pendentif de Lune,\ndemain, vous commencerez avec deux des\nobjets de votre inventaire.","t":"A","i":3027},"If you call it a day while wearing the Moon Pendant, YOU WILL START TOMORROW\nWITH TWO OF THE ITEMS IN YOUR INVENTORY":{"v":"Si vous mettez fin à la journée en portant le Pendentif de Lune, VOUS COMMENCEREZ DEMAIN\nAVEC DEUX DES OBJETS DE VOTRE INVENTAIRE","t":"A","i":1407},"If you did not see an item listed\nthat you would like to order, you\nmay submit a custom request here.\n\nThe Commissary will fufill these\nrequests if they are able. \n\nCustom Orders can take up to \n[!v*0] days to fufill.":{"v":"Si vous n'avez pas vu un article répertorié\nque vous souhaitez commander, vous\npouvez soumettre une demande personnalisée ici.\n\nLa Commisserie s'efforcera de répondre à ces\ndemandes si elle peut. \n\nLes commandes personnalisées peuvent prendre jusqu'à \n[!v*0] jours pour être exécutées.","t":"A","i":3661},"If you have come across any fancy ruby socketed candlesticks, you may want to take note in case you can find an item that can produce a flame. These specific candlesticks contain mechanical triggers that are tripped when the candle is lit.\n":{"v":"Si vous avez trouvé des candélabres à douilles rubis somptueux, il est bon de noter qu'ils peuvent contenir un objet capable de produire une flamme. Ces candélabres spécifiques comportent des déclencheurs mécaniques qui s'activent lorsque la bougie est allumée.\n","t":"A","i":3707},"If you have created a BLACKBRIDGE BACKUP, you can restore it to any empty save slot.":{"v":"Si vous avez créé une sauvegarde BLACKBRIDGE, vous pouvez la restaurer dans n'importe quel emplacement de sauvegarde vide.","t":"A","i":3072},"If you unlock a door with the Prism Key in a\nGreen Room, Hallway, Bedroom, Red Room, or Shop, you will draw floorplans\nof that same color.":{"v":"Si vous déverrouillez une porte avec la Clé Prismatique dans une\nPièce verte, Couloir, Chambre, Pièce rouge, ou Boutique, vous obtiendrez des plans\nde la même couleur.","t":"A","i":2308},"If you unlock a door with the Prism Key in a\nGreen Room, Hallway, Bedroom, Red Room, or Shop, you will draw floorplans of\nthat same color.":{"v":"Si vous déverrouillez une porte avec la Clé Prismatique dans une\nPièce verte, Couloir, Chambre, Pièce rouge, ou Boutique, vous obtiendrez des plans de\nla même couleur.","t":"A","i":2011},"If you wish to read more\nabout a specific room in\nyour house, press to\npull up the directory.":{"v":"Si vous souhaitez en savoir plus\nsur une pièce spécifique de\nvotre maison, appuyez sur pour\nafficher le répertoire.","t":"A","i":520},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Co":{"v":"Si vous souhaitez obtenir une marque spécifique de chewing-gum\nou votre fruit préféré,\nle Co","t":"H","i":4394},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Com":{"v":"Si vous souhaitez obtenir une marque spécifique \nde chewing-gum ou votre fruit préféré,\nle Com","t":"A","i":4408},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Comm":{"v":"Si vous souhaitez obtenir une marque spécifique \nde chewing-gum ou votre fruit préféré,\nla Comm","t":"A","i":4409},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commi":{"v":"Si vous souhaitez obtenir une marque\nde chewing-gum ou votre fruit préféré,\nle Commi","t":"A","i":4651},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commis":{"v":"Si vous souhaitez obtenir une marque spécifique \nde chewing-gum ou votre fruit préféré,\nle Commis","t":"A","i":4410},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commiss":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commiss","t":"S","i":4613},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissa":{"v":"Si vous souhaitez obtenir une marque spécifique \nde chewing-gum ou votre fruit préféré,\nle Commissa","t":"A","i":4411},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissar":{"v":"Si vous souhaitez obtenir une marque spécifique \nde chewing-gum ou votre fruit préféré,\nle Commissaire","t":"A","i":4412},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(S":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(S","t":"S","i":4612},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Sp":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Sp","t":"S","i":4611},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Spe":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Spe","t":"S","i":4610},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Spec":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Spec","t":"S","i":4609},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Speci":{"v":"Si vous souhaitez obtenir une marque\nde chewing-gum ou votre fruit préféré,\nla Cantine accepte désormais les Commandes\nSpéciales pour tout le personnel.\n\n(Spéci","t":"A","i":4652},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Specia":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Specia","t":"S","i":4607},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special ":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special ","t":"S","i":4605},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special O":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special O","t":"S","i":4604},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Or":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Or","t":"S","i":4606},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Ord":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Ord","t":"S","i":4603},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orde":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orde","t":"S","i":4600},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Order":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Order","t":"S","i":4595},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders ":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders ","t":"S","i":4593},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders c":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders c","t":"S","i":4594},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders ca":{"v":"Si vous souhaitez obtenir une marque spécifique \nde chewing-gum ou votre fruit préféré,\nle Commissariat accepte désormais les \nCommandes Spéciales pour tous les membres du personnel.\n\n(Commandes Spéciales ca","t":"H","i":4687},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can ":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can ","t":"S","i":4598},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can t":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can t","t":"S","i":4599},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can ta":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can ta","t":"S","i":4591},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can tak":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can tak","t":"S","i":4596},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take ":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take ","t":"S","i":4576},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] - ":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] - ","t":"S","i":4588},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] - [!v*1] ":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] - [!v*1] ","t":"S","i":4580},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] - [!v*1] d":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] - [!v*1] d","t":"S","i":4584},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] - [!v*1] da":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] - [!v*1] da","t":"S","i":4569},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] - [!v*1] day":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] - [!v*1] day","t":"S","i":4566},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] - [!v*1] days)":{"v":"Si vous souhaitez obtenir une marque de chewing-gum spécifique ou votre fruit préféré,\nle Commissariat accepte désormais les commandes spéciales\nde tous les membres du personnel.\n\n(Les commandes spéciales peuvent nécessiter [!v*0] à [!v*1] jours)","t":"H","i":4169},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] - [!v*1]":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] - [!v*1]","t":"S","i":4578},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] -":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] -","t":"S","i":4597},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] ":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0] ","t":"S","i":4572},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0]":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take [!v*0]","t":"S","i":4590},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can take","t":"S","i":4601},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders can","t":"S","i":4592},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special Orders","t":"S","i":4602},"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special":{"v":"If you would like to get a specific \nbrand of gum or your favorite fruit,\nthe Commissary is now taking Special\nOrders for all members of the staff.\n\n(Special","t":"S","i":4608},"Ignoring what I imagine your objections might be after reading this, I have decided to leave the Lake House in Trinsdale to you and your family. My lawyers have all the details of the gift and will be contacting you shortly about the particulars. For the past four decades, you have served willingly as the subject ( and victim ) to my many whims, games and riddles and so rest assured, unlike my nephew, you will not be put to yet another challenge to prove yourself worthy in this matter. The house is yours without strings or stipulations.\n\n\nI had for a time gleefully entertained the notion of employing Anne as the house manager of your new residence but I knew the humor of such a prank would be entirely lost on you, to say nothing of her!\n\n\nUntil we meet again my friend,\n":{"v":"En ignorant les objections que je suppose vous pourriez soulever après avoir lu ceci, j'ai décidé de laisser la Maison du Lac à Trinsdale à vous et à votre famille. Mes avocats ont tous les détails du don et vous contacteront bientôt concernant les particularités. Pendant les quatre dernières décennies, vous avez servi volontairement comme sujet ( et victime ) de mes nombreux caprices, jeux et énigmes, et reposez donc l'esprit : contrairement à mon neveu, vous ne serez pas soumis à un autre défi pour prouver votre worthiness dans cette affaire. La maison est à vous sans conditions ni stipulations.\n\n\nJ'ai pendant un temps accueilli avec joie l'idée d'employer Anne comme gestionnaire de la maison de votre nouvelle résidence, mais je savais que l'humour d'une telle farce serait entièrement perdu sur vous, pour ne rien dire d'elle !\n\n\nJusqu'à ce que nous nous rencontrions à nouveau, mon ami,\n","t":"A","i":2920},"Ilex x meserveae\nA specimen of Holly unique\nto Reddington’s mountains":{"v":"Ilex x meserveae\nUn spécimen de houx unique\naux montagnes de Reddington","t":"A","i":2501},"Immediately,":{"v":"Immédiatement,","t":"A","i":3626},"Import Trophy Data\n\nDuplicate Save Data\n\nClear Save Data\n\nCreate Backup\n\nRestore from Backup\n\nReturn to Menu":{"v":"Importer les données des trophées\n\nDupliquer les sauvegardes\n\nEffacer les données de sauvegarde\n\nCréer une sauvegarde\n\nRestaurer depuis une sauvegarde\n\nRetour au menu","t":"A","i":3625},"In\nARIES\nCOURT\nWHERE\nTHE\nKING\nNOW\nLAYS":{"v":"En\nARIES\nCOURT\nOÙ\nLE\nROI\nPOSE\nMAINTENANT","t":"A","i":3200},"In\nAries\ncourt\nwhere\nthe\nking\nnow\nlays":{"v":"En\nAriette\ncourte\noù\nle\nroi\nmaintenant\ngît","t":"H","i":4155},"In addition to having a bouquet of colorful fish swimming within them, each tank in the Aquarium is also inspired by the decor and colors of the various types of rooms found throughout the estate, including one or two red herrings.":{"v":"En plus d'abriter un bouquet de poissons colorés qui nagent à l'intérieur, chaque aquarium est également inspiré de la décoration et des couleurs des différentes pièces de la propriété, y compris une ou deux fausses pistes.","t":"A","i":4568},"In addition to maintaining the grounds, there are eight green rooms within the house that require some level of upkeep and light groundskeeping. The majority of these I discovered are only draftable on the perimeter of the house along the East and West Wings. The Terrace, Patio, Veranda, Morning Room, Greenhouse, and Secret Garden all fall within this category.":{"v":"En plus de l’entretien des extérieurs, huit pièces vertes de la maison nécessitent un certain niveau de maintenance et de jardinage léger. La plupart d’entre elles, que j’ai découvertes, ne sont accessibles que sur le pourtour de la maison, le long des ailes Est et Ouest. La terrasse, la véranda, le patio, la salle du matin, la serre et le jardin secret relèvent tous de cette catégorie.","t":"A","i":1352},"In addition, it is my fervent desire that the GALLERY, along with all the artwork contained within be bestowed upon the Reddington Museum of Art, including the sculptures, exhibits and the entire collection of drawings by Christopher Manson, comprised of four pieces entitled Think, Ponder, Realize, and Ruminate . This generous donation shall be made one year hence, following the date of my earthly departure (when it will be removed from Mount Holly’s draft pool.)\n\n\n\n\nMoreover, to the Grand Cathedral of Eraja, I bequeath eight stone statues, sculpted in the likeness of the eight Ajeran Angels: Orinda, Lydia, Rynna, Joya, Dauja, Veia, Mila, and Draxus. These sculpted figures have been in the Sinclair tomb for multiple generations, and, even though there has been much debate over their natural numeric order, they have nevertheless remained steadfast in their safeguarding of our family’s secrets. \nI trust they will continue to provide the Cathedral of Eraja \nthat same level of stewardship.\n":{"v":"De plus, il est mon ardent souhait que la GALERIE, ainsi que l’ensemble des œuvres d’art qu’elle contient, soit léguée au Musée d’art Reddington, y compris les sculptures, les expositions et la collection complète de dessins de Christopher Manson, composée de quatre pièces intitulées Penser, Réfléchir, Comprendre et Mûrir . Ce généreux don sera effectué dans un an, à compter de la date de ma disparition terrestre (moment où il sera retiré du vivier de brouillons de Mount Holly.)\n\n\n\n\nPar ailleurs, à la Grande Cathédrale d’Eraj, je lègue huit statues en pierre, sculptées à l’effigie des huit Anges Ajeran : Orinda, Lydia, Rynna, Joya, Dauja, Veia, Mila et Draxus. Ces figures sculptées se trouvent dans le tombeau des Sinclair depuis plusieurs générations et, bien qu’il y ait eu de nombreuses discussions sur leur ordre numérique naturel, elles sont néanmoins restées fidèles à la garde des secrets de notre famille. \nJe fais confiance à leur capacité à continuer d’offrir à la Cathédrale d’Eraj \nle même niveau de vigilance.\n","t":"A","i":1605},"In hand and seal, I make my mark, in the grand year of Fenn Aries, Nineteen Hundred and Twelve.\n":{"v":"De ma main et de mon sceau, je pose ma marque, en l'an grand de Fenn Aries, Mille neuf cent douze.\n","t":"A","i":1211},"In his latter years, H. S. Sinclair had become withdrawn from public life and conducted all business from the comfort and privacy of home. This included the occasional board meetings which were held in the professional setting of this room.":{"v":"Dans ses dernières années, H. S. Sinclair s'était retiré de la vie publique et menait toutes ses affaires depuis le confort et l'intimité de son domicile. Cela incluait les réunions du conseil d'administration occasionnelles qui se tenaient dans le cadre professionnel de cette pièce.","t":"A","i":4673},"In our youth, we are gifted with dreams and ambitions. At our death, we are left with realities and regrets.\n\nI think there is no greater sin than to perpetuate tradition that stagnates growth, that strangles purpose, that suffocates dreams.\nWhat point is there to live another's life at the sake of our own?\n\nOh, how I wish to have been buried underneath the great oak, overlooking the plains, the wondrous woods and the worldly mountains. And the wild holly that surrounds that trunk, a perpetual token of sympathy laid across my grave. What dreadful tradition is it that dumped me in this sunless hollow?\n":{"v":"Dans notre jeunesse, on nous offre des rêves et des ambitions. À notre mort, il ne nous reste que des réalités et des regrets.\n\nJe pense qu'il n'existe pas de plus grand péché que de perpétuer une tradition qui stagne, qui étrangle le but, qui étouffe les rêves.\nÀ quoi bon vivre la vie d'un autre au détriment de la nôtre ?\n\nOh, comme j'aurais aimé être enterré sous le grand chêne, dominant les plaines, les bois merveilleux et les montagnes du monde. Et le houx sauvage qui entoure ce tronc, un perpétuel gage de sympathie posé sur ma tombe. Quelle affreuse tradition m'a jeté dans cette vallée sans soleil ?\n","t":"A","i":1491},"In recognition of a daring\nand brave bird":{"v":"À titre de reconnaissance d'un oiseau audacieux\net courageux","t":"A","i":4130},"In recognition of a sweeping success.":{"v":"En reconnaissance d'un succès retentissant.","t":"A","i":535},"In recognition of achieving \nyour Personal Best":{"v":"À titre de reconnaissance pour avoir atteint votre meilleur score personnel\n","t":"A","i":4131},"In recognition of achieving \nyour Personal Best!":{"v":"En reconnaissance de votre\nRecord personnel !","t":"A","i":584},"In recognition of affluence.":{"v":"En signe d'opulence.","t":"A","i":547},"In recognition of an\nacademic excellence":{"v":"À titre de reconnaissance d'une\nexcellence académique","t":"A","i":4133},"In recognition of an\nacademic excellence.":{"v":"En reconnaissance d'une\nexcellence académique.","t":"A","i":382},"In recognition of completing\nyour Bequest":{"v":"À titre de reconnaissance pour avoir complété\nvotre testament","t":"A","i":4129},"In recognition of completing\nyour Bequest.":{"v":"En reconnaissance de l'accomplissement\nde votre Legs.","t":"A","i":283},"In recognition of doing\nthe impossible.":{"v":"En reconnaissance d'avoir\naccompli l'impossible.","t":"A","i":451},"In recognition of exceptional\narchitectural planning":{"v":"En reconnaissance de la planification\narchitecturale exceptionnelle","t":"A","i":186},"In recognition of exceptional\narchitectural planning.":{"v":"À titre de reconnaissance pour une planification architecturale exceptionnelle\n","t":"A","i":4127},"In recognition of innovative\ncraftsmanship":{"v":"En reconnaissance de l'artisanat\ninnovant","t":"A","i":606},"In recognition of innovative\ncraftsmanship.":{"v":"En reconnaissance de l'artisanat\ninnovant.","t":"A","i":497},"In recognition of rumination":{"v":"En reconnaissance de la rumination","t":"A","i":285},"In recognition of rumination.":{"v":"En reconnaissance de la rumination.","t":"A","i":368},"In recognition of traversing\nevery corner of the house.":{"v":"En reconnaissance d'avoir exploré\nchaque recoin de la maison.","t":"A","i":188},"In recognition of true\nmathematical precision.":{"v":"En reconnaissance de la vraie\nprécision mathématique.","t":"A","i":567},"In recognition of visiting\n[!v*0] Realms in [!v*1] months":{"v":"À l'occasion de la visite\n[!v*0] Royaumes en [!v*1] mois","t":"A","i":4077},"In recognition of visiting\n[!v*0] realms in [!v*1] months.":{"v":"En reconnaissance de la visite de\n[!v*0] royaumes en [!v*1] mois.","t":"A","i":328},"In recognition of your\nunending pursuit of the truth\n":{"v":"En reconnaissance de votre\nrecherche inlassable de la vérité\n","t":"A","i":1980},"In recognition of your\nunending pursuit of the truth.\n":{"v":"En reconnaissance de votre\nrecherche inlassable de la vérité.\n","t":"A","i":511},"In the Laboratory, you are free\nto experiment by testing and\ncombining different mechanics\nto create an original and unique\nHouse Feature that will last \nuntil the end of the day.":{"v":"Dans le Laboratoire, vous êtes libre\nd'expérimenter en testant et\nen combinant différentes mécaniques\npour créer une\nFonctionnalité de Maison originale et unique\nqui durera jusqu'à la fin de la journée.","t":"A","i":1456},"In the blue hours of Wednesday morning, the venerable Baron of Mount Holly, Herbert S. Sinclair, passed away at the ripe age of seventy-three, after a prolonged struggle with a heart condition that had been kept from the public eye until his final days. Esteemed as a pillar of society and renowned for his penchant for crafting puzzles, he was a source of endless fascination to our readers over the years, not least through his popular column \"Baron Bafflers,\" which he penned for over a decade. The particulars of":{"v":"Dans les heures bleues du mercredi matin, le vénérable Baron de la Montagne Holly, Herbert S. Sinclair, s’est éteint à l’âge mûr de soixante-treize ans, après une longue lutte contre un problème cardiaque qui avait été tenu à l’écart du public jusqu’à ses derniers jours. Considéré comme un pilier de la société et renommé pour son goût pour la création d’énigmes, il fut une source d’émerveillement inépuisable pour nos lecteurs au fil des années, notamment grâce à sa populaire rubrique « Les Énigmes du Baron », qu’il rédigea pendant plus d’une décennie. Les détails","t":"A","i":1080},"In the four decades since the end of the war, little news has reached our newsdesk regarding the former royals, whose life in exile has remained a quiet source of speculation and mystery. Prince Rolf, the grandson of DESILETS IV, broke that silence":{"v":"Au cours des quatre décennies qui ont suivi la fin de la guerre, peu de nouvelles sont parvenues à notre rédaction concernant les anciens royaux, dont la vie en exil est restée une source discrète de spéculations et de mystère. Le prince Rolf, petit-fils de DESILETS IV, a brisé ce silence","t":"A","i":1909},"In the fourth order – one that I suspect will intrigue those I leave behind far more than the previous provisions – I hereby bequeath the entirety of the aforementioned estate, Mount Holly, to the individual that discovers the hidden room that contains the blue pages of this document, hence styled The Blue Testament of Auravei. It is my firm belief that the challenge of uncovering this secret far outweighs any other measures of worthiness, and thus, I entrust my beloved home to that deserving successor, without regard to the years that may pass or their familial connection to my descendants who may have incidentally assumed possession of the estate in the interim.\n\nIn the event that any of my relations or future kin are living on the estate when this worthy successor locates The Blue Testament, measures shall be taken to ensure their continued residence, without fear of eviction or forced removal. ":{"v":"Dans la quatrième clause – celle que je soupçonne de susciter un intérêt bien plus vif chez ceux que je laisse derrière moi que les dispositions précédentes – je lègue ici l’intégralité du susdit domaine, Mount Holly, à l’individu qui découvrira la pièce cachée contenant les pages bleues du présent document, d’où son intitulé Le Testament Bleu d’Auravei. Je suis fermement convaincu que le défi de débusquer ce secret prime sur toute autre mesure de mérite, et je confie ainsi ma demeure chérie à ce digne successeur, sans égard aux années qui peuvent s’écouler ni aux liens de parenté avec mes descendants qui auraient pu prendre possession du domaine par hasard en attendant.\n\nDans l’éventualité où l’un de mes proches ou de mes futurs descendants réside sur le domaine lorsque ce digne successeur localise Le Testament Bleu, des mesures seront prises pour garantir la poursuite de son séjour, sans crainte d’expulsion ou de départ forcé. ","t":"A","i":2229},"In the second order, should my husband, Baron Tomas Sinclair, survive me, I grant to him his choice of sentimental keepsake he may wish to retain in remembrance of me. As our union was never founded on material dependency, I make no provision for his future, nor for my eldest son, Herbert S. Sinclair, as he will, in due course, inherit his father’s titles, enterprises and fortune. However, the estate of Mount Holly, its many floorplans, and storied secrets, are mine and mine alone to grant, and I have neither pledged nor suggested it will be granted to either of my children. (Further details concerning its disposition to follow.)\n\n\n\nI do, in the third order, bestow upon my youngest son, Simon, my library, including its books, manuscripts, and musings. For I have long believed that Simon, much like myself, finds greater delight in the realm of imagination than in the mundane realities of everyday life. I hope he cherishes these books, for within their pages lie doorways to endless worlds of wonder and knowledge.":{"v":"En deuxième lieu, si mon époux, le baron Tomas Sinclair, me survit, je lui accorde le choix d’un souvenir sentimental qu’il pourra conserver en mémoire de moi. Notre union n’ayant jamais reposé sur une dépendance matérielle, je ne fais aucune provision pour son avenir, ni pour mon fils aîné, Herbert S. Sinclair, qui héritera, en temps voulu, des titres, des entreprises et de la fortune de son père. Toutefois, le domaine de Mount Holly, ses nombreux plans d’étage et ses secrets légendaires, m’appartiennent et m’appartiennent seuls, et je n’ai ni promis ni laissé entendre qu’il serait cédé à l’un ou l’autre de mes enfants. (Des détails supplémentaires concernant sa disposition suivront.)\n\n\n\nEn troisième lieu, je confie à mon fils cadet, Simon, ma bibliothèque, y compris ses livres, ses manuscrits et ses réflexions. Car j’ai longtemps cru que Simon, tout comme moi, trouve un plus grand plaisir dans le royaume de l’imagination que dans les réalités prosaïques de la vie quotidienne. J’espère qu’il chérira ces livres, car dans leurs pages se trouvent des portes vers d’innombrables mondes de merveille et de savoir.","t":"A","i":1324},"In these cases, the tank a pump is using can be changed by a simple flip of a switch.":{"v":"Dans ces cas, le réservoir utilisé par une pompe peut être modifié par un simple basculement d'un interrupteur.","t":"A","i":2365},"In witness whereof, East Reddington Hospital certifies that the information above\nis true, as verified by its duly authorized officer of the Fenn Aries Registrar of Persons.\n":{"v":"En foi de quoi, l'hôpital East Reddington certifie que les informations ci-dessus\nsont exactes, comme vérifié par son officier dûment autorisé du Registre des Personnes de Fenn Aries.\n","t":"A","i":1208},"In witness whereof, I have hereunto\n set my hand this [!v*0]th day of April [!v*1], ":{"v":"En foi de quoi, j'ai apposé ma signature ci-dessous ce [!v*0] jour d'avril [!v*1],\n ","t":"A","i":3802},"Indoor Verdure":{"v":"Verdure Intérieure","t":"A","i":3573},"Indoor Verdure ":{"v":"Végétation intérieure ","t":"A","i":871},"Informs you that there's no school today.":{"v":"Vous informe qu'il n'y a pas cours aujourd'hui.","t":"A","i":1202},"Inkwell":{"v":"Encre","t":"A","i":3090},"Inneclipses only appear in the north sky.":{"v":"Les éclipses ne se produisent que dans le ciel du nord.","t":"A","i":1173},"Insert Coin":{"v":"Insérez une pièce","t":"A","i":4766},"Insert Disk":{"v":"Insérer le disque","t":"A","i":4306},"Insert into one of the Estate Terminals\nto permanently upgrade one of\nyour Floorplans.":{"v":"Insérez-le dans l'un des terminaux de domaine\npour définitivement améliorer l'un de vos plans d'étage.\n","t":"A","i":3264},"Insert into one of the Estate Terminals\nto permanently upgrade one of\nyour Floorplans.":{"v":"Insérez dans l’un des terminaux du domaine\npour améliorer définitivement l’un de\nvos plans d’étage.","t":"A","i":2502},"Inspect documents\n\n\nof the estate \n\n\nmore closely":{"v":"Examiner les documents\n\n\nde la succession\n\n\nde plus près","t":"A","i":2372},"Interact":{"v":"Interagir","t":"A","i":87},"Invert":{"v":"Inverser","t":"V","i":5},"Invert Look X":{"v":"Inverser la vue X","t":"A","i":103},"Invert Look Y":{"v":"Inverser la vue Y","t":"A","i":111},"Is a different word on Rank [!v*0]":{"v":"Un mot différent au rang [!v*0]","t":"A","i":1234},"Is this the UPGRADE you want?":{"v":"Est-ce la MISE À NIVEAU que vous voulez ?","t":"A","i":2647},"It appears each antechamber door has one primary access lever in addition to a redundancy in another location.":{"v":"Il semble que chaque porte d'antichambre dispose d'un levier d'accès principal, en plus d'un dispositif de redondance situé à un autre endroit.","t":"A","i":2140},"It has been edited to conform to our\ndepartment's standards, including\nthe omission of sections deemed\ninaccurate or unsuitable for\npublic dissemination.":{"v":"Il a été modifié pour se conformer aux\nnormes de notre département, y compris\nl'omission des sections jugées\ninexactes ou inadaptées à la\ndiffusion publique.","t":"A","i":2034},"It has been edited to conform to our\ndepartment's standards, including\nthe omission of sections deemed\ninaccurate or unsuitable for\npublic dissemination.\"":{"v":"Il a été modifié pour se conformer aux\nnormes de notre département, y compris\nl'omission des sections jugées\ninexactes ou inadaptées à la\ndiffusion publique.\"","t":"A","i":1248},"It has now been six months.\n\nSix months of living in this airchoked cavern of boredom and dread. Six months since we said our silent goodbyes to our families. \n\nSix months of planning. Six months of rehearsal. Six months of heartache. \n\nBut no regrets. \n\nEveryone who knows me intimately thinks I have left the country. Everyone else assumes me dead. ":{"v":"Il y a maintenant six mois.\n\nSix mois à vivre dans cette grotte étouffante par l'air, de l'ennui et de la terreur. Six mois depuis que nous avons dit nos adieux silencieux à nos familles. \n\nSix mois de planification. Six mois de répétition. Six mois de chagrin. \n\nMais aucun regret. \n\nTous ceux qui me connaissent intimement pensent que je suis parti du pays. Les autres supposent que je suis mort. ","t":"A","i":3607},"It is possible to connect to\nother active terminals elsewhere\non the estate using R.":{"v":"Il est possible de se connecter à\nd'autres terminaux actifs ailleurs\ndans la propriété en utilisant R.","t":"A","i":4710},"It is possible to connect to\nother active terminals elsewhere\non the estate using R.T.":{"v":"Il est possible de se connecter à\nd'autres terminaux actifs ailleurs\ndans la propriété en utilisant R.T.","t":"A","i":4711},"It is possible to connect to\nother active terminals elsewhere\non the estate using R.T.A. ":{"v":"Il est possible de se connecter à\nd'autres terminaux actifs ailleurs\ndans la propriété en utilisant R.T.A.","t":"A","i":3538},"It is possible to connect to\nother active terminals elsewhere\non the estate using R.T.A.":{"v":"Il est possible de se connecter à\nd'autres terminaux actifs ailleurs\ndans la propriété en utilisant R.T.A.","t":"A","i":4712},"It is possible to connect to\nother active terminals elsewhere\non the estate using R.T.A":{"v":"Il est possible de se connecter à\nd'autres terminaux actifs ailleurs\ndans la propriété en utilisant R.T.A","t":"A","i":4713},"It is possible to connect to\nother active terminals elsewhere\non the estate using R.T":{"v":"Il est possible de se connecter à\nd'autres terminaux actifs ailleurs\ndans la propriété en utilisant R.T","t":"A","i":4714},"It is possible to connect to\nother active terminals elsewhere\non the estate using R":{"v":"Il est possible de se connecter à\nd'autres terminaux actifs ailleurs\ndans la propriété en utilisant R","t":"A","i":4760},"It just \"looks nice\".":{"v":"Ça a juste l'air bien.","t":"A","i":3525},"It should come as no surprise that\nthe latest book from local author\nMarion Marigold is breaking all\nmodern literary records and making\nheadlines yet again. The release of\nher newest story, \"A New Clue\",\ncomes only four months after the\ndistressful report of the young \nauthor's mysterious disappearance.\n Her current publisher has issued a statement debunking the conspiracy theories surrounding the book's recent announcement stating \"[The writing of the book] was completed and well into the final editing stages many months before her disappearance.\" In addition, the publisher has revealed that all of the proceeds from first edition sales of \"A New Clue\" will be going to LASTING HOPE, a non-profit organization that aims to provide resources and intel in the investigations of missing persons. Still, the timing and conveniently mysterious title of Marigold's third book has left many cynics denouncing the book and her disappearance as a cheap publicity stunt. \n Regardless of their opinions, fans, pundits and cynics alike were standing together, elbow to elbow in bookshop queues this morning eager to get their hands on what may very likely be the last words ever published by the missing author.\n":{"v":"Il ne devrait surprendre personne que\nle dernier livre de l'auteure locale\nMarion Marigold bat tous les\nrecords littéraires modernes et fasse\nà nouveau la une. La sortie de\nson nouveau récit, « Un nouveau indice »,\nintervient seulement quatre mois après le\nrapport bouleversant sur la disparition\nmystérieuse de la jeune auteure.\n Son éditeur actuel a publié un communiqué démentant les théories du complot entourant l'annonce récente du livre, en déclarant : « [L'écriture du livre] était terminée et bien avancée dans les dernières étapes d'édition plusieurs mois avant sa disparition. » De plus, l'éditeur a révélé que l'intégralité des recettes de la première édition de « Un nouveau indice » sera reversée à LASTING HOPE, une organisation à but non lucratif visant à fournir des ressources et des informations pour les enquêtes sur les personnes disparues. Pourtant, le timing et le titre mystérieusement opportun du troisième livre de Marigold ont conduit de nombreux cyniques à dénoncer le livre et sa disparition comme une simple opération de communication. \n Quoi qu'ils en pensent, fans, chroniqueurs et cyniques se sont retrouvés ce matin, épaule contre épaule dans les files d'attente des librairies, impatients de mettre la main sur ce qui sera très probablement les derniers mots publiés par l'auteure disparue.\n","t":"A","i":1107},"It should come as no surprise that\nthe latest book from local author\nMarion Marigold is breaking literary\nrecords and making headlines even\nin absentia. The release of her new\nbook, \"A New Clue\", comes only \nfourteen months after the distressful\nreport of the author's mysterious\nand unexplained disappearance.\n Her current publisher has issued a statement debunking the conspiracy theories surrounding the book's recent announcement stating \"The writing of the book was completed and well into the editing stages many months before [the disappearance].\" In addition, the publisher has revealed that all of the proceeds from first edition sales of \"A New Clue\" will be going to LASTING HOPE, a non-profit organization that aims to provide resources and intel in the investigations of missing persons. Still, the timing and conveniently mysterious title of Marigold's third book has left many cynics denouncing the book and her disappearance as a cheap publicity stunt. Detective Bon Margle, who\nmany theorize may have been the inspiration for \"A New Clue\", was quoted only saying that the book was \"unintentionally accurate.\"\n Regardless of their opinions, fans, pundits and cynics alike were standing together, elbow to elbow in bookshop queues this morning eager to get their hands on what may\n very likely be the last words ever published by the missing author.\n":{"v":"Il n'y a rien de surprenant à ce que \nle dernier livre de l'auteur local \nMarion Marigold batte des records \nlittéraires et fasse la une même \nen son absence. La sortie de son \nnouveau livre, \"A New Clue\", n'est \narrivée que quatorze mois après le \nrapport alarmant sur la disparition \nmystérieuse et inexplicable de l'auteure.\n Son éditeur actuel a publié un communiqué démentant les théories du complot entourant l'annonce récente du livre, affirmant : \"L'écriture du livre était achevée et bien dans les étapes d'édition plusieurs mois avant [la disparition].\" De plus, l'éditeur a révélé que tous les bénéfices de la première édition de \"A New Clue\" seront reversés à LASTING HOPE, une organisation à but non lucratif visant à fournir des ressources et des informations dans les enquêtes sur les personnes disparues. Néanmoins, le timing et le titre mystérieusement commode du troisième livre de Marigold ont poussé beaucoup de sceptiques à dénoncer le livre et sa disparition comme un coup médiatique peu coûteux. Le détective Bon Margle, qui \nde nombreux théorisent aurait pu être l'inspiration pour \"A New Clue\", a été cité en disant seulement que le livre était \"involontairement précis.\"\n Quoi qu'en pensent-ils, fans, chroniqueurs et sceptiques se sont tenus ensemble, épaule contre épaule, dans les files d'attente des libraies ce matin, avides d'obtenir ce qui pourrait \n très probablement être les derniers mots jamais publiés par l'auteur disparue.\n","t":"A","i":3616},"It should come as no surprise that the first color that comes to mind when speaking about blueprints is blue. And while it is true most architectural plans and designs are found on blue paper, it is not the only color on which floorplans are drafted. In fact, originally they were not blue at all. \n \n Hundreds of years ago, the chemicals used to create floorplans caused coated paper to turn black when exposed":{"v":"Il ne devrait surprendre personne que la première couleur qui vient à l'esprit lorsqu'on parle de plans bleus soit le bleu. Et s'il est vrai que la plupart des plans et conceptions architecturaux sont réalisés sur papier bleu, ce n'est pas la seule couleur utilisée pour les plans de construction. En fait, à l'origine, ils n'étaient pas bleus du tout. \n \n Il y a des centaines d'années, les produits chimiques utilisés pour créer les plans faisaient noircir le papier enduit lorsqu'il était exposé","t":"A","i":2348},"It was\n^":{"v":"C'était\n^","t":"A","i":2753},"It was a game full of rooms,\nAnd the stories that we climb,\nAbout a house full of lies,\nand the truth that one prince finds.\n":{"v":"C'était un jeu rempli de pièces,\nEt les histoires que nous gravissons,\nSur une maison pleine de mensonges,\net la vérité qu'un prince découvre.\n","t":"A","i":1488},"It was the fourth king of Orindia who split this vast domain in three equal shares. Three Realms for his three children. \n\nTo the eldest, he granted the fields and mountains of his great grandfather, the middle province and heartspring of the kingdom. The eldest accepted the gift and called his new realm ORINDA ARIES, after the angelic paragon of royalty, Orinda. \n\nTo the youngest, he bestowed upon him the realm of ARCH ARIES, the land of the Northern Storms. A wild and untamed \n\n":{"v":"C'est le quatrième roi d'Orindia qui divisa ce vaste domaine en trois parts égales. Trois Royaumes pour ses trois enfants. \n\nÀ l'aîné, il offrit les champs et les montagnes de son grand-père, la province centrale et cœur battant du royaume. L'aîné accepta le don et nomma son nouveau royaume ORINDA ARIES, d'après l'archétype angélique de la royauté, Orinda. \n\nAu plus jeune, il conféra le royaume d'ARCH ARIES, la terre des Tempêtes du Nord. Sauvage et indomptable \n\n","t":"A","i":1923},"It was the story of a boy,\nWho also wore red!\nAnd he looked like our prince,\nFrom his toes to his head.\n":{"v":"C'était l'histoire d'un garçon,\nQui portait aussi du rouge!\nEt il ressemblait à notre prince,\nDe ses orteils jusqu'à sa tête.\n","t":"A","i":3668},"It's About Time for an Upgrade":{"v":"Il est temps de faire une mise à niveau","t":"A","i":982},"It's about time":{"v":"Il est temps","t":"A","i":957},"It's almost like they were choosing\n green rooms just to tempt me...":{"v":"C'est presque comme s'ils avaient choisi\n des chambres vertes juste pour tenter mon attention...","t":"A","i":3211},"It’s only a few hours from Reddington to get to the trailhead, and you won’t need any local guides or special gear if you tackle the trail during the summer season. However, those willing to give this mountain a significant amount of planning and research will be greatly rewarded, whether or not they actually summit.\n\nOn the opposite side of the peak, far from the trail, rests the Estate of Mount Holly, nestled between the summit’s northern slope and saddle. This [!v*0]-acre mountain residence is almost as old as Reddington itself, however, unlike Featherfall Keep, the property has been completely private since the closing of the Mount Holly schoolhouse in ‘[!v*1]. Still, hikers will be able to appreciate the house’s unique architecture at a distance from one of the trail’s many north-facing overlooks.\n":{"v":"Il n'y a que quelques heures entre Reddington et le point de départ du sentier, et vous n'aurez besoin d'aucun guide local ou d'équipement spécial si vous affrontez le sentier durant la saison estivale. Cependant, ceux qui sont prêts à consacrer un effort considérable à la planification et aux recherches pour cette montagne seront grandement récompensés, qu'ils atteignent ou non le sommet.\n\nDu côté opposé du pic, loin du sentier, se trouve l'Établissement de Mount Holly, niché entre la pente nord du sommet et sa selle. Cette résidence de [!v*0]-acre est presque aussi ancienne que Reddington lui-même ; cependant, contrairement à Featherfall Keep, le domaine a été entièrement privé depuis la fermeture de l'école de Mount Holly en '[!v*1]'. Néanmoins, les randonneurs pourront apprécier l'architecture unique de la maison depuis un des nombreux points de vue orientés au nord du sentier.\n","t":"A","i":3964},"Ivory Dice":{"v":"Dés d'ivoire","t":"A","i":3348},"J":{"v":"J","t":"A","i":2761},"J A\n (LAST)":{"v":"J A\n (DERNIÈRE)","t":"A","i":1180},"J. Ribbon":{"v":"J. Ruban","t":"A","i":2992},"JAN [!v*0] - [!v*1]":{"v":"JAN [!v*0] - [!v*1]","t":"A","i":342},"JANUARY":{"v":"JANVIER","t":"A","i":4013},"JANUARY [!v*0], [!v*1]":{"v":"JANVIER [!v*0], [!v*1]","t":"A","i":2055},"JANUARY ISSUE":{"v":"NUMÉRO DE JANVIER","t":"A","i":898},"JENNI W,":{"v":"JENNI W","t":"A","i":853},"JULY":{"v":"JUILLET","t":"A","i":4831},"JUNE":{"v":"JUIN","t":"A","i":4830},"JUNE ISSUE":{"v":"NUMÉRO DE JUIN","t":"A","i":674},"J[!v*0]SH":{"v":"J[!v*0]SH","t":"A","i":1091},"Jan [!v*0] '[!v*1]":{"v":"Jan [!v*0] '[!v*1]","t":"A","i":501},"January [!v*0]th, [!v*1]\n\nIf there is a tenth rank, it is impossible to perceive its existence from the outside. So if it does exist, then I'm going to assume that reaching it can only be done through the ANTECHAMBER. Sadly, security has only gotten tighter in the years after Mary's disappearance and that room is no longer locked behind regular doors that can be opened by regular keys. No, that would be too easy. Instead, the Baron had remote access levers installed in several different rooms of the house. \n\nFunny enough, I already know the location of three of these levers, as one was recently installed in the GREENHOUSE and another two were installed in the SECRET GARDEN.\n":{"v":"Le [!v*0] janvier[!v*1]\n\nS'il existe un dixième rang, il est impossible de percevoir son existence depuis l'extérieur. Donc, s'il existe, je vais supposer qu'y accéder ne peut se faire que par l'ANTECHAMBRE. Malheureusement, la sécurité n'a fait qu'augmenter dans les années suivant la disparition de Mary et cette pièce n'est plus verrouillée derrière des portes ordinaires qui peuvent être ouvertes avec des clés normales. Non, ce serait trop facile. Au lieu de cela, le Baron a installé des leviers à accès distant dans plusieurs pièces différentes de la maison.\n\nPar un hasard amusant, je connais déjà l'emplacement de trois de ces leviers, car l'un d'eux a été récemment installé dans le JARDIN D'HIVER et les deux autres ont été installés dans le JARDIN SECRET.\n","t":"A","i":3949},"January [!v*0]th, [!v*1]\n\nMy ambition has been reignited! I overheard, perhaps with some prodding, that the employee contracts for the staff are kept within the Baron's private office on the tenth rank. A fact that I found quite remarkable considering that the house only has nine ranks. This all but confirms the long held suspicion that the rumored forty-sixth room is in fact, north of the ANTECHAMBER. A suspicion that I had always considered too obvious to be plausible.\n\nAs much as I wish to abandon all pretense of caring about\n \nmy job to focus on this new project, I fear I must resume my gardening duties for the sake of appearances. It has, after all, been a long time since the north side of the house has received the groundskeeper's undivided attention. Let's trim the hedges and see what we find.\n":{"v":"Le [!v*0] janvier, [!v*1]\n\nMa détermination a été ravivée ! J'ai entendu dire, peut-être avec un peu de pression, que les contrats des employés du personnel sont conservés dans le bureau privé du Baron, au dixième étage. Un fait que je trouvai tout à fait étonnant, compte tenu du fait que la maison n'a que neuf étages. Cela confirme presque entièrement la suspicion longtemps entretenue selon laquelle la chambre légendaire numéro quarante-six se trouve en réalité au nord de l'ANTICHAMBRE. Une suspicion que j'avais toujours jugée trop évidente pour être plausible.\n\nBien que je veuille abandonner toute prétention d'intérêt pour\n \nmon travail afin de me concentrer sur ce nouveau projet, je crains que je doive reprendre mes tâches de jardinage par souci d'apparence. Après tout, il y a longtemps que le côté nord de la maison n'a pas reçu l'attention exclusive du gardien des jardins. Trapons les haies et voyons ce que nous trouverons.\n","t":"A","i":2733},"Jean Ribbon":{"v":"Jean Ruban","t":"A","i":1247},"Jims rejoice! This absolute mess of\na sandwich is dripping with melted cheese and our house-made 'Sloppy Jim' barbecue mixture. Served with pickle slices and a gem for extra crunch.":{"v":"La joie de Jim ! Ce vrai chaos de\nsandwich dégouline de fromage fondu et de notre mélange maison de barbecue « Sloppy Jim ». Servi avec des tranches de cornichons et un joyau pour un extra croustillant.","t":"A","i":1652},"Jul [!v*0] '[!v*1]":{"v":"Juil [!v*0] '[!v*1]","t":"A","i":414},"Jun [!v*0] '[!v*1]":{"v":"Jun [!v*0] '[!v*1]","t":"A","i":1125},"June [!v*0]th, [!v*1]":{"v":"[!v*0] juin, [!v*1]","t":"A","i":924},"Just need to draft one\nmore classroom to take\nmy final exam!":{"v":"Il ne me reste plus \nqu'une salle de classe pour \npasser mon examen final!\n","t":"H","i":4157},"K":{"v":"K","t":"A","i":1302},"K. Thompson":{"v":"K. Thompson","t":"A","i":1085},"K.L":{"v":"K.L","t":"A","i":553},"KEY":{"v":"CLÉ","t":"A","i":2805},"KEY LIME PIE":{"v":"GÂTEAU CITRON À LA CLÉ DE LIMON","t":"A","i":3891},"KEYCARD":{"v":"CLÉ-CARTE","t":"A","i":3827},"KEYCARD\nENTRY\nSYSTEM":{"v":"CARTE À PUCES\nSYSTÈME\nD'ACCÈS","t":"A","i":441},"KEYCARD DOOR":{"v":"PORTE À CARTE","t":"A","i":4490},"KEYCARD SYSTEM":{"v":"SYSTÈME DE CARTE MAGNÉTIQUE","t":"A","i":2540},"KEYCARD SYSTEM SETTINGS":{"v":"PARAMÈTRES DU SYSTÈME DE CARTE À PUCES","t":"A","i":1556},"KEYS":{"v":"CLAVES","t":"A","i":3510},"KING'S GROTTO":{"v":"GROTTE DU ROI","t":"A","i":3011},"KIRK DARREN\nIS A PSEUDONYM.":{"v":"KIRK DARREN\nEST UN PSEUDONYME.","t":"A","i":1051},"KIT":{"v":"KITS","t":"A","i":3067},"KITCHEN":{"v":"CUISINE","t":"A","i":284},"KNIGHT'S":{"v":"CHEVALIER","t":"A","i":3215},"KNIGHT'S\nSHIELD":{"v":"ÉCU DU\nCHEVALIER","t":"A","i":1587},"KNIGHT'S SHIELD":{"v":"BOUCLIER DU CHEVALIER","t":"A","i":1627},"KNIGHT 's":{"v":"CHEVALIER '","t":"A","i":1919},"KNIGHT 's":{"v":"CHEVALIER 's","t":"A","i":4334},"KRIS":{"v":"KRIS","t":"A","i":731},"Kathleen":{"v":"Kathleen","t":"A","i":1056},"Kept behind locked doors.":{"v":"Gardé derrière des portes verrouillées.","t":"A","i":915},"Keyboard":{"v":"Clavier","t":"A","i":178},"Keycard System Settings\n\nReturn to Security Menu\n\nExit":{"v":"Paramètres du système de cartes-clés\n\nRetour au menu de sécurité\n\nQuitter","t":"A","i":3722},"Keycard access security doors are more likely to appear in\nthe HIGHER RANKS of the estate.\n\nLIKEWISE, AS A REDUNDANT SECURITY MEASURE, NORMAL DOORS IN THE ESTATE WILL ALSO BE MORE LIKELY TO BE LOCKED AS YOU PROGRESS NORTH.":{"v":"Les portes sécurisées par badge sont plus susceptibles d'apparaître dans\nles RANGS SUPÉRIEURS du domaine.\n\nPAR AILLEURS, EN MESURE DE SÉCURITÉ REDONDANTE, LES PORTES NORMALES DU DOMAINE SERONT AUSSI PLUS SUSCEPTIBLES D'ÊTRE VERROUILLÉES À MESURE QUE VOUS PROGRESSEZ VERS LE NORD.","t":"A","i":371},"Keycard access security doors are more likely to appear in the HIGHER RANKS of the estate.\n\nLIKEWISE, AS A REDUNDANT SECURITY MEASURE, NORMAL DOORS IN THE ESTATE WILL ALSO BE MORE LIKELY TO BE LOCKED AS YOU PROGRESS NORTH.":{"v":"Les portes à sécurité par carte d'accès apparaissent plus fréquemment dans les RANGS PLUS ÉLEVÉS de la propriété.\n\nDE MÊME, EN TANT QUE MESURE DE SÉCURITÉ REDONDANTE, LES PORTES NORMALES DE LA PROPRIÉTÉ SERONT AUSSI PLUS FRÉQUEMMENT VERROUILLÉES À MESURE QUE VOUS PROGRESSER VERS LE NORD.","t":"A","i":3527},"Keys":{"v":"Clés","t":"A","i":4024},"Kimberly Thompson":{"v":"Kimberly Thompson","t":"A","i":810},"Kitchen":{"v":"Cuisine","t":"A","i":4217},"Knight's Shield":{"v":"Bouclier du chevalier","t":"A","i":2158},"Know all men by these presents,":{"v":"Sachez par les présentes,","t":"A","i":855},"L":{"v":"L","t":"A","i":80},"Lord Arthur Clementine":{"v":"Lord Arthur Clementine","t":"A","i":660},"LAB":{"v":"LAB","t":"A","i":2123},"LABORATORY":{"v":"LABORATOIRE","t":"A","i":1363},"LADY EPSENS":{"v":"DAME EPSENS","t":"A","i":3237},"LASS":{"v":"LAISSE","t":"A","i":2995},"LAUNDRY":{"v":"LAVAGE","t":"A","i":3358},"LAUNDRY\nROOM":{"v":"LAVE\nLINGE","t":"A","i":3899},"LAVATORY":{"v":"TOILETTE","t":"A","i":1317},"LD":{"v":"LD","t":"A","i":1011},"LEAD SYSTEM ADMINISTRATOR":{"v":"ADMINISTRATEUR SYSTÈME PRINCIPAL","t":"A","i":3126},"LEANING TOWARD THIS":{"v":"TENDS VERS CELA","t":"A","i":868},"LEAVELU?":{"v":"NIVEAU","t":"A","i":2507},"LECTROMAGNET":{"v":"LECTROMAGNÉTISME","t":"A","i":2893},"LEDGE":{"v":"ÉLÉGANCE","t":"A","i":2657},"LEEP":{"v":"LEEP","t":"A","i":3025},"LEERSON\nGALLERY":{"v":"LEERSON\nGALERIE","t":"A","i":1867},"LEERSON HALL":{"v":"SALLE LEERSON","t":"A","i":2728},"LEMON GLAZED SALMON":{"v":"SAUMON AU CITRON ET CUIVRE","t":"A","i":3250},"LIBRARY":{"v":"BIBLIOTHÈQUE","t":"A","i":1432},"LLOWANCE":{"v":"ALLONGE","t":"A","i":1489},"LOCK PICK KIT":{"v":"KIT DE PICE","t":"A","i":4657},"LOCK PICK KIT ":{"v":"KIT DE DÉVERROUILLAGE ","t":"A","i":3619},"LOCKED":{"v":"VERROUILLÉ","t":"A","i":1786},"LOCKPICK KIT":{"v":"KIT DE GÂCHETTES","t":"A","i":2354},"LOCKSMITH":{"v":"SERRURIER","t":"A","i":2613},"LOORPLAN":{"v":"PLAN DU SOL","t":"A","i":2977},"LOR (WORD)\nHEW (HOUSE)\nTREI (TREE)\nYAIT (GATE)\nLUNE (WATER)\nDAU (DAY)\nNAI (NIGHT)\nAREI (FUTURE)":{"v":"LOR (MOT)\nHEW (MAISON)\nTREI (ARBRE)\nYAIT (PORTE)\nLUNE (EAU)\nDAU (JOUR)\nNAI (NUIT)\nAREI (AVENIR)","t":"A","i":1205},"LORD EVANSON":{"v":"LORD EVANSON","t":"A","i":459},"LORLU RAADAU":{"v":"LORLU RAADAU","t":"A","i":3725},"LOST FOUND":{"v":"PERDU TROUVÉ","t":"A","i":494},"LOW":{"v":"FAIBLE","t":"A","i":4339},"LOWER BARRIER":{"v":"ABAISSER LA BARRIÈRE","t":"A","i":1038},"LUEPRINT":{"v":"LUEPRINT","t":"A","i":3984},"LUNCH BOX":{"v":"PAK","t":"A","i":1902},"LUST":{"v":"LUXURE","t":"A","i":358},"LZARA":{"v":"LZARA","t":"A","i":526},"Label":{"v":"Étiquette","t":"A","i":8},"Label size":{"v":"Taille de l'étiquette","t":"A","i":142},"Labels size":{"v":"Taille des étiquettes","t":"A","i":1650},"Laboratory":{"v":"Laboratoire","t":"V","i":4735},"Lady Auravei":{"v":"Dame Auravei","t":"A","i":2553},"Lady Auravei of Trinsdale":{"v":"Dame Auravei de Trinsdale","t":"A","i":1082},"Lady Clara Epsen Grandmother":{"v":"Dame Clara Epsen Grand-mère","t":"A","i":2652},"Largest\n Purchase":{"v":"Plus grand\nAchat","t":"A","i":3702},"Largest\n Purchase":{"v":"Plus grand\n Acheter","t":"A","i":2734},"Last Draft":{"v":"Brouillon final","t":"A","i":2813},"Last Draw":{"v":"Dernier tirage","t":"A","i":1747},"Last week, I had a confidential conversation with one of our mutual acquaintances. A conversation that has shed more light on this mystery than all of my father’s countless fruitless inquiries over the years.\n\nI now have reason to believe that you were in fact responsible for smuggling my cousin under cover of night across the red border to the southern seafront. And I believe this may have occurred in September, a full [!v*0] months after she was reported missing. A date that coincides not with her public “disappearance” in February but instead with the notable theft of the Ruby Crown.\n\nIf the Black Water insurgents were in fact responsible for the heist as some have claimed, I believe this scenario entirely plausible. And the fact that [!v*1] of the crown’s eight rubies have now surfaced has given me renewed optimism that she is still alive.\n\nAlive, safe and finally free.":{"v":"La semaine dernière, j’ai eu une conversation confidentielle avec l’un de nos communs amis. Une conversation qui a jeté plus de lumière sur ce mystère que toutes les innombrables recherches vaines de mon père au fil des années.\n\nJ’ai désormais des raisons de croire que vous étiez en réalité responsable du contrebandage de ma cousine sous couvert de nuit, au-delà de la frontière rouge, jusqu’au front de mer du sud. Et je crois que cela s’est produit en septembre, soit [!v*0] mois après qu’elle a été déclarée disparue. Une date qui ne coïncide pas avec sa « disparition » publique en février, mais plutôt avec le vol notable de la Couronne de Rubis.\n\nSi les insurgés des Eaux Noires étaient en effet responsables du braquage, comme certains l’ont affirmé, je trouve ce scénario tout à fait plausible. Et le fait que [!v*1] des huit rubis de la couronne soient désormais réapparus m’a redonné l’optimisme qu’elle est encore en vie.\n\nEn vie, en sécurité et enfin libre.","t":"A","i":2024},"Lastly, I leave a final message to my worthy successor– you, who have reached this final room. You, who unearthed these pages hidden amidst the blueprints, buried beneath cryptic words and the prophecies of the past. You, who have spent countless days wandering the chambers and passageways of your own curiosity. Scouring for clues. Hoping for answers. Striving for that which you knew might forever elude you. To you, for whom satisfaction is a fleeting companion. To you, who stands now at the end of your journey– triumphant, exhausted, and justly proud. To you, I grant that which, in life, I have given to no other: My esteem.\n":{"v":"Enfin, je laisse un ultime message à mon digne successeur – vous, qui avez atteint cette dernière pièce. Vous, qui avez mis au jour ces pages cachées parmi les plans, enfouies sous des mots cryptiques et les prophéties du passé. Vous, qui avez passé des jours innombrables à errer dans les chambres et les couloirs de votre propre curiosité. Fouillant des indices. Espérant des réponses. Luttant pour ce que vous saviez pouvoir vous échapper éternellement. À vous, pour qui la satisfaction n'est qu'un compagnon fugace. À vous, qui êtes maintenant à l'issue de votre voyage – triomphant, épuisé et justement fier. À vous, je confère ce que, dans la vie, je n'ai donné à aucun autre : mon estime.\n","t":"A","i":2612},"Lastly, the first letter of each small word forms this week's solution - a member of the sixth clue!":{"v":"Enfin, la première lettre de chaque petit mot forme la solution de cette semaine - un membre de la sixième indice","t":"A","i":1877},"Laundry Room":{"v":"Salle de lessive","t":"A","i":4786},"Laura A.":{"v":"Laura A.","t":"A","i":707},"Lavatory":{"v":"Toilette","t":"A","i":4683},"Leread Nai":{"v":"Leread Nai","t":"A","i":1192},"Level\nReached":{"v":"Niveau\natteint","t":"A","i":1495},"Library":{"v":"Bibliothèque","t":"A","i":4618},"Likely opens up a drawer somewhere on the estate.":{"v":"Probablement ouvre un tiroir quelque part dans la propriété.","t":"A","i":2878},"Lilly Rysian Rose":{"v":"Lilly Rysian Rose","t":"A","i":800},"Ll":{"v":"Ll","t":"A","i":4091},"Loading":{"v":"Chargement","t":"V","i":29},"Local Mt. Holly delicacy. Served atop a Plum aigre-doux with Roasted Potatoes, Bacon Lardons and Wild Chives. ":{"v":"Délicatesse locale de la montagne de Holly. Servie sur une poire acidulée accompagnée de pommes de terre rôties, de lardons au bacon et d'ail des ours sauvage. ","t":"A","i":3861},"Local Mt. Holly delicacy. Served atop a plum aigre-doux with roasted potatoes, bacon lardons and wild chives. ":{"v":"Délicatesse locale de la montagne de Holly. Servie sur une prune mi-acide mi-douce accompagnée de pommes de terre rôties, de lardons et d'ail des ours sauvage. ","t":"A","i":3995},"Local author and popular personality, Marion Marigold has announced a split with her long term publishing partner, Ruffington Press, citing":{"v":"L'auteure locale et personnalité populaire, Marion Marigold, a annoncé la rupture de son partenariat de longue date avec la maison d'édition Ruffington Press, en invoquant","t":"A","i":1419},"Lockpick Kit":{"v":"Kit de crochetage","t":"A","i":4654},"Locksmith":{"v":"Serrurier","t":"A","i":3699},"Look":{"v":"Regarder","t":"A","i":82},"Look Sensitivity":{"v":"Sensibilité du regard","t":"A","i":135},"Look sensitivity":{"v":"Sensibilité de la visée","t":"A","i":115},"Looks like it could be useful for digging":{"v":"Ça pourrait servir à creuser","t":"A","i":1975},"Looks like it might be able\nto be plugged in somewhere.":{"v":"Ça pourrait peut-être\nse brancher quelque part.","t":"A","i":1812},"Lord Arthur Clementine":{"v":"Lord Arthur Clementine","t":"A","i":910},"Lose less when traveling longer distances across the estate and grounds.":{"v":"Perdez moins de temps lors de déplacements sur de longues distances à travers la propriété et les jardins.","t":"A","i":3842},"Lower the Reservoir by [!v*0]":{"v":"Abaissez le réservoir de [!v*0]","t":"A","i":3735},"Lydia":{"v":"Lydia","t":"A","i":2563},"M":{"v":"M","t":"A","i":518},"M S":{"v":"M S","t":"V","i":41},"M. Lowry":{"v":"M. Lowry","t":"A","i":1007},"M. Lowry":{"v":"M. Lowry","t":"A","i":646},"MAGNIFYING GLASS":{"v":"LOUPE","t":"A","i":2559},"MAID'S\nCHAMBER":{"v":"CHAMBRE DE LA FEMME DE CHAMBRE\n","t":"A","i":2801},"MAID'S CHAMBER":{"v":"CHAMBRE DE LA FEMME DE CHAMBRE","t":"A","i":3078},"MAIN MENU":{"v":"MENU PRINCIPAL","t":"A","i":2450},"MAINN ETTAM MATREI ETTISS MAORR":{"v":"MAINTENANT JE SUIS LA REINE","t":"A","i":3933},"MAKE AN OFFERING":{"v":"FAITES UN OFFRANT","t":"A","i":3164},"MAMORA":{"v":"MAMORA","t":"A","i":3756},"MANNING, CALEB\nHISTORY OF ORINDIA":{"v":"MANNING, CALEB\nHISTOIRE D'ORINDIA","t":"A","i":1119},"MANNING, CALEB\nTHE HISTORY OF ORINDIA":{"v":"MANNE, CÉLESTIN\nL'HISTOIRE D'ORINDIA","t":"A","i":3014},"MANTLE\nOF THE KNIGHT":{"v":"MANTEAU\nDE LA CHEVALERIE","t":"A","i":2958},"MANTLE OF THE KNIGHT":{"v":"MANTEAU DU CHEVALIER","t":"A","i":2787},"MARCH":{"v":"MARS","t":"A","i":4827},"MARCH ISSUE":{"v":"NUMÉRO DE MARS","t":"A","i":903},"MARCH TENTH [!v*0] REDDINGTON HERALD":{"v":"DIX MARS [!v*0] HERALD DE REDDINGTON","t":"A","i":1728},"MARIGOLD DROPS PUBLISHER":{"v":"MARIGOLD DROPS ÉDITEUR","t":"A","i":4043},"MARIGOLD, MARION\nA NEW CLUE":{"v":"MARIGOLD, MARION\nUNE NOUVELLE PISTE","t":"A","i":2957},"MARIGOLD, MARION\nSWIM BIRD":{"v":"MARGUERITE, MARION\nOISEAU NAGEUR","t":"A","i":446},"MARION MARIGOLD":{"v":"MARION MARIGOLD","t":"A","i":862},"MASTER BEDROOM":{"v":"CHAMBRE À COUCHER PRINCIPALE","t":"A","i":3376},"MASTER KEY":{"v":"CLÉ MAÎTRESSE","t":"A","i":1905},"MATH":{"v":"MATH","t":"A","i":1940},"MATHEMATICS":{"v":"MATHÉMATIQUES","t":"A","i":556},"MATHEMATICS WORKSHEET":{"v":"MATHÉMATIQUES FEUILLE D'EXERCICES","t":"A","i":752},"MAY":{"v":"MAI","t":"A","i":4829},"MECHANICAL":{"v":"MÉCANIQUE","t":"A","i":4518},"MEDIUM":{"v":"MOYEN","t":"A","i":3039},"MERALD":{"v":"MÉRALD","t":"A","i":2203},"METAL DETECTOR":{"v":"DÉTECTEUR DE MÉTAUX","t":"A","i":2840},"MODE":{"v":"MODE","t":"V","i":42},"MON":{"v":"JAN","t":"A","i":475},"MONV":{"v":"MONV","t":"A","i":848},"MOON PENDANT":{"v":"PENDENTIF DE LUNE","t":"A","i":1527},"MOONSIDE COURTYARD":{"v":"COUR DE LA LUNE","t":"A","i":1360},"MORA":{"v":"MORA","t":"A","i":2470},"MORA JAI":{"v":"MORA JAI","t":"A","i":3717},"MORE THAN\nTWO BOXES\nCONTAIN PRIZES.":{"v":"PLUS DE\nDEUX BOÎTES\nCONTIENNENT DES PRIX.","t":"A","i":1533},"MORE...":{"v":"PLUS...","t":"A","i":3776},"MORNING\nSTAR":{"v":"MATIN\nÉTOILE","t":"A","i":3310},"MORNING BAY":{"v":"BAIE DU MATIN","t":"A","i":2799},"MORNING ROOM\n":{"v":"PIECE DU MATIN\n","t":"A","i":2656},"MOST AVOIDED FLOORPLANS\n_________________________\n":{"v":"LA PLUPART ÉVITÉ DES PLANS DE SOLS\n_________________________\n","t":"A","i":3441},"MOST DRAFTED\n_____________\n":{"v":"LE PLUS ÉLIS\n_____________\n","t":"A","i":3020},"MOST PAID FOR\n_____________":{"v":"LE PLUS PAYÉ\n_____________","t":"A","i":3758},"MOTION ASSIST":{"v":"AIDE AU MOUVEMENT","t":"A","i":98},"MOUNT\nEEFROS":{"v":"MONT\nEEFROS","t":"A","i":4070},"MOUNT EEFROS, CORARICA - SCHOOL OF DRAFTING":{"v":"MONT EEFROS, CORARICA - ÉCOLE DE DESSIN","t":"A","i":2952},"MOUNT HOLLY":{"v":"MONT HOLY","t":"A","i":2650},"MOUNT HOLLY ELEMENTARY":{"v":"ÉCOLE PRIMAIRE MOUNT HOLLY","t":"A","i":767},"MOUNT HOLLY ELEMENTARY FINAL EXAM":{"v":"ÉLÉMENTAIRE MOUNT HOLLY EXAMEN FINAL","t":"A","i":1593},"MOUNT HOLLY ESTATE":{"v":"DOMAINE MOUNT HOLLY","t":"A","i":3954},"MOUSE SETTINGS":{"v":"PARAMÈRES DE LA SOURIS","t":"A","i":2513},"MPLIFIER":{"v":"AMPLIFICATEUR","t":"A","i":1692},"MT. HOLLY":{"v":"MONT HOLLY","t":"A","i":408},"MT. HOLLY COMMISSARY":{"v":"COMMISSARIAT DU MONT HOLLY","t":"A","i":568},"MT. HOLLY LUNCH MENU\n------------------------\n\nBANANA\t\t\t\t\t[!v*0]\nCLUB SANDWHICH\t\t\t\t[!v*1]\nLUNCH DISH\t\t\t\t[!v*2]\n\n------------------------\n\n\nBANANA\t\t\t\t\t[!v*3]\nCLUB SANDWHICH\t\t\t\t[!v*4]\nLUNCH DISH\t\t\t\t[!v*5]\n":{"v":"MENU DU DÉJEUNER DU MONT HOLLY\n------------------------\n\nBANANE\t\t\t\t\t[!v*0]\nSANDWICH CLUB\t\t\t\t[!v*1]\nPLAT DE DÉJEUNER\t\t\t\t[!v*2]\n\n------------------------\n\n\nBANANE\t\t\t\t\t[!v*3]\nSANDWICH CLUB\t\t\t\t[!v*4]\nPLAT DE DÉJEUNER\t\t\t\t[!v*5]\n","t":"A","i":579},"MT. HOLLY TEE":{"v":"T-SHIRT MONTAGNE HALLY","t":"A","i":3338},"MT. HOLLY, ORIS, ORINDA ARIES":{"v":"MONT-HOLY, ORIS, ORINDA ARIES","t":"A","i":3945},"MT. HOLLY, ORIS, REDDINGTON":{"v":"MT. HOLLY, ORIS, REDDINGTON","t":"A","i":2556},"MT. HOLLY, REDDINGTON, FENN ARIES":{"v":"MONTAGNE HALLY, REDDINGTON, FENN ARIES","t":"A","i":4084},"MUDSLIDE ICECREAM":{"v":"GLISSADE DE BOUE GLACE","t":"A","i":3333},"MULTIPLE CHOICE":{"v":"CHOIX MULTIPLES","t":"A","i":630},"MUNDANITY":{"v":"BANALITÉ","t":"A","i":607},"MUSEUM - MAIN CONCOURSE":{"v":"MUSÉE – HALL PRINCIPAL","t":"A","i":3317},"MUSEUM ENTRANCE":{"v":"ENTRÉE DU MUSÉE","t":"A","i":1431},"MUSEUM GROUNDS":{"v":"PÉRIMÈTRE DU MUSÉE","t":"A","i":2798},"MUSEUM STATION CAFE":{"v":"CAFÉ DE LA STATION MUSÉE","t":"A","i":2157},"MUSIC\nROOM":{"v":"MUSIQUE\nPIÈCE","t":"A","i":2453},"MY FAVORITE COLOR IS ______________":{"v":"MA COULEUR PRÉFÉRÉE EST ______________","t":"A","i":716},"MY FIRST\nCLAIM TICKET":{"v":"MON PREMIER\nBILLET DE RÉCLAMATION","t":"A","i":1679},"Magnifying Glass":{"v":"Loupe","t":"A","i":4313},"Maid's Chamber":{"v":"Chambre de la Gouvernante","t":"A","i":4783},"Mail Box\n\nReturn to Network Menu\n":{"v":"Boîte aux lettres\n\nRetour au menu réseau\n","t":"A","i":3579},"Mail Room":{"v":"Bureau de la poste","t":"A","i":4644},"Main Course":{"v":"Plat principal","t":"A","i":279},"Mainway Station Bazaar":{"v":"Marché de la Gare Mainway","t":"A","i":2688},"Make a wish":{"v":"Fais un vœu","t":"A","i":4197},"Makes the validity of a statement clear.":{"v":"Rend la validité d'une affirmation claire.","t":"A","i":921},"Making a Connection":{"v":"Établir une connexion","t":"A","i":900},"Making an offering of\nmay result in the bestowal\nof a beneficial blessing that will last for several days.":{"v":"Faire une offrande de \npeut entraîner la concession\nd'une bénédiction bénéfique qui durera plusieurs jours.","t":"A","i":3236},"Manevtrei":{"v":"Manœuvre","t":"A","i":623},"Manning":{"v":"Manning","t":"A","i":3825},"Manning and White at Press Function":{"v":"Manning et White à la fonction Press","t":"A","i":2599},"Many of the rooms, items and challenges that you will encounter during your adventure are not intended to be fully understood on first encounter. If you come across a puzzle you are unable to solve, the best advice is to move on and continue exploring! There are altenrative ways to solve many of the challenges.":{"v":"Beaucoup des salles, objets et défis que vous rencontrerez au cours de votre aventure ne sont pas destinés à être pleinement compris dès la première rencontre. Si vous tombez sur une énigme que vous ne parvenez pas à résoudre, le meilleur conseil est de passer votre chemin et de continuer à explorer ! Il existe des solutions alternatives pour de nombreux défis.","t":"A","i":2528},"Mar [!v*0] '[!v*1]":{"v":"Mar [!v*0] '[!v*1]","t":"A","i":2122},"Mar [!v*0] '[!v*1]":{"v":"Mar [!v*0] '[!v*1]","t":"A","i":2339},"March [!v*0]rd":{"v":"Mars [!v*0]","t":"A","i":3910},"March [!v*0]th, [!v*1]\n\n\nAlthough these past few months of exploration have yet to yield the fruit I seek, I have, in that time, gained a much greater mastery of the estate and have stolen many glimpses behind the black curtain that veils her many secrets.\n\nAmong the more exciting of my recent finds was the discovery of a hidden chamber in one of the outer rooms, sealed shut behind a false wall. The stale quality of the air and the unmistakable aroma of corroded metal lead me to believe that this chamber has remained sealed for many decades. Within it, I found a large vat and a copper still, their timeworn surfaces streaked with creeping veins of oxidation and rust. ":{"v":"Le [!v*0] mars[!v*1]\n\n\nBien que ces derniers mois d'exploration n'aient pas encore donné les fruits que je recherche, j'ai, durant ce temps, acquis une maîtrise bien plus grande de la demeure et obtenu maints aperçus derrière le rideau noir qui voile ses nombreux secrets.\n\nParmi mes découvertes récentes les plus passionnantes figura celle d'une chambre cachée dans l'un des pièces extérieures, scellée derrière un faux mur. La qualité stérile de l'air et l'arôme incontestable de métal corrodé me laissent croire que cette chambre est restée scellée depuis plusieurs décennies. À l'intérieur, j'ai trouvé une grande cuve et une alambique en cuivre, leurs surfaces usées par le temps striées de veines rampantes d'oxydation et de rouille. ","t":"A","i":3968},"Marigold has elaborated in previous interviews that her debut book “Red Prince” is based on her son and his in- flexible love of the color red. A statement that has been held with much skepticism by the many pundits that viewed that book as a rather thinly veiled political critique of the royalist party and their unwavering blind loyalty to the throne.\n":{"v":"Marigold a précisé dans des interviews précédentes que son livre de début « Red Prince » est basé sur son fils et son amour inflexible pour la couleur rouge. Une affirmation qui a été accueillie avec beaucoup de scepticisme par les nombreux commentateurs qui ont vu ce livre comme une critique politique plutôt finement voilée du parti royaliste et de leur loyauté aveugle inébranlable envers le trône.\n","t":"A","i":2669},"Marigold wins Herald Literary Honor\n":{"v":"Marigold remporte l'honneur littéraire du Héraut\n","t":"A","i":484},"Mary":{"v":"Marie","t":"A","i":4055},"Mary\n":{"v":"Mary\n","t":"A","i":2181},"Mary Jones":{"v":"Mary Jones","t":"A","i":1258},"Mary Matthew Jones, the author and illustrator whose fanciful stories are written under the pen name Marion Marigold, was last seen by a close friend around [!v*0]:[!v*1]pm Friday getting into a carriage after a late luncheon date at the Hundred Bells Tea Room in Trinsdale. Mrs. Jones never arrived home and the carriage driver cannot be located. \nFamily and local authorities are very concerned but have not deemed the":{"v":"Mary Matthew Jones, l'auteur et illustratrice dont les histoires fantaisistes sont publiées sous le pseudonyme de Marion Marigold, a été vue pour la dernière fois par un proche ami vers [!v*0]:[!v*1]h vendredi en montant dans une calèche après un dîner tardif au Hundred Bells Tea Room à Trinsdale. Mme Jones n'est jamais arrivée chez elle et le cocher de la calèche ne peut être localisé. \nLa famille et les autorités locales sont très inquiètes mais n'ont pas jugé","t":"A","i":3880},"Mary began using Marigold as a pen name to free her from the political associations that one might make with the Sinclair Family.":{"v":"Mary a commencé à utiliser le pseudonyme de Marigold pour se libérer des associations politiques que l'on pourrait faire avec la famille Sinclair.","t":"A","i":3520},"Master Bedroom":{"v":"Chambre Principale","t":"A","i":3169},"Master Simon,\n Good morning. It has come to my attention that you have been granted a daily allowance to use while on the estate. If it is convenient for you, I will leave the required sum here in the Entrance Hall each morning.\n\n If there is anything else you require, please do\nnot hestitate to ask. Even though we have all been requested to remove ourselves from the premises during your stay, I can assure you, I am still personally overseeing that the estate is still run with the same standard of service that I assume you would expect \nof us.\n\n -Anne Babbage, House Manager":{"v":"Maître Simon,\n Bonjour. J’ai appris que vous avez reçu une allocation journalière à utiliser durant votre séjour sur le domaine. Si cela vous convient, je déposerai la somme requise ici, dans le hall d’entrée, chaque matin.\n\n Si vous avez besoin d’autre chose, n’hésitez\npas à me le demander. Bien que nous ayons tous été priés de quitter les lieux durant votre séjour, je vous assure que je veille personnellement à ce que le domaine soit géré avec le même niveau de service que je suppose que vous attendez \nde nous.\n\n -Anne Babbage, Intendante","t":"A","i":246},"Master Simon,\n Good morning. It has come to my attention that you have been granted a daily allowance to use while on the estate. If it is convenient for you, I will leave the required sum here in the Entrance Hall each morning.\n If there is anything else you require, please do\nnot hesitate to ask. Even though we have all been requested to remove ourselves from the premises during your stay, I can assure you I am still personally overseeing that the estate is at least operating at a baseline standard of service that I hope you will one day come to expect of us.\n\n\n House Manager":{"v":"Maître Simon,\n Bonjour. J’ai appris que vous avez reçu une allocation journalière à utiliser durant votre séjour sur le domaine. Si cela vous convient, je déposerai la somme requise ici, dans le hall d’entrée, chaque matin.\n Si vous avez besoin d’autre chose, n’hésitez\npas à me le demander. Bien que nous ayons tous été priés de quitter les lieux pendant votre séjour, je vous assure que je veille personnellement à ce que le domaine fonctionne au moins selon un standard de service minimal que j’espère que vous apprendrez à attendre de nous un jour.\n\n\n Intendant","t":"A","i":2088},"Master Simon,\n Imagine my surprise upon arriving at the estate this morning, only to discover a SECOND FOUNDATION so casually situated among the trees and chirping crickets of the West Grounds! Now, I have never professed to be a skilled draftsman, and maybe this is not as unintended a mistake as it appears. There is a chance that this redundant room is part of some greater strategy I cannot fathom. Or, perhaps more likely, morbid curiosity simply got the better of you.\n\nHowever, should that curiosity wane and you come to regret your recent decision, this can of REPELLENT will certainly prove useful.\n\n House Manager":{"v":"Maître Simon,\n Imaginez ma surprise en arrivant à la propriété ce matin et en découvrant une DEUXIÈME FONDATION si tranquillement nichée parmi les arbres et les cigales des Terres de l'Ouest ! Je n'ai jamais prétendu être un dessinateur habile, et peut-être que cette erreur n'est pas aussi involontaire qu'elle y paraît. Il est possible que cette pièce redondante fasse partie d'une stratégie plus vaste que je ne saisis pas. Ou, bien plus probablement, la curiosité morbide vous a simplement emporté.\n\nCependant, si cette curiosité s'émousse et que vous regrettez votre récente décision, cette boîte de RÉPELLENT prouvera certainement son utilité.\n\n Gestionnaire de la Maison","t":"A","i":2746},"Master Simon,\n Imagine my surprise upon arriving at the estate this morning, only to discover a SECOND FOUNDATION so casually situated among the trees and chirping crickets of the West Grounds! Now, I have never professed to be a skilled draftsman, and maybe this is not as unintended a mistake as it appears. There is a chance that this redundant room is part of some greater strategy I cannot fathom. Or, perhaps more likely, morbid curiosity simply got the better of you.\n\nHowever, should that curiosity wane and you come to regret your recent decision, this can of REPELLENT will certainly prove useful.\n\n House Manager":{"v":"Maître Simon,\n Imaginez ma surprise en arrivant au domaine ce matin, pour découvrir une SECONDE FONDATION si décontractée parmi les arbres et les grillons du Parc Ouest ! Je n'ai jamais prétendu être un bon dessinateur, et peut-être que ce n'est pas une erreur aussi involontaire qu'il y paraît. Il est possible que cette pièce redondante fasse partie d'une stratégie plus vaste que je ne saurais deviner. Ou, peut-être plus vraisemblablement, la morbidité de votre curiosité a simplement eu raison de vous.\n\nCependant, si cette curiosité s'estompe et que vous regrettez votre récente décision, cette boîte de RÉPELLENT s'avérera certainement utile.\n\n Intendant","t":"A","i":2356},"Master Simon,\n Imagine my surprise upon arriving at the estate this morning, only to discover a SECOND FOUNDATION so casually situated among the trees and chirping crickets of the West Grounds! Now, I have never professed to be a skilled draftsman, and maybe this is not as unintended a mistake as it appears. There is a chance that this redundant room is part of some greater strategy I cannot fathom. Or, perhaps more likely, morbid curiosity simply got the better of you.\n\nHowever, should that curiosity wane and you come to regret your recent decision, this can of REPELLENT will certainly prove useful.\n\n House Manager":{"v":"Maître Simon,\n Imaginez ma surprise en arrivant au domaine ce matin, pour découvrir une SECONDE FONDATION si décontractée parmi les arbres et les grillons du Parc Ouest ! Je n'ai jamais prétendu être un bon dessinateur, et peut-être que ce n'est pas une erreur aussi involontaire qu'il y paraît. Il est possible que cette pièce redondante fasse partie d'une stratégie plus vaste que je ne saurais deviner. Ou, peut-être plus vraisemblablement, la morbidité de votre curiosité a simplement eu raison de vous.\n\nCependant, si cette curiosité s'estompe et que vous regrettez votre récente décision, cette boîte de RÉPELLENT s'avérera certainement utile.\n\n Intendant","t":"A","i":1741},"Master Sinclair's Personal Freezer":{"v":"Congélateur personnel du Maître Sinclair","t":"A","i":598},"Maurice Jacobs":{"v":"Maurice Jacobs","t":"A","i":1014},"May the [!v*0]nd":{"v":"Que le [!v*0]","t":"A","i":1124},"Maybe one day.":{"v":"Peut-être un jour.","t":"A","i":2965},"Mechanarium":{"v":"Mécanarium","t":"A","i":2830},"Melting Point\n |":{"v":"Point de fusion\n |","t":"A","i":1224},"Menu":{"v":"Menu","t":"A","i":313},"Merchant":{"v":"Marchand","t":"A","i":3387},"Merry":{"v":"Joyeux","t":"A","i":1032},"Minstrel":{"v":"Minstrel","t":"A","i":3142},"Minute hand (hold to adjust)":{"v":"Minute hand (maintenez pour ajuster)","t":"A","i":3511},"Months are slightly longer than days.":{"v":"Les mois sont légèrement plus longs que les jours.","t":"A","i":711},"More effective than the shovel at excavation.\n":{"v":"Plus efficace que la pelle pour l'excavation.\n","t":"A","i":2994},"More than any other room, COAT CHECK allows architects to center their strategies on a specific item of their choice.":{"v":"Plus que toute autre salle, LE VESTIAIRE permet aux architectes de centrer leurs stratégies sur un objet de leur choix.","t":"A","i":2555},"Morning - Feed Crow one can of wet food. You'll find it in the kitchen. Fill the water bowl with fresh water.\n\nEvening - Feed Crow\n[!v*0]/[!v*1] cup of dry food. Bottom shelf. Check the water bowl and refill if necessary.":{"v":"Matin – Nourrissez Crow avec une boîte de nourriture humide. Vous la trouverez dans la cuisine. Remplissez le bol d'eau avec de l'eau fraîche.\n\nSoir – Nourrissez Crow\n[!v*0]/[!v*1] tasse de croquettes. Étagère du bas. Vérifiez le bol d'eau et reprenez-le si nécessaire.","t":"A","i":3679},"Morning Bay":{"v":"Baie du Matin","t":"A","i":586},"Morning Room":{"v":"Chambre du matin","t":"A","i":3282},"Most GREEN ROOMS can only be drafted along the edges of your house and the SECRET GARDEN is no exception. You can use this key on any locked door leading to one of these room positions.":{"v":"La plupart des SALONS VERTS ne peuvent être construits que le long des bords de votre maison, et le JARDIN SECRET ne fait pas exception. Vous pouvez utiliser cette clé sur n'importe quelle porte verrouillée menant à l'une de ces positions de pièce.","t":"A","i":2131},"Most Violet Dreams":{"v":"Les rêves les plus violets","t":"A","i":618},"Most historians mark the beginning of the first era (Ajera) by the crowning of the King of Oris. Of course in that time, Oris was not even a shadow of the metropolis that is cast today, but it was, however, emerging as the region’s epicenter of commerce and trade. A newborn nation brimming with the possibilities and vigor of a young township.\n\nThe King of Oris on the other hand was old. Old as dirt. He was a wizened merchant lord of considerable means and wealth. His influence in that time was absolute, and his control in the region made him an unopposed candidate for the unification of the area.\n":{"v":"La plupart des historiens marquent le début de la première ère (Ajera) par le couronnement du Roi d'Oris. Bien sûr, à cette époque, Oris n'était même pas l'ombre de la métropole qu'elle est aujourd'hui, mais elle était déjà en train d'émerger comme le centre commercial et commercial de la région. Une nation nouvelle débordante des possibilités et de la vigueur d'une jeune cité.\n\nLe Roi d'Oris, lui, était vieux. Vieux comme terre. Il était un seigneur marchand avisé, possédant des moyens et une richesse considérables. Son influence à cette époque était absolue, et son contrôle sur la région en fit un candidat incontesté pour l'unification de la zone.\n","t":"A","i":4002},"Most historians mark the beginning of the first era, often denoted as Ajera, by the ascension of the first king of Orindia whose name, Oris, would later grace the burgeoning township in which he was crowned. Oris was known, before his coronation, as a prominent merchant lord of considerable means and affluence, whose sway in the region made him the ideal candidate for the unification of the surrounding provinces.\n\nRegrettably, history is not always forthcoming, and the surviving records of those bygone days are mostly limited to trade agreements and sales receipts. \n":{"v":"La plupart des historiens marquent le début de la première ère, souvent désignée sous le nom d'Ajera, par l'accession au trône du premier roi d'Orindia, dont le nom, Oris, allait plus tard honorer la bourgade naissante où il fut couronné. Avant son couronnement, Oris était connu comme un seigneur marchand éminent, doté de moyens et d'une opulence considérables, dont l'influence dans la région en faisait le candidat idéal pour l'unification des provinces environnantes.\n\nMalheureusement, l'histoire ne se révèle pas toujours, et les documents survivants de ces jours anciens se limitent principalement à des accords commerciaux et des reçus de vente. \n","t":"A","i":1424},"Most of the vegetables and fruits obtained from the locals are preserved in this subterranean cellar. When winter arrives, these stored goods are frequently traded back, providing them with a reliable source of sustenance during the colder months.":{"v":"La plupart des légumes et fruits obtenus auprès des habitants sont conservés dans cette cave souterraine. Lorsque l'hiver arrive, ces provisions stockées sont fréquemment échangées en retour, leur offrant ainsi une source fiable de nourriture pendant les mois plus froids.","t":"A","i":3834},"Mount":{"v":"Monter","t":"A","i":196},"Mount\nHolly":{"v":"Mont\nHolly","t":"A","i":2201},"Mount Holly":{"v":"Mount Holly","t":"A","i":777},"Mount Holly Estate\nFenn Aries [!v*0]":{"v":"Domaine de Mount Holly\nFenn Aries [!v*0]","t":"A","i":656},"Mount Holly Estate\nIn care of Anne Babbage\nReddington. Fenn Aries [!v*0]":{"v":"Domaine de Mount Holly\nSous la garde d'Anne Babbage\nReddington. Fenn Aries [!v*0]","t":"A","i":2469},"Mount Holly Estate\nIn care of Mrs. Babbage\nReddington. Fenn Aries [!v*0]":{"v":"Domaine de Mount Holly\nSous la garde de Mme Babbage\nReddington. Fenn Aries [!v*0]","t":"A","i":1320},"Mouse":{"v":"Souris","t":"V","i":46},"Mouse Sensitivity":{"v":"Sensibilité de la souris","t":"A","i":104},"Move":{"v":"Déplacer","t":"A","i":138},"Move Backward":{"v":"Déplacer en arrière","t":"A","i":4697},"Move Forward":{"v":"Avancer","t":"A","i":4698},"Move Left":{"v":"Déplacer à gauche","t":"A","i":4702},"Move Right":{"v":"Déplacer vers la droite","t":"A","i":4701},"Mr. Nogula,\nAnne wanted me to remind you\n(once again) that it is expected of you to keep the grass in the cloister cut and the trees trimmed.\n\nI have a feeling you may have\nforgotten how to open the cloister wall again, so to save you some stern words, I decided to draw you a little diagram to help you out. Who knows, maybe this time it will stick!\n\n Sympathetically,\n Bridgette":{"v":"Monsieur Nogula,\nAnne m'a demandé de vous rappeler\n(encore une fois) qu'il est attendu de vous que vous tondiez l'herbe du cloître et que vous tailliez les arbres.\n\nJ'ai l'impression que vous avez\npeut-être oublié comment rouvrir le mur du cloître, alors pour vous épargner quelques mots sévères, j'ai décidé de vous dessiner un petit schéma pour vous aider. Qui sait, peut-être que cette fois, ça restera en mémoire!\n\n Avec sympathie,\n Bridgette","t":"A","i":934},"Mr. Nogula,\nIf you are reading this, it seems the day has finally come, and the Cloister is at long last getting some much-overdue maintenance. I have left you a literal token of appreciation to serve as positive reinforcement, which should grant you a bit of extra spending money each day while working on the estate. We have learned from our dealings with your predecessor that it is much cheaper in the long run to be generous. ":{"v":"Monsieur Nogula,\nSi vous lisez ceci, cela signifie que le jour est enfin venu et que le Cloître bénéficie enfin d'un entretien bien mérité. Je vous ai laissé un jeton d'appréciation tout à fait littéral, destiné à servir de renforcement positif, qui devrait vous accorder un peu d'argent de poche supplémentaire chaque jour pendant que vous travaillez sur le domaine. Nous avons appris, de nos relations avec votre prédécesseur, qu'il est bien plus économique à long terme d'être généreux. ","t":"A","i":1198},"Mr. Ruota,\nMrs. Babbage has told me that you will be overseeing network maintenance over the next few weeks while I will be gone and I apologize in advance for the extra workload. I believe I will be back in Reddington by the middle of February but even that is not a certainty. Either way, I do not anticipate there \n\n":{"v":"Monsieur Ruota,\nMadame Babbage m'a informé que vous superviseriez la maintenance du réseau au cours des prochaines semaines pendant mon absence et je vous présente mes excuses par avance pour la charge de travail supplémentaire. Je pense que je serai de retour à Reddington d'ici mi-février, mais même cela n'est pas certain. Dans tous les cas, je ne m'attends pas à ce qu'il y ait \n\n","t":"A","i":645},"Mr. Ruota,\nMrs. Babbage has told me that you will be overseeing network maintenance over the next few weeks while I will be gone and I apologize in advance for the extra workload. I believe I will be back in Reddington by the middle of February but even that is not a certainty. Either way, I do not anticipate there will be any major issues while I am gone as the difficulties we were having last month with the terminal connections seems to be resolved.\n\nIf there is an emergency and you find yourself having to enter the central server site, I have set you up with a temporary admin key to allow you access to the network administrator controls. \n\nADMIN KEY : First four letters of your last name, followed by first initial. (The first and fifth character should be capitalized.)\n\nIf you have any questions, please let me know in the next few days before my departure,\n\n-Randolph\n":{"v":"Monsieur Ruota,\nMadame Babbage m'a informé que vous superviseriez la maintenance du réseau au cours des prochaines semaines pendant mon absence et je vous prie de bien vouloir m'excuser par avance pour la charge de travail supplémentaire. Je pense être de retour à Reddington d'ici mi-février, mais même cela n'est pas certain. Dans tous les cas, je ne m'attends pas à ce qu'il y ait des problèmes majeurs pendant mon absence, car les difficultés que nous avions eues le mois dernier avec les connexions aux terminaux semblent résolues.\n\nEn cas d'urgence et si vous devez vous rendre sur le site du serveur central, je vous ai attribué une clé d'administrateur temporaire pour vous permettre d'accéder aux contrôles de l'administrateur réseau. \n\nCLÉ D'ADMINISTRATEUR : Les quatre premières lettres de votre nom de famille, suivies de votre initiale. (Le premier et le cinquième caractère doivent être en majuscule.)\n\nSi vous avez des questions, n'hésitez pas à me les faire part au cours des prochains jours avant mon départ,\n\n-Randolph\n","t":"A","i":1717},"Mrs. Peterson":{"v":"Mme Peterson","t":"A","i":474},"Mt .":{"v":"Mt","t":"A","i":714},"Mt.":{"v":"Mt.","t":"A","i":1562},"Mt. Holly":{"v":"Mont Holly","t":"A","i":281},"Mt. Holly Library":{"v":"Bibliothèque de Mont-Holly","t":"A","i":499},"Mt. Holly is equipped with several state of the art computer terminal stations that control various systems on the estate electronically.

Each terminal is also connected to a central local network.":{"v":"Le mont Holly est équipé de plusieurs stations de terminaux informatiques de pointe qui contrôlent électroniquement divers systèmes du domaine.

Chaque terminal est également connecté à un réseau local central.","t":"A","i":4531},"My Room":{"v":"Ma Chambre","t":"A","i":3383},"My Type of Room":{"v":"Mon type de chambre","t":"A","i":858},"My dear diary,\n After countless sleepless nights and\nfailed home remedies, my physician has\nurged me to document my sleeping routines\nin the various bedrooms of our estate. It \nis his hope that by tracking the caliber\nand length of my sleep in each room,\ntogether, we may come to a deeper\nunderstanding of my condition and perhaps,\nwith luck, find a more favorable\nenvironment in which I might finally\nfind some amount of rest.":{"v":"Mon cher journal,\n Après d'innombrables nuits sans sommeil et\ndes remèdes de grand-mère infructueux, mon médecin m'a\nencouragé à consigner mes habitudes de sommeil\ndans les différentes chambres de notre domaine. Il\nespère que, en suivant la qualité et la durée\nde mon sommeil dans chaque pièce,\nnous pourrons, ensemble, mieux\ncomprendre mon état et, peut-être,\navec un peu de chance, trouver un environnement\nplus propice où je pourrais enfin\ntrouver un peu de repos.","t":"A","i":1337},"My dear diary,\n I have to confess that I was initially hesitant to spend the night in the Barons room. Its extravagantly showy, with every surface adorned with gold and every piece of furniture so large it seems almost comical. But as I lay down on the enormous bed, I was surprised to find that I felt entirely at ease. Even the absurdly oversized pillows were somehow comfortable, propping me up just right so that I didnt feel any strain on my neck or back. I slept more soundly than I have in weeks, and I woke up feeling genuinely rested for the first time in what feels like forever.":{"v":"Mon cher journal,\n Je dois avouer que j'ai d'abord hésité à passer la nuit dans la chambre du Baron. Elle est extravagante et ostentatoire, chaque surface ornée d'or et chaque meuble si grand qu'elle semble presque comique. Mais en m'allongeant sur l'énorme lit, je fus surpris de constater que je me sentais entièrement à l'aise. Même les oreillers absurdement surdimensionnés étaient d'une certaine façon confortables, me soutenant juste assez pour que je ne sente aucune tension dans mon cou ou mon dos. J'ai dormi plus profondément que je n'avais fait depuis des semaines, et je me suis réveillé vraiment reposé pour la première fois depuis ce qui semble être une éternité.","t":"A","i":3181},"My dear diary,\n It was strange to sleep in the childhood room of my late husband. The room was just as I had imagined it from the stories he told me of growing up with an elder brother. Herbert informed me that the room has remained untouched, almost identical to when they both occupied it - To avoid any accidents, I slept in the bottom bunk as climbing ladders is not as easy as it used to be. Despite my exhaustion, my thoughts of Simon kept me up through most of the night.":{"v":"Mon cher journal,\n Il était étrange de dormir dans la chambre d'enfant de mon défunt mari. La pièce était exactement comme je l'avais imaginée à partir des histoires qu'il m'avait racontées en grandissant avec un aîné. Herbert m'a informé que la chambre est restée intacte, presque identique à l'époque où ils deux y habitaient - Pour éviter tout accident, j'ai dormi dans le lit du bas car grimper aux échelles n'est plus aussi facile qu'autrefois. Malgré mon épuisement, mes pensées pour Simon m'ont tenue éveillée pendant la majeure partie de la nuit.","t":"A","i":3095},"My dear diary,\n To begin, I thought it best to start with my own room despite already knowing how unsuitable it has been for my sleep of late. Perhaps, it is all the old memories that linger here, as it is impossible not to think of home among so many mementos of my youth. Nonetheless, I find comfort in gazing at the stars before dozing off, and it pains me to consider that if this trial is successful, it may be one of the final occasions that I sleep here.":{"v":"Mon cher journal,\n Pour commencer, j'ai pensé qu'il était préférable de débuter dans ma propre chambre, malgré le fait que je sache déjà à quel point elle est devenue inadaptée pour mon sommeil récent. Peut-être est-ce à toutes ces vieilles souvenirs qui persistent ici que je dois tout cela, car il est impossible de ne pas penser au foyer parmi tant de souvenirs de ma jeunesse. Néanmoins, je trouve du réconfort à contempler les étoiles avant de m'endormir, et cela me peine de considérer que si cette épreuve réussit, ce pourrait être l'une des dernières occasions où je dormirai ici.","t":"A","i":3492},"My dearest darling son,\nI am quite impressed. I didn't expect you to make it this far, yet if these words have reached your eyes, rest assured, the end of the spiral is near! Stay vigilant and rosewary, for the thorns we discover are twice as sharp at the conclusion of each of our journeys.\n\nOne final counsel I leave you:\nThe waters of the west spring shall yet reveal more secrets than\n these mere passages.\n\nI had so many plans but not enough dreams,\nYour mother,":{"v":"Mon cher et tendre fils,\nJe suis tout à fait impressionné. Je ne m'attendais pas à ce que tu ailles aussi loin, mais si ces mots ont atteint tes yeux, sois certain : la fin du spirale est proche ! Reste vigilant et méfie-toi des roses, car les épines que nous découvrons sont deux fois plus aiguës à la conclusion de chacun de nos voyages.\n\nUn dernier conseil que je te laisse:\nLes eaux de la source d'ouest révéleront encore plus de secrets que\n ces simples passages.\n\nJ'avais tant de projets mais pas assez de rêves,\nTa mère,","t":"A","i":2907},"My obsession with ciphers was renewed after my brother died, for among his journals, I found a curious square: a grid of words, written in a hand I immediately recognized - my mother's. Accompanying this discovery were numerous pages containing traces of my brother's fruitless attempts over the years to decipher this grid.\n\nIt was a bittersweet find. The excitement I felt was tempered by memories of the unique bond my mother and brother had always shared. I was the child with an interest in puzzles and wordplay, yet it was Simon to whom she bequeathed this cryptic gift.":{"v":"Mon obsession pour les codes s'est ravivée après la mort de mon frère, car parmi ses journaux, j'ai découvert un curieux carré : une grille de mots, écrite d'une main que j'ai immédiatement reconnue – celle de ma mère. Cette découverte était accompagnée de nombreuses pages contenant les traces des tentatives vaines de mon frère au fil des années pour déchiffrer cette grille.\n\nC'était une trouvaille à la fois douce et amère. L'excitation que j'éprouvais était tempérée par le souvenir du lien unique que ma mère et mon frère avaient toujours partagé. J'étais l'enfant intéressé par les énigmes et les jeux de mots, et pourtant c'est à Simon qu'elle a légué ce présent cryptique.","t":"A","i":1251},"My tree is not very old.":{"v":"Mon arbre n'est pas très vieux.","t":"A","i":3274},"N":{"v":"N","t":"A","i":405},"NAI DAU":{"v":"NON JAMAIS","t":"A","i":3632},"NETWORK":{"v":"RÉSEAU","t":"A","i":4520},"NETWORK LOGIN":{"v":"CONNEXION AU RÉSEAU","t":"A","i":2312},"NETWORK PASSWORD SUCCESSFULLY SET":{"v":"MOT DE PASSE RÉSEAU RÉUSSI","t":"A","i":2634},"NETWORK SETTINGS":{"v":"PARAMÈTRES RÉSEAU","t":"A","i":1427},"NEW EFFECTS":{"v":"NOUVEAUX EFFETS","t":"A","i":2480},"NEW GAME":{"v":"NOUVELLE PARTIE","t":"V","i":18},"NEW GATE":{"v":"NOUVELLE PORTE","t":"A","i":2316},"NEW PASSWORD:":{"v":"NOUVEAU MOT DE PASSE :","t":"A","i":2780},"NEW RECORD":{"v":"NOUVEAU RECORD","t":"A","i":2668},"NEW TRIGGERS":{"v":"NOUVEUX DÉCLENCHEURS","t":"A","i":3649},"NEW!":{"v":"NOUVEAU !","t":"A","i":3471},"NEXT":{"v":"SUIVANT","t":"A","i":2177},"NEXT PAGE":{"v":"PAGE SUIVANTE","t":"A","i":2986},"NEXT PLAN":{"v":"PLAN SUIVANT","t":"A","i":1723},"NEXT, SELECT [!v*0] OR MORE EXPERIMENTAL EFFECTS":{"v":"SUIVANT, SÉLECTIONNEZ [!v*0] EFFETS EXPÉRIMENTAUX OU PLUS","t":"A","i":2455},"NHERITANCE":{"v":"HÉRITAGE","t":"A","i":339},"NIGHT’S":{"v":"NUIT","t":"A","i":2335},"NO":{"v":"NON","t":"V","i":44},"NO IDEA":{"v":"AUCUNE IDÉE","t":"A","i":860},"NO CLAIMS FOR SHORTAGE WILL BE ALLOWED UNLESS THIS PACKING SLIP\nIS RETURNED TO US WITH DETAILS WITHIN EIGHT ([!v*0]) BUSINESS DAYS.":{"v":"AUCUNE RÉSERVE POUR MANQUE NE SERA ACCEPTÉE SAUF SI CE BON DE LIVRAISON\nVOUS EST RETOURNÉ AVEC DÉTAILS DANS LES HUIT ([!v*0]) JOURS OUVRÉS.","t":"A","i":347},"NO DATA PACKETS ARE AVAILABLE AT THIS TIME.":{"v":"AUCUN PAQUET DE DONNÉES N'EST DISPONIBLE À L'HEURE ACTUELLE.","t":"A","i":2936},"NO EXPERIMENTS FOUND":{"v":"AUCUNE EXPÉRIENCE TROUVÉE","t":"A","i":3998},"NO REALM IS CONSIDERED SPIRITUAL.":{"v":"AUCUN DOMAINE N'EST CONSIDÉRÉ SPIRITUEL.","t":"A","i":1209},"NO THANKS":{"v":"NON MERCI","t":"A","i":2603},"NO TOOLS OR ITEMS MAY BE BROUGHT ONTO THE ESTATE FROM THE OUTSIDE.\n\nTOOLS & ITEMS FOUND ON THE ESTATE MAY NOT BE TAKEN OFF THE ESTATE.\n\nYOU MAY NOT STAY OVERNIGHT.":{"v":"AUCUN OUTIL NI ARTICLE NE PEUT ÊTRE AMENÉ SUR LES TERRES DE L'ESTAT VENANT DE L'EXTÉRIEUR.\n\nLES OUTILS ET ARTICLES TROUVÉS SUR LES TERRES DE L'ESTAT NE PEUVENT PAS ÊTRE EMPORTÉS HORS DES TERRES.\n\nVOUS NE POUVEZ PAS RESTER LA NUIT.","t":"A","i":3149},"NO TRADE":{"v":"PAS D'ÉCHANGE","t":"A","i":3966},"NO TROPHIES SELECTED":{"v":"AUCUN TROPHÉE SÉLECTIONNÉ","t":"A","i":1570},"NO, RETURN TO PROFILES MENU":{"v":"NON, RETOUR AU MENU DES PROFILS","t":"A","i":151},"NONE":{"v":"AUCUN","t":"A","i":129},"NOOK":{"v":"NOC","t":"A","i":3029},"NORTH":{"v":"NORD","t":"A","i":4140},"NORTH \nLEVER":{"v":"NORD \nLEVIER","t":"A","i":1349},"NOT FIT":{"v":"PAS ADAPTÉ","t":"A","i":1372},"NOT FOR STAFF USE":{"v":"RÉSERVÉ AU PERSONNEL","t":"A","i":442},"NOT QUITE YET":{"v":"PAS ENCORE","t":"A","i":4035},"NOT RESPONSIBLE FOR CONTENT OF\nGARMENTS OR ARTICLES LEFT OVERNIGHT.":{"v":"NON RESPONSABLE DU CONTENU DES\nVÊTEMENTS OU ARTICLES LAISSÉS PENDANT LA NUIT.","t":"A","i":1319},"NOT YET":{"v":"PAS ENCORE","t":"A","i":2391},"NOTHING AT THIS\nLAYER OF SOIL":{"v":"RISQUEZ RIEN À CETTE\nCOUCHE DE SOL","t":"A","i":3704},"NOTICE OF TERMINATION":{"v":"NOTICE DE RÉSILIATION","t":"A","i":1291},"NOV [!v*0] - '[!v*1]":{"v":"NOV [!v*0] - '[!v*1]","t":"A","i":2192},"NOVEMBER":{"v":"NOVEMBRE","t":"A","i":763},"NOVEMBER [!v*0] REDDINGTON HERALD":{"v":"NOVEMBRE [!v*0] HERALD DE REDDINGTON","t":"A","i":931},"NOVEMBER [!v*0] REDDINGTON HERALD":{"v":"NOVEMBRE [!v*0] HÉRALD DE REDDINGTON","t":"A","i":2618},"NOVEMBER [!v*0] REDDINGTON HERALD":{"v":"NOVEMBRE [!v*0] HERALD DE REDDINGTON","t":"A","i":1756},"NUANCE":{"v":"NUANCE","t":"A","i":3324},"NUANCE IS KNOWN\nTO BE A PEACEFUL\nREALM.":{"v":"NUANCE EST CONNU\nCOMME UN ROYAUME\nPAISIBLE.","t":"A","i":992},"NURSERY":{"v":"NOURRICIÈRE","t":"A","i":2518},"NVENTION":{"v":"INVENTION","t":"A","i":430},"Name : ______________":{"v":"Nom :","t":"A","i":633},"Naval capabilities. Ship routes.\nSeaports. The eight rays on these\nsigils resemble the directions\non a compass rose.":{"v":"Capacités navales. Routes maritimes.\nPorts. Les huit rayons de ces\nsigiles ressemblent aux directions\nd'une rose des vents.","t":"A","i":2212},"Ne":{"v":"Non","t":"A","i":3459},"Negative Space":{"v":"Espace négatif","t":"A","i":1541},"Negative Space":{"v":"Espace négatif","t":"A","i":1142},"Network Settings\n\n\n\nAdmin Logs\n\nData Files":{"v":"Paramètres Réseau\n\n\n\nJournaux Admin\n\nFichiers de données","t":"A","i":3982},"Nevertheless, we can deduce from these ledgers that Oris had but one aim: expansion. The territory spread forth from the heart of Oris and by the end of the first century, the black banners of Orindia could be seen fluttering in every hamlet and hostelry, along every thoroughfare, from Oris, all the way to the western banks. A new kingdom was born.\n":{"v":"Néanmoins, nous pouvons déduire de ces registres qu'Oris n'avait qu'un seul objectif : l'expansion. Le territoire s'étendait depuis le cœur d'Oris et, à la fin du premier siècle, les bannières noires d'Orindia pouvaient être vues flottant dans chaque hameau et auberge, le long de chaque voie, d'Oris jusqu'aux rives occidentales. Un nouveau royaume était né.\n","t":"A","i":2004},"New experimental data packets can now be\n uploaded to the laboratory from SYNKA \nand inbound electronic mail and communications\nfrom offsite will no longer be blocked.":{"v":"Les nouveaux paquets de données expérimentaux peuvent désormais être\n téléversés au laboratoire depuis SYNKA \net les courriers électroniques et communications entrants\nprovenant du site externe ne seront plus bloqués.","t":"A","i":3697},"New experimental data packets can now be\nuploaded to the LABORATORY from SYNKA\nand inbound electronic mail and communications\nfrom offsite (like STAFF ANNOUNCEMENTS)\nwill no longer be blocked.":{"v":"De nouvelles paquets de données expérimentales peuvent désormais\nêtre téléversés au LABORATOIRE depuis SYNKA\net les courriels et communications entrants\nde l'extérieur (comme les ANNONCES DU PERSONNEL)\nne seront plus bloqués.","t":"A","i":2244},"Next":{"v":"Suivant","t":"A","i":2998},"Next page":{"v":"Page suivante","t":"A","i":4173},"Next, enter an UNLOCK TIME:\n":{"v":"Ensuite, saisissez une DURÉE DE DÉVERROUILLAGE:\n","t":"A","i":1710},"Nintendo Switch":{"v":"Nintendo Switch","t":"A","i":3723},"No":{"v":"Non","t":"A","i":113},"No Exit Strategies":{"v":"Aucune stratégie de sortie","t":"A","i":642},"No Time Like the Future":{"v":"Il n'y a pas de temps comme le futur","t":"A","i":830},"No other terminals\nare currently\nconnected.":{"v":"Aucun autre terminal\nn'est actuellement\nconnecté.","t":"A","i":4715},"No realm is north of Eraja":{"v":"Aucun royaume n'est au nord d'Eraja","t":"A","i":3428},"No trace is discovered of Synka\nHeiress but search continues":{"v":"Aucune trace de la Princesse Synka\nmais les recherches continuent","t":"A","i":3133},"No([!v*0])":{"v":"Non([!v*0])","t":"A","i":4179},"No.":{"v":"Non.","t":"A","i":378},"Noble":{"v":"Noble","t":"A","i":2170},"None":{"v":"Aucun","t":"A","i":175},"None of these clocks should be set to times that contain the number [!v*1], [!v*2], [!v*3] or [!v*5]":{"v":"Aucune de ces horloges ne doit être réglée sur des heures contenant le chiffre [!v*1], [!v*2], [!v*3] ou [!v*5]","t":"A","i":1073},"Nook":{"v":"Coin","t":"A","i":4190},"Not even worth picking up":{"v":"Pas même la peine de le ramasser","t":"A","i":3727},"Not worth picking up":{"v":"Pas la peine de le ramasser","t":"A","i":2018},"Nothing better exemplifies setting yourself up for tomorrow at the expense of today than FREEZER. But drafters who may not want to totally abandon their current day's progress will be pleased to know there are a few clever ways to manipulate FROZEN ASSETS.":{"v":"Rien n'illustre mieux la préparation pour demain aux dépens d'aujourd'hui que FREEZER. Mais les concepteurs qui ne souhaitent pas totalement abandonner leurs progrès de la journée actuelle seront ravis d'apprendre qu'il existe quelques astuces ingénieuses pour manipuler les FROZEN ASSETS.","t":"A","i":3186},"Nothing of interest\nwas buried here.":{"v":"Rien d'intéressant n'a été enterré ici\n","t":"A","i":3321},"Nov '[!v*0]":{"v":"Nov [!v*0]","t":"A","i":273},"Nov [!v*0] '[!v*1]":{"v":"Nov [!v*0] '[!v*1]","t":"A","i":502},"Now you can play Dirigiblocks\nfrom the comfort of a pillow fort!":{"v":"Vous pouvez maintenant jouer à Dirigiblocks\ndans le confort d'une forteresse de coussins !","t":"A","i":3251},"Nuance as they had in the ports of Mora Jai. GREEN TILES were introduced, with an ability that allowed them to instantly jump across the board, representing the ease with which air travel conveys its cargo.\n\nWhen GREEN TILES are pressed, that tile swaps with the opposite tile on the far side of the box.":{"v":"Nuance qu’ils avaient dans les ports de Mora Jai. CASES VERTES ont été introduites, avec une capacité leur permettant de sauter instantanément d’un côté à l’autre du plateau, représentant la facilité avec laquelle le transport aérien achemine sa cargaison.\n\nLorsqu’une CASE VERTE est activée, cette case est échangée avec la case opposée située de l’autre côté de la boîte.","t":"A","i":2165},"O":{"v":"O","t":"A","i":260},"OBSERVATORY":{"v":"OBSERVATOIRE","t":"A","i":1881},"OCCASIONALLY, YOU MAY DISCOVER SMALL MOUNDS OF DIRT IN CERTAIN ROOMS OF THE ESTATE.":{"v":"PARFOIS, VOUS POUVEZ DÉCOUVRIR DE PETITS TASSEMENTS DE TERRE DANS CERTAINES PIÈCES DU DOMAINE.","t":"A","i":973},"OCK":{"v":"OCK","t":"A","i":3061},"OCTOBER":{"v":"OCTOBRE","t":"A","i":4834},"OCTOBER ISSUE":{"v":"ÉDITION D'OCTOBRE","t":"A","i":882},"OD":{"v":"OD","t":"A","i":3198},"ODE ELECTION":{"v":"CHOIX DE L'ODE","t":"A","i":23},"OF":{"v":"DE","t":"A","i":539},"OF\nTHE":{"v":"DE\nLA","t":"A","i":1967},"OF THE":{"v":"DE","t":"A","i":1678},"OF THE OF":{"v":"DE","t":"A","i":1825},"OFF":{"v":"DÉSACTIVÉ","t":"A","i":610},"OFFERS":{"v":"OFFRES","t":"A","i":3832},"OFFICE":{"v":"BUREAU","t":"A","i":1713},"OFFLINE":{"v":"HORS LIGNE","t":"A","i":4716},"OFFLINE MODE : ":{"v":"MODE HORS LIGNE : ","t":"A","i":2903},"OFFSITE CONNECTION STATUS":{"v":"ÉTAT DE LA CONNEXION OFFSITE","t":"A","i":3657},"OGICAL":{"v":"OGIQUE","t":"A","i":419},"OIN":{"v":"OIN","t":"A","i":2461},"OINS":{"v":"OINS","t":"A","i":2923},"OKEN":{"v":"OK","t":"A","i":2582},"OLD":{"v":"VIEUX","t":"A","i":2877},"OLD WORLD":{"v":"ANCIEN MONDE","t":"A","i":2524},"OLDER >>":{"v":"PLUS VIEUX >>","t":"A","i":2638},"OLLY":{"v":"OLLY","t":"A","i":1475},"OMP":{"v":"OMM","t":"A","i":2641},"OMPASS":{"v":"COMPASS","t":"A","i":2576},"ON":{"v":"ACTIVÉ","t":"A","i":2151},"ON\nTHE\nSACRED\nHOUR\nTHAT\nTIMEWORN\nPHRASE":{"v":"ON\nL'HEURE\nSACRÉE\nQUE\nCE\nTEMPS-LOIN\nDIT","t":"A","i":3948},"ON SECOND THOUGHT":{"v":"À LA RÉFLEXION","t":"A","i":3259},"ONCE YOU HAVE DRAWN FLOORPLANS\nYOU MUST SELECT ONE TO DRAFT":{"v":"UNE FOIS LES PLANS DE SOL DRESSÉS\nVOUS DEVEZ EN SÉLECTIONNER UN POUR LE DÉVELOPPER","t":"A","i":1406},"ONE DATA PACKET IS CURRENTLY AVAILABLE":{"v":"UN SEUL PAQUET DE DONNÉES EST ACTUELLEMENT DISPONIBLE","t":"A","i":2962},"ONE OF THE LOST":{"v":"L'UN DES PERDUS","t":"A","i":1639},"ONLY GREEN":{"v":"VERT UNIQUEMENT","t":"A","i":2360},"ONLY ONE\nBOX IN THE\nRESERVOIR\nHAS A PRIZE.":{"v":"UNE SEULE\nBOÎTE DANS LE\nRÉSERVOIR\nCONTIENT UN PRIX.","t":"A","i":2232},"ONLY ONE BLUE\nBOX IN THE WATER\nCONTAINS A MEMO\nWITH A TRUE\nSTATEMENT.":{"v":"UNE SEULE BOÎTE BLEUE\nDANS L'EAU\nCONTIENT UNE NOTE\nAVEC UNE AFFIRMATION\nVRAIE.","t":"A","i":1566},"OOK":{"v":"OUI","t":"A","i":2881},"OON":{"v":"OON","t":"A","i":3417},"OOT":{"v":"HORS DE COMBAT","t":"A","i":2879},"OPENS ALL NORMAL DOORS":{"v":"OUVRE TOUTES LES PORTES NORMALES","t":"A","i":1476},"OPERATIONAL":{"v":"FONCTIONNEL","t":"A","i":2606},"OPTIMAL EXPERIENCE":{"v":"EXPÉRIENCE OPTIMALE","t":"V","i":32},"ORANGE":{"v":"ORANGE","t":"A","i":1986},"ORCH":{"v":"ORCH","t":"A","i":2597},"ORDER ACCEPTED.":{"v":"COMMANDE ACCEPTÉE.","t":"A","i":3960},"ORDER PLACED":{"v":"COMMANDE PASSÉE","t":"A","i":3621},"ORIGINAL MUSIC":{"v":"MUSIQUE D'AMBIANCE","t":"A","i":3108},"ORINDA ARIES":{"v":"ORINDA ARIES","t":"A","i":4042},"ORIS":{"v":"ORIS","t":"A","i":590},"ORNATE COMPASS":{"v":"Boussole ouvragée","t":"A","i":1635},"ORNING":{"v":"MATIN","t":"A","i":1308},"ORR":{"v":"ORR","t":"A","i":2836},"OTHER EXAMPLES\nof connectivity":{"v":"AUTRES EXEMPLES\nde connectivité","t":"A","i":2058},"OU":{"v":"OU","t":"A","i":675},"OUND":{"v":"OUND","t":"A","i":2713},"OUPON":{"v":"COUPON","t":"A","i":1750},"OUTER ROOM":{"v":"PIÈCE EXTÉRIEURE","t":"A","i":1434},"OUTER ROOMS":{"v":"PIÈCES EXTÉRIEURES","t":"A","i":4086},"OVERWRITE":{"v":"ÉCRASER","t":"V","i":19},"OWER":{"v":"OUVRIR","t":"A","i":3150},"OWERED":{"v":"OUVRÉ","t":"A","i":2818},"OWSING":{"v":"OWSING","t":"A","i":3494},"OX":{"v":"TAUREAU","t":"A","i":1347},"OXYGEN":{"v":"OXYGÈNE","t":"A","i":3944},"OYAL":{"v":"OYAL","t":"A","i":1306},"Observable Effects - I awoke feeling very\nrefreshed with more energy and more\nthan normal.":{"v":"Effets observables - Je me suis réveillé en me sentant très\nrafraîchi, avec plus d'énergie et bien\nplus que la normale.","t":"A","i":2773},"Observable Effects - I awoke the following\nmorning with [!v*0] less steps but also\nobserved an additional star in the sky.":{"v":"Effets observables - Je me suis réveillé le lendemain\nmatin avec [!v*0] pas de moins mais j'ai également\nobservé une étoile supplémentaire dans le ciel.","t":"A","i":2436},"Observable Effects - Nothing special.":{"v":"Effets observables - Rien de spécial.","t":"A","i":2139},"Observable Effects - The next morning, I went to the family tomb to visit his grave, and was surprised to find a flower already laid.":{"v":"Effets observables – Le lendemain matin, je suis allé au tombeau familial rendre visite à sa tombe et j'ai été surpris de trouver une fleur déjà déposée.","t":"A","i":4031},"Observatory":{"v":"Observatoire","t":"A","i":725},"Occasionally save when traveling longer distances across the estate \nand grounds.":{"v":"Sauvegardez occasionnellement lors de longs déplacements à travers la propriété et les jardins \n","t":"A","i":3630},"Occasionally, you may find piles of dirt on the estate. These 'dig spots', often found in Green Rooms, can be dug up with the help of a SHOVEL and may contain hidden items.":{"v":"Parfois, vous trouverez des tas de terre sur le domaine. Ces « points de fouille », souvent présents dans les Salons verts, peuvent être creusés à l'aide d'une PELLE et renfermer des objets cachés.","t":"A","i":4452},"October [!v*0]st, [!v*1]\n\nI had high hopes for this logbook but I have struggled to find a reason to add another entry. My employer's decision earlier this year has left me feeling disheartened, and I find it difficult to find the motivation to continue in my work. I am aware that my disappointment is affecting my performance and I am reminded of that daily when I see the house plants slowly dying as I make my rounds.\n\n Perhaps I should quit.\n":{"v":"Le [!v*0] octobre, [!v*1]\n\nJ'avais de grands espoirs pour ce carnet de bord mais j'ai eu du mal à trouver une raison d'ajouter une autre entrée. La décision de mon employeur au début de cette année m'a laissé découragé et je trouve difficile de trouver la motivation pour continuer dans mon travail. Je suis conscient que ma déception affecte mes performances et je m'en souviens quotidiennement lorsque je vois les plantes d'intérieur mourir lentement pendant mes rondes.\n\n Peut-être devrais-je démissionner.\n","t":"A","i":3193},"Of course, if you are wealthy enough to be able to afford to purchase it from the SHOWROOM, this very high-end luxury item removes the gem cost of special floorplans altogether.":{"v":"Bien sûr, si vous êtes assez riche pour pouvoir l'acheter au SHOWROOM, cet article de luxe très haut de gamme supprime entièrement le coût en gemmes des plans de sol spéciaux.","t":"A","i":1737},"Of trees the green rooms brought.\n":{"v":"Des arbres les vertes salles apportèrent.\n","t":"A","i":3836},"Off":{"v":"Éteint","t":"A","i":4717},"Off Today":{"v":"Aujourd'hui, pas de travail","t":"A","i":3885},"Office":{"v":"Bureau","t":"A","i":4230},"On JANUARY [!v*0]TH, [!v*1], TARRO MARTIZE SHOCKED THE WORLD OF ARCHITECTURE BY DRAFTING NINETEEN DEAD ENDS IN ONE DAY.":{"v":"Le [!v*0] JANVIER, [!v*1], TARRO MARTIZE A CHOQUÉ LE MONDE DE L'ARCHITECTURE EN RÉDAISANT DIX-NEUF CHEMINS FERMÉS EN UN SEUL JOUR.","t":"A","i":2847},"On a certain scale, this is very hot.":{"v":"Sur une certaine échelle, c'est très chaud.","t":"A","i":1055},"On each sigil, floating between the rays are small figures called motes. From the shape and style of the motes used on a sigil we can tell the type of society a given realm proclaimed, if they considered themselves mighty in arms or blessed by artistic and economic fortune.\n":{"v":"Sur chaque sigille, flottant entre les rayons, se trouvent de petites figures appelées motes. À partir de la forme et du style des motes utilisés sur un sigille, on peut déterminer le type de société qu'un royaume proclamait, s'ils se considéraient comme puissants dans les armes ou bénis par la fortune artistique et économique.\n","t":"A","i":3559},"Once There was a red prince,\nWho sat on a red throne.\nHe had a red crown of rubies,\nAnd a red castle made of stone.":{"v":"Il était une fois un prince rouge,\nQui s'asseyait sur un trône rouge.\nIl portait une couronne rouge de rubis,\nEt possédait un château rouge en pierre.","t":"A","i":2373},"Once per day, while drafting you can\nequip to ignore the\nnegative effect of any one red room.":{"v":"Une fois par jour, pendant la rédaction, vous pouvez\néquiper pour ignorer l'\neffet négatif d'une pièce rouge.","t":"A","i":1811},"Once per day, while drafting you can equip\n to ignore the negative\neffect of any one .":{"v":"Une fois par jour, pendant la phase de rédaction, vous pouvez équiper\n pour ignorer l'effet négatif\nde n'importe quelle","t":"A","i":2676},"Once per day, while drafting you can equip\n to ignore the negative\neffect of any one red room":{"v":"Une fois par jour, pendant la rédaction, vous pouvez équiper\n pour ignorer l'effet négatif\nde n'importe quelle pièce rouge","t":"A","i":1809},"One back up lever for each Antechamber door has been installed in separate\nlocations for redundancy. However, we have been told that the location(s) of this reserved system will not be disclosed to the staff.":{"v":"Un levier de secours a été installé pour chaque porte d'Antechambre dans des emplacements distincts\nen vue de la redondance. Cependant, nous avons été informés que l'emplacement (les emplacements) de ce système réservé ne sera pas divulgué au personnel.","t":"A","i":3875},"One backup lever for each Antechamber door has been installed separate\nlocations for redundancy. However, we have been told that the location(s) of this reserved system will not be disclosed to the staff.":{"v":"Un levier de secours a été installé pour chaque porte d'Antechambre dans des emplacements distincts\npour redondance. Cependant, nous avons été informés que l'emplacement (les emplacements) de ce système réservé ne sera pas divulgué au personnel.","t":"A","i":3098},"One benefit of the restoration of old buildings is that it allows the owners to update and add modern amenities. The utility closet and the circuit breaker box within were set up when gas powered lighting was retired and replaced by a more fashionable home electrical system.":{"v":"L'un des avantages de la restauration des bâtiments anciens est qu'elle permet aux propriétaires de moderniser et d'ajouter des équipements contemporains. Le local technique et le tableau de fusibles qu'il abritait ont été installés lorsque l'éclairage au gaz a été abandonné au profit d'un système électrique domestique plus à la mode.","t":"A","i":4558},"One final word of advice.\n\nDo not assume the rooms you find today will be the same rooms you find tomorrow. These grounds have provided me a home for the last half century and even I am uncertain of which room lies beyond any particular door.\n\nYou grandmother used to say:\n\"Don't go where the path leads . . .\nAbandon the path and go where you want it to lead.\"\n":{"v":"Un dernier conseil.\n\nNe supposez pas que les chambres que vous trouverez aujourd'hui seront les mêmes que celles que vous trouverez demain. Ces lieux m'ont offert un foyer depuis cinquante ans et même moi, je ne suis pas certain de la chambre qui se cache derrière une porte en particulier.\n\nVotre grand-mère disait toujours:\n« Ne va pas là où le chemin mène . . .\nAbandonne le chemin et va là où tu veux qu'il mène. »\n","t":"A","i":1633},"One final word of advice.\n\nDo not assume the rooms you find today will be the same rooms you find tomorrow. These grounds have provided me a home for the last half century and even I am uncertain of which room lies beyond any particular door.\n\nYour grandmother used to say, \"Don't go where the path leads. Abandon the path and go where you want it to lead.\"\n":{"v":"Un dernier mot de conseil.\n\nNe supposez pas que les pièces que vous trouvez aujourd'hui seront les mêmes que celles que vous trouverez demain. Ces lieux m'ont offert un foyer pour la dernière demi-centaine d'années, et même moi, je suis incertain de savoir quelle pièce se trouve au-delà de chaque porte.\n\nVotre grand-mère avait l'habitude de dire : « Ne suivez pas le chemin qui s'offre à vous. Abandonnez-le et allez où vous voulez qu'il mène. »\n","t":"A","i":3947},"One final word of advice:\n\nDo not assume the rooms you find today will be the same rooms you find tomorrow. These grounds have provided me a home for the last half century and even I am uncertain of which room lies beyond any particular door.\n\nYour grandmother used to say, \"Don't go where the path leads. Abandon the path and go where you want it to lead.\"\n":{"v":"Un dernier mot de conseil :\n\nNe supposez pas que les pièces que vous trouverez aujourd'hui seront les mêmes que celles que vous trouverez demain. Ces lieux m'ont offert un foyer pour la dernière demi-centaine d'années, et même moi, je suis incertain de savoir quelle pièce se trouve au-delà de chaque porte.\n\nVotre grand-mère avait l'habitude de dire : « Ne suivez pas le chemin qui s'offre à vous. Abandonnez-le et allez où vous voulez qu'il mène. »\n","t":"A","i":2639},"One final word of guidance: the safe combinations you are seeking will not be found in writing on the estate. So, I hope you haven't been wasting too much time jotting down random invoice numbers and dates! Only by deciphering the many meanings of the forty-four character message, can you hope to unlock its many mysteries.":{"v":"Un dernier conseil : les combinaisons de sécurité que vous recherchez ne se trouveront pas écrites dans le domaine. J'espère donc que vous n'avez pas perdu trop de temps à noter des numéros de facture et des dates au hasard ! Seul le déchiffrement des multiples significations du message de quarante-quatre caractères vous permettra d'espérer percer ses nombreux mystères.","t":"A","i":2042},"One of the first tasks I undertook as groundskeeper was\nto conduct a survey of the various plots of soil underneath each slot on both the East and West Wings of the house. And while I would have preferred a full survey of all forty-five plots of the house, it was clear that the inconvenience such an undertaking would produce was in no way worth the extra data, especially considering the rooms that would benefit from this survey only ever appear in the wings.\n\nTo quantify soil quality, I measured the soil's capacity to support crop growth and maximize the promise of high yields. The survey ended up taking two weeks due to some difficulty reaching the higher ranks but the project was well worth the effort. As suspected, the room position has a direct relationship to the amount of fruit spread from gardens and the amount of flowers that can bloom in a Greenhouse.":{"v":"L'une des premières tâches que j'ai entreprises en tant que jardinier consistait\nà réaliser un relevé des différentes parcelles de sol situées sous chaque emplacement des ailes Est et Ouest de la maison. Bien que j'aurais préféré un relevé complet des quarante-cinq parcelles de la maison, il était clair que les inconvénients d'une telle entreprise ne valaient pas les données supplémentaires, surtout compte tenu du fait que les chambres qui en bénéficieraient n'apparaissent que dans les ailes.\n\nPour quantifier la qualité du sol, j'ai mesuré sa capacité à soutenir la croissance des cultures et à maximiser le potentiel de rendements élevés. Le relevé a pris deux semaines en raison de certaines difficultés d'accès aux étages supérieurs, mais le projet en valait la peine. Comme je le soupçonnais, la position de la chambre a un lien direct avec la quantité de fruits répandus par les jardins et le nombre de fleurs qui peuvent fleurir dans une serre.","t":"A","i":2452},"One of the many nondescript hallways snaking through the estate and providing elegant causeways between the more noteworthy destinations that the house has to offer.":{"v":"L'un des nombreux couloirs sans prétention qui serpentent à travers la propriété et offrent des passages élégants entre les destinations plus remarquables que la maison a à offrir.","t":"A","i":4376},"One of the more simple examples, HER LADYSHIP'S CHAMBER has synergy with Lady Epsen's other two rooms, her BOUDOIR and her WALK-IN CLOSET.":{"v":"L'un des exemples plus simples, LE CABINET DE SA MAJESTÉ, a une synergie avec les deux autres pièces de Lady Epsen, son SALON D'APPARTEMENT et son COFFRE À CHAUSSURES.","t":"A","i":2955},"One ticket grants you access to all of the Royal Museum's Public Exhibits, most of which celebrate a legacy of artists and paintings showcasing the royal color red.":{"v":"Un billet vous donne accès à l'ensemble des expositions publiques du Musée Royal, la plupart d'entre elles célébrant l'héritage d'artistes et de peintures mettant en avant la couleur royale, le rouge.","t":"A","i":2242},"One ticket grants you access to all of the Royal Museum's public exhibits most of which celebrate a legacy of artists and paintings showcasing the color red.":{"v":"Un billet vous donne accès à l'ensemble des expositions publiques du Musée Royal dont la plupart célèbrent un héritage d'artistes et de peintures mettant en valeur la couleur rouge.","t":"A","i":4045},"Open to the general public, the Museum grounds boasts a variety of verdure and a number of sculpted pieces of contemporary art.\n\nWe ask that guests please confine their exploration to the pathways.":{"v":"Ouvert au grand public, les jardins du musée offrent une variété de verdure et plusieurs œuvres d'art contemporain sculptées.\n\nNous demandons aux visiteurs de limiter leur exploration aux sentiers.","t":"A","i":3148},"Open to the general public, the museum grounds host a variety of verdure as well as a number of sculpted pieces of contemporary art.\n\nWe ask that guests please confine their exploration to the pathways.":{"v":"Ouvert au grand public, les jardins du musée abritent une variété de végétation ainsi que plusieurs œuvres d'art contemporain sculptées.\n\nNous demandons aux visiteurs de bien vouloir limiter leur exploration aux sentiers.","t":"A","i":3097},"Opens all doors in the estate that can\nbe opened with regular keys.":{"v":"Ouvre toutes les portes du domaine qui peuvent être ouvertes avec des clés ordinaires.\n","t":"A","i":2864},"Opens all doors in the estate that can\nbe opened with standard keys.":{"v":"Ouvre toutes les portes du domaine qui peuvent\nêtre ouvertes avec des clés standard.","t":"A","i":2117},"Opens electronically-powered security doors":{"v":"Ouvre les portes de sécurité à commande électronique","t":"A","i":2076},"Or is there perhaps something new,\nSomething overlooked but now in view,\nHave you finally found it? Could it really be true?\nIf it’s a new clue, you know what to do.\n":{"v":"Ou bien y a-t-il quelque chose de nouveau,\nQuelque chose négligé mais désormais visible,\nL’avez-vous enfin trouvé ? Est-ce vraiment vrai ?\nS’il s’agit d’un nouvel indice, vous savez quoi faire.\n","t":"A","i":2596},"Or is there perhaps something new,\nSomething overlooked but now in view,\nHave you really found it? Could it finally be true?\nIf it’s a new clue, you know what to do.\n":{"v":"Ou bien y a-t-il quelque chose de nouveau,\nQuelque chose négligé mais désormais visible,\nL’as-tu vraiment trouvé ? Est-ce que c’est enfin vrai ?\nSi c’est un nouvel indice, tu sais quoi faire.\n","t":"A","i":1983},"Orange":{"v":"Orange","t":"A","i":4177},"Orange Passage":{"v":"Passage orange","t":"A","i":715},"Orin\n\n Fe\n\n Er\n\nCor\n\nAr\n\n":{"v":"Orin\n\n Fe\n\n Er\n\nCor\n\nAr\n\n","t":"A","i":2928},"Orin\n\n Fe\n\n Er\n\nCor\n\nAr\n\n":{"v":"Orin\n\n Fe\n\n Er\n\nCor\n\nAr\n\n","t":"A","i":4397},"Orinda Aries\n\nFenn Aries\n\nEraja\n\nCorarica\n\nArch Aries\n\n":{"v":"Orinda Aries\n\nFenn Aries\n\nEraja\n\nCorarica\n\nArch Aries\n\n","t":"A","i":1751},"Ornate":{"v":"Oubli","t":"A","i":2888},"Ornate compass":{"v":"Boussole ornée","t":"A","i":2403},"Our Colorful World":{"v":"Notre monde coloré","t":"A","i":3159},"Our Favorite Tools":{"v":"Nos Outils Favoris","t":"A","i":3687},"Out of respect for the late Lady Clara Epsen, the West Wing will be closed until further notice. While the floorplans associated with this wing have not been removed from the pool, we ask that staff members refrain from drafting them during this period of mourning.\n\nLikewise, any st\nmay draft so":{"v":"Par respect pour la défunte Lady Clara Epsen, l'aile ouest sera fermée jusqu'à nouvel ordre. Bien que les plans associés à cette aile n'aient pas été retirés du pool, nous demandons au personnel de s'abstenir de les sélectionner durant cette période de deuil.\n\nDe même, tout st\npeut sélectionner","t":"A","i":1144},"Ovinn Nevarei,":{"v":"Ovinn Nevarei,","t":"A","i":1329},"Owned.":{"v":"Possédé.","t":"A","i":1535},"P":{"v":"P","t":"A","i":455},"P enelope":{"v":"Pénélope","t":"A","i":269},"P r o j e c t c o m p l e t e d\n N o v e m b e r [!v*1] [!v*2] [!v*3] [!v*4]":{"v":"P r o j e c t c o m p l e t é\n N o v e m b r e [!v*1] [!v*2] [!v*3] [!v*4]","t":"A","i":3565},"PACKAGE DELIVERED":{"v":"COLIS LIVRÉ","t":"V","i":4736},"PACKET [!v*0] : ADVANCED EXPERIMENTS\n\nA COLLECTION OF LAB EXPERIMENTS\nDESIGNED FOR EXPERIENCED TECHNICIANS ":{"v":"PAQUET [!v*0] : EXPÉRIENCES AVANCÉES\n\nUNE COLLECTION D'EXPÉRIENCES DE LABORATOIRE\nCONÇUES POUR DES TECHNICIENS EXPÉRIMENTÉS ","t":"A","i":2642},"PACKING SLIP":{"v":"BON DE LIVRAISON","t":"A","i":591},"PAGE SIX OF\n\"A NEW CLUE\"\nHIDES A SECRET.":{"v":"PAGE SIX OF\n\"UN NOUVEL INDICE\"\nCACHE UN SECRET.","t":"A","i":1159},"PANTRY":{"v":"CABINET","t":"A","i":3309},"PARKING":{"v":"PARC DE STATIONNEMENT","t":"A","i":2917},"PARKING LOT - WEST":{"v":"PARCING - OUEST","t":"A","i":2336},"PARLOR isn't the only room\nwith a special hint in the grounds.":{"v":"PARLOR n'est pas la seule pièce\navec un indice spécial dans les jardins.","t":"A","i":1287},"PART ONE\n\nTHE BERRY PICKER FROM ORIS":{"v":"PREMIÈRE PARTIE\n\nLE RASSEUR DE BAIES D'ORIS","t":"A","i":3052},"PART TWO\n\nBELOW THE BLACK BRIDGE":{"v":"PARTIE DEUX\n\nSOUS LE PONT NOIR","t":"A","i":2332},"PASSAGEWAY":{"v":"PASSAGE","t":"A","i":3292},"PASSPORT\n\n\n\n":{"v":"PASSEPORT\n\n\n\n","t":"A","i":271},"PASSWORD ACCEPTED":{"v":"MOT DE PASSE ACCEPTÉ","t":"A","i":4328},"PATENT NUMBER\n[!v*1]":{"v":"NUMÉRO DE BREVET\n[!v*1]","t":"A","i":2031},"PAYROLL ISSUED FOR THE WEEK OF [!v*0]/[!v*1]":{"v":"PAIE ÉMISE POUR LA SEMAINE DU [!v*0]/[!v*1]","t":"A","i":319},"PAYROLL SLIP":{"v":"BULLETIN DE PAIE","t":"A","i":374},"PEACE!":{"v":"PAIX !","t":"A","i":1404},"PEED":{"v":"VITESSE","t":"A","i":338},"PERIODICAL\nDRAFTING STRATEGY VOL III":{"v":"PÉRIODIQUE\nSTRATÉGIE DE RÉDACTION VOL III","t":"A","i":1282},"PERIODICAL\nDRAFTING STRATEGY VOL IV":{"v":"PÉRIODIQUE\nSTRATÉGIE DE RÉDACTION VOL IV","t":"A","i":828},"PERIODICAL\nDRAFTING STRATEGY VOL V":{"v":"PÉRIODIQUE\nSTRATÉGIE DE RÉDACTION VOL V","t":"A","i":1293},"PERMANENT":{"v":"PERMANENT","t":"A","i":4523},"PERMANENT ADDITIONS":{"v":"AJOUTS PERMANENTS","t":"A","i":3789},"PGRADE":{"v":"PGRADE","t":"A","i":2723},"PICK A":{"v":"CHOISIR A","t":"A","i":2670},"PICK SOUND AMPLIFIER":{"v":"CHOISIR L'AMPLIFICATEUR SONORE","t":"A","i":4069},"PIETY\nBISHOP":{"v":"PITIE\nÉVÊQUE","t":"A","i":3881},"PIETY OF THE BISHOP":{"v":"LA PIÉTÉ DE L'ÉVÊQUE","t":"A","i":3381},"PIGS SAND MAIL DATE HEAD\nCLAM PEAK SAND JOYA WELL\nTOAD CARD WILL TAPE LEGS\nTREE ROAD MAID SLAB ROCK\nHAND VASE SAFE CLAY TOES\n":{"v":"COCHON SABLE COURRIE DATE TETE\nPALOMA SOMMET SABLE JOYA PUITS\nCRAPAUD CARTE VOLONTA RUBAN JAMBES\nARBRE ROUTE FEMME PIERRE ROCHER\nMAIN VASE SURE ARGILE PIEDS\n","t":"A","i":1356},"PINK":{"v":"ROSE","t":"A","i":2696},"PINK BOXES\nMARKED BY\n\n\n\nALWAYS CONTAIN\nBLUE MEMOS.":{"v":"BOÎTES ROSES\nMARQUÉES PAR\n\n\n\nCONTIENNENT TOUJOURS\nDES NOTES BLEUES.","t":"A","i":1413},"PINK BOXES \nMARKED WITH\n\n\nALWAYS CONTAIN\nFALSE STATEMENTS.":{"v":"BOÎTES ROSES \nMARQUÉES AVEC\n\n\nCONTIENNENT TOUJOURS\nDES AFFIRMATIONS FAUSSES.","t":"A","i":694},"PLATFORM\n[!v*1]":{"v":"Plateforme\n[!v*1]","t":"A","i":3455},"PLEASE SELECT ONE:":{"v":"VEUILLEZ EN CHOISIR UN :","t":"A","i":348},"POINT A":{"v":"POINT A","t":"A","i":1628},"POINT B":{"v":"POINT B","t":"A","i":2202},"POOL SERIES [!v*0]":{"v":"SÉRIE DE PISCINE [!v*0]","t":"A","i":1204},"POON":{"v":"POON","t":"A","i":1870},"POOR\nSOIL":{"v":"TERRE\nPOUVOIR","t":"A","i":2748},"PORTERHOUSE STEAK":{"v":"Côte de bœuf","t":"A","i":1631},"PORTICO":{"v":"PORTE","t":"A","i":2541},"PORTRAIT\nROOM":{"v":"PORTRAIT\nCHAMBRE","t":"A","i":1733},"POST CARD":{"v":"CARTE POSTALE","t":"A","i":2537},"POTENTIAL NEW FLOORPLANS":{"v":"NOUVEAUX PLANS D'ÉTAGE POTENTIELS","t":"A","i":384},"PREFACE":{"v":"PRÉFACE","t":"A","i":3466},"PREFIX SUFFIX":{"v":"PRÉFIXE SUFFIXE","t":"A","i":991},"PRESS [X] TO CONFIRM PRESS [ESC] TO CANCEL":{"v":"APPUIER SUR [X] POUR CONFIRMER APPUIER SUR [ESC] POUR ANNULER","t":"A","i":3576},"PREV PLAN":{"v":"PRÉCÉDENT PLAN","t":"A","i":1314},"PREV PAGE":{"v":"PAGE PRÉC.","t":"A","i":2959},"PREV.":{"v":"PRÉC.","t":"A","i":2718},"PREVIOUS PAGE":{"v":"PAGE PRÉCÉDENTE","t":"A","i":2013},"PRINCE LEERSON":{"v":"PRINCE LEERSON","t":"A","i":2056},"PROBABLY FOR THE BEST...":{"v":"PROBABLEMENT POUR LE MEILLEUR...","t":"A","i":1304},"PRODUCED & DEVELOPED BY":{"v":"PRODUIT ET DÉVELOPPÉ PAR","t":"A","i":2754},"PROFILE LOADED":{"v":"PROFIL CHARGÉ","t":"V","i":61},"PROFILE [!v*0] : DAY [!v*1] | DARE MODE | [!v*2] TROPHIES":{"v":"PROFIL [!v*0] : JOUR [!v*1] | MODE DÉFI | [!v*2] TROPHÉES","t":"A","i":1461},"PROFILES":{"v":"PROFILS","t":"V","i":20},"PROJA H.":{"v":"PROJA H.","t":"A","i":655},"PROPERTY":{"v":"BIEN","t":"A","i":977},"PUBLIC EXHIBITS":{"v":"PIÈCES À CONVICTION","t":"A","i":2235},"PUBLISHER & AUTHOR DETAINED\nBY RED GUARD, QUESTIONED":{"v":"ÉDITEUR ET AUTEUR ARRÊTÉS\nPAR LA GARDE ROUGE, INTERROGÉS","t":"A","i":1609},"PUMP\nROOM":{"v":"POMPE\nPIECE","t":"A","i":3874},"PUMP Control Panel\n(water source selection)":{"v":"Panneau de contrôle de la pompe\n(sélection de la source d'eau)","t":"A","i":1003},"PUMP ROOM":{"v":"PIÈCE À POMPE","t":"A","i":3105},"PUMP ROOM\nSCHEMATIC":{"v":"SALLE DE POMPAGE\nSCHÉMA","t":"A","i":1257},"PUMP [!v*0]":{"v":"POMPE [!v*0]","t":"A","i":1263},"PUMP [!v*0]\n\n\n\n\n\n\n\n\n\n\n PUMP [!v*1]\n\n\n\n\n\nPUMP [!v*2]":{"v":"POMPE [!v*0]\n\n\n\n\n\n\n\n\n\n\n POMPE [!v*1]\n\n\n\n\n\nPOMPE [!v*2]","t":"A","i":1035},"PUMP [!v*0]\nTANK\nSWITCH":{"v":"POMPE [!v*0]\nCUVE\nINTERRUPTEUR","t":"A","i":3219},"PURCHASED":{"v":"ACHETÉ","t":"A","i":1595},"PUTTING IT ALL TOGETHER":{"v":"À RASSEMBLER TOUT","t":"A","i":2704},"PUZZLE\nRECORDS":{"v":"ÉNIGMES\nRECORDS","t":"A","i":2086},"Page":{"v":"Page","t":"A","i":891},"Pantry":{"v":"Cave à provisions","t":"A","i":4189},"Paper Crown":{"v":"Couronne de papier","t":"A","i":3224},"Parlor":{"v":"Salon","t":"A","i":4196},"Passageway":{"v":"Couloir","t":"A","i":4663},"Past the steps and beyond the grand doors, admission to Mount Holly is granted by way of a dark and garish lobby, suitably called the Entrance Hall. From here, each guest's adventure begins; however, the three doors that proceed onward do not always lead to the same adjoining rooms...":{"v":"Au-delà des étapes et au-delà des grandes portes, l'accès à Mount Holly est accordé via un hall d'entrée sombre et ostentatoire, dignement nommé Entrance Hall. À partir de cet endroit, l'aventure de chaque invité commence ; cependant, les trois portes qui s'enchaînent ne mènent pas toujours aux mêmes pièces adjacentes...","t":"A","i":4183},"Patio":{"v":"Patio","t":"A","i":4319},"Patricia":{"v":"Patricia","t":"A","i":819},"Paul Withers":{"v":"Paul Withers","t":"A","i":816},"Pause Experiment\n\nReturn to Main Menu":{"v":"Pause Expérience\n\nRetour au menu principal","t":"A","i":4033},"Pay to the\nAccount of ":{"v":"Payer au\ncompte de ","t":"A","i":2066},"Payroll has already been\nrun for this week. Please\ntry again any day next\nweek, starting on Monday.":{"v":"Le traitement des salaires a déjà été\nexécuté pour cette semaine. Veuillez\nréessayer n'importe quel jour de la\nsemaine suivante, à partir du lundi.","t":"A","i":3232},"Payroll has already been run\nfor this week. Checks have\nbeen placed in each staff\nmember's room. This includes\neach Servant's Quarter and\nMaid's Chamber currently on\nthe estate.":{"v":"La paie a déjà été effectuée\ncette semaine. Les chèques ont\nété déposés dans la chambre\nde chaque membre du personnel.\nCela inclut chaque chambre\nde serviteur et de bonne\nactuellement sur le domaine.","t":"A","i":1623},"Perhaps the most exciting item an architect can come across is an UPGRADE DISK. This floppy data disk houses a wellspring of unique architectural plans designed explicitly for a specific room. By inserting the disk into a computer terminal, architects gain the ability to shape the destiny of a room, guided by the enticing designs contained on the disk. This myriad of options not only allows architects to craft floorplans that align with their ":{"v":"Peut-être que l'élément le plus passionnant qu'un architecte puisse rencontrer est un DISQUE DE MISE À NIVEAU. Ce disque de données floppy abrite une source inépuisable de plans architecturaux uniques conçus explicitement pour une pièce spécifique. En insérant le disque dans un terminal informatique, les architectes acquièrent la capacité de façonner le destin d'une pièce, guidés par les designs séduisants contenus sur le disque. Cette multitude d'options permet non seulement aux architectes de concevoir des plans de sol qui s'alignent avec leurs ","t":"A","i":3506},"Perhaps, my willingness to accept such a sensational story betrays my own desperation.\n\nDesperation for answers. Desperation for hope. And desperation for a narrative in which you are not the villain.\n\nIn that distant land we all dream of, the land where the strangling crimson curtains draped across our sky are pulled back, and the windows and shutters of discontent flung wide open. In that distant land, I pray one day to find our Marion safe, happy and absolved.\n\n \n - Courtney\n":{"v":"Peut-être, ma volonté d'accepter une histoire aussi sensationnelle trahit-elle mon propre désespoir.\n\nDésespoir de réponses. Désespoir d'espoir. Et désespoir d'un récit où vous n'êtes pas le vilain.\n\nDans ce pays lointain dont nous rêvons tous, le pays où les rideaux cramoisis qui étranglent notre ciel sont tirés, et où les fenêtres et volets du mécontentement sont grand ouverts. Dans ce pays lointain, je prie pour un jour y trouver notre Marion en sécurité, heureuse et absoute.\n\n \n - Courtney\n","t":"A","i":1617},"Permanent, Blueprint":{"v":"Permanent, Plan","t":"A","i":4182},"Perplexing Plans":{"v":"Plans perplexants","t":"A","i":1229},"Phoebe H.":{"v":"Phœbe H.","t":"A","i":966},"Pick Berry":{"v":"Choisir la baie","t":"A","i":3432},"Pink":{"v":"Rose","t":"A","i":4227},"Pioneer":{"v":"Pionnier","t":"A","i":3996},"Place a Special Order\n\nReturn to Staff Services\n":{"v":"Passer une commande spéciale\n\nRetour aux services du personnel\n","t":"A","i":1402},"Planetarium":{"v":"Planétarium","t":"A","i":4689},"Planning Your House":{"v":"Planifier votre maison","t":"A","i":1844},"Planning your House":{"v":"Planifier votre maison","t":"A","i":772},"Players:":{"v":"Joueurs :","t":"A","i":167},"Playstation":{"v":"PlayStation","t":"A","i":3923},"Please enter an UNLOCK DATE:\n":{"v":"Veuillez entrer une DATE DE DÉVERROUILLAGE:\n","t":"A","i":2822},"Please enter an Unlock Date:\n":{"v":"Veuillez entrer une date de déverrouillage :\n","t":"A","i":4825},"Please enter an Unlock Time:\n":{"v":"Veuillez entrer une heure de déverrouillage :\n","t":"A","i":4824},"Please select\nanother terminal\nto connect to:":{"v":"Veuillez sélectionner\nun autre terminal\nà connecter :","t":"A","i":4068},"Please wait...":{"v":"Veuillez patienter...","t":"A","i":149},"Plus an additional if you\nhave a in your house.":{"v":"Plus un supplément si vous avez un \ndans votre maison.","t":"A","i":3099},"Plus an additional if you\nhave a in\nyour house.":{"v":"Plus un supplément si vous\navez un dans\nvotre maison.","t":"A","i":1949},"Plus an additional if you\nhave a in your house.":{"v":"Plus un supplément si vous avez une \ndans votre maison.","t":"A","i":3975},"Plus an additional if you\nhave a in your house.":{"v":"Plus un supplément si vous avez une \ndans votre maison.","t":"A","i":3768},"Plus an additional if you\nhave a in\nyour house.":{"v":"Plus un supplément si vous\navez un dans\nvotre maison.","t":"A","i":2468},"Plus an additional if you\nhave a in your house.":{"v":"Plus un supplément si vous avez un \ndans votre maison.","t":"A","i":3572},"Plus an additional if you\nhave a in your house.":{"v":"Plus un bonus supplémentaire si vous avez une \ndans votre maison.","t":"A","i":3003},"Plus an additional if you\nhave a in your house.":{"v":"Plus un bonus supplémentaire si vous avez une \ndans votre maison.","t":"A","i":3129},"Plus an additional if you\nhave an in your house.":{"v":"Plus un supplément si vous avez un \ndans votre maison.","t":"A","i":3256},"Plus an additional if you\nhave a in\nyour house.":{"v":"Plus un supplément si vous\navez un dans\nvotre maison.","t":"A","i":2298},"Plus an additional if you have\na in your house.":{"v":"Plus un supplément si vous avez\nun dans votre maison.","t":"A","i":3675},"Plus an additional if you have\na in your house.":{"v":"Plus un supplément si vous avez\nun dans votre maison.","t":"A","i":1699},"Plus an additional dirt pile if\nyou have a in\nyour house.":{"v":"Plus une pile supplémentaire de terre si\nvous en avez une dans\nvotre maison.","t":"A","i":3978},"Plus an additional two fruit if\nyou have a in\nyour house.":{"v":"Plus un fruit supplémentaire si\nvous en avez un dans\nvotre maison.","t":"A","i":2108},"Popular children’s writer Marion Marigold adds yet another feather to her scholastic cap when she discovered on Thursday that her picture book “Swim Bird” had been chosen as":{"v":"L'auteur populaire pour enfants Marion Marigold ajoute une plume de plus à son chapeau scolaire lorsqu'elle découvre jeudi que son livre d'images « Swim Bird » a été choisi comme","t":"A","i":3104},"Popular children’s writer Marion Marigold adds yet another feather to her scholastic cap when she discovered on Thursday that her picture book “Swim Bird” had been chosen as the Herald Literary\nMedal illustrated book of the\nyear. This is Marigold's second\ntime winning this prestigious\nhonor, the previous medal was\nof course for her debut effort,":{"v":"La populaire écrivaine pour enfants Marion Marigold ajoute une nouvelle plume à son bonnet de docteur lorsqu'elle a découvert jeudi que son album illustré « Swim Bird » avait été choisi comme livre illustré de l'année pour le\nPrix littéraire du Herald. C'est la deuxième\nfois que Marigold remporte cet\nhonneur prestigieux, le précédent\nayant bien sûr été décerné pour\nson premier ouvrage,","t":"A","i":308},"Porterhouse Steak":{"v":"Steak Porterhouse","t":"A","i":4218},"Press in any room in your house to use.\n\nStarting tomorrow, that floorplan\nwill be removed from the house and\ndraft pool for one week.":{"v":"Appuyez sur dans n'importe quelle pièce de votre maison pour l'utiliser.\n\nÀ partir de demain, ce plan\nsera retiré de la maison et\nde la liste de sélection pendant une semaine.","t":"A","i":1907},"Press in any room in your house to use.\n\nStarting tomorrow, that floorplan\nwill be removed from the house and\ndraft pool for one week.":{"v":"Appuyez sur dans n'importe quelle pièce de votre maison pour l'utiliser.\n\nÀ partir de demain, ce plan\nsera retiré de la maison et\nde la liste de sélection pendant une semaine.","t":"A","i":2508},"Press [ESC] to return":{"v":"Appuyez sur [ESC] pour revenir","t":"A","i":3281},"Press [esc] to cancel order":{"v":"Appuyez sur [esc] pour annuler la commande","t":"A","i":2278},"Presumably will unlock Room [!v*1]":{"v":"Présumément débloquera la pièce [!v*1]","t":"A","i":2966},"Prev":{"v":"Précédent","t":"A","i":3972},"Prev page":{"v":"Page précédente","t":"A","i":4174},"Priceless jewels stolen in\ndramatic Royal Museum heist":{"v":"Prix d'orfans volés dans un\nvol spectaculaire au Musée royal","t":"A","i":3462},"Prismatic":{"v":"Prismatique","t":"A","i":3879},"Prismatic Rooms":{"v":"Salles prismatiques","t":"A","i":975},"Private Drive":{"v":"Disque Privé","t":"A","i":4176},"Provides juice to\nbattery-powered\ncontraptions.":{"v":"Fournit du jus aux\nmachineries\nà piles.","t":"A","i":1396},"Provides juice to\ncontraptions made\nin the workshop":{"v":"Fournit du jus aux\nmachineries fabriquées\ndans l'atelier","t":"A","i":1515},"Pump Control Panel\n(water source selection)":{"v":"Panneau de contrôle de la pompe\n(sélection de la source d'eau)","t":"A","i":3472},"Pump 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Prof. R Willard":{"v":"Royaume et Rune - Prof. R. Willard","t":"A","i":849},"Realm of Fenn Aries was established, Mora Jai boxes of the realm were graced with RED TILES in honor of General Teskin's victory.\n\nWhen these tiles are pressed, all BLACK TILES on the box turn RED in triumphant victory, while all WHITE TILES on the box turn BLACK serving as the outclassed and struggling reinforcements of the dwindling Desilets Army.":{"v":"Le domaine de Fenn Aries a été établi, et les boîtes Mora Jai du royaume ont reçu des TILES ROUGES en l'honneur de la victoire du général Teskin.\n\nLorsque ces tuiles sont pressées, toutes les TILES NOIR sur la boîte deviennent ROUGE en signe de victoire triomphale, tandis que toutes les TILES BLANCHE sur la boîte deviennent NOIR, servant de renforts dépassés et en difficulté pour l'armée déclinante des Desilets.","t":"A","i":3543},"Red":{"v":"Rouge","t":"A","i":183},"Red Banners\n Martial\nFog\n ":{"v":"Bannières Rouges\n Martial\nBrouillard\n ","t":"A","i":4105},"Red Letters :":{"v":"Lettres Rouges :","t":"A","i":3737},"Red Rooms are more common today.":{"v":"Les Chambres Rouges sont plus courantes aujourd'hui.","t":"A","i":3731},"Red memos in blue boxes\nare always true.":{"v":"Les mémos rouges dans des boîtes bleues\nsont toujours vrais.","t":"A","i":1223},"Red rooms are a daring addition to any home, providing a small element of danger that can excite and thrill both residents and visitors. While these rooms come with a certain level of risk, they also offer the potential for substantial returns, as they provide as many doors as they do oppor-tunities. Architects who are willing to take the plunge and draft a red room are often rewarded with a unique and ":{"v":"Les pièces rouges constituent un ajout audacieux à toute maison, apportant une petite dose de danger capable d'exciter et de passionner aussi bien les résidents que les visiteurs. Bien que ces pièces s'accompagnent d'un certain niveau de risque, elles offrent également le potentiel de rendements substantiels, car elles fournissent autant de portes qu'elles n'offrent d'opportunités. Les architectes prêts à faire le saut et à concevoir une pièce rouge sont souvent récompensés par un résultat unique et ","t":"A","i":2702},"Reddington Elementary":{"v":"Reddington Elementary","t":"A","i":519},"Reddington’s most popular attraction and a guaranteed crowd-pleaser, the Botanical Gardens, is loved by both locals and visitors for its Ajeran canopy house and mausoleum, its petal-covered trails, and a mind-boggling variety of flowers. This is the reason springtime is Reddington's busy season.":{"v":"L’attraction la plus prisée de Reddington et un succès garanti auprès du public, les Jardins Botaniques, sont chéris par les habitants comme par les visiteurs pour leur maison sous la canopée d’Ajeran et leur mausolée, leurs sentiers recouverts de pétaux et leur variété de fleurs éblouissante. C’est pourquoi le printemps est la haute saison à Reddington.","t":"A","i":1448},"Reflections of reflections, this confusing room can sometimes prove disorienting to the wayward guest. However, upon closer inspection, they quickly realize that viewing this room from more than one perspective is key to unraveling its secrets.":{"v":"Réflexions de réflexions, cette salle confuse peut parfois désorienter l'invité égaré. Cependant, à un examen plus attentif, ils réalisent rapidement que regarder cette salle sous plusieurs angles est la clé pour percer ses secrets.","t":"A","i":4666},"Remain where you are for now. Given that the Red Guard is due tomorrow, we've agreed with your plan and have disabled remote access to the other terminals and have sealed the network mainframe.\n\n\nRegardless of the danger, I am still not willing to risk removing SHELTER from the draft pool while the three of you are down there. Our best bet is to sit tight and hope for a little bit of luck.":{"v":"Restez où vous êtes pour l'instant. Étant donné que la Garde Rouge est attendue demain, nous avons approuvé votre plan et désactivé l'accès distant aux autres terminaux, tout en scellant le serveur principal du réseau.\n\n\nMalgré le danger, je ne suis toujours pas prêt à risquer de retirer SHELTER du vivier de réserve pendant que vous êtes les trois en bas. 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Streets. Carriages.\nThe four rays here look like\ncrossroads on a map. ":{"v":"Routes. Rues. Carrosses.\nLes quatre rayons ici ressemblent à\ndes carrefours sur une carte. ","t":"A","i":1791},"Rob":{"v":"Vol","t":"A","i":1090},"Rook\n":{"v":"Tour\n","t":"A","i":3958},"Room Directory":{"v":"Répertoire des chambres","t":"A","i":91},"Room [!v*0]":{"v":"Chambre [!v*0]","t":"A","i":4574},"Rooms are considered adjoined if they are connected to each other via a doorway.":{"v":"Les pièces sont considérées adjacentes si elles sont reliées entre elles par une porte.","t":"A","i":4440},"Rotunda":{"v":"Rond-point","t":"A","i":3360},"Royal Museum":{"v":"Musée royal","t":"A","i":334},"Ruffington Press was quick\nto dismiss the rumors in\na statement released on\nFriday, maintaining that\nthe popular author [and\nMr. White] were simply \n\"victims of an unfortunate\nhappenstance\", whatever\nthat means.\n This would not be the\nfirst time that the Publishing\nHouse has defended a rogue\nemployee. 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taken \nfrom well known sigils.":{"v":"Plusieurs cœurs d'exemple pris \nde sigiles bien connus.","t":"A","i":1632},"She confided \"My son was\nthe one that actually got\nme to start writing. I had\nalways challenged myself to \nnever tell him the same story\ntwice at bedtime, and so as we ran out of books we owned, my imagination had to take over from there.”\n\nMarigold has elaborated in previous interviews that her\ndebut book “Red Prince” is based on her son and his in- flexible love of the color red. A statement that has been held with much skepticism by the many pundits that viewed that book as a a rather thinly veiled political critique of the royalist party and their unwavering blind loyalty to the throne.\n":{"v":"Elle a confié « Mon fils est\ncelui qui m’a réellement\nincitée à commencer à écrire. J’avais\ntoujours le défi de \nne jamais lui raconter la même histoire\ndeux fois au coucher, et donc, à mesure que nous épuisions nos livres, mon imagination devait prendre le relais. »\n\nMarigold a précisé dans des interviews précédentes que son\npremier livre, « Red Prince », s’inspire de son fils et de son amour inflexible pour la couleur rouge. Une affirmation accueillie avec beaucoup de scepticisme par de nombreux commentateurs qui ont vu dans ce livre une critique politique assez voilée du parti royaliste et de leur loyauté aveugle et inébranlable au trône.\n","t":"A","i":391},"She confided \"My son was the one that actually got me to start writing. I had always challenged myself to never tell him the same story twice at bedtime, and so as we ran out of books we owned, my imagination had to take over from there.”\n\n":{"v":"Elle confia : « Mon fils est celui qui m'a réellement poussée à commencer à écrire. J'avais toujours défié mon esprit en ne lui racontant jamais la même histoire deux fois au coucher, et donc, alors que nous épuisions nos livres, mon imagination a dû prendre le relais. »\n\n","t":"A","i":3194},"She was no stranger\nto the public eye\neven before her liter-\nary success. The \nniece and only living\nrelation of Baron\nH. S. Sinclair, Mary\nbegan using Marigold as a pen name to free her from the political associations that one might make with the Sinclair\nFamily.\n\n\n\nMarigold, [!v*0] \nlives in Redbriar, \nReddington with her husband Daniel and son, Simon (Age [!v*1]). \n ":{"v":"Elle n'était pas\nétrangère\nà l'œil du public\nmême avant son succès\nlittéraire. Niece et\nseule parente vivante\ndu baron\nH. S. Sinclair, Mary\na commencé à utiliser Marigold comme pseudonyme pour se libérer des associations politiques que l'on pourrait faire avec la\nfamille\nSinclair.\n\n\n\nMarigold, [!v*0] \nvit à Redbriar, \nReddington avec son mari Daniel et son fils, Simon (âge [!v*1]). \n","t":"H","i":1903},"She was no stranger to the public eye even before her literary success. The niece and closest living relation of Baron H. S. Sinclair, \n":{"v":"Elle n'était pas inconnue du grand public, même avant son succès littéraire. La nièce et la plus proche parente vivante de Baron H. S. Sinclair, \n","t":"A","i":2714},"Shelter":{"v":"Abri","t":"A","i":4822},"Sheltered":{"v":"À l'abri","t":"A","i":1777},"Shield":{"v":"Bouclier","t":"A","i":1708},"Shielded":{"v":"Écran","t":"A","i":3473},"Shifting Gears":{"v":"Changement de vitesse","t":"A","i":905},"Shops are an essential part of any large estate, providing a convenient place for the staff and residents to purchase items without having to leave the property. Including at least one of these floorplans in your house will provide you with an outlet for any coins that are found during the day. Strategies that involve generating lots of gold will usually want to draft multiple shop rooms to expand the range of shopping opportunities. These floorplans are bordered with shades of ":{"v":"Les boutiques constituent une partie essentielle de toute grande propriété, offrant un endroit pratique pour que le personnel et les résidents achètent des articles sans avoir à quitter le domaine. Inclure au moins l'un de ces plans d'étage dans votre maison vous permettra de dépenser les pièces trouvées durant la journée. Les stratégies visant à générer beaucoup d'or souhaitent généralement concevoir plusieurs salles de boutique pour élargir les possibilités d'achat. Ces plans d'étage sont bordés de teintes de ","t":"A","i":3941},"Should prove to be\n a nutritious snack!":{"v":"Devrait se révéler\n une collation nutritive !","t":"A","i":3627},"Shovel":{"v":"Pelle","t":"A","i":2800},"Showroom":{"v":"Salle d'exposition","t":"A","i":1697},"Sightseer's Guide to Reddington - Andrew Darle":{"v":"Guide du touriste à Reddington - Andrew Darle","t":"A","i":566},"Simon P. Jones":{"v":"Simon P. Jones","t":"A","i":866},"Simon P. Jones":{"v":"Simon P. Jones","t":"A","i":265},"Simon P. Jones, a lad of but [!v*0] summers, who was yesterday named the provisional heir to the sprawling Synka empire. \n However, this vast inheritance is accomp-anied by an undisclosed contractual condition. Given the Baron's well-known penchant for tests of mettle and wit, it's clear that the young heir from Reddington, distinguished in his own right as last year's County Science Fair runner-up, faces an extraordinary challenge in the coming weeks. \n ":{"v":"Simon P. Jones, un jeune homme de [!v*0] ans, a été désigné hier héritier provisoire de l'immense empire Synka. \n Toutefois, cette vaste succession est accompagnée d'une condition contractuelle non divulguée. Étant donné la propension bien connue du Baron à tester le courage et l'esprit, il est clair que le jeune héritier de Reddington, distingué à son tour comme finaliste du concours scientifique du comté l'an dernier, fait face à un défi extraordinaire dans les semaines à venir. \n ","t":"A","i":781},"Simon,\n\nWelcome to Mount Holly.\n\nYou may not remember but I have fond memories of your many visits here as a young boy and I hope these rooms provide you with as much amusement as it did in those lost summer days.\n\nBy the time you read this I will assume you\nare fully aware of my last wishes and all the details of the bequest. Please do not mistake my intentions in giving you this challenge as a lack of confidence. I assure you, nothing could be further from my mind when I chose you as my heir.":{"v":"Simon,\n\nBienvenue à Mount Holly.\n\nVous ne vous en souvenez peut-être pas, mais je garde de précieux souvenirs de vos nombreuses visites ici lorsque vous étiez un jeune garçon, et j’espère que ces chambres vous procureront autant de plaisir qu’elles m’en ont apporté durant ces jours d’été perdus.\n\nAu moment où vous lirez ceci, je suppose que vous\nêtes pleinement conscient de mes dernières volontés et de tous les détails du legs. Ne prenez pas ma décision de vous soumettre à cet épreuve pour un manque de confiance. Je vous assure que rien n’était plus éloigné de mes pensées lorsque je vous ai choisi comme mon héritier.","t":"A","i":2267},"Simon,\n \nI can’t think of any reason you’d need to access the Server Administrator controls before I return, but your\nfather has mentioned your interest in computers so I have a feeling you may be a bit more hands-on than\nyour great uncle.\n\nYou'll find the Admin Terminal in Blackbridge Grotto, a small cavern sealed (much like the story) off of the east drive. I believe I've previously explained how to restore power to the grotto in one of my earlier letters. However, keep in mind that accessing the terminal requires an ADMIN KEY.\n\nUnfortunately, I won't be able to set one up for you until I return, but your ADMIN KEY will eventually be JoneS (first four letters of your family name) or if you prefer we could use a pseudonym. I'm sure we'll discuss it in greater detail when I return.\n\n -Randolph":{"v":"Simon,\n \nJe ne vois aucune raison pour laquelle tu auras besoin d'accéder aux contrôles de l'administrateur du serveur avant mon retour, mais ton\npère a mentionné ton intérêt pour l'informatique, donc j'ai l'impression que tu seras peut-être plus manuel que\nton grand-oncle.\n\nTu trouveras le terminal d'administration dans la Grotte de Blackbridge, une petite caverne scellée (comme dans l'histoire) accessible depuis la route est. Je crois que j'ai déjà expliqué comment rétablir l'électricité dans la grotte dans l'une de mes lettres précédentes. Cependant, garde à l'esprit qu'accéder au terminal nécessite une CLÉ D'ADMINISTRATEUR.\n\nMalheureusement, je ne pourrai pas en configurer une pour toi avant mon retour, mais ta CLÉ D'ADMINISTRATEUR sera finalement JoneS (les quatre premières lettres de ton nom de famille) ou, si tu préfères, nous pourrions utiliser un pseudonyme. Je suis sûr que nous en discuterons plus en détail lors de mon retour.\n\n -Randolph","t":"A","i":3736},"Simon,\n \nIf you do end up accessing the Admin controls in Blackbridge grotto, I’m sure you noticed the sealed circular door to the left of the terminal. As you likely have already concluded for yourself, this door can only be opened if three different microchips are inserted in the central pedestal. \n\nNormally, all three microchips are kept secured in three other locations, but I decided to make it easy for you and have left one of the microchips in the grotto for ready access. However, you will have to find a new clue or two to find the others.\n\n \n -Randolph":{"v":"Simon,\n \nSi vous finissez par accéder aux commandes administratives dans la grotte de Blackbridge, vous avez sans doute remarqué la porte circulaire scellée à gauche du terminal. Comme vous l’avez probablement déjà déduit vous-même, cette porte ne peut être ouverte que si trois puces différentes sont insérées dans le piédestal central. \n\nNormalement, les trois puces sont conservées en sécurité dans trois autres endroits, mais j’ai décidé de vous faciliter la tâche et j’ai laissé l’une des puces dans la grotte pour un accès immédiat. Cependant, vous devrez trouver un ou deux nouveaux indices pour localiser les autres.\n\n \n -Randolph","t":"A","i":1565},"Simon,\n \nI’m honestly very impressed with the number of experiments you’ve been successful in executing. I certainly wasn’t expecting to write this many letters when I started our correspondence! Frankly, I’m not quite sure what other advice I can offer in the blind without knowing directly what the challenges are you currently face on the estate. For all I know, you’ve long since reached Room [!v*1] and are just continuing your unaccompanied exploration, stag, happy and free of the maids and staff crowding the halls and getting in your way. I can’t say I blame you and I’m sure the other members of the household are quite enjoying their extended vacation.\n\nSpeaking strictly for myself, however, I can not wait to get back and begin working with you directly. Helping you through these letters has only whetted my imagination and to be candid, our collaboration in this correspondence has reminded me so much of working with Mary. I know she’s proud of you.\n\n Until the day I return,\n Randolph":{"v":"Simon,\n \nJe suis sincèrement impressionné par le nombre d'expériences que vous avez réussi à exécuter. Je n'aurais jamais imaginé écrire autant de lettres au début de notre correspondance ! Pour être franc, je ne suis pas tout à fait sûr des autres conseils que je pourrais offrir sans connaître directement les défis auxquels vous faites face actuellement sur la propriété. À ma connaissance, vous avez peut-être déjà atteint la Chambre [!v*1] depuis longtemps et continuez simplement votre exploration solitaire, seul, heureux et libre des bonnes femmes et du personnel qui encombraient les couloirs et vous gênaient. Je ne peux pas dire que je vous en veuille et je suis sûr que les autres membres de la maison profitent pleinement de leurs vacances prolongées.\n\nParlant strictement pour moi-même, cependant, je ne peux pas attendre de revenir pour commencer à travailler directement avec vous. Vous aider par l'intermédiaire de ces lettres n'a fait qu'éveiller mon imagination et, pour être honnête, notre collaboration dans cette correspondance m'a tellement rappelé le travail que j'ai effectué avec Mary. Je sais qu'elle est fière de vous.\n\n Jusqu'au jour où je reviens,\n Randolph","t":"A","i":2689},"Simon,\n \nJust in case it wasn’t explicit in the emails, I decided to contact D.C. Power directly and get some additional usage instructions for the V.A.C. system they installed. \n\nThis information is actually as much for me as it is for you, as I often spend ten minutes in the Utility Closet just pressing random buttons until coming up with the desired result but I rarely understand exactly how it is I get there! \n\nAfter half an hour on hold, I finally got to speak\nthe technician who personally designed the system\nand compiled a list of helpful operating instructions. I'll add that material on a seperate sheet I'll include with this letter.\n\n As always, hope this helps you,\n Randolph":{"v":"Simon,\n \nAu cas où ce ne serait pas assez clair dans les e-mails, j'ai décidé de contacter D.C. Power directement pour obtenir des instructions d'utilisation supplémentaires pour le système V.A.C. qu'ils ont installé. \n\nCes informations me sont aussi utiles qu'à vous, car je passe souvent dix minutes dans le local technique à appuyer sur des boutons au hasard jusqu'à obtenir le résultat souhaité, sans vraiment comprendre comment j'y suis parvenu ! \n\nAprès une demi-heure en attente, j'ai enfin pu parler\nau technicien qui a personnellement conçu le système\net j'ai compilé une liste d'instructions d'utilisation utiles. J'ajouterai ce document sur une feuille séparée que je joindrai à cette lettre.\n\n Comme toujours, j'espère que cela vous sera utile,\n Randolph","t":"A","i":2092},"Simon,\n \nMy name is Randolph Moore. I am the lead lab technician at Synka and I have worked here at Mount Holly for over a decade. I was thrilled to discover you have found our humble lab and have begun to run some experiments of your own. I tend to keep an eye on the small spikes in radiation levels on the estate as it's one of the only ways I can monitor your progress from the outside. (All off-site connections to the terminal network have been disabled during your stay.)\n\n\nThere has been much speculation among the staff about the progress you've been making in the house and they were all quite excited when I reported that you have been successfully running experiments! I wanted to write to you to let you know that even though you may not see us, we are rooting for you!\n\n\nBest of luck on the experiments and if you like I'll continue sending letters with some helpful tips for you.\n\n -Randolph":{"v":"Simon,\n \nJe m'appelle Randolph Moore. Je suis le technicien de laboratoire principal à Synka et je travaille ici, à Mount Holly, depuis plus d'une décennie. J'ai été ravi d'apprendre que vous avez trouvé notre modeste laboratoire et que vous avez commencé à mener vos propres expériences. Je surveille les petites pointes des niveaux de radiation sur la propriété car c'est l'un des rares moyens dont je dispose pour suivre votre progression de l'extérieur. (Toutes les connexions hors site vers le réseau terminal ont été désactivées pendant votre séjour.)\n\n\nIl y a eu beaucoup de spéculations parmi le personnel concernant les progrès que vous avez réalisés dans la maison, et ils étaient tous très enthousiastes lorsque j'ai rapporté que vous meniez avec succès des expériences ! Je voulais vous écrire pour vous informer que même si vous ne nous voyez pas, nous sommes derrière vous!\n\n\nBonne chance pour les expériences et, si vous le souhaitez, je continuerai à envoyer des lettres avec quelques conseils utiles pour vous.\n\n -Randolph","t":"A","i":4001},"Simon,\n \nIn case it's useful to ya, here's a rough diagram of the STEAM DUCT SYSTEM. Due to the ever-changing nature of the rooms on the estate, we ended up building the duct system to be quite flexible and if you look along the ceiling in many rooms you will find many of them have been outfitted with steam ducts. \nAs long as you align these rooms together in an uninterrupted string, power can be transferred from room to room, even if the Boiler Room and its intended destination are on opposite sides of the house.\n\n\n\n\n\n\n\n\n\n\n -Randolph":{"v":"Simon,\n \nSi ça peut te servir, voici un schéma approximatif du SYSTÈME DE CONDUITES DE VAPEUR. En raison de la nature changeante des pièces du domaine, nous avons conçu le système de conduites pour qu'il soit très flexible. Si tu observes le plafond de nombreuses pièces, tu verras que beaucoup d'entre elles sont équipées de conduites de vapeur. \nTant que tu alignes ces pièces les unes après les autres sans interruption, l'énergie peut être transférée d'une pièce à l'autre, même si la Chaudière et sa destination finale se trouvent aux deux extrémités de la maison.\n\n\n\n\n\n\n\n\n\n\n -Randolph","t":"A","i":1904},"Simon,\n \nNot sure if you paid too much attention to the machine in the booth in the lab, but I figured I could save you some frustration if you've been fooling with it. This contraption is the central control for power lines that run externally from the house. In the past we've served as an emergency power source for the local community as we have modest hydroelectric capabilities with a steam turbine. \n\nIf you want to use it, you'll need to first turn on the turbine in the boiler room and utilize our steam ducts to connect the turbine to the lab. This isn’t required of course, and I can’t think of any reason in which you’d have to use the boiler to reach \nROOM [!v*1], but feel free to play around with it should you feel inclined to experiment.\n\n\n\n -Randolph":{"v":"Simon,\n \nJe ne sais pas si vous avez trop prêté attention à la machine dans la cabine du laboratoire, mais j'ai pensé que je pouvais vous épargner quelques frustrations si vous avez commencé à y toucher. Cet appareil est le contrôle central des lignes électriques qui partent de la maison vers l'extérieur. Par le passé, nous avons servi de source d'énergie d'urgence pour la communauté locale grâce à nos modestes capacités hydroélectriques via une turbine à vapeur. \n\nSi vous souhaitez l'utiliser, vous devrez d'abord allumer la turbine dans la chaufferie et utiliser nos conduits de vapeur pour relier la turbine au laboratoire. Ce n'est bien sûr pas obligatoire, et je ne vois aucune raison pour laquelle vous devriez utiliser la chaufferie pour atteindre \nLA PIÈCE [!v*1], mais n'hésitez pas à expérimenter si le cœur vous en dit.\n\n\n\n -Randolph","t":"A","i":1859},"Simon,\nFollowing up on the map I created outlining the STEAM POWER duct system, I thought it would be helpful to provide you with a corresponding map for GAS POWER, which is an outdated system that currently is only utilized outside the house in locations on the grounds.\n\n":{"v":"Simon,\nDans la continuité de la carte que j'ai réalisée pour le système de canalisations de PUISSANCE VAPEUR, je pense qu'il serait utile de vous fournir une carte correspondante pour la PUISSANCE GAZ, un système obsolète qui n'est actuellement utilisé qu'à l'extérieur de la maison, dans les différents emplacements du domaine.\n\n","t":"A","i":2412},"Simon,\nI had wished for you to read this letter upon first arriving at Mt. Holly but I couldn't risk the contents of these pages falling into unsympathetic hands.\n\nMy personal freezer should prove quite the safebox, as all of the staff have for many years respected my wishes that it remain shut and untampered. (My favorite snacks were also stored here!)\n \nBut in addition to these delicious treats, it has also for the last [!v*0] years stored many a cryptic message and ciphered note. This nondescript cooler is, in fact, a dubious frozen postbox of chilled secrets.":{"v":"Simon,\nJ'aurais souhaité que tu lises cette lettre dès ton arrivée au mont Holly, mais je ne pouvais risquer que le contenu de ces pages tombe entre des mains peu bienveillantes.\n\nMon congélateur personnel devrait faire office de coffre-fort, car tout le personnel respecte depuis des années mon souhait qu'il reste fermé et intact. (Mes collations préférées y étaient également stockées !)\n \nMais en plus de ces délicieux friandises, il a également conservé au cours des [!v*0] dernières années de nombreux messages cryptiques et notes chiffrées. Ce réfrigérateur sans prétention est, en réalité, une boîte aux lettres frigorifique douteuse, remplie de secrets glacés.","t":"A","i":1788},"Simon,\nIf I’m going to be mentioning members of the staff perhaps I should give you a brief introduction,\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThere are a handful of other names among the various live-out and seasonal service staff, but due to their infrequent mention, I thought it best to omit them from this cursory introduction.\n\n -Randolph":{"v":"Simon, \nSi je vais mentionner des membres du personnel, peut-être devrais-je t'en donner une brève introduction, \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nIl y a quelques autres noms parmi le personnel de service hivernal et saisonnier, mais en raison des rares fois où ils sont mentionnés, j'ai pensé qu'il était préférable de les omettre de cette introduction sommaire. \n\n -Randolph","t":"H","i":4150},"Simon,\nSo here’s where it all ends.\nAt least for me.\n\n And of all the picturesque places of this grand estate, I chose this dreary dank dungeon to be laid to rest… And that same dim somber fate fell upon my father and his father before him who loved the outdoors even more than myself. They say there is no stronger bond of servitude than tradition. And family tradition? Thrice as strong. These are chains that seldom bend and never break.\n\nAnd I do wonder what plans and prospects of yours will be sacrificed upon the family font of convention. What biography of your own will you forsake to add another page to your father’s memories, or your mother’s or mine.":{"v":"Simon,\nVoici donc où tout s'arrête.\nDu moins pour moi.\n\n Et parmi tous les lieux pittoresques de cette vaste propriété, j'ai choisi ce lugubre et humide donjon pour y être enterré… Et le même sombre destin pesa sur mon père et son père avant lui, qui aimait la nature encore plus que moi. On dit qu'il n'existe pas de lien de servitude plus fort que la tradition. Et la tradition familiale ? Trois fois plus forte. Ce sont des chaînes qui se plient rarement et ne cassent jamais.\n\nEt je me demande quels projets et quelles perspectives tiens-tu à sacrifier sur l'autel conventionnel de la famille. Quelle biographie personnelle abandonneras-tu pour ajouter une page aux mémoires de ton père, ou de ta mère, ou des miennes ?","t":"A","i":2739},"Simon,\nSo here’s where it all ends.\nAt least for me.\n\n And of all the picturesque places of this grand estate, I chose this dreary dank dungeon to be laid to rest… And that same dim somber fate fell uponr my father and his father before him who loved the outdoors even more than myself. They say there is no stronger bond of servitude than tradition. And family tradition? Thrice as strong. These are chains that seldom bend and never break.\n\nAnd I do wonder what plans and prospects of yours will be sacrificed upon the family font of convention. What biography of your own will you forsake to add another page to your father’s memories, or your mother’s or mine.":{"v":"Simon,\nVoici donc où tout s'arrête.\nDu moins pour moi.\n\n Et parmi tous les lieux pittoresques de cette vaste propriété, j'ai choisi ce lugubre et humide donjon pour y être enterré… Et le même sombre destin pesa sur mon père et son père avant lui, qui aimait la nature encore plus que moi. On dit qu'il n'existe pas de lien de servitude plus fort que la tradition. Et la tradition familiale ? Trois fois plus forte. Ce sont des chaînes qui se plient rarement et ne cassent jamais.\n\nEt je me demande quels projets et quelles perspectives tiens-tu à sacrifier sur l'autel familial de la convention. Quelle biographie personnelle abandonneras-tu pour ajouter une page aux mémoires de ton père, ou de ta mère, ou des miennes ?","t":"A","i":3540},"Simon,\nWelcome to Mount Holly.\n\nYou may not remember but I have fond memories of your many visits here as a young boy and I hope these rooms provide you with as much amusement as it did in those lost summer days.\n\nBy the time you read this I will assume you are fully aware of my last wishes and all the details of the bequest. Please do not mistake my intentions in giving you this challenge as a lack of confidence. I assure you, nothing could have been further from my mind when I chose you as my heir.":{"v":"Simon,\nBienvenue à Mount Holly.\n\nVous ne vous en souvenez peut-être pas, mais je garde de précieux souvenirs de vos nombreuses visites ici lorsque vous étiez un jeune garçon, et j’espère que ces chambres vous procureront autant de plaisir qu’elles m’en ont apporté durant ces jours d’été perdus.\n\nAu moment où vous lirez ceci, je suppose que vous êtes pleinement conscient de mes dernières volontés et de tous les détails du legs. Ne prenez pas ma décision de vous soumettre à cet épreuve pour un manque de confiance. Je vous assure que rien n’était plus éloigné de mes pensées lorsque je vous ai choisi comme mon héritier.","t":"A","i":2118},"Simon, \n\nLet me know if im writing you too much, i've never been too good in gauging where the line of impropriety is. and for all i know, maybe the help i'm offering you with these letters is unwanted. maybe you're perfectly fine without the help.\n\nit's def been a moral quandry for me as i've written these, as I am fairly certain your uncle didn't want us to \"assist\" you on your quest... still if it was that important, i have to believe he'd have the forsight to specifically instruct us not to interfere. nothing ever detered him from that level of supervision in the past. and after working alongside him for the past six years, i like to at least imagine":{"v":"Simon, \n\nDis-moi si je t'écris trop, je n'ai jamais été très doué pour situer la limite de l'indélicatesse. Et pour tout dire, peut-être que l'aide que je t'offre par ces lettres est-elle indésirable. Peut-être que tu t'en sors parfaitement bien sans elle.\n\nC'est vraiment été un dilemme moral pour moi en rédigeant ces lettres, car je suis assez certain que ton oncle ne voulait pas que nous t'\"assistions\" dans ta quête... Pourtant, si c'était si important, je dois croire qu'il aurait eu la clairvoyance de nous instruire spécifiquement de ne pas intervenir. Rien ne l'a jamais dissuadé de ce niveau de supervision par le passé. Et après avoir travaillé à ses côtés pendant les six dernières années, j'aime au moins imaginer","t":"A","i":1579},"Simon, \n \nLet me know if I'm writing to you too much, I've never been too good at gauging where the line of impropriety is and for all I know, maybe the help I'm offering you with these letters is unwanted. Maybe you are perfectly fine without my help.\n\nIt's been a bit a moral quandary for me as I've written these, as I am fairly certain your uncle didn't want us to \"assist\" you on your quest... still if it was that important, I have to believe he'd have the foresight to specifically instruct us not to interfere, nothing ever deterred him from that level of supervision in the past and after working alongside him for over a decade, I like to at least imagine that we were friends and that I knew him well. In conclusion, I think he would have found the level of help I have offered well within the acceptable range.\n":{"v":"Simon, \n \nFais-moi savoir si je t'écris trop souvent. Je n'ai jamais été très bon pour évaluer où se situe la limite de l'impropriété et, à tout prendre, l'aide que je te propose avec ces lettres pourrait être indésirable. Peut-être es-tu parfaitement bien sans mon aide.\n\nCela a constitué un certain dilemme moral pour moi en écrivant ceci, car je suis assez certain que ton oncle ne voulait pas que nous t'\"aidions\" dans ta quête... Néanmoins, si c'était si important, je dois croire qu'il aurait eu la clairvoyance de nous enjoindre spécifiquement de ne pas intervenir. Rien n'a jamais détourné son attention d'un tel niveau de supervision par le passé et, après avoir travaillé à ses côtés pendant plus d'une décennie, j'aime bien imaginer que nous étions amis et que je le connaissais bien. En conclusion, je pense qu'il aurait trouvé le niveau d'aide que j'ai offert tout à fait dans la fourchette acceptable.\n","t":"A","i":3265},"Simon, \nI never intended to finish writing this letter but by now you must know th":{"v":"Simon, \nje n'avais jamais l'intention d'achever cette lettre, mais à présent tu dois savoir que","t":"A","i":356},"Simon. P. Jones":{"v":"Simon P. Jones","t":"A","i":2249},"Sinclair's\nInner Sanctum":{"v":"Sanctuaire\ninterne de Sinclair","t":"A","i":1927},"Sinclair,\n Just wanted to write you a quick note thanking you for the weekend. I had a thrilling time on the hunt with Lord Evanson, whose peculiar personality somewhat made up for your own absence.\n I also got to appreciate your new game in the billiard room. (It's been ages since I've seen the billiard room in the house, I was beginning to suspect you retired the floorplan.) It was well worth the wait though, as I always enjoy your mathematical puzzles and appreciated that I didn't need to know the rules of darts to play your variation.":{"v":"Sinclair,\n Je tenais simplement à vous écrire un petit mot pour vous remercier pour le week-end. J'ai passé un moment palpitant à la chasse avec Lord Evanson, dont la personnalité singulière a en partie compensé votre absence.\n J'ai également pu apprécier votre nouveau jeu dans la salle de billard. (Je n'avais pas vu la salle de billard de la maison depuis des lustres, je commençais à soupçonner que vous aviez supprimé cette pièce du plan.) L'attente en valait la peine, car j'apprécie toujours vos énigmes mathématiques et j'ai été ravi de ne pas avoir besoin de connaître les règles de la fléchette pour jouer à votre variante.","t":"A","i":420},"Situated just east of town, the Botanical Gardens offer a scenic and captivating tableau of the natural countryside. A cobblestone trail meanders past over [!v*0] species of tropical plants, each remarkable in its own right, yet even more stunning set against the spectacular backdrop of the Reddington mountains. Allow yourself at least an hour to indulge in this picturesque walk, which concludes at Mainway Station.":{"v":"Situés juste à l'est de la ville, les Jardins Botaniques offrent un tableau pittoresque et captivant de la campagne naturelle. Un sentier pavé serpente au milieu de plus de [!v*0] espèces de plantes tropicales, chacune remarquable en soi, mais encore plus éblouissante sur le fond spectaculaire des montagnes de Reddington. Prenez-vous au moins une heure pour savourer cette promenade bucolique, qui se termine à la gare de Mainway.","t":"A","i":2238},"Sledge Hammer":{"v":"Marteau de la Sled","t":"A","i":4772},"Sleep Duration - Eight whole hours!":{"v":"Durée du sommeil - Huit heures entières !","t":"A","i":1530},"Sleep Duration - Four hours":{"v":"Durée de sommeil - Quatre heures","t":"A","i":3409},"Sleep Duration - Twice the usual":{"v":"Durée de sommeil - Deux fois la normale","t":"A","i":3488},"Sleep Duration - [!v*0] and a half hours":{"v":"Durée de sommeil - [!v*0] et demi heures","t":"A","i":4014},"Sleep Duration - perhaps one hour":{"v":"Durée du sommeil - peut-être une heure","t":"A","i":1388},"Sleeping Mask":{"v":"Masque de sommeil","t":"V","i":4737},"Smooth Look":{"v":"Regard fluide","t":"A","i":107},"So I dare not dive,\nand I dare not swim.":{"v":"Alors je n'ose pas plonger,\net je n'ose pas nager.","t":"A","i":2521},"So close,\nyet so far away":{"v":"Si proche,\net pourtant si loin","t":"A","i":1255},"So he always had a book,\nTo turn his eyes down.\nIf he was ever outside,\nWhen the clouds weren’t around.":{"v":"Alors il avait toujours un livre,\nPour baisser ses yeux.\nS'il était jamais dehors,\nQuand les nuages n'étaient pas là.","t":"A","i":3999},"So tome after tome that the library loaned,\nAnd the books that he had that he already owned,\nWere searched from their covers all the way through,\nIf he found a new clue, he’d know what to do.\n":{"v":"Tome après tome que la bibliothèque lui prêtait,\nEt les livres qu'il possédait déjà,\nÉtaient fouillés de la couverture jusqu'à la dernière page,\nS'il découvrait un indice, il saurait quoi faire.\n","t":"A","i":1645},"So tome after tome, that the library loaned,\nAnd the books that he had, that he already owned,\nWere searched from their covers all the way through,\n":{"v":"Si tome après tome, que la bibliothèque prêtait,\nEt les livres qu'il possédait déjà,\nFurent fouillés de leur couverture jusqu'à la fin,\n","t":"A","i":2865},"Sold Out":{"v":"Épuisé","t":"A","i":1367},"Sold Out.":{"v":"Épuisé","t":"A","i":1591},"Solve [!v*0] Dartboard Puzzles":{"v":"Résoudre [!v*0] Puzzles de fléchettes","t":"A","i":227},"Solve the puzzle in Room [!v*0] on Rank [!v*1]":{"v":"Résolvez l'énigme de la salle [!v*0] au rang [!v*1]","t":"A","i":241},"Some rooms and items allow you to throw back the first three options drawn from the drafting pool for a fresh set of potential rooms. This is known as drawing new floorplans.":{"v":"Certain pièces et objets vous permettent de rejeter les trois premières options tirées du pool de sélection pour obtenir un nouvel ensemble de pièces potentielles. On appelle cela tirer de nouveaux plans de salle.","t":"A","i":4528},"Someone's not a fan of logic puzzles.":{"v":"On n'est pas un adepte des énigmes logiques.","t":"A","i":2759},"Southward I see a swan,\nAshen like sands of the shore,\nCarried by westwardly winds,\nRouge like the moon of the north.\nEastward I see a crow,\nDark are the days coming fourth.\n":{"v":"Vers le sud, j'aperçois un cygne,\nBlanc comme le sable du rivage,\nPorté par les vents d'ouest,\nRouge comme la lune du nord.\nVers l'est, j'aperçois un corbeau,\nSombres sont les jours qui s'annoncent.\n","t":"A","i":1157},"Spare Room":{"v":"Chambre d'Invité","t":"A","i":4336},"Speaking of PUMP ROOM, this room controls the water level throughout rooms in the estate and can interact directly with THE POOL, AQUARIUM, GREENHOUSE, KITCHEN, and several other features located outside of the main house.":{"v":"En parlant de la PIÈCE À POMPE, cette pièce régule le niveau d'eau dans toutes les pièces du domaine et peut interagir directement avec LA PISCINE, L'AQUARIUM, LA SERRE, la CUISSINE, ainsi qu'avec plusieurs autres fonctionnalités situées à l'extérieur de la maison principale.","t":"A","i":3919},"Special Cost\nBypassed":{"v":"Coût spécial\nContourné","t":"A","i":2167},"Special Course":{"v":"Cours spécial","t":"A","i":2464},"Special Item":{"v":"Objet spécial","t":"A","i":4703},"Spin the wheel for your chance\nto win special prizes.\n\nLimit - One Wager per Day":{"v":"Faites tourner la roue pour une chance \nde gagner des prix spéciaux.\n\nLimite - Un pari par jour","t":"A","i":3081},"Spiral staircases are problematic for players with even minor levels of motion discomfort.\n\nThe Stairs Skip feature allows you to avoid the visuals of this particular brand of vertical travel.\n\nWe strongly recommend enabling this if you have experienced any amount of motion sickness while playing a game.\n":{"v":"Les escaliers en colimaçon posent problème aux joueurs souffrant de mal des transports, même à un niveau léger.\n\nLa fonctionnalité « Ignorer les escaliers » vous permet d’éviter les visuels liés à ce type de déplacement vertical.\n\nNous vous recommandons vivement de l’activer si vous avez déjà ressenti des nausées en jouant à un jeu vidéo.\n","t":"A","i":106},"Spouting forth from the core will come several dividing lines, splitting the sigil into pieces. From one sigil to another, the rays will often differ in number, style and form. Studying the differences in these lines will immediately reveal several things about the realm.":{"v":"Émanant du cœur viendront plusieurs lignes de division, scindant le sigille en fragments. D'un sigille à l'autre, les rayons diffèrent souvent par leur nombre, leur style et leur forme. L'étude des différences entre ces lignes révélera immédiatement plusieurs choses sur le royaume.","t":"A","i":3601},"Spread Gold now\n\nBack ":{"v":"Épandre de l'or maintenant\n\nRetour ","t":"A","i":4038},"Spreading Your Wings":{"v":"Étendre ses ailes","t":"A","i":1155},"Springs, screws and coils scattered atop the workbench show signs of this room’s frequent use. A craftsman's studio dedicated to creativity and invention, this room was used by your uncle regularly whenever he needed to fix (or improve) a gadget or contraption. ":{"v":"Des ressorts, des vis et des bobines éparpillés sur le établi témoignent de l'usage fréquent de cette pièce. Atelier d'un artisan dédié à la créativité et à l'invention, cet espace était régulièrement utilisé par votre oncle chaque fois qu'il devait réparer (ou améliorer) un gadget ou une invention. ","t":"A","i":4799},"Staff Selections . . . . . . . . . . . . . . . . . . [!v*0]":{"v":"Sélection du personnel . . . . . . . . . . . . . . . . . . [!v*0]","t":"A","i":3434},"Starting tomorrow,\nTHRONE ROOM will be \npermanently added to your draft pool.":{"v":"À partir de demain,\nla salle du trône sera\najoutée définitivement à votre pool de drafts.","t":"A","i":3690},"Starting tomorrow,\neach PLANETARIUM\nwill contain a PRISM KEY":{"v":"À partir de demain,\nchaque PLANÉTAIRE\ncontient une PRISM KEY","t":"A","i":3634},"Starting tomorrow,\neach PLANETARIUM\nwill contain one APPLE":{"v":"À partir de demain,\nchaque PLANÉTIUM\ncontient une POMME","t":"A","i":2420},"Starting tomorrow,\neach PLANETARIUM\nwill contain one DIRT PILE.":{"v":"À partir de demain,\nchaque PLANÉTAIRE\ncontient un tas de terre.","t":"A","i":2661},"Starting tomorrow,\neach PLANETARIUM\nwill contain one IVORY DIE.":{"v":"À partir de demain,\nchaque PLANÉTAIRE\ncontient un DÉ IVORINE.","t":"A","i":2940},"Starting tomorrow,\neach PLANETARIUM\nwill contain one TRUNK.":{"v":"À partir de demain,\nchaque PLANÉTAIRE\ncontient un COFFRE.","t":"A","i":2812},"Starting tomorrow, you will start \neach new day with an extra .":{"v":"À partir de demain, vous commencerez \nchaque nouvelle journée avec un bonus supplémentaire.","t":"A","i":3977},"Starts with an \"S\"":{"v":"Commence par un « S »","t":"A","i":1121},"Stay safe THIS HOLIDAY SEASON":{"v":"Restez en sécurité pendant cette saison des fêtes","t":"A","i":3522},"Steamline\nto H.P.C.":{"v":"Steamline\nversus H.P.C.","t":"A","i":1592},"Steamline to Boiler":{"v":"De la vapeur vers le chaudière","t":"A","i":3598},"Still, after that incident, we decided to err against our own confidences and opted to install a state of the art security system, issuing keycards to only the most trusted members of the senior staff.\n\nIf you find the security doors become an annoyance while you are attempting to navigate the house, you should be able to lower their frequency from the security terminal and there is even a nifty trick to unlock them by utilizing the utility closet in conjunction with the security settings.\n\n -Randolph":{"v":"Toutefois, après cet incident, nous avons préféré parer à toute éventualité et opté pour l'installation d'un système de sécurité de pointe, en ne délivrant des cartes magnétiques qu'aux membres les plus fiables du personnel supérieur.\n\nSi les portes sécurisées deviennent une gêne lors de vos déplacements dans la maison, vous devriez pouvoir réduire leur fréquence d'activation depuis le terminal de sécurité. Il existe même une astuce ingénieuse pour les déverrouiller en combinant l'armoire technique avec les paramètres de sécurité.\n\n -Randolph","t":"A","i":1797},"Storeroom":{"v":"Magasin","t":"A","i":4312},"Straight black lines indicate a lack\nof unusual or harsh weather and normal\ntemperatures.\n\n\nFOGGY or misty weather is indicated \nwhen the ray has several horizontal slashes across one side.":{"v":"Des lignes noires droites indiquent l'absence\nde météo inhabituelle ou rude et des\ntempératures normales.\n\n\nLa météo brumeuse ou de brouillard est indiquée \nlorsque le rayon présente plusieurs traits horizontaux d'un côté.","t":"A","i":1978},"Stringing together adjoining HALLWAYS has always been the most straightforward strategy when using a HALL PASS. Drafting floorplans like TUNNEL and SECRET PASSAGE are an easy way to set up longer chains of HALLWAYS.":{"v":"Relier des COULOIRS adjacents a toujours été la stratégie la plus simple lors de l'utilisation d'un PASSAGE COULOIR. Concevoir des plans de sol comme TUNNEL et PASSAGE SECRET est un moyen facile de créer de longues chaînes de COULOIRS.","t":"A","i":2509},"Stroll":{"v":"Flâner","t":"A","i":86},"Study":{"v":"Étude","t":"A","i":2594},"Stuffed Wild Quail ":{"v":"Bécasse farcie ","t":"A","i":304},"Submit":{"v":"Soumettre","t":"A","i":4232},"Submit a CUSTOM REQUEST\n\nGo Back\n":{"v":"Envoyer une DEMANDE PERSONNALISÉE\n\nRetour\n","t":"A","i":1874},"Submit your Custom Request here:":{"v":"Soumettez votre demande personnalisée ici :","t":"A","i":3570},"Suggestions for Success . . . . . . . . . . . . . . [!v*0]":{"v":"Suggestions pour réussir . . . . . . . . . . . . . . [!v*0]","t":"A","i":686},"Summer Truffle Sauce smothered in Fontina Cheese, Wild Mushrooms and spiced Salami. Cooked to perfection with just the right amount of char.":{"v":"Sauce au truffe d'été étouffée dans du fromage Fontina, des champignons sauvages et une salamine épicée. Cuit à la perfection avec juste la bonne quantité de grillure.","t":"A","i":3658},"Summer truffle sauce smothered in fontina cheese, wild mushrooms and spiced salami. Cooked to perfection with just the right amount of char.":{"v":"Sauce aux truffes d'été nappée de fontina, champignons sauvages et salami épicé. Cuit à la perfection, avec juste la bonne dose de grillé.","t":"A","i":2252},"Surprisingly, this room is actually catego-rized as a DEAD END, allowing architects to utilize it in both dead-end and color specific strategies.":{"v":"Étonnamment, cette pièce est en réalité catégorisée comme une impasse, permettant aux architectes de l'utiliser dans des stratégies à impasse et spécifiques à la couleur.","t":"A","i":2937},"Suspect List needed.\nWill add in final illustration.":{"v":"Liste des suspects requise.\nAjoutée dans l'illustration finale.","t":"A","i":3754},"Swap the king\nwith the rook":{"v":"Échangez le roi\navec le fou","t":"A","i":3594},"Swim Bird - Marion Marigold":{"v":"Oiseau nageur - Marion Marigold","t":"A","i":578},"System Menu":{"v":"Menu système","t":"A","i":85},"System menu":{"v":"Menu système","t":"A","i":131},"T":{"v":"T","t":"A","i":351},"T.":{"v":"T.","t":"A","i":2708},"T hinker":{"v":"T hinker","t":"A","i":1684},"TAKE BACK GOLD":{"v":"REPRENDS L'OR","t":"A","i":3648},"TANK\nSWITCH":{"v":"RÉSERVOIR\nINTERRUPTEUR","t":"A","i":1518},"TANK [!v*0]\n([!v*2] UNITS)\n\n\n\n\n\n\n\n\n\nTANK [!v*3]\n([!v*5] UNITS)":{"v":"TANK [!v*0]\n([!v*2] UNITÉS)\n\n\n\n\n\n\n\n\n\nTANK [!v*3]\n([!v*5] UNITÉS)","t":"A","i":3092},"TANK [!v*0]\n([!v*2] units)\n\n\n\n\n\n\n\n\n\nTANK [!v*3]\n([!v*5] units)":{"v":"CHAR [!v*0]\n([!v*2] unités)\n\n\n\n\n\n\n\n\n\nCHAR [!v*3]\n([!v*5] unités)","t":"A","i":1148},"TAR":{"v":"TAR","t":"A","i":1464},"TEAL":{"v":"Bleu turquoise","t":"A","i":3746},"TEMPORAL\nRECORDS":{"v":"REGISTRES TEMPORELS\n","t":"A","i":3201},"TEMPORARY ADMINISTRATOR":{"v":"ADMINISTRATEUR TEMPORAIRE","t":"A","i":3631},"TENDED ROSE VINE?":{"v":"ROSIER SOIGNÉ ?","t":"A","i":1950},"TENSIONS RISE ON SOUTHERN BORDER":{"v":"LES TENSIONS AUGMENTENT À LA FRONTIÈRE DU SUD","t":"A","i":2979},"TEPS":{"v":"TÉPES","t":"A","i":4096},"TERMINAL":{"v":"TERMINAL","t":"A","i":4530},"TERMINAL PASSWORD:":{"v":"MOT DE PASSE DU TERMINAL :","t":"A","i":485},"TERMINAL TIMEOUT SETTINGS":{"v":"PARAMÈTRES DE DÉLAI D'EXPIRATION","t":"A","i":4106},"TERMS OF SURRENDER\nHAVE BEEN ACCEPTED":{"v":"TERMES DE LA CAPITULATION\nONT ÉTÉ ACCEPTÉS","t":"A","i":3811},"TEST DRAFT":{"v":"TEST Brouillon","t":"A","i":4080},"TH NUMBERS THAT BUILT THE WOR":{"v":"LES NOMBRES QUI ONT FAIT LE MON","t":"A","i":2369},"THANKYOU FOR PLAYING":{"v":"MERCI D'AVOIR JOUÉ","t":"A","i":2289},"THAT OMINOUS FEELING PERSISTS...":{"v":"CE SENTIMENT SINISTRE PERSISTE...","t":"A","i":2698},"THE":{"v":"LE","t":"A","i":276},"THE\nBLACK\nKEY\nIS\nLYING\nWITH\nTHE\nLAST\nKING\noF\nEIGHT":{"v":"LE\nCLE\nNOIR\nEST\nCOURS\nAVEC\nLE\nDERNIER\nROI\nDES\nHUIT","t":"A","i":1516},"THE\nFOUNDATION":{"v":"LE\nFONDATION","t":"A","i":3901},"THE\nLAST\nKEY\nIS\nLYING\nWITH\nTHE\nLAST\nKING\noF\nEIGHT":{"v":"LE\nDERNIER\nCLÉ\nEST\nMENTIEUSE\nAVEC\nLE\nDERNIER\nROI\nO\nHUIT","t":"A","i":3569},"THE\nPOOL":{"v":"LA\nPISCINE","t":"A","i":2533},"THE \n OF":{"v":"LE \n DE","t":"A","i":608},"THE .\nTROPHY":{"v":"LE .\nTrophée","t":"A","i":3783},"THE .\n TROPHY":{"v":"LE .\n TROPHÉE","t":"A","i":512},"THE TROPHY":{"v":"LE TROPHÉE","t":"A","i":602},"THE FIXED STARS\n\nCONSTELLATIONS\n\nBY\nRICHARD WITT \n\n\n\n\n\n\n\nFENN ARIES\nBIRD & SONS PUBLISHING\n[!v*3]":{"v":"LES ÉTOILES FIXES\n\nCONSTELLATIONS\n\nPAR\nRICHARD WITT \n\n\n\n\n\n\n\nFENN ARIES\nBIRD & SONS ÉDITIONS\n[!v*3]","t":"A","i":2970},"THE FIXED STARS\n\nCONSTELLATIONS\n\nBY\nRICHARD WITT \n\n\n\n\n\nFENN ARIES\nROBERT BIRD & SONS\n[!v*3]":{"v":"LES ÉTOILES FIXES\n\nCONSTELLATIONS\n\nPAR\nRICHARD WITT \n\n\n\n\n\nFENN ARIES\nROBERT BIRD & SONS\n[!v*3]","t":"A","i":315},"THE DIPLOMA\nTROPHY":{"v":"LE DIPLOMÉ\nTROPHÉE","t":"A","i":2900},"THE SYNKA COMPANY":{"v":"LA SOCIÉTÉ SYNKA","t":"A","i":366},"THE TROPHY\nOF DRAFTING":{"v":"LE TROPHÉE\nDU DRAFT","t":"A","i":1233},"THE BASEMENT DOOR IS":{"v":"LA PORTE DU SOUTERRAIN EST","t":"A","i":1735},"THE HOUSE DIRECTORY IS A\nGREAT RESOURCE FOR INFORMATION.\n":{"v":"LE REGISTRE DES MAISONS EST UN\nEXCELLENT RÉSERVOIR D'INFORMATIONS.\n","t":"A","i":470},"THE ARMORY":{"v":"L'ARMURERIE","t":"A","i":1423},"THE AXE":{"v":"LA HACHE","t":"A","i":3469},"THE BARON BEGAN AND ENDED HIS TRAVELS\nIN THE SAME REALM.":{"v":"LE BARON A COMMENCÉ ET TERMINÉ SES VOYAGES\nDANS LE MÊME ROYAUME.","t":"A","i":1058},"THE BARON OF MOUNT HOLLY\nNAMES NEPHEW PROVISIONAL HEIR":{"v":"LE BARON DE MOUNT HOLLY\nDÉSIGNE SON NEVEU HÉRITIER PROVISOIRE","t":"A","i":1105},"THE BIN I TEND\nTO WIND UP IN\nIS NEAR THE BEND\nIN THE TAIL OF THE SKIN":{"v":"LA PoubELLE OÙ JE FINIS\nSE TROUVE PRÈS DU COUDE\nÀ L'ARRIÈRE\nDE LA PEAU","t":"A","i":728},"THE BLACK BOX IS BLACK.":{"v":"LA BOÎTE NOIRE EST NOIRE.","t":"V","i":4738},"THE BLACK BOX IS EMPTY.":{"v":"LA BOÎTE NOIRE EST VIDE.","t":"V","i":4739},"THE BLACK BOX IS NOT EMPTY.":{"v":"LA BOÎTE NOIRE N'EST PAS VIDE.","t":"A","i":4840},"THE BLACK BOX IS TRUE.":{"v":"LA BOÎTE NOIRE EST VRAIE.","t":"V","i":4740},"THE BLACK BOX
CONTAINS GEMS.":{"v":"LA BOÎTE NOIRE
CONTIENT DES PIERRES PRÉCIEUSES.","t":"A","i":4749},"THE BLUE BOX CONTAINS THE GEMS.":{"v":"LA BOÎTE BLEUE CONTIENT LES GEMMES.","t":"A","i":4616},"THE BLUE BOX IS EMPTY.":{"v":"LA BOÎTE BLEUE EST VIDE.","t":"A","i":4193},"THE BLUE BOX IS TRUE.":{"v":"LA BOÎTE BLEUE EST VRAIE.","t":"A","i":4194},"THE BOX\nCONTAINING\nALLOWANCE TOKENS\nIS WHITE.":{"v":"LA BOÎTE\nCONTENANT\nLES PIÈCES\nEST BLANCHE.","t":"A","i":1614},"THE BOX CONTAINING\nALLOWANCE TOKENS\nIS MARKED BY":{"v":"LA BOÎTE CONTENANT\nDES TOKENS DE SUBVENTION\nEST MARQUÉE PAR","t":"A","i":3015},"THE BULLSEYE\nTROPHY":{"v":"LA CIBLE\nTROPHÉE","t":"A","i":354},"THE COMMISSARY WILL BE\nCLOSED FROM\nDAY [!v*0] to DAY [!v*1].\n\nsORRY FOR ANY INCONVENIENCE.":{"v":"Le Commissariat sera\nfermé du\nJOUR [!v*0] au JOUR [!v*1].\n\nDÉSOLÉ POUR LES GÊNES APORTÉES.","t":"H","i":4159},"THE COMMISSARY WILL BE\nCLOSED FROM\nDAY [!v*0] to DAY [!v*1].\n\nsORRY FOR ANY INCONVENIENCE.":{"v":"LE COMMISSARIAT SERA\nFERMÉ DU\nJOUR [!v*0] AU JOUR [!v*1].\n\nNOUS VOUS PRÉSENTONS NOS EXCUSES POUR LE GÊNE.","t":"A","i":381},"THE CONTROLS FOR THE FOUNDATION ELEVATOR ARE LOCATED BEHIND THE FOUNDATION WALL. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTHIS MEANS THE CONTROLS CAN ONLY BE\nACCESSED BY ANOTHER ROOM ADJACENT TO THE FOUNDATION.\n\nUNCLEAR IF THIS IS A SECURITY FEATURE OR\nA FLAW. PLEASE ADVISE.\n\n \t\t\t\t\t\t\t-RM":{"v":"LES COMMANDES DE L'ASCENSEUR DE LA FONDATION SONT SITUÉES DERRIÈRE LE MUR DE LA FONDATION. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nC'EST-À-DIRE QUE LES COMMANDES NE PEUVENT ÊTRE\nACCÉDÉES QUE PAR UNE AUTRE PIÈCE ADJACENTE À LA FONDATION.\n\nIL EST INCERTAIN SI CELA EST UNE FONCTION DE SÉCURITÉ OU\nUN DÉFAUT. MERCI DE NOUS INDICHER VOTRE AVIS.\n\n \t\t\t\t\t\t\t-RM","t":"A","i":493},"THE CONTROLS FOR THE FOUNDATION ELEVATOR ARE LOCATED BEHIND THE FOUNDATION WALL. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTHIS MEANS THE CONTROLS CAN ONLY BE\nACCESSED BY ANOTHER ROOM ADJACENT TO THE FOUNDATION.\n\nUNCLEAR IF THIS IS A SECURITY FEATURE OR\nA FLAW. PLEASE ADVISE.":{"v":"LES CONTRÔLES DE L'ÉLÉVATEUR DE LA FONDATION SONT SITUÉS DERRIÈRE LE MUR DE LA FONDATION. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nC'EST-À-DIRE QUE LES CONTRÔLES NE PEUVENT ÊTRE\nACCÉDÉS QUE PAR UNE AUTRE PIÈCE ADJACENTE À LA FONDATION.\n\nIL EST INCERTAIN SI C'EST UNE MESURE DE SÉCURITÉ OU\nUNE FAILLE. VOULEZ-VOUS NOUS DONNER DES PRÉCISIONS ?","t":"A","i":4104},"THE CURSE OF BLACK BRIDGE":{"v":"LA MALÉDICTION DU PONT NOIR","t":"A","i":2156},"THE DARE BIRD\nTROPHY":{"v":"L'OISEAU AUDACIEUX\nTROPHÉE","t":"A","i":461},"THE DAREBIRD\nTROPHY":{"v":"LE TROPHÉE DE L'OSSEAU\n","t":"A","i":4136},"THE DAY ONE\nTROPHY":{"v":"LE TROPHÉE\nDU PREMIER JOUR","t":"A","i":542},"THE DEADLY STONE":{"v":"LA PIERRE MORTIFÈRE","t":"A","i":2334},"THE DIPLOMA\nTROPHY":{"v":"LE DIPLÔME\nTROPHÉE","t":"A","i":510},"THE DOOR IS":{"v":"LA PORTE EST","t":"A","i":1528},"THE ELEPHANT\nBELONGS IN\nTHIS BIN.":{"v":"L'ÉLÉPHANT\nAPPARTIENT À\nCE BAC.","t":"A","i":997},"THE ENTIRE FIFTH ERA":{"v":"LA CINQUIÈME ÈRE ENTIÈRE","t":"A","i":3786},"THE ESTATE":{"v":"LA PROPRIÉTÉ","t":"A","i":2911},"THE EXPLORER'S\nTROPHY":{"v":"LE TROPHÉE DE\nL'EXPLORATEUR","t":"A","i":189},"THE FENN ARIES \nCENTRAL BOARD\nOF EDUCATION":{"v":"LES FENN ARIES \nCONSEIL CENTRAL\nDE L'ÉDUCATION","t":"A","i":785},"THE FULL HOUSE\nTROPHY":{"v":"LA MAISON PLEINE\nTROPHÉE","t":"A","i":187},"THE FUTURE":{"v":"LE FUTUR","t":"A","i":3172},"THE GEMS ARE IN A BOX WITH A STATEMENT.":{"v":"LES PIERRES SONT DANS UNE BOÎTE AVEC UNE ÉNONCIATION.","t":"A","i":4779},"THE GEMS ARE IN THE
MIDDLE BOX.":{"v":"LES PIERRES SONT DANS LA
BOÎTE DU MILIEU.","t":"A","i":4393},"THE GEMS ARE IN
A TRUE BOX.":{"v":"LES PIERRES SONT DANS
UNE VRAIE BOÎTE.","t":"A","i":4321},"THE GEMS ARE IN
THE BLACK BOX.":{"v":"LES PIERRES SONT DANS
LA BOÎTE NOIRE.","t":"A","i":4780},"THE GEMS ARE IN
THE TRUE BOX.":{"v":"LES GEMMES SONT DANS
LA VRAIE BOÎTE.","t":"A","i":4662},"THE GEMS ARE NOT
IN THIS BOX. ":{"v":"LES PIERRES NE SONT PAS
DANS CETTE BOÎTE. ","t":"A","i":4213},"THE GEMS ARE
IN THIS BOX.":{"v":"LES PIERRES SONT
DANS CETTE BOÎTE.","t":"A","i":4639},"THE GEMS ARE
ON THE DESK.":{"v":"LES PIERRES SONT
SUR LE BUREAU.","t":"A","i":4640},"THE GEMS ARE
ON THE FLOOR.":{"v":"LES GEMMES SONT
PAR TERRE.","t":"A","i":4638},"THE GRAND CITY OF FENN":{"v":"LA GRANDE VILLE DE FENN","t":"A","i":3406},"THE GREEN MEMOS\nin BOXES NEAR\nTHIS BOX ARE\nBOTH LIES.":{"v":"LES NOTES VERTES\nDANS LES BOÎTES PRÈS\nDE CELLE-CI SONT\nDES MENTIONS.","t":"A","i":1943},"THE GREEN MEMOS YOU FIND IN THIS ROOM WILL \nALWAYS BE TRUE.\n":{"v":"LES NOTES VERTES QUE VOUS TROUVEZ DANS CETTE CHAMBRE SONT \nTOUJOURS VRAIES.\n","t":"A","i":978},"THE INHERITANCE\nTROPHY":{"v":"L'HÉRITAGE\nTROPHÉE","t":"A","i":534},"THE INK WELL":{"v":"LE GOUTTOIR","t":"A","i":571},"THE KENNEL":{"v":"LE CHIENNIER","t":"A","i":3795},"THE KEY DOES":{"v":"LA CLÉ NE","t":"A","i":1545},"THE KEY DOES NOT":{"v":"LA CLÉ NE FONCTIONNE PAS","t":"A","i":2673},"THE LAST DOOR OF [!v*0]\nis in the\ninner sanctum.":{"v":"LA DERNIÈRE PORTE DE [!v*0]\nse trouve dans\nle sanctuaire intérieur.","t":"A","i":664},"THE LAST TRAIN\nHAS LEFT\nTHE STATION.":{"v":"LE DERNIER TRAIN\nA QUITTÉ\nLA GARE.","t":"A","i":1290},"THE LOGICAL\nTROPHY":{"v":"LE TROPHÉE\nLOGIQUE","t":"A","i":1043},"THE MAIN COURSE IS\nSERVED ONLY IN THE\nDINING ROOM":{"v":"LE PLAT PRINCIPAL EST\nSERVI UNIQUEMENT DANS LA\nSALLE À MANGER","t":"A","i":3992},"THE MAIN COURSE IS SERVED\nONLY IN THE DINING ROOM":{"v":"LE PLAT PRINCIPAL EST SERVI\nUNIQUEMENT DANS LA SALLE À MANGER","t":"A","i":416},"THE MOUNT HOLLY":{"v":"LA MONTAGNE HALLY","t":"A","i":3288},"THE NEXT FOUR\nBOXES MARKED BY\n\n\nCONTAIN FALSE\nSTATEMENTS.":{"v":"LES QUATRE PROCHAINES\nBOÎTES MARQUÉES PAR\n\n\nCONTIENNENT DE FAUSSES\nAFFIRMATIONS.","t":"A","i":1235},"THE NUMBERS\n[!v*1], [!v*2] and [!v*5]\nDO NOT APPEAR\nIN ANY OF THE FIXED\nCOMBINATIONS OF\nSAFES ON THE ESTATE.":{"v":"LES CHIFFRES\n[!v*1], [!v*2] et [!v*5]\nNE SE TROUVENT\nDANS AUCUNE DES COMBINATIONS\nFIXES DES COFFRES-FORTS DE LA PROPRIÉTÉ.\n","t":"A","i":3562},"THE OTHER TWO BOXES CONTAIN GEMS.":{"v":"LES DEUX AUTRES BOÎTES CONTENENT DES PIERRES PRÉCIEUSES.","t":"A","i":4754},"THE PINK BOXES\nDO NOT CONTAIN\nANY PRIZES.":{"v":"LES BOÎTES ROSES\nNE CONTIENNENT\nAUCUN PRIX.","t":"A","i":1917},"THE POOL":{"v":"LA PISCINE","t":"A","i":2392},"THE POWER MUST SHIFT\nTO PERFORM THE RITUAL OF CASTLING.":{"v":"LE POUVOIR DOIT CHANGER\nPOUR EFFECTUER LE RITUEL DE LA ROQUE.","t":"A","i":1195},"THE PREVIOUS BOX\nIN THIS ROOM CONTAINED A\nTRUE STATEMENT.":{"v":"LA BOÎTE PRÉCÉDENTE\nDANS CETTE CHAMBRE CONTENAIT\nUNE AFFIRMATION VRAIE.","t":"A","i":3160},"THE PREVIOUS BOX\nIN THIS ROOM CONTAINED A TRUE\nSTATEMENT.":{"v":"LA BOÎTE PRÉCÉDENTE\nDE CETTE PIÈCE CONTENAIT UNE\nVÉRITÉ.","t":"A","i":1178},"THE PREVIOUS BOX\nIN THIS ROOM, CONTAINED A\nTRUE STATEMENT.":{"v":"LA BOÎTE PRÉCÉDENTE\nDE CETTE PIÈCE CONTENAIT\nUNE VÉRITÉ.","t":"A","i":693},"THE PROVERBIAL":{"v":"LE PROVERBIAL","t":"A","i":2029},"THE PUMP":{"v":"LA POMPE","t":"A","i":3306},"THE ROOK CAN PERFORM A SPECIAL MOVE WITH ANOTHER PIECE.":{"v":"LE TOUR PEUT EFFECTUER UN COUP SPÉCIAL AVEC UNE AUTRE PIÈCE.","t":"A","i":1265},"THE ROYAL":{"v":"LE ROYAL","t":"A","i":2574},"THE SANCTUM KEY\nIS IN\nA BLACK BOX.":{"v":"LA CLÉ DU SANCTUAIRE\nEST DANS\nUNE BOÎTE NOIRE.","t":"A","i":2945},"THE SANCTUM KEY\nIS IN\nA WHITE BOX.":{"v":"LA CLÉ DU SANCTUAIRE\nEST DANS\nUNE BOÎTE BLANCHE.","t":"A","i":1380},"THE SANCTUM KEY\nIS NOT IN A BOX.\n\nIT IS BURIED.":{"v":"LA CLÉ DU SANCTUAIRE\nN'EST PAS DANS UNE BOÎTE.\n\nELLE EST ENFOUIE.","t":"A","i":2534},"THE SANCTUM KEY IS IN\nA BLUE BOX.":{"v":"LA CLÉ DU SANCTUAIRE EST DANS\nUNE BOÎTE BLEUE.","t":"A","i":2224},"THE SANcTUM KEY\niS NOT IN A\nBOX IN THE WATER.":{"v":"LA CLÉ DU SANCTUAIRE\nN'EST PAS DANS UNE\nBOÎTE DANS L'EAU.","t":"A","i":2160},"THE SIGIL":{"v":"LE SIGILLE","t":"A","i":3076},"THE SOIL SURVEY":{"v":"L'ENQUÊTE SOL","t":"A","i":4060},"THE STATEMENT ON THE WHITE BOX IS TRUE.":{"v":"L'ÉNONCÉ SUR LA BOÎTE BLANCHE EST VRAI.","t":"A","i":4718},"THE SUM OF MY SIN\nAS IT IS PENNED\nIS A NUMBER WITHIN\nTHE ROOM WE ARE IN":{"v":"LA SOMME DE MES PÉCHÉS\nTELS QU'ILS SONT ÉCRITS\nEST UN NOMBRE DANS\nLA PIÈCE OÙ NOUS SOMMES","t":"A","i":669},"THE TITLES ARE SYNONYMS.":{"v":"LES TITRES SONT DES SYNONYMES.","t":"A","i":705},"THE TROPHIES OF MT. HOLLY":{"v":"LES TROPHÉES DE LA MONTAGNE HOLLY","t":"A","i":195},"THE TROPHY\nOF DRAFTING":{"v":"LE TROPHÉE\nDU BOURRAGE","t":"A","i":538},"THE TROPHY OF\nINVENTION":{"v":"LE TROPHÉE DE\nL'INVENTION","t":"A","i":396},"THE TROPHY OF\nSIGILS":{"v":"LE TROPHÉE DES\nSIGILS","t":"A","i":546},"THE TROPHY OF\nSPEED":{"v":"LE TROPHÉE DE\nVITESSE","t":"A","i":296},"THE TROPHY OF\nTROPHIES":{"v":"LE TROPHÉE DE\nTROPHÉES","t":"A","i":496},"THE TROPHY OF\nWEALTH":{"v":"LE TROPHÉE DE\nLA RICHESSE","t":"A","i":404},"THE TRUE\nTREASURE OF THE\nTROVE IS NOT\nIN THE HOUSE.":{"v":"LE VRAI\nTRÉSOR DU\nTRÉSOR N'EST PAS\nDANS LA MAISON.","t":"A","i":268},"THE TRUE BOX DOES NOT ALWAYS CONTAIN THE PRIZE.":{"v":"LA VRAIE BOÎTE NE CONTIENT PAS TOUJOURS LE PRIX.","t":"A","i":859},"THE TRUE TREASURE\nOF THE TROVE IS\nIN THE HOUSE.":{"v":"LE VRAI TRÉSOR\nDE LA CACHETTE EST\nDANS LA MAISON.","t":"A","i":1097},"THE TRUE TREASURE\nOF THE TROVE IS\nNOT IN THIS ROOM.":{"v":"LE VRAI TRÉSOR\nDE LA BOÎTE EST\nPAS DANS CETTE PIÈCE.","t":"A","i":3560},"THE TRUE TREASURE OF THE TROVE IS IN THIS ROOM BUT IS NOT IN THE HOUSE.":{"v":"LE VRAI TRÉSOR DU TROUVAIL SE TROUVE DANS CETTE PIÈCE MAIS PAS DANS LA MAISON.","t":"A","i":929},"THE TRUE TREASURE OF THE TROVE IS NOT IN THIS ROOM.":{"v":"LE VRAI TRÉSOR DU TROUVAILLE N'EST PAS DANS CETTE PIÈCE.","t":"A","i":961},"THE TRUNK IS":{"v":"LE COFFRE EST","t":"A","i":1900},"THEORIZED":{"v":"THÉORISÉ","t":"A","i":758},"THERE ARE\nTWELVE\nMAJOR KEYS":{"v":"IL Y A\nDOUZE\nCLÉS MAJEURES","t":"A","i":3987},"THERE ARE\nTWELVE\nMAJOR KEYS.":{"v":"IL Y A\nDOUZE\nTONS MAJEURS.","t":"A","i":802},"THERE ARE FOUR BOXES
IN THIS ROOM.":{"v":"IL Y A QUATRE BOÎTES
DANS CETTE PIÈCE.","t":"A","i":4661},"THERE ARE NO CURRENT\nEXPERIMENTS IN PROGRESS":{"v":"IL N'Y A PAS D'EXPÉRIENCES EN COURS\nACTUELLEMENT","t":"A","i":2716},"THERE ARE NO EMPTY SAVE SLOTS.\n\n\n\n[Press any key to return to DATA MENU]":{"v":"IL N'Y A PAS DE SLOTS DE SAUVEGARDE VIDES.\n\n\n\n[Appuyez sur une touche pour retourner au MENU DES DONNÉES]","t":"A","i":3788},"THERE ARE NO EMPTY SAVE SLOTS.\n(save slots can only be deleted from the main menu)\n\n\n\n\n[Press any key to return to DATA MENU]":{"v":"IL N'Y A PAS DE SLOTS DE SAUVEGARDE VIDES.\n(les slots de sauvegarde ne peuvent être supprimés que depuis le menu principal)\n\n\n\n\n[Appuyez sur une touche pour retourner au MENU DES DONNÉES]","t":"A","i":2969},"THERE ARE SECRETS\nIN THE ROOMS\nYOU DRAIN.":{"v":"IL Y A DES SECRETS\nDANS LES CHAMBRES\nQUE VOUS PUISEZ.","t":"A","i":999},"THERE ARE TWELVE\nMAJOR keyS":{"v":"IL Y A DOUZE\nCLÉS MAJEURES","t":"A","i":625},"THERE IS A \nSAFE ON\nRANK [!v*0]":{"v":"IL Y A UN\nCOFFRE-FORT\nAU RANG [!v*0]","t":"A","i":2124},"THERE IS AN ANTECHAMBER LEVER HIDDEN IN THE DRAWING ROOM.":{"v":"IL Y A UN LEVIER DANS L'ANTICHAMBRE, CACHÉ DANS LE SALON.","t":"A","i":1069},"THERE IS NOT AN ITEM\nCHECKED TO RETRIEVE!":{"v":"IL N'Y A PAS D'OBJET\nSÉLECTIONNÉ À RÉCUPÉRER !","t":"A","i":1913},"THERE IS ONLY ONE BOX
IN THIS ROOM.":{"v":"IL N'Y A QU'UNE SEULE BOÎTE
DANS CETTE PIÈCE.","t":"A","i":4660},"THERE WILL ALWAYS BE AT LEAST\nONE BOX WHICH DISPLAYS\nONLY TRUE STATEMENTS.\n\n\n\nTHERE WILL ALWAYS BE AT LEAST\nONE BOX WHICH DISPLAYS\nONLY FALSE STATEMENTS.\n\n\n\nONLY ONE BOX HAS A PRIZE WITHIN.\nTHE OTHER [!v*0] ARE ALWAYS EMPTY.":{"v":"IL Y AURA TOUJOURS AU MOINS\nUNE BOÎTE QUI N’AFFICHE\nQUE DES AFFIRMATIONS VRAIES.\n\n\n\nIL Y AURA TOUJOURS AU MOINS\nUNE BOÎTE QUI N’AFFICHE\nQUE DES AFFIRMATIONS FAUSSES.\n\n\n\nUNE SEULE BOÎTE CONTIENT UN PRIX.\nLES [!v*0] AUTRES SONT TOUJOURS VIDES.","t":"A","i":1044},"THESE FLOORPLANS CANNOT\nCURRENTLY BE ROTATED":{"v":"Ces plans de sol ne peuvent actuellement pas être tournés\n","t":"A","i":3402},"THICKER CURSOR":{"v":"CURSEUR PLUS ÉPAIS","t":"A","i":144},"THIRD ERA":{"v":"TROISIÈRE ÈRE","t":"A","i":2310},"THIS\nWAS\nNOT\nTHE\nTRUE\nPATH":{"v":"CECI\nN'ÉTAIT\nPAS\nLE\nVRAI\nCHEMIN","t":"A","i":2075},"THIS ADMIN KEY DOES NOT HAVE\nPERMISSIONS FOR THIS FEATURE":{"v":"CETTE CLÉ D'ADMINISTRATEUR N'A PAS\nLES AUTORISATIONS POUR CETTE FONCTION","t":"A","i":2472},"THIS ADMIN KEY HAS\nBEEN DEACTIVATED":{"v":"CETTE CLÉ D'ADMINISTRATEUR A\nÉTÉ DÉSACTIVÉE","t":"A","i":1478},"THIS BOX AND THE WHITE BOX ARE BOTH EMPTY. ":{"v":"CETTE BOÎTE ET LA BOÎTE BLANCHE SONT TOUTES LES DEUX VIDES. ","t":"A","i":4719},"THIS BOX AND THE
BLUE BOX ARE EMPTY.":{"v":"CETTE BOÎTE ET LA
BOÎTE BLEUE SONT VIDES.","t":"A","i":4748},"THIS BOX CONTAINED\n[!v*0] ALLOWANCE\nTOKEnS!":{"v":"CETTE BOÎTE CONTENAIT\n[!v*0] DES ALLOCA\nDE TOKEnS!","t":"A","i":2611},"THIS BOX IS BLACK.":{"v":"CETTE BOÎTE EST NOIRE.","t":"A","i":4320},"THIS BOX IS BLUE.":{"v":"CETTE BOÎTE EST BLEUE.","t":"A","i":4322},"THIS BOX IS EMPTY.":{"v":"CETTE BOÎTE EST VIDE.","t":"A","i":4763},"THIS BOX IS ONE OF THE
TWO EMPTY BOXES.":{"v":"CETTE BOÎTE EST L'UNE DES
DEUX BOÎTES VIDES.","t":"A","i":4794},"THIS BOX IS THE
MIDDLE BOX. ":{"v":"CETTE BOÎTE EST LA
BOÎTE DU MILIEU. ","t":"A","i":4392},"THIS Box\nCONTAINED\nA SANcTUM KEY.":{"v":"Cette boîte\nCONTENAIT\nUNE CLÉ DU SANCTUAIRE.","t":"A","i":1558},"THIS CLOCK SHOULD BE SET TO A TIME THAT CONTAINS THE SAME THREE NUMBERS OF ANOTHER CLOCK HERE BUT IN REVERSE ORDER.":{"v":"CETTE HORLOGE DOIT ÊTRE RÉGLÉE SUR UNE HEURE CONTENANT LES MÊMES TROIS CHIFFRES QUE CELLE D'UNE AUTRE HORLOGE ICI, MAIS DANS L'ORDRE INVERSÉ.","t":"A","i":690},"THIS CLOCK SHOULD NOT BE SET \"ON THE HOUR\"\n(ending in :[!v*1])":{"v":"CETTE HORNE NE DOIT PAS ÊTRE RÉGLÉE « À L'HEURE »\n(se terminant par :[!v*1])","t":"A","i":1182},"THIS CLOCK SHOULD NOT BE SET ‘ON THE HOUR’\n(ending in :[!v*1])":{"v":"CET HORLOGE NE DOIT PAS ÊTRE RÉGLÉE « À L'HEURE »\n(se terminant par :[!v*1])","t":"A","i":3295},"THIS FLOORPLAN HAS BEEN SUCCESSFULLY UPGRADED":{"v":"CET PLAN DE SOL A ÉTÉ RÉUSSI À ÊTRE AMÉLIORÉ","t":"A","i":3060},"THIS IS THE BLACK BOX.":{"v":"C'EST LA BOÎTE NOIRE.","t":"A","i":4841},"THIS IS THE BLUE BOX.":{"v":"C'EST LA BOÎTE BLEUE.","t":"A","i":4195},"THIS LOCKER IS":{"v":"CET ARMOIRE EST","t":"A","i":3291},"THIS MACHINE REQUIRES ADDITIONAL POWER\nPIPED IN FROM\nTHE BOILER ROOM":{"v":"CETTE MACHINE REQUIERT UNE PUISSANCE SUPPLÉMENTAIRE\nALIMENTÉE PAR\nLA CHAUDIÈRE","t":"A","i":468},"THIS SERVICE COSTS AND WILL EXCHANGE\n\n ALL OF YOUR WITH ALL OF YOUR \t\t":{"v":"CETTE PRESTATION COÛTE ET ÉCHANGERA\n\n TOUTES VOS AVEC TOUTES VOS \t\t","t":"A","i":3828},"THIS SERVICE COSTS AND WILL EXCHANGE\n\nALL OF YOUR REMAINING WITH\n\nYOUR ALLOWANCE":{"v":"CETTE PRESTATION COÛTE ET ÉCHANGERA\n\nTOUTES VOS RESTES AVEC\n\nVOTRE ALLOCATION","t":"A","i":3392},"THIS SERVICE COSTS AND WILL EXCHANGE\n\n ALL OF YOUR WITH ALL OF YOUR \t\t":{"v":"CE SERVICE COÛTE ET ÉCHANGERA\n\n TOUS VOS CONTRE TOUS VOS \t\t","t":"A","i":1951},"THIS SERVICE COSTS AND WILL EXCHANGE\n\nALL OF YOUR REMAINING WITH\n\nYOUR ALLOWANCE":{"v":"CETTE PRESTATION COÛTE ET ÉCHANGERA\n\nTOUTES VOS RESTES AVEC\n\nVOTRE ALLOCATION","t":"A","i":3812},"THIS SERVICE COSTS AND WILL EXCHANGE\n ALL OF YOUR WITH ALL OF YOUR \t\t":{"v":"CETTE PRESTATION COÛTE ET ÉCHANGERA \n TOUTES VOS AVEC TOUTES VOS \t\t","t":"A","i":3331},"THIS STATEMENT APPEARS ON ANOTHER BOX.":{"v":"CETTE ÉNONCIATION APPARAIT SUR UNE AUTRE BOÎTE.","t":"A","i":4751},"THIS TERMINAL HAS BEEN\nDISABLED FOR THE DEMO.":{"v":"CET TERMINAL A ÉTÉ\nDÉSACTIVÉ POUR LA DÉMO.","t":"A","i":3514},"THREE OLD":{"v":"TROIS VIEUX","t":"A","i":2905},"THREE ORDINARY":{"v":"TROIS ORDINAIRES","t":"A","i":3480},"TICKET ENTRY":{"v":"BILLET D'ENTRÉE","t":"A","i":1523},"TIME FREEZE":{"v":"GEL DU TEMPS","t":"A","i":1897},"TIME LOCK SAFE":{"v":"COFFRE À CADENAS TEMPOREL","t":"A","i":386},"TIME'S UP":{"v":"LE TEMPS EST ÉCOULÉ","t":"A","i":3554},"TIME-LOCK SAFE":{"v":"COFFRE-FORT À CADENAS TEMPOREL","t":"A","i":1371},"TIMEOUT : ":{"v":"DÉLAI D'ATTENTE : ","t":"A","i":2861},"TINKERER":{"v":"ARTISAN","t":"A","i":3204},"TIPS & TRICKS":{"v":"ASTUCES","t":"A","i":1661},"TISKIN MONUMENT":{"v":"MONUMENT DE TISKIN","t":"A","i":2456},"TISKIN PARK":{"v":"PARC TISKIN","t":"A","i":1739},"TO\nSELECTED\nSOURCE":{"v":"TO\nSÉLECTIONNÉ\nSOURCE","t":"A","i":3477},"TO FIRST BEGIN\nPLACE ME WITHIN\nA BIN WITH AN “N”\nWITHIN ITS SIN\n":{"v":"AU PREMIER DÉBUT\nPLACONS-MOI DANS\nUNE BOÎTE À « N »\nDANS SON PÉCHÉ\n","t":"A","i":732},"TO MY CHAGRIN\nMY NEIGHBOR’S SIN\nIS WRITTEN THIN\nTO FIT IT ALL IN\n":{"v":"À MON GRAND DÉSESPOIR\nLE PÉCHÉ DE MON VOISIN\nEST ÉCRIT EN PETIT\nPOUR TOUT Y FAIRE TENIR\n","t":"A","i":695},"TO ROLL THE IVORY DICE, YOU\nMUST BE ABLE TO AFFORD ALL\nTHREE POTENTIAL FLOORPLANS.":{"v":"POUR LANCER LES DES D'IVOIRE, VOUS\nDOIVEZ POUVOIR VOUS PERMETTRE\nLES TROIS PLANS DE SOL POSSIBLES.","t":"A","i":2478},"TO TANK":{"v":"POUR LE TANK","t":"A","i":2956},"TO THE Baroness OF MOUNT HOLLY\nFOR HER OWN HAND":{"v":"À la Baronne de MONT HOLLY\nPOUR SA PROPRE MAIN","t":"A","i":2291},"TODAY ONLY!":{"v":"AUJOURD'HUI UNIQUEMENT !","t":"A","i":345},"TODAY is a good day because \n Simon is at camp and he is not as much fun as my friends. I will not\n have to share my toys and I will not have to share my room and I \n will not have to share my snacks. \n":{"v":"AUJOURD'HUI est une bonne journée car \n Simon est au camp et il n'est pas aussi amusant que mes amis. Je n'aurai pas\n à partager mes jouets et je n'aurai pas à partager ma chambre et je \n n'aurai pas à partager mes collations. \n","t":"A","i":742},"TODAY is a good day because I got my brother in trouble for reading my private journal without my permission and writing mean things in it too. He also threw my model airplane in the bushes outside but I got it back and IF HE DOES it again he will NOT get to go to ":{"v":"AUJOURD'HUI est une bonne journée car j'ai mis mon frère dans la merde pour avoir lu mon journal intime sans ma permission et écrit des trucs méchants dedans aussi. Il a aussi jeté mon avion de papier dans les buissons dehors mais je l'ai récupéré et SI IL LE FAIT à nouveau il NE POURRA PAS aller ","t":"A","i":3851},"TODAY'S":{"v":"AUJOURD'HUI","t":"A","i":458},"TODAY, YOU MAY ADJUST THE RARITIES OF THE ABOVE FLOORPLANS":{"v":"AUJOURD'HUI, VOUS POUVEZ AJUSTER LES RARETÉS DES PLANS DE SOL CI-DESSUS","t":"A","i":3721},"TOGGLING OF BREAKER SWITCHES MAY RESULT IN UNEXPECTED LOSS OF FLOORPLAN FUNCTIONALITY. PLEASE CALL D.C. POWER IF YOU REQUIRE ASSISTANCE.":{"v":"LA MANIPULATION DES DISJONCTEURS PEUT ENTRAÎNER UNE PERTE INATTENDUE DE FONCTIONNALITÉ DU PLAN DE SOL. VEUILLEZ CONTACTER D.C. POWER SI VOUS AVEZ BESOIN D'ASSISTANCE.","t":"A","i":560},"TOMATO SOUP":{"v":"SOUPE DE TOMATES","t":"A","i":2237},"TOMB isn't the only dead end you'll find on the grounds. There are a total of eight OUTER ROOMS, which are rooms that are draftable outside of the house. \n These floorplans are unique, not only in where they can be drafted but also in the fact that they are floorplans that cannot lead to the expansion of further rooms, making them the perfect candi-dant for dead ends. They are also able to be drafted at the very beginning of the day which allows architects to plan out":{"v":"TOMB n'est pas la seule impasse que vous trouverez sur le domaine. Il existe au total huit PIÈCES EXTÉRIEURES, qui sont des pièces pouvant être construites à l'extérieur de la maison. \n Ces plans sont uniques, non seulement par leur emplacement de construction, mais aussi par le fait qu'ils ne peuvent pas mener à l'expansion de pièces supplémentaires, ce qui en fait les candidats parfaits pour les impasses. Ils peuvent également être construits dès le début de la journée, ce qui permet aux architectes de planifier","t":"A","i":1662},"TOMORROW":{"v":"DEMAIN","t":"A","i":4548},"TONDA ROS":{"v":"TONDA ROS","t":"A","i":2198},"TOP FIVE DEAD ENDS":{"v":"CINQ FINES MORTELLES","t":"A","i":1702},"TOPWATCH":{"v":"TOPWATCH","t":"A","i":1957},"TRADE":{"v":"ÉCHANGE","t":"A","i":3089},"TRADING POST":{"v":"POSTE DE COMMERCE","t":"A","i":2662},"TRADING POST\nTRADE OFFER":{"v":"POSTE D'ÉCHANGE\nOFFRE D'ÉCHANGE","t":"A","i":2560},"TRANSLATE THE FOLLOWING PHRASES":{"v":"Veuillez fournir les phrases à traduire.","t":"A","i":761},"TRANSPORTATION\n(the number of rays)":{"v":"TRANSPORTATION\n(le nombre de rayons)","t":"A","i":3277},"TREI MATRUNK":{"v":"TREI MATRUNK","t":"A","i":1113},"TREI BRANCHVEN":{"v":"BRANCHEMENT TREI","t":"A","i":726},"TRIGG & GUSSET":{"v":"TRIGG & GUSSET","t":"A","i":2874},"TRINSDALE LAKE":{"v":"LAC DE TRINSDALE","t":"A","i":2466},"TRISSA J.":{"v":"TRISSA J.","t":"A","i":720},"TROPHY":{"v":"TROPHÉE","t":"A","i":2516},"TROPHY OF\nSIGILS":{"v":"Trophée des \nSigils","t":"A","i":3973},"TROPHY OF DRAFTING":{"v":"TROPHÉE DE DRAFT","t":"A","i":1018},"TROPHY OF INVENTION":{"v":"TROPHÉE DE L'INVENTION","t":"A","i":250},"TROPHY OF SIGILS":{"v":"TROPHÉE DES SIGILLES","t":"A","i":251},"TROPHY OF SPEED":{"v":"TROPHÉE DE VITESSE","t":"A","i":238},"TROPHY OF TROPHIES":{"v":"TROPHÉE DES TROPHÉES","t":"A","i":199},"TROPHY OF WEALTH":{"v":"TROPHÉE DE RICHESSE","t":"A","i":209},"TROPHY [!v*0]":{"v":"TROPHÉE [!v*0]","t":"A","i":235},"TRUNK":{"v":"COFFRE","t":"A","i":4550},"TTE,":{"v":"TTE","t":"A","i":1165},"TTER":{"v":"TTER","t":"A","i":2228},"TWELVE YEARS":{"v":"DOUZE ANS","t":"A","i":3567},"TWENTY-TWO YEARS":{"v":"DEUX-VINGT-DEUX ANS","t":"A","i":3617},"TWO\nFREE\nSPINS":{"v":"DEUX\nTOURNANTS\nGRATUITS","t":"A","i":1112},"TWO BOXES IN THIS ROOM ARE EMPTY.":{"v":"DEUX BOÎTES DE CETTE PIÈCE SONT VIDES.","t":"A","i":4792},"TWO DAYS ONLY":{"v":"DEUX JOURS UNIQUEMENT","t":"A","i":341},"TWO REALMS\nHAVE THE SAME\nCOLOR BANNER.":{"v":"DEUX ROYAUMES\nONT LE MÊME\nDRAPEAU DE COULEUR.","t":"A","i":3435},"TWO REALMS\nHAVE THE SAME\nCOLOR BANNER.\n":{"v":"DEUX ROYAUMES\nPORTENT LE MÊME\nDRAPEAU.\n","t":"A","i":876},"TYPE :":{"v":"TYPE :","t":"A","i":2687},"TYPE : Green Rooms\n\nCOLOR : Green\n\nAssociated Resource : Gems\n\nAverage Number of doors : [!v*0][!v*1]\n\nExtra Items? : Often\n\nSynergies: \n\n\t• Most Green Rooms\n\t• Shovel\n\t• Watering Can":{"v":"TYPE : Chambres vertes\n\nCOULEUR : Verte\n\nRessource associée : Gems\n\nNombre moyen de portes : [!v*0][!v*1]\n\nArticles supplémentaires ? : Souvent\n\nSynergies : \n\n\t• Plus de chambres vertes\n\t• Pelle\n\t• Arrosoir","t":"A","i":3652},"TYPE : Bedrooms\n\nCOLOR : Violet\n\nAssociated Resource : Steps\n\nAverage Number of doors : [!v*0][!v*1]\n\nExtra Items? : Likely\n\nSynergies: \n\n\t• Sleeping Mask\n\t• Nursery\n\t• Servant's Quarters":{"v":"TYPE : Chambres\n\nCOULEUR : Violet\n\nRessource associée : Étages\n\nNombre moyen de portes : [!v*0][!v*1]\n\nArticles supplémentaires ? : Probable\n\nSynergies : \n\n\t• Masque de sommeil\n\t• Nurserie\n\t• Quartiers du serviteur","t":"A","i":3476},"TYPE : Shops\n\nCOLOR : Gold\n\nAssociated Resource : Coins\n\nAverage Number of doors : [!v*0]\n\nExtra Items? : Never for Free!\n\nSynergies: \n\n\t• Coin Purse\n\t• Coupon Book\n\t• Vault":{"v":"TYPE : Boutiques\n\nCOULEUR : Or\n\nRessource associée : Pièces\n\nNombre moyen de portes : [!v*0]\n\nObjets supplémentaires ? : Jamais gratuits!\n\nSynergies : \n\n\t• Bourse\n\t• Carnet de bons\n\t• Coffre-fort","t":"A","i":2437},"TYPE : Red Rooms\n\nCOLOR : Red\n\nAssociated Resource : Vexation\n\nAverage Number of doors : [!v*0][!v*1]\n\nExtra Items? : Seldom\n\nSynergies: \n\n\t• Shelter\n\t• Tomato Soup\n\t• Skilled Players":{"v":"TYPE : Chambres Rouges\n\nCOULEUR : Rouge\n\nRessource Associée : Vexation\n\nNombre Moyen de portes : [!v*0][!v*1]\n\nObjets Supplémentaires ? : Rarement\n\nSynergies : \n\n\t• Abri\n\t• Soupe au Tomate\n\t• Joueurs Expérimentés","t":"A","i":4107},"TYPED":{"v":"SAISIE","t":"A","i":3577},"Take any number with four or more digits. Without changing the sequence, split that number into four smaller numbers. (ex. [!v*1] becomes [!v*2] [!v*3] [!v*4] [!v*5])\n\nNext, assign each a different color, resulting in a valid mathematical equation that produces the smallest whole number possible. The first number should always be assigned teal to begin with a positive number. (ex. + [!v*7] - [!v*8] x [!v*9] ÷ [!v*10])\n\nIf the result is a number with more than three digits, repeat the above process. The final number you obtain that is less than four digits is considered the \"numeric core\" of the larger number. (ex. [!v*12])":{"v":"Prenez n'importe quel nombre de quatre chiffres ou plus. Sans modifier la séquence, divisez ce nombre en quatre nombres plus petits. (ex. [!v*1] devient [!v*2] [!v*3] [!v*4] [!v*5])\n\nEnsuite, attribuez à chacun une opération différente, afin d'obtenir une équation mathématique valide qui produit le plus petit nombre entier possible. Le premier nombre doit toujours être additionné pour commencer par un nombre positif. (ex. + [!v*7] - [!v*8] x [!v*9] ÷ [!v*10])\n\nSi le résultat est un nombre de plus de trois chiffres, répétez le processus ci-dessus. Le nombre final obtenu, inférieur à quatre chiffres, est considéré comme le « noyau numérique » du nombre plus grand. (ex. [!v*12])","t":"A","i":1525},"Take uSv measurement\n\nBack ":{"v":"Prenez la mesure U Sv\n\nRetour ","t":"A","i":3653},"Taking Issue with Inventory.":{"v":"Conflit avec l'inventaire.","t":"A","i":3240},"Teal":{"v":"Bleu turquoise","t":"A","i":4228},"Teer (drop)":{"v":"Tire (tir)","t":"A","i":1109},"Terminal Timeout Settings\n\nElectronic Mail Settings\n\nReturn to Menu":{"v":"Paramètres de délai d'expiration du terminal\n\nParamètres de messagerie électronique\n\nRetour au menu","t":"A","i":3241},"Terrace":{"v":"Terrasse","t":"A","i":4753},"ThE box\nCONTAINING\nALLOWANCE TOKENS iS MARKED BY":{"v":"LA BOÎTE\nCONTENANT\nLES JETONS D'ALLOCATION EST MARQUÉE PAR","t":"A","i":1473},"Thanks for\nvisiting":{"v":"Merci de\npasser","t":"A","i":207},"That is what they say\nwhen looking at me.":{"v":"C'est ce qu'ils disent\nquand ils me regardent.","t":"A","i":3678},"That old tree is not owned by me.":{"v":"Ce vieux arbre ne m'appartient pas.","t":"A","i":3096},"The":{"v":"Le","t":"A","i":410},"The\nRed Prince":{"v":"Le\nPrince Rouge","t":"A","i":1854},"The BOILER ROOM connects ducts from room to room to run steam-power to specific destinations in the house. LABORATORY, GARAGE, LAUNDRY ROOM, FURNACE and PUMP ROOM all have uses for steam-power.":{"v":"La BOILER ROOM relie les conduites d'une pièce à l'autre pour acheminer la vapeur vers des destinations spécifiques de la maison. LABORATORY, GARAGE, LAUNDRY ROOM, FURNACE et PUMP ROOM ont tous un usage pour la vapeur.","t":"A","i":3575},"The DIRECTORY contains detailed information for all rooms on the estate that you have drafted.

You may access the Directory at any time from the SYSTEM MENU.":{"v":"Le ANNUAIRE contient des informations détaillées sur toutes les pièces du domaine que vous avez rédigées.

Vous pouvez accéder à l'Annuaire à tout moment depuis le MENU SYSTÈME.","t":"A","i":4453},"The East Wing rooms of the house are the nine rooms that border the very right edge of the house.":{"v":"Les chambres de l'Aile Est de la maison sont les neuf pièces qui bordent le bord droit de la maison.","t":"A","i":4474},"The Estate refers to all the explorable areas of Mt. Holly including the rooms currently drafted, as well as the grounds.

The House, on the other hand, is only referring to the current rooms, as shown on the Mt. Holly Blueprint.":{"v":"Le Domaine désigne l'ensemble des zones explorables du Mont Holly, y compris les pièces actuellement conçues, ainsi que les jardins.

La Maison, en revanche, ne fait référence qu'aux pièces actuelles, telles qu'elles figurent sur le plan du Mont Holly.","t":"A","i":4479},"The West Wing rooms of the house are the nine rooms that border the very left edge of the house.":{"v":"Les chambres de l'Aile Ouest de la maison sont les neuf pièces qui bordent le bord le plus à gauche de la maison.","t":"A","i":4556},"The draft pool is the total collection of currently available floorplans, from which three are drawn at the beginning of each draft.":{"v":"Le pool de plans est l'ensemble total des plans de sol actuellement disponibles, dont trois sont tirés au début de chaque draft.","t":"A","i":4448},"The house refers to the [!v*0]-floorplan grid of Mount Holly. Only the rooms currently drafted are considered part of the House.":{"v":"La maison désigne la grille de plan au [!v*0] étage de Mount Holly. Seules les pièces actuellement esquissées sont considérées comme faisant partie de la Maison.","t":"A","i":4499},"The AQUARIUM is a very useful, multicolored floorplan, as it supports all of the color-based strategies listed in this volume. For example, it can give you bonus steps for having a NURSERY as well as being unlocked for having a FOYER.":{"v":"L'AQUARIUM est un plan de sol très utile et multicolore, car il prend en charge toutes les stratégies basées sur les couleurs énumérées dans ce volume. Par exemple, il peut vous offrir des étapes bonus pour posséder une NURSERY ainsi que pour être débloqué grâce à la présence d'un FOYER.","t":"A","i":3584},"The Botanical Gardens":{"v":"Les Jardins Botaniques","t":"A","i":3199},"The Categorization of Floorplan Subtypes":{"v":"La catégorisation des sous-types de plans","t":"A","i":3708},"The Chapel's resident guardian, tasked\nwith the sacred duty of keeping the .\naccumulated from Chapel offerings.":{"v":"Le gardien résident de la chapelle, chargé \nde la sacrée mission de conserver les .\naccumulées à partir des offrandes de la chapelle.","t":"A","i":3902},"The Core\n\n\n\n\nThe Dividing Lines (Rays)\n\n\n\n\n\n\nThe Motes The Border\n":{"v":"Le Cœur\n\n\n\n\nLes Lignes de Division (Rayons)\n\n\n\n\n\n\nLes Moteaux La Frontière\n","t":"A","i":3642},"The Craft of the Draft":{"v":"L'Art du Brouillon","t":"A","i":679},"The Curse of Black Bridge - Redford Ewling":{"v":"La Malédiction du Pont Noir - Redford Ewling","t":"A","i":1002},"The Death of Drafting":{"v":"La mort du brouillon","t":"A","i":1061},"The Drafting Spectrum":{"v":"Le spectre de la sélection","t":"A","i":1006},"The EPCW PUMP SYSTEM is engineered specifically for the luxury \nrequirements of today's indoor in-ground swimming pool and spa. The\nEPCW system is also expandable allowing you to use multiple pumps\nto control the water flow and volume to several different designated\ntanks and aquatic house features, be it an aquarium, fountain or good\n old-fashioned swimming pool.":{"v":"Le SYSTÈME DE POMPAGE EPCW est conçu spécifiquement pour répondre aux exigences de luxe \ndes piscines encastrées et des jacuzzis intérieur d'aujourd'hui. Le\nsystème EPCW est également extensible, vous permettant d'utiliser plusieurs pompes\npour contrôler le débit et le volume vers plusieurs réservoirs désignés\net éléments de maison aquatique différents, qu'il s'agisse d'un aquarium,\nd'une fontaine ou de la bonne vieille piscine traditionnelle.","t":"H","i":4147},"The EPCW PUMP SYSYEM is engineered specifically for the luxury \nrequirements of today's indoor in-ground swimming pool and spa. The\nEPCW system is also expandable allowing you to use multiple pumps\nto control the water flow and volume to several different designated\ntanks and aquatic house features, be it an aquarium, fountain or good\n old-fashioned swimming pool.":{"v":"Le SYSTÈME DE POMPAGE EPCW est conçu spécifiquement pour répondre aux exigences de luxe \ndes piscines intérieures enterrées et des spas d'aujourd'hui. Le\nsystème EPCW est également extensible, vous permettant d'utiliser plusieurs pompes\npour contrôler le débit et le volume d'eau vers plusieurs réservoirs et\néléments aquatiques distincts, qu'il s'agisse d'un aquarium, d'une fontaine ou d'une\nbonne vieille piscine.","t":"A","i":852},"The End":{"v":"La Fin","t":"A","i":4010},"The End of a Journey":{"v":"La fin d'un voyage","t":"A","i":272},"The Family Core is kept in the Family Vault.":{"v":"Le Cœur de la Famille est conservé dans le Coffre de la Famille.","t":"A","i":865},"The First Item":{"v":"Le premier objet","t":"A","i":377},"The Fixed Stars - Richard Witt":{"v":"Les Étoiles fixes - Richard Witt","t":"A","i":318},"The Great Hall\n[ Partitioning Plan ]\nfor":{"v":"La Grande Salle\n[ Plan de cloisonnement ]\npour","t":"A","i":548},"The Grounds":{"v":"Les Jardins","t":"A","i":4143},"The Guiding Compass":{"v":"La Boussole Guide","t":"A","i":701},"The Keeper of Tithes can only\nbe broken once. Are you sure you\nwant to break him now?":{"v":"Le Gardien des Dîmes ne peut être\nbrisé qu'une seule fois. Êtes-vous sûr de\nvouloir le briser maintenant ?","t":"A","i":1705},"The King can castle by swapping with another piece.":{"v":"Le Roi peut roquer en échangeant de place avec une autre pièce.","t":"A","i":1033},"The Mount Holly\n\nVariation\n\n\n(my grandmother's own design)":{"v":"Le modèle de Mount Holly\n\nVariante\n\n\n(le propre dessin de ma grand-mère)","t":"A","i":3872},"The Mount Holly\n\nVariation\n\n\n(my grandmother's own design)\n":{"v":"Le Mount Holly\n\nVariation\n\n\n(le design de ma grand-mère)\n","t":"A","i":1220},"The Mount Holly Casino offers an intimate and exciting setting for wagers of any scale, and guests may be surprised to discover how much strategy is involved in the games featured here.\n\nA buy-in of two gems is required for admittance into this exclusive room.":{"v":"Le Mount Holly Casino offre un cadre intime et passionnant pour des mises de toute envergure, et les invités peuvent être surpris d'apprendre à quel point la stratégie intervient dans les jeux proposés ici.\n\nUn apport de deux gemmes est requis pour accéder à cette salle exclusive.","t":"A","i":4000},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the St":{"v":"Le Bureau peut faciliter une modeste\ndistribution de pièces retirées\nde la St","t":"A","i":4235},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Sta":{"v":"Le Bureau peut faciliter une modeste\ndistribution de pièces retirées\nde la Sta","t":"A","i":4236},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staf":{"v":"Le Bureau peut faciliter une modeste\ndistribution de pièces retirées\nde la Staf","t":"A","i":4237},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff ":{"v":"Le Bureau peut faciliter une modeste\ndistribution de pièces retirées\ndu Personnel ","t":"A","i":4239},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff I":{"v":"Le Bureau peut faciliter une modeste\ndistribution de pièces retirées\nde la Staff I","t":"A","i":4240},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff In":{"v":"Le Bureau peut faciliter une modeste\ndistribution de pièces retirées\nde la Staff In","t":"A","i":4241},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Inc":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \nde la Staff Inc","t":"A","i":4242},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Ince":{"v":"Le Bureau peut faciliter une modeste\ndistribution de pièces retirées\nde la Staff Ince","t":"A","i":4243},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incen":{"v":"Le Bureau peut faciliter une modeste\ndistribution de pièces retirées\nde la Staff Incen","t":"A","i":4244},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incent":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \nde la Prime du Personnel","t":"A","i":4245},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incenti":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \nde la Prime du Personnel","t":"A","i":4246},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentiv":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \nde la Staff Incentiv","t":"A","i":4247},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"s":{"v":"Le bureau peut faciliter une modeste\ndistribution de pièces retirées\ndu Incitatifs pour le personnel programme.\n\nCes pièces sont \"s","t":"A","i":4248},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"sp":{"v":"Le bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"sp","t":"A","i":4249},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spre":{"v":"Le bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme Staff Incentives. \n\nCes pièces sont \"spre","t":"A","i":4250},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"sprea":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"sprea","t":"A","i":4251},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(d":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(d","t":"A","i":4253},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(di":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(di","t":"A","i":4254},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(dis":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(dis","t":"A","i":4255},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(dist":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(dist","t":"A","i":4256},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distr":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distr","t":"A","i":4257},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distrib":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distrib","t":"A","i":4258},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distribu":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribu","t":"A","i":4259},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distribute":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuer","t":"A","i":4260},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed ":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations au personnel.\n\nCes pièces sont \"réparties\"\n(distribuées ","t":"A","i":4262},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed i":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations au personnel.\n\nCes pièces sont \"réparties\"\n(distribuées i","t":"A","i":4263},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in ":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées\ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées en ","t":"A","i":4265},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a ":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées\ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans une ","t":"A","i":4267},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a n":{"v":"Le bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un n","t":"A","i":4268},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a nu":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu Programme des incitatifs pour le personnel. \n\nCes pièces sont \"réparties\"\n(distribuées de manière nu ","t":"A","i":4269},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a numb":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un nomb","t":"A","i":4270},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a numbe":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des Incitatifs pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un nombre ","t":"A","i":4271},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number ":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées\ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées en un certain nombre ","t":"A","i":4273},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number o":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées à un certain nombre de ","t":"A","i":4274},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\n":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées en un certain nombre de\n","t":"A","i":4276},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nr":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées en un certain nombre de\nr","t":"A","i":4277},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nro":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées en plusieurs \nro","t":"A","i":4278},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nroo":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées en plusieurs \nroo","t":"A","i":4279},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms ":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel. \n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \nsalles ","t":"A","i":4281},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms cu":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \nsalle cu ","t":"A","i":4282},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms cur":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des Incitatifs pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \ns","t":"A","i":4283},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms curr":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel. \n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \nsalle curr","t":"A","i":4284},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms curre":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des Incitatifs pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \npièces curre ","t":"A","i":4285},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms curren":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des Incitatifs pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \npièces curren","t":"A","i":4286},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms current":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \npièces actuelles ","t":"A","i":4287},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms currentl":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des Incitatifs pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \nsalle actuell","t":"A","i":4288},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms currently ":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \nsalles actuellement ","t":"A","i":4290},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms currently a":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des Incitatifs pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \nsalles actuellement a ","t":"A","i":4291},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms currently ac":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \nsalles actuellement ac","t":"A","i":4292},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms currently acti":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \nsalles actuellement acti","t":"A","i":4293},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms currently activ":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des Incitatifs pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \nsalles actuellement activ","t":"A","i":4294},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms currently active)\nthroughout the estate.":{"v":"Le Bureau peut faciliter une modeste\ndistribution de pièces retirées\ndu programme Incitations du personnel.\n\nCes pièces sont « réparties »\n(distribuées dans un certain nombre\nde pièces actuellement actives)\nà travers le domaine.","t":"A","i":2087},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms currently":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \nsalles actuellement ","t":"A","i":4289},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of\nrooms":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des Incitatifs pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans un certain nombre de \nsalles","t":"A","i":4280},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number of":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées en plusieurs ","t":"A","i":4275},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a number":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme Staff Incentives. \n\nCes pièces sont \"spread\"\n(distribuées en un certain nombre ","t":"A","i":4272},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in a":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées dans une ","t":"A","i":4266},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed in":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées en ","t":"A","i":4264},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread\"\n(distributed":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme des incitations pour le personnel.\n\nCes pièces sont \"réparties\"\n(distribuées","t":"A","i":4261},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff Incentives program.\n\nThese coins are \"spread":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \ndu programme Staff Incentives. \n\nCes pièces sont \"réparties","t":"A","i":4252},"The Office can facilitate a modest\ndistribution of coins withdrawn\nfrom the Staff":{"v":"Le Bureau peut faciliter une modeste \ndistribution de pièces retirées \nde la Staff","t":"A","i":4238},"The Pool":{"v":"La Piscine","t":"A","i":4642},"The Potential Within":{"v":"Le potentiel en vous","t":"A","i":744},"The Red Stone":{"v":"La Pierre Rouge","t":"A","i":3332},"The SECURITY LEVEL determines the\namount of Keycard Security Doors\nthat will be deployed in your estate.\n\nE.g. you should expect to see [!v*0] or [!v*1]\nsecurity doors with a LOW setting\nand [!v*2] or [!v*3] with a HIGH setting.":{"v":"Le NIVEAU DE SÉCURITÉ détermine la\nquantité de portes sécurisées par badge\nqui seront déployées dans votre domaine.\n\nPar exemple, vous devriez vous attendre à voir [!v*0] ou [!v*1]\nportes sécurisées avec un réglage BAS\net [!v*2] ou [!v*3] avec un réglage ÉLEVÉ.","t":"A","i":4338},"The SECURITY LEVEL determines the\namount of Keycard Security Doors\nthat will be deployed in your estate.\n\nE.g. you should expect to see [!v*0] or [!v*1]\nsecurity doors with a LOW setting and\nas many as [!v*2] doors on a HIGH setting.":{"v":"Le NIVEAU DE SÉCURITÉ détermine le\nnombre de Portes à Badge\nqui seront déployées dans votre domaine.\n\nPar exemple, vous devriez vous attendre à voir [!v*0] ou [!v*1]\nportes sécurisées avec un réglage BAS et\njusqu'à [!v*2] portes avec un réglage ÉLEVÉ.","t":"A","i":2465},"The Sacred Hour is not technically \"On the Hour\".":{"v":"L'Heure Sacrée n'est pas techniquement « À l'Heure ».","t":"A","i":1201},"The Sail\nEverything is [!v*1] off today":{"v":"Le Vent\nTout est [!v*1] hors d'usage aujourd'hui","t":"A","i":3724},"The Second Item":{"v":"Le deuxième objet","t":"A","i":389},"The Shelter's Time-Lock Safe can\nbe accessed by setting an\n'UNLOCK DATE and TIME'.\n\nYou can use any date and time\nas long as it's at least one hour\nin the future.\n\nOnce unlocked, the Time-Lock Safe\nwill remain open for [!v*0] hours.":{"v":"La Boîte de Sécurité à Verrouillage Temporel du Refuge peut\nêtre ouverte en définissant une\n'DATE ET HEURE DE DÉVERROUILLAGE'.\n\nVous pouvez utiliser n'importe quelle date et heure\ntant qu'elle est d'au moins une heure\ndans le futur.\n\nUne fois déverrouillée, la Boîte de Sécurité à Verrouillage Temporel\nrestera ouverte pendant [!v*0] heures.","t":"A","i":4823},"The Shelter's Time-Lock Safe can\nbe accessed by setting an\n'UNLOCK DATE and TIME'.\n\nYou can use any date and time\nas long as it's at least one hour\nin the future.\n\nOnce unlocked, the Time-Lock Safe\nwill remain open for [!v*0] hours.\n":{"v":"Le coffre-fort à horloge du Refuge peut\nêtre ouvert en définissant une\n« DATE ET HEURE DE DÉVERROUILLAGE ».\n\nVous pouvez utiliser n'importe quelle date et heure\nà condition qu'elle soit au moins une heure\ndans le futur.\n\nUne fois déverrouillé, le coffre-fort à horloge\nrestera ouvert pendant [!v*0] heures.\n","t":"A","i":1621},"The Slice\n+[!v*1] Steps":{"v":"La Tranche\n+[!v*1] Étapes","t":"A","i":3588},"The Southern Cross\n\nRooms with four doors\n\n\n\nare more common today.":{"v":"La Croix du Sud\n\nDes pièces à quatre portes\n\n\n\nsont plus courantes aujourd'hui.","t":"A","i":3266},"The TIMEOUT setting controls how long a computer terminal stays connected to the network without disconnecting from the server. The default setting (IMMEDIATE) requires a new connection each time the user attempts to log into the network.":{"v":"Le paramètre TIMEOUT contrôle la durée pendant laquelle un terminal informatique reste connecté au réseau sans se déconnecter du serveur. Le paramètre par défaut (IMMEDIATE) exige une nouvelle connexion à chaque fois que l'utilisateur tente de se connecter au réseau.","t":"A","i":2991},"The Twins\nTwo trunks have been\nadded to the Entrance Hall":{"v":"Les Jumeaux\nDeux coffres ont été\najoutés dans le Hall d'entrée","t":"A","i":1460},"The Untamed":{"v":"L'Insoumis","t":"A","i":2338},"The above signee is responsible for all materials checked out using\nthis form and understands new requests cannot be made on days in which\na previously requested book or periodical has been pulled.":{"v":"Le signataire ci-dessus est responsable de tous les documents empruntés au moyen\nde ce formulaire et comprend que de nouvelles demandes ne peuvent pas être faites les jours où\nun livre ou un périodique précédemment demandé a été retiré.","t":"A","i":312},"The action of selecting a floorplan from the three options presented to you after clicking a door is known as drafting.":{"v":"L'action de sélectionner un plan d'étage parmi les trois options proposées après avoir cliqué sur une porte est appelée conception.","t":"A","i":4450},"The bedroom is often referred to as the “heart of the home” and with good reason. It is the place where people can rest during a long day, where they can kick up their feet for a bit and recharge their batteries. Architects always use violet bordered floorplans for bedrooms and the comforting purple hues encountered while draft-ing will usually let a weary traveler know they have found a room in which they can rest up.":{"v":"La chambre est souvent décrite comme le « cœur de la maison » et pour de bonnes raisons. C’est l’endroit où l’on peut se reposer après une longue journée, où l’on peut s’étendre un moment et recharger ses batteries. Les architectes utilisent toujours des plans de chambre bordés de violet et les teintes apaisantes de ce pourpre rencontrées lors de l’élaboration du projet indiqueront généralement au voyageur épuisé qu’il a trouvé une pièce où il peut se reposer.","t":"A","i":2566},"The best thing to go with breakfast is a morning newspaper and a coffee. ":{"v":"La meilleure chose à prendre avec le petit-déjeuner est un journal du matin et un café. ","t":"A","i":4381},"The brutality of the pacification of Fenn did not go unnoticed by neighbors. As sympathy for the city surged, allies came forward to lend support. Among them was the general of the Northern Regiment who, sickened by the barbaric actions of the other battalions, joined forces with Prince Leerson to form a formidable army. Together, they leveraged their political influence and favors to persuade the nearby realms of ARCH ARIES and NUANCE to join their cause.\n\nHowever, even with the tide turning in their favor, victory did not come easy. The War of the Fifth Era lasted [!v*0] long years, and saw buried one in every three men. Prince Leerson himself added another number to the casualties. However, even in death, he had won. Oris had fallen and with it the realm. \n":{"v":"La brutalité de la pacification de Fenn ne passa pas inaperçue auprès des voisins. Alors que la sympathie pour la ville s'intensifiait, des alliés se présentèrent pour apporter leur soutien. Parmi eux figurait le général du Régiment du Nord qui, écœuré par les actions barbares des autres bataillons, s'allia au prince Leerson pour former une armée redoutable. Ensemble, ils mirent à profit leur influence politique et leurs faveurs pour convaincre les royaumes voisins d'ARCH ARIES et de NUANCE de rejoindre leur cause.\n\nCependant, même si la tendance se retournait en leur faveur, la victoire ne vint pas facilement. La Guerre de la Cinquière Ère dura [!v*0] longues années et vit périr un homme sur trois. Le prince Leerson lui-même ajouta son nom au nombre des victimes. Pourtant, même dans la mort, il avait gagné. Oris était tombé, et avec lui le royaume. \n","t":"A","i":2094},"The bullseye operation can trigger multiple times.":{"v":"L'opération Bullseye peut se déclencher plusieurs fois.","t":"A","i":874},"The classrooms you'll find will fall under one of eight different grades, ranging from first grade to the culmination of your academic journey, Grade [!v*0]. However, there\n are rumors of an additional annex classroom at\n Mount Holly Elementary, used solely for exams and\n student testing, but finding it has been near impossible\n as it requires drafting more than eight classrooms.":{"v":"Les salles de classe que vous trouverez relèveront de l'une des huit différentes années, allant de la première année jusqu'à l'aboutissement de votre parcours académique, la [!v*0]e année. Cependant\n il existe des rumeurs concernant une salle d'annexe supplémentaire à\n l'école élémentaire Mount Holly, utilisée uniquement pour les examens et\n les tests étudiants, mais la trouver a été presque impossible\n car elle nécessite de mobiliser plus de huit salles de classe.","t":"A","i":3935},"The clocks are positioned\nso that their times will go up\nin ascending order":{"v":"Les horloges sont positionnées\nde manière à ce que leurs heures\naugmentent dans l'ordre croissant","t":"A","i":942},"The clocks are positioned\nso that their times will go up\nin ascending order.":{"v":"Les horloges sont positionnées\nde sorte que leurs heures augmentent\ndans l'ordre croissant.","t":"A","i":2727},"The closet was one of the original [!v*0] rooms of Mount Holly.":{"v":"La garde-robe était l'une des [!v*0] pièces d'origine de Mount Holly.","t":"A","i":1122},"The color of a floorplan will usually indicate the type of room:

Violet for Bedrooms,
Orange for Hallways,
Green for Green Rooms,
Yellow for Shops,
Red for Red Rooms

and Blue for Blueprints (default type)":{"v":"La couleur d'un plan indiquera généralement le type de pièce :

Violet pour les chambres,
Orange pour les couloirs,
Vert pour les pièces vertes,
Jaune pour les boutiques,
Rouge pour les pièces rouges

et Bleu pour les plans bleus (type par défaut)","t":"A","i":4445},"The complete manifest for all of the excavation equipment has been rigorously checked and delivered to the upper branch. After tomorrow, the site will be sealed and all remaining hardware will be packed up and transported to the original access tunnel for long term storage. \n\nIt’s unclear if they will also seal that tunnel after our crew has left but I suspect they may want to keep ready access to the gear especially now that they have begun operations in the east mine. A month ago, I believed that the discovery of gemstones in that cavern was directly linked to the closure of this site but now I’m not so sure. The Baron doesn’t seem the type to value shiny baubles over history. \n":{"v":"Le manifeste complet de tout le matériel de fouille a été rigoureusement vérifié et remis à la branche supérieure. À partir de demain, le site sera scellé et tout le matériel restant sera emballé puis transporté vers le tunnel d’accès d’origine pour un stockage à long terme. \n\nIl est incertain qu’ils scellent également ce tunnel après le départ de notre équipe, mais je soupçonne qu’ils souhaitent conserver un accès rapide au matériel, surtout maintenant qu’ils ont lancé leurs opérations dans la mine de l’est. Il y a un mois, je croyais que la découverte de gemmes dans cette caverne était directement liée à la fermeture de ce site, mais je ne suis plus si sûr. Le Baron ne semble pas être le genre d’homme à privilégier les babioles brillantes par rapport à l’histoire. \n","t":"A","i":1412},"The crown's recent decision to dismantle the realm's remaining railways has caused increasing tensions with our southern neighbor, ERAJA, who has, for many generations, relied on our realm's rail tracks for northern passage to ARCH ARIES. The ensuing round of trade negotiations with ERAJA, which were conducted with reckless care and little diplomacy, have, to the surprise of no one, ended in an impasse. Early reports have alluded that in addition to their other demands, the Crown has requested that the asylum granted to the former House of Desilets, be revoked.":{"v":"La récente décision de la Couronne de démanteler les dernières voies ferrées du royaume a accru les tensions avec notre voisin du sud, ERAJA, qui, depuis plusieurs générations, s'appuie sur nos rails pour accéder au nord vers ARCH ARIES. La nouvelle série de négociations commerciales avec ERAJA, menées avec une négligence inconsidérée et peu de diplomatie, a, à la surprise de personne, abouti à un impasse. Les premiers rapports indiquent que, outre leurs autres demandes, la Couronne exige la révocation du statut d'asile accordé à l'ancienne Maison des Desilets.","t":"A","i":4109},"The day we all dreaded has finally arrived. It is with unprecedented sadness that we inform you of the death of our benefactor, employer and master, the Baron of Mount Holly, H. S. Sinclair. Any staff who have an interest in attending services may contact Mrs. Babbage for details.\n\nIn following the instructions left by the Baron himself, effective immediately, all work at Mt. Holly is suspended. All live-in Staff will have one month paid leave and must vacate the premises by Friday, November [!v*0]th.\n \t\t -Mrs. Babbage\n\n":{"v":"Le jour que nous redoutions tous est enfin arrivé. C'est avec une tristesse sans précédent que nous vous informons du décès de notre bienfaiteur, employeur et maître, le Baron de Mount Holly, H. S. Sinclair. Tout personnel ayant intérêt à assister aux services peut contacter Mme Babbage pour plus de détails.\n\nEn suivant les instructions laissées par le Baron lui-même, effective immédiatement, tous les travaux à Mt. Holly sont suspendus. Tout personnel résidant bénéficiera d'un mois de congé payé et devra quitter les lieux avant vendredi [!v*0] novembre.\n \t\t -Mme Babbage\n\n","t":"A","i":3767},"The day we all dreaded has finally arrived. It is with unprecidented sadness that we inform you of the death of our benefactor, employer and master, the Baron of Mount Holly, H. S. Sinclair. Any staff who have an interest in attending services may contact Mrs. Babbage for details.\n\nIn following the instructions left by the Baron himself, effective immediately, all work at Mt. Holly is suspended. All live-in Staff will have one month paid leave and must vacate the premises by Friday, November [!v*0]th.\n \t\t -Mrs. Babbage\n\n":{"v":"Le jour que nous redoutions tous est enfin arrivé. C'est avec une tristesse sans précédent que nous vous annonçons le décès de notre bienfaiteur, employeur et maître, le Baron de Mount Holly, H. S. Sinclair. Tout le personnel souhaitant assister aux cérémonies peut contacter Mme Babbage pour obtenir les détails.\n\nConformément aux instructions laissées par le Baron lui-même, tout travail à Mount Holly est suspendu avec effet immédiat. Tout le personnel résidentiel bénéficiera d'un mois de congé payé et devra quitter les lieux d'ici vendredi, le [!v*0] novembre.\n \t\t -Mme Babbage\n\n","t":"A","i":576},"The destruction of structural elements of the house like walls is not permanent and will reset every few days.":{"v":"La destruction des éléments structurels de la maison, comme les murs, n'est pas permanente et se réinitialise tous les quelques jours.","t":"A","i":1285},"The drop-off address is [!v*0] Sandy Heights. A small garage on the south edge of Trinsdale.\n\nThe goods are already secure and in the trunk, so just unload and get back here before noon. I’ve seen Sinclair’s schedule and I don’t think he’ll be requesting the car today but you never know when the\ncat will want to get some air.\n\nTomorrow will likely be the last delivery and I believe Denny already has payment ready.":{"v":"L’adresse de livraison est [!v*0] Sandy Heights. Un petit garage au sud de Trinsdale.\n\nLa marchandise est déjà en sécurité dans le coffre, il suffit donc de la décharger et de revenir ici avant midi. J’ai consulté l’emploi du temps de Sinclair et je ne pense pas qu’il réclamera la voiture aujourd’hui, mais on ne sait jamais quand le\nchat aura envie de prendre l’air.\n\nDemain sera probablement la dernière livraison et je crois que Denny a déjà le paiement prêt.","t":"A","i":422},"The estate, being of generous size, is more than capable of accommodating multiple parties without inconvenience. It is with the understanding, however, that preparations for eventual relocation should be made, as such leniency will not be afforded to subsequent generations\n\n\nI do hereby constitute and appoint my colleague and fellow practitioner of architecture, Quarteress Alicias Erin of Trinsdale, the exclusive charge and office of executrix of this instrument. If ever the forty-sixth room of my Mount Holly is discovered and The Blue Testament of Auravei be delivered unto her hands, or unto any of her descendants, I do ordain that they shall bear sole dominion and discretion to override and render null any and all prior arrangements heretofore made in my stead or in the name of my seed. I trust in her, and in the generations that follow her, to fulfill this role faithfully, in steadfast adherence to the wishes laid out in the foregoing pages of this document.\n\n\n\n":{"v":"Le domaine, de taille généreuse, est plus que capable d’accueillir plusieurs familles sans inconvénient. Il est toutefois entendu que des préparatifs pour un éventuel déménagement doivent être faits, car cette clémence ne sera pas accordée aux générations suivantes\n\n\nJe constitue et nomme par les présentes ma collègue et consœur en architecture, la Quatrième Alicias Erin de Trinsdale, chargée exclusive et officière exécutoire de cet instrument. Si jamais la quarante-sixième chambre de mon Mount Holly est découverte et Le Testament Bleu d’Auravei lui est remis entre les mains, ou entre celles de ses descendants, j’ordonne qu’elles aient seul droit et discrétion de révoquer et d’annuler toutes les dispositions antérieures faites en mon nom ou au nom de ma descendance. Je fais confiance à elle, et aux générations qui suivront, d’accomplir ce rôle fidèlement, en stricte conformité avec les volontés exposées dans les pages précédentes de ce document.\n\n\n\n","t":"A","i":2000},"The family core can\nbe found in a red room\nwith a [!v*0]-letter name.":{"v":"Le cœur de la famille peut\nêtre trouvé dans une salle rouge\ndont le nom commence par [!v*0].","t":"A","i":987},"The first item that can adjust the RARITY of floorplans in the draft pool. Although it only works on MECHANICAL ROOMS, it's a useful tool for customizing your experience.":{"v":"Le premier élément permettant de modifier la RARETÉ des plans dans le pool de brouillon. Bien qu'il ne fonctionne que sur les pièces MÉCANIQUES, c'est un outil utile pour personnaliser votre expérience.","t":"A","i":3644},"The first key found here on the furthest rank,\nThe second locked tight in the vault of a bank,\nThe third is high up, among all the clocks,\nAnd the fourth down below, beneath all the docks.\nThe fifth key is held by a king on his throne,\nThe sixth in a station, left by one of your own,\nThe seventh is major if you draft it quite late,\nAnd the last key is waiting, behind the last door of eight.\n":{"v":"La première clé se trouve ici, au rang le plus lointain,\nLa deuxième est verrouillée dans le coffre d'une banque,\nLa troisième est en hauteur, parmi toutes les horloges,\nEt la quatrième en bas, sous tous les quais.\nLa cinquième clé est détenue par un roi sur son trône,\nLa sixième dans une gare, laissée par l'un des vôtres,\nLa septième est majeure si vous la recrutez assez tard,\nEt la dernière clé attend, derrière la dernière porte des huit.\n","t":"A","i":1301},"The first time you draw a RED ROOM while drafting, you may remove it from today's draft pool.\n\nIf you do, gain and redraw floorplans.\n\n":{"v":"La première fois que vous dessinez une PIÈCE ROUGE lors de la sélection, vous pouvez l'enlever du pool de sélection du jour.\n\nSi vous le faites, gagnez et redessinez les plans d'étage.\n\n","t":"A","i":2828},"The first time you enter\n each room on Rank [!v*0],":{"v":"La première fois que vous entrez\n dans chaque salle du rang [!v*0],","t":"A","i":3246},"The first time you enter\n each room on Rank [!v*0],":{"v":"La première fois que vous entrez\n dans chaque salle au rang [!v*0],","t":"A","i":1573},"The first time you enter each Green Room, \n use to gain [!v*1] .\n":{"v":"La première fois que vous entrez dans chaque Salle verte, \nutilisez pour gagner [!v*1] .\n","t":"A","i":3965},"The first time you enter each Green Room, \n use to gain [!v*1] .\n":{"v":"La première fois que vous entrez dans chaque Salle verte, \n utilisez pour gagner [!v*1] .\n","t":"A","i":3957},"The first time you enter each bedroom\nwith the Sleep Mask, gain .":{"v":"La première fois que vous entrez dans chaque chambre\navec le Masque de Sommeil, gagnez","t":"A","i":1359},"The first time you enter each bedroom\nwith the Sleep Mask, gain .":{"v":"La première fois que vous entrez dans chaque chambre à coucher\navec le masque de sommeil, gagnez","t":"A","i":3220},"The first time you enter each bedroom\nwith the Sleep Mask, gain .":{"v":"La première fois que vous entrez dans chaque chambre à coucher\navec le masque de sommeil, gagnez","t":"A","i":2871},"The first time you find a Stopwatch each day, for the next one minute you will not\nlose when entering rooms, when opening doors or when drafting special rooms.\n":{"v":"La première fois que vous trouvez une Chronomètre chaque jour, pendant la minute suivante, vous ne perdrez pas \nlors de l'entrée dans des pièces, lors de l'ouverture de portes ou lors de la conception de pièces spéciales.\n","t":"A","i":3165},"The first time you reach\na new rank each day,":{"v":"La première fois que vous atteignez\nun nouveau rang chaque jour,","t":"A","i":4061},"The first time you reach\na new rank each day,\ngain ,":{"v":"La première fois que vous atteignez\nun nouveau rang chaque jour,\ngagnez","t":"A","i":2331},"The following is a detailed list of items cu":{"v":"La liste détaillée des objets cu","t":"A","i":4645},"The following is a detailed list of items cur":{"v":"Voici une liste détaillée des objets cur","t":"A","i":4342},"The following is a detailed list of items curr":{"v":"Voici une liste détaillée des objets curr","t":"A","i":4343},"The following is a detailed list of items curre":{"v":"La liste détaillée des objets curre","t":"A","i":4646},"The following is a detailed list of items curren":{"v":"Voici une liste détaillée des articles couran","t":"A","i":4344},"The following is a detailed list of items current":{"v":"Voici une liste détaillée des articles actuels","t":"A","i":4345},"The following is a detailed list of items currentl":{"v":"Voici une liste détaillée des articles actuell","t":"A","i":4346},"The following is a detailed list of items currently \nin the house that have yet to be collected. This\nlist will be updated as new rooms are added.":{"v":"Voici une liste détaillée des objets actuellement \ndans la maison qui n'ont pas encore été récupérés. Cette\nliste sera mise à jour lorsque de nouvelles pièces seront ajoutées.","t":"A","i":3269},"The following is a detailed list of items currently \nin the house that have yet to be collected. This list\nwill be updated as new ":{"v":"Voici une liste détaillée des objets actuellement \ndans la maison qui n'ont pas encore été récupérés. Cette liste\nsera mise à jour dès l'apparition de nouveaux ","t":"A","i":4782},"The following is a detailed list of items currently \nin the house that have yet to be collected. This list\nwill be updated as new rooms ":{"v":"Voici une liste détaillée des objets actuellement \ndans la maison qui n'ont pas encore été récupérés. Cette liste\nsera mise à jour à mesure que de nouvelles pièces ","t":"V","i":4741},"The following is a detailed list of items currently \nin the house that have yet to be collected. This list\nwill be updated as new rooms are added.":{"v":"Voici une liste détaillée des objets actuellement \ndans la maison qui n'ont pas encore été récupérés. Cette liste\nsera mise à jour lorsque de nouvelles pièces seront ajoutées.","t":"A","i":4349},"The former Ruby Crown of Orinda Aries,\nrecently set with freshly cut sapphires.":{"v":"L'ancienne Couronne Rubis d'Orinda Aries,\nrécemment sertie de saphirs fraîchement taillés .","t":"A","i":3040},"The foyer leads to doors you trust,\n
Though unlocked rooms are prone to dust.\n
The maid will try to her best, she must,\n
But if she’s not paid, we’ll call it bust.\n":{"v":"Le hall mène à des portes que vous faites confiance,\n
Bien que les pièces déverrouillées soient sujettes à la poussière.\n
La femme de ménage fera son possible, elle doit,\n
Mais si elle n'est pas payée, nous appellerons ça un échec.\n","t":"A","i":3639},"The full directory comprises [!v*0] numbered rooms plus eight categories of eight rooms.\n\n[!v*1] + [!v*2]":{"v":"Le répertoire complet comprend [!v*0] pièces numérotées plus huit catégories de huit pièces.\n\n[!v*1] + [!v*2]","t":"A","i":4027},"The full directory comprises [!v*0] numbered rooms plus eight categories of eight rooms.\n\n[!v*1] + [!v*2].":{"v":"Le répertoire complet comprend [!v*0] pièces numérotées ainsi que huit catégories de huit pièces.\n\n[!v*1] + [!v*2].","t":"A","i":995},"The gems are in the black box.":{"v":"Les gemmes sont dans la boîte noire.","t":"A","i":259},"The gems are in the blue box.":{"v":"Les gemmes sont dans la boîte bleue.","t":"A","i":617},"The gems are in the white box.":{"v":"Les gemmes sont dans la boîte blanche.","t":"A","i":1249},"The groundskeeper's toolshed is often a great draft choice to find useful items like a shovel or a sledge hammer.":{"v":"Le cabanon à outils du jardinier est souvent un excellent choix de brouillon pour trouver des objets utiles comme une pelle ou une masse.","t":"A","i":2424},"The items you have collected on any given day can be viewed and inspected from the Blue Print Menu.":{"v":"Les objets que vous avez collectés au cours d'une journée donnée peuvent être consultés et examinés depuis le menu du Plan Bleu.","t":"A","i":4495},"The key is figuring out a way to draft dead ends without blocking off your house's potential for expansion. Dropping a dead end room on the rank behind you is a great strategy to accomplish this and helps you pick up some extra resources before continuing to higher ranks. In general, you should be trying to fill up every open slot in your house before moving north.":{"v":"L'essentiel est de trouver un moyen de créer des impasses sans bloquer le potentiel d'expansion de votre maison. Placer une pièce impasse sur la rangée derrière vous est une excellente stratégie pour y parvenir et vous permet de ramasser quelques ressources supplémentaires avant de passer aux rangées supérieures. En général, vous devriez essayer de remplir chaque emplacement libre de votre maison avant de vous déplacer vers le nord.","t":"A","i":3209},"The last Outer Room is a floorplan with a function that isn't as straightforward as the others. Just what is a blessing? How much gold do I need to give? How long does it last? The SHRINE is a space of rev-erence, a mystical cavern filled with the glow of candlelight, and those that show respect and pay tribute are blessed by the unseen forces that guide this world. BLESSINGS are persistent benefits that last several days, and are ":{"v":"La dernière Chambre Extérieure est un plan de sol dont la fonction n'est pas aussi simple que les autres. Qu'est-ce qu'une bénédiction ? Combien d'or dois-je offrir ? À quelle durée s'étend-elle ? Le SANCTUAIRE est un lieu de révérence, une grotte mystique remplie de la lueur des bougies, et ceux qui montrent du respect et rendent hommage sont bénis par les forces invisibles qui guident ce monde. LES BÉNÉDICTIONS sont des avantages persistants qui durent plusieurs jours, et ","t":"A","i":3635},"The last save file backup was made on":{"v":"La dernière sauvegarde de sauvegarde a été effectuée le","t":"A","i":157},"The late Sinclair’s personal home office, a room he used exclusively for business affairs and the running of the estate, a task he took increasingly more satisfaction in overseeing in his later years.":{"v":"Le bureau personnel du défunt Sinclair, une pièce qu'il utilisait exclusivement pour les affaires et la gestion de l'exploitation, tâche dans laquelle il trouvait de plus en plus de satisfaction à superviser dans ses dernières années.","t":"A","i":4360},"The license plate on this car is an acronym. ":{"v":"La plaque d'immatriculation de cette voiture est un acronyme. ","t":"A","i":933},"The life of every room begins as a floorplan, a square paper sketch, drawn by an architect, from a pool of potential ideas- the draft pool.":{"v":"La vie de chaque pièce commence par un plan, un croquis carré sur papier, dessiné par un architecte, puisé dans un réservoir d'idées potentielles : le réservoir de brouillons.","t":"A","i":4482},"The main centralized heat source for the estate. You may find yourself starting to sweat after drafting this room. ":{"v":"La principale source de chaleur centralisée du domaine. Vous risquez de commencer à transpirer après avoir fait le tour de cette pièce. ","t":"A","i":4852},"The majority of gems found in the house are artificially produced.":{"v":"La majorité des gemmes trouvées dans la maison sont artificielles.","t":"A","i":912},"The monk waits beyond\nthe second chamber.":{"v":"Le moine attend au-delà\nde la seconde chambre.","t":"A","i":1141},"The more items you have, the greater your chances of being able to create a contraption in WORKSHOP.":{"v":"Plus vous avez d'objets, plus vos chances de pouvoir créer un engin dans l'ATELIER sont élevées.","t":"A","i":1726},"The museum authorities said they were alerted in the middle of night by reports of several masked intruders seen breaching the south wall and brandishing firearms. The intruders broke into the museum, subdued the Royal Guard and disabled the security system. By the time the militia arrived on the scene, the burglars had simply vanished.":{"v":"Les autorités du musée ont déclaré avoir été alertées au milieu de la nuit par des signalements de plusieurs intrus masqués repérés en train de franchir le mur sud et de brandir des armes à feu. Les intrus sont entrés dans le musée, ont neutralisé la garde royale et désactivé le système de sécurité. Au moment où la milice est arrivée sur les lieux, les voleurs avaient simplement disparu.","t":"A","i":3190},"The mysterious room mentioned in H. S. Sinclair’s will, named only by a number. Despite the house’s official blueprint only showing a total of [!v*0] rooms, the words of the legal document make it apparent that a [!v*1]th room in the house in fact exists. Finding this room is your primary objective while on the estate. It is after all, your bequest.":{"v":"La chambre mystérieuse mentionnée dans le testament de H. S. Sinclair, désignée uniquement par un numéro. Bien que le plan officiel de la maison ne montre qu’un total de [!v*0] pièces, les termes du document juridique rendent évident qu’une [!v*1]e chambre existe bel et bien dans la demeure. Trouver cette chambre est votre objectif principal sur le domaine. C’est, après tout, votre legs.","t":"A","i":4577},"The network servers are finally out of cold storage! Or at least as many as we could fit into the surrounding walls of the Grotto off of the East Drive. The last few days have been very busy, but I'm glad I was able to take a short break from gardening to help Randolph install the network. It was, after all, the least he could do, since it was I who suggested the final location. We decided that we are going to store the two unused servers here in Mount Holly's freezer. They should serve as readily accessible replacements should any of the primary consoles fail.\n\n -Denny Revane":{"v":"Les serveurs réseau sont enfin sortis de la chambre froide ! Ou du moins autant que nous avons pu les loger dans les murs environnants de la Grotte, sur l'East Drive. Ces derniers jours ont été très chargés, mais je suis ravi d'avoir pu prendre une courte pause dans le jardinage pour aider Randolph à installer le réseau. C'était, après tout, le minimum qu'il pouvait faire, puisque c'est moi qui ai suggéré l'emplacement final. Nous avons décidé de stocker les deux serveurs inutilisés dans le congélateur de Mount Holly. Ils devraient servir de rechanges immédiatement accessibles en cas de panne de l'une des consoles principales.\n\n -Denny Revane","t":"A","i":1096},"The next [!v*0] times you unlock\n and open a chest,\n":{"v":"Les [!v*0] prochaines fois que vous débloquez\n et ouvrez un coffre,\n","t":"A","i":2070},"The next [!v*0] times you view\n your map, lose [!v*1] steps and then,":{"v":"Les [!v*0] prochaines fois que vous consultez\n votre carte, perdez [!v*1] pas de marche puis,","t":"A","i":3023},"The next three green memos you find in this room will all be true.":{"v":"Les trois prochains mémos verts que vous trouverez dans cette pièce seront tous vrais.","t":"A","i":1025},"The numerals below the Coat of Arms are four different numbers,
not one.":{"v":"Les chiffres sous le blason sont quatre nombres différents,
pas un seul.","t":"A","i":823},"The only car left on the estate\nshould be in the Garage":{"v":"La seule voiture restante sur le domaine\ndevrait être dans le garage","t":"A","i":2629},"The orientation of floorplans matters a lot less when rooms have tons of doors! SILVER KEY all but guarantees that your draft will result in a room with enough doors to ensure they lead where you want them to go.":{"v":"L'orientation des plans importe beaucoup moins lorsque les pièces ont une tonne de portes ! La CLÉ D'ARGENT garantit presque que votre ébauche aboutira à une pièce avec suffisamment de portes pour qu'elles mènent là où vous le souhaitez.","t":"A","i":3405},"The outdoor area of the estate immediately surrounding the house. The grounds include many areas of interest, including the campsite, apple orchard and west path.":{"v":"La zone extérieure du domaine qui entoure immédiatement la maison. Les terrains comprennent de nombreuses zones d'intérêt, notamment le campement, le verger de pommiers et le sentier de l'ouest.","t":"A","i":4502},"The permissions of this terminal\ndo not allow for access to the\nElectronic Mail account.":{"v":"Les autorisations de ce terminal\nne permettent pas d'accéder au\ncompte de messagerie électronique.","t":"A","i":2423},"The permissions of this terminal\ndo not allow for access to the\nElectronic Mail account.\n\nCurrently this feature can only be\naccessed via t":{"v":"Les autorisations de ce terminal\nne permettent pas d'accéder au\ncompte de messagerie électronique.\n\nActuellement, cette fonctionnalité ne peut être\nacc","t":"A","i":4653},"The permissions of this terminal\ndo not allow for access to the\nElectronic Mail account.\n\nCurrently this feature can only be\naccessed via the terminal located\nin T":{"v":"Les permissions de ce terminal\nne permettent pas l'accès au\ncompte Courriel.\n\nActuellement, cette fonctionnalité ne peut\nêtre accessible que via le terminal situé\ndans T","t":"A","i":4761},"The permissions of this terminal\ndo not allow for access to the\nElectronic Mail account.\n\nCurrently this feature can only be\naccessed via the terminal located\nin TH":{"v":"Les permissions de ce terminal\nne permettent pas l'accès au\ncompte Courriel.\n\nActuellement, cette fonctionnalité ne peut être\naccédée que via le terminal situé\ndans TH","t":"A","i":4421},"The permissions of this terminal\ndo not allow for access to the\nElectronic Mail account.\n\nCurrently this feature can only be\naccessed via the terminal located\nin THE ":{"v":"Les permissions de ce terminal\nne permettent pas l'accès au\ncompte Courriel.\n\nActuellement, cette fonctionnalité ne peut être\naccédée que via le terminal situé\ndans THE ","t":"A","i":4423},"The permissions of this terminal\ndo not allow for access to the\nElectronic Mail account.\n\nCurrently this feature can only be\naccessed via the terminal located\nin THE O":{"v":"Les permissions de ce terminal\nne permettent pas l'accès au\ncompte Messagerie.\n\nActuellement, cette fonctionnalité ne peut être\naccédée que via le terminal situé\ndans THE O","t":"A","i":4424},"The permissions of this terminal\ndo not allow for access to the\nElectronic Mail account.\n\nCurrently this feature can only be\naccessed via the terminal located\nin THE OF":{"v":"Les permissions de ce terminal\nne permettent pas l'accès au\ncompte Messagerie.\n\nActuellement, cette fonctionnalité ne peut\nêtre accessible que via le terminal situé\ndans THE OF","t":"A","i":4425},"The permissions of this terminal\ndo not allow for access to the\nElectronic Mail account.\n\nCurrently this feature can only be\naccessed via the terminal located\nin THE OFF":{"v":"Les permissions de ce terminal\nne permettent pas l'accès au\ncompte Messagerie.\n\nActuellement, cette fonctionnalité ne peut être\naccédée que via le terminal situé\ndans THE OFF","t":"A","i":4426},"The permissions of this terminal\ndo not allow for access to the\nElectronic Mail account.\n\nCurrently this feature can only be\naccessed via the terminal located\nin THE OFFI":{"v":"Les permissions de ce terminal\nne permettent pas l'accès au\ncompte Messagerie.\n\nActuellement, cette fonctionnalité ne peut être\naccédée que via le terminal situé\ndans THE OFFI","t":"A","i":4427},"The permissions of this terminal\ndo not allow for access to the\nElectronic Mail account.\n\nCurrently this feature can only be\naccessed via the terminal located\nin THE OFFIC":{"v":"Les permissions de ce terminal\nne permettent pas l'accès au\ncompte Courriel.\n\nActuellement, cette fonctionnalité ne peut être\naccédée que via le terminal situé\ndans THE OFFIC","t":"A","i":4720},"The permissions of this terminal\ndo not allow for access to the\nElectronic Mail account.\n\nCurrently this feature can only be\naccessed via the terminal located\nin THE OFFICE":{"v":"Les autorisations de ce terminal\nne permettent pas d'accéder au\ncompte de messagerie électronique.\n\nActuellement, cette fonctionnalité ne peut être\nutilisée que via le terminal situé\ndans LE BUREAU","t":"A","i":2425},"The permissions of this terminal\ndo not allow for access to the\nElectronic Mail account.\n\nCurrently this feature can only be\naccessed via the terminal located\nin THE":{"v":"Les permissions de ce terminal\nne permettent pas l'accès au\ncompte Courriel.\n\nActuellement, cette fonctionnalité ne peut être\naccédée que via le terminal situé\ndans THE","t":"A","i":4422},"The previous box in this\nroom contained a true statement.":{"v":"La boîte précédente de cette\npièce contenait une affirmation vraie.","t":"A","i":1134},"The prince had a love,\nFor all things Blue,\n“It’s the only true color,\nIn my humble view.”\n":{"v":"Le prince avait un amour,\nPour toutes choses bleues,\n\"C'est la seule vraie couleur,\nÀ mon humble avis.\"\n","t":"A","i":3001},"The prince had a love,\nFor all things red.\n\"It’s the only true color\"\nThe prince often said.\n":{"v":"Le prince avait un amour,\nPour toutes choses rouges.\n\"C'est la seule vraiecouleur\"\nLe prince le disait souvent.\n","t":"A","i":4071},"The prince had a love,\nFor everything red,\n\n":{"v":"Le prince avait un amour,\nPour tout ce qui est rouge,\n\n","t":"A","i":3566},"The puzzle boxes of Mora Jai\nspread to Eraja not through ":{"v":"Les boîtes d'énigmes de Mora Jai\nse sont répandues à Eraja non par ","t":"A","i":2216},"The real Alzara was an Erajan soothsayer who belonged to the royal court of Aries. He was banished from the realm in the fifteenth year of Ejera for a prophecy that did not come to pass.":{"v":"Le véritable Alzara était un devin érajan au service de la cour royale d’Aries. Il fut banni du royaume la quinzième année d’Ejera pour une prophétie qui ne s’était pas réalisée.","t":"A","i":1010},"The red flags flying over the capitol was a bittersweet sight of comfort for many of this realm's war-weary citizens. After twenty-two years, peace had come at last. We, the staff of Reddington Herald, join all of the citizens of Reddington in welcoming this new era of peace, and formally retract and disavow all prior printed support of\nHouse Desilets.\n":{"v":"Les drapeaux rouges flottant au-dessus du Capitole offraient un spectacle à la fois amer et réconfortant pour de nombreux citoyens de ce royaume, usés par la guerre. Après vingt-deux ans, la paix était enfin revenue. Nous, la rédaction du Reddington Herald, nous associons à tous les citoyens de Reddington pour accueillir cette nouvelle ère de paix, et retirons formellement et désavouons tout soutien antérieur imprimé à\nla Maison Desilets.\n","t":"A","i":1830},"The restored original home of Prince Leerson, donated to the City of Fenn upon his death, now serves as the Royal Museum's beautiful West Annex.":{"v":"La demeure d'origine du prince Leerson, restaurée et léguée à la ville de Fenn à sa mort, sert désormais de magnifique annexe ouest du Musée royal.","t":"A","i":2548},"The restored original home of Prince Leerson, donated to the City of Fenn upon his death, now serves as the Royal's museum beautiful West Annex.":{"v":"La demeure d’origine du prince Leerson, restaurée et léguée à la ville de Fenn à sa mort, abrite désormais le magnifique annexe ouest du musée Royal.","t":"A","i":2005},"The risk may scare off some, but to those who see their steps as an expendable resource and throw caution to the wind, HOVEL is an unbeatable drafting force.":{"v":"Le risque peut en effrayer certains, mais pour ceux qui considèrent leurs pas comme une ressource sacrificielle et jettent la prudence aux vents, HOVEL est une force de draft imbattable.","t":"A","i":1771},"The rustic, wooden stacked bunk beds evoke the enticing promise of campfire stories and childhood adventures. This bedroom served as pillowfort and bedroom to the young Sinclair boys, and has remained faithfully unchanged over the years.":{"v":"Les lits superposés rustiques en bois évoquent la promesse envoûtante des histoires de feu de camp et des aventures d'enfance. Cette chambre a servi de fortin à oreillers et de dortoir aux jeunes garçons Sinclair, restant fidèlement inchangée au fil des années.","t":"A","i":4676},"The scientific foundation of architectural drafting, combining advanced principles of spatial suspension and temporal anchoring, was developed and refined at the Pharias High Institute of Corarica at the beginning of their realm’s [!v*0]th era.":{"v":"Les fondements scientifiques du dessin architectural, combinant des principes avancés de suspension spatiale et d'ancrage temporel, ont été développés et affinés à l'Institut Supérieur de Pharias de Corarica au début de la [!v*0]e ère de leur royaume.","t":"A","i":619},"The smudge pots found among the apple trees here in the orchard are a critical necessity thanks to the cold temperatures and high altitude of the estate. These gas burning stack heaters prevent frost and should be kept on during the winter months to ensure a daily yield of apples.\n\n\nWhen the smudge pots are not in use, the orchard's gasline should be turned off to conserve resources for the estate's other gas powered machinery and appliances.\n":{"v":"Les brûleurs de fumée trouvés parmi les pommiers ici dans le verger sont une nécessité critique grâce aux températures froides et à l'altitude élevée du domaine. Ces chauffages à gaz empêchent le gel et doivent être maintenus en marche pendant les mois d'hiver pour garantir un rendement quotidien de pommes.\n\n\nLorsque les brûleurs de fumée ne sont pas utilisés, la canalisation de gaz du verger doit être fermée afin d'économiser les ressources pour les autres machines et appareils à gaz du domaine.\n","t":"A","i":2892},"The staff commissary is always stocked with household goods and supplies at a reasonable cost. This provides the servants of the estate an invaluable service, especially to the live-in staff who may only expect to leave the property once or twice a month.":{"v":"Le magasin du personnel est toujours approvisionné en articles ménagers et fournitures à un coût raisonnable. Cela offre aux domestiques de la propriété un service inestimable, particulièrement au personnel logé qui ne quitte les lieux qu'une ou deux fois par mois.","t":"A","i":4316},"The third":{"v":"Le troisième","t":"A","i":449},"The third-largest city in Fenn Aries, and site of its former capital, Reddington is synonymous with mountains, mystery, and magic. Most tourists head straight for the boardwalk and don’t get much further than the Botanical Gardens. However, Reddington has much more to offer.\n\nSpectacular scenery, a historic castle, and a charming underground bazaar reward visitors who wish to explore further. Reddington is that type of unique, enchanting place that lingers in your mind and memories long after you leave her.":{"v":"La troisième plus grande ville de Fenn Aries, et ancien site de sa capitale, Reddington est synonyme de montagnes, de mystère et de magie. La plupart des touristes se rendent directement sur la promenade en bois et ne vont guère plus loin que les Jardins Botaniques. Pourtant, Reddington a bien plus à offrir.\n\nUn paysage spectaculaire, un château historique et un charmant bazar souterrain récompensent les visiteurs désireux d’explorer davantage. Reddington est ce type de lieu unique et envoûtant qui reste gravé dans votre esprit et vos souvenirs bien après votre départ.","t":"A","i":1944},"The tihird":{"v":"Le tihird","t":"A","i":473},"The west wing of the estate has been closed since the death of Lady Epsen. It is unsurprising therefore, that this hallway in its neglected state features boarded windows and dust smothered furniture. ":{"v":"L'aile ouest du domaine est fermée depuis la mort de lady Epsen. Il n'est donc pas surprenant que ce couloir, dans son état négligé, présente des fenêtres clouées et des meubles recouverts de poussière. ","t":"A","i":4621},"There are [!v*0] different methods to rotate rooms.":{"v":"Il existe [!v*0] méthodes différentes pour faire pivoter les pièces.","t":"A","i":1221},"There are [!v*0] different potential spare room upgrades.":{"v":"Il existe [!v*0] améliorations potentielles différentes pour la chambre d'amis.","t":"A","i":1023},"There are a number of data disks that can be found on the estate that contain potential room upgrades that were planned but never executed by the Baron.":{"v":"Plusieurs disques de données peuvent être trouvés sur le domaine, contenant des améliorations de chambres potentielles qui avaient été prévues mais jamais réalisées par le Baron.","t":"A","i":4552},"There are six permanent additions.":{"v":"Il y a six ajouts permanents.","t":"A","i":960},"There are three memos with false statements in the clock tower.":{"v":"Il y a trois mémos contenant de fausses affirmations dans la tour de l'horloge.","t":"A","i":3856},"There are three memos with false statements in the clocktower.":{"v":"Il y a trois notes contenant de fausses affirmations dans le beffroi.","t":"A","i":1087},"There have been fewer and fewer opportunities, the further we travel up into the mountains, to attend to my correspondence and I find myself regretting having brought so many books, as this is the first realm I have visited without porters. Here, every person is expected to carry their own belongings, and if you can’t, you throw away “that which is expendable”. It’s looking like I ’ll be bringing back less souvenirs than I had planned. I never expected to appreciate the cold, but the frigid weather here is a welcome relief coming from the sweltering shores of Verra.":{"v":"Il y a de moins en moins d’occasions, à mesure que nous montons dans les montagnes, de m’occuper de ma correspondance, et je regrette d’avoir apporté autant de livres, car c’est le premier royaume que je visite sans porteurs. Ici, chacun est censé porter ses propres affaires, et si vous ne pouvez pas, vous jetez « ce qui est superflu ». Il semble que je ramènerai moins de souvenirs que prévu. Je ne m’attendais pas à apprécier le froid, mais le climat glacial ici est un soulagement bienvenu après les rivages torrides de Verra.","t":"A","i":2538},"There have been fewer and fewer opportunities, the further we travel up into the mountains, to attend to my correspondence and I find myself regretting having brought so many books, as this is the first realm I have visited without porters. Here, every person is expected to carry their own belongings, and if you can’t, you throw away “that which is expendable”. It’s looking like I’ll be bringing back less souvenirs than I had planned. I never expected to appreciate the cold, but the frigid weather here is a welcome relief coming from the sweltering shores of Verra.":{"v":"Il y a de moins en moins d’occasions, à mesure que nous montons dans les montagnes, de m’occuper de ma correspondance, et je regrette d’avoir apporté autant de livres, car c’est le premier royaume que je visite sans porteurs. Ici, chacun est censé porter ses propres affaires, et si vous ne pouvez pas, vous jetez « ce qui est superflu ». Il semble que je ramènerai moins de souvenirs que prévu. Je ne m’attendais pas à apprécier le froid, mais le climat glacial ici est un soulagement bienvenu après les rivages torrides de Verra.","t":"A","i":2358},"There is a Major Key hanging on a wall in the Safehouse.":{"v":"Une clé majeure est accrochée au mur de la cachette.","t":"A","i":938},"There is an experiment already\npaused at the moment.\n\nWould you like to resume this\nexperiment?":{"v":"Il y a déjà une expérience en cours \nen pause. \n\nSouhaitez-vous reprendre cette \nexpérience ?","t":"A","i":3651},"There is no realm that\nflies the white flag.":{"v":"Il n'existe aucun royaume qui\nbataille le drapeau blanc.","t":"A","i":1158},"There is not a depth\n\n\n\n\n\n\n \n \n I would not dive to.":{"v":"Il n'y a pas de profondeur\n\n\n\n\n\n\n \n \n où je ne plongerais pas.","t":"A","i":1675},"There was a Blue Prince,\nWho sat on a Blue Throne,\nHe had a blue crown made of sapphires,\nAnd a blue castle made of stone.\n":{"v":"Il y avait un Prince Bleu,\nQui trônait sur un Trône Bleu,\nIl portait une couronne bleue faite de saphirs,\nEt un château bleu fait de pierre.\n","t":"A","i":3718},"There were a total of eight gems removed from the Ruby Crown of Orinda Aries.":{"v":"Huit gemmes au total ont été retirées de la Couronne de Rubis d'Orinda Aries.","t":"A","i":1020},"There’s so much I want to say, and I’m sure I’ll forget to tell you Friday night. Sometimes it’s easier for me to just jot this stuff down.\n\nYou’re yelling at me right now to come bring you a pillowcase! Hold on a second— I’ll be right back...\n\nI can tell you’re really excited, but I think you might feel a little guilty about being so happy the day after the funeral. Believe me, I know how long Uncle Herbert worked on setting this up for you. And I know from our conversations just how much happiness this final project brought him. So do both of us a favor. Be excited.":{"v":"Il y a tant de choses que je veux dire, et j'ai peur d'oublier de vous les confier ce vendredi soir. Parfois, il est plus facile pour moi de simplement noter ces trucs.\n\nTu me cries dessus en ce moment pour venir te chercher une taie d'oreiller ! Attends une seconde — je reviens tout de suite...\n\nJe vois que tu es vraiment excité(e), mais je pense que tu pourrais ressentir un peu de culpabilité d'être si heureux(se) le jour après les funérailles. Crois-moi, je sais combien d'efforts oncle Herbert a fournis pour organiser tout cela pour toi. Et grâce à nos conversations, je sais combien ce dernier projet lui a apporté de bonheur. Faisons donc tous les deux un effort. Sois excité(e).","t":"A","i":3463},"These floorplans are slightly more rare and cost gems to draft. They often offer more unique, complex and exciting effects.":{"v":"Ces plans de salle sont légèrement plus rares et nécessitent des gemmes pour être tracés. Ils offrent souvent des effets plus uniques, complexes et stimulants.","t":"A","i":4537},"These small sleeping quarters, devoid of frills and distractions, are ideal for the student, scholar or denizen of academia who wish to focus on their studies without interruption. \n\nStudy and sleep. \nRinse and repeat.":{"v":"Ces petites chambres de repos, dépourvues de fioritures et de distractions, sont idéales pour l'étudiant, le chercheur ou le citoyen du monde académique qui souhaite se concentrer sur ses études sans interruption. \n\nÉtudiez et dormez. \nRincez et répétez.","t":"A","i":4079},"Thieves in the royal capital of Fenn Aries have broken into one of the Crown’s fabled ‘closed’ exhibits. These lavish rooms have historically been reserved exclusively for the use of the aristocracy and high peerage, and access has never been granted to those outside noble circles. At least not until today, as local police and forensic experts have been spotted in virtually every corner of the Museum grounds dredging for clues.":{"v":"Des voleurs ont pénétré dans l'un des fabled ‘fermés’ du Musée de la capitale royale de Fenn Aries. Ces salles somptueuses ont historiquement été réservées exclusivement à l'usage de l'aristocratie et de la haute noblesse, et l'accès n'a jamais été accordé à ceux qui ne font pas partie des cercles nobles. Pas encore aujourd'hui, alors que la police locale et des experts en sciences forensiques ont été repérés dans presque tous les coins du domaine du Musée, fouillant à la recherche de indices.","t":"A","i":3501},"Thirdly, to my faithful valet, Hartley Ruota, I hereby gift to him the lake house in Trinsdale as a small measure of gratitude for his many years of unwavering loyalty and devoted service. I direct that my executor take such steps as are necessary to transfer ownership of the said lakehouse to Hartley Ruota and should use all reasonable efforts to persuade him to accept the same.\n\n\nFurthermore, to my late cousin Tillynn’s two children, Courtney Ferrine and Rygard Ferrine, who have sometimes been impulsive and hasty in their actions, I grant to each a cuckoo clock set eternally on the sacred hour, for only time will tell when they are ready to slow down enough to appreciate the gifts bestowed upon them with the patience and wisdom that comes with maturity.\n\n\nIn the case that Lionel Epsen should return from his travels abroad, or in the event that any of his heirs should present themselves, I bequeath to him or them, as the case may be, the diary and its related key, which formerly belonged to his sister, Clara Epsen, which I have kept in her room and beside her grave, respectively (and respectfully).\n":{"v":"Troisièmement, à mon fidèle valet, Hartley Ruota, je lui donne par les présentes la maison du lac à Trinsdale, en guise de modeste gratitude pour ses nombreuses années de loyauté inébranlable et de dévouement. J’ordonne à mon exécuteur testamentaire de prendre les mesures nécessaires pour transférer la propriété de ladite maison de lac à Hartley Ruota et de faire tous les efforts raisonnables pour le convaincre d’accepter ce don.\n\n\nDe plus, aux deux enfants de ma défunte cousine Tillynn, Courtney Ferrine et Rygard Ferrine, qui ont parfois agi avec impulsivité et précipitation, j’accorde à chacun une horloge à coucou réglée éternellement sur l’heure sacrée, car seul le temps dira s’ils sont prêts à ralentir assez pour apprécier les présents qui leur sont conférés avec la patience et la sagesse qui accompagnent la maturité.\n\n\nDans l’éventualité où Lionel Epsen reviendrait de ses voyages à l’étranger, ou si l’un de ses héritiers se présentait, je lui lègue, ou à eux selon le cas, le journal et sa clé associée, qui appartenaient autrefois à sa sœur, Clara Epsen, que j’ai conservés respectivement dans sa chambre et à côté de sa tombe (et avec respect).\n","t":"A","i":1926},"This":{"v":"Ceci","t":"A","i":944},"This above features are currently being developed and tested and will be included in a forthcoming update. This is a priority for us, so thank you for your patience.":{"v":"Ces fonctionnalités sont actuellement en cours de développement et de test et seront incluses dans une prochaine mise à jour. C'est une priorité pour nous, donc merci de votre patience.","t":"A","i":4008},"This baroque arboretum showcases and preserves the rarest specimens of every type and variety. Through selective propagation, the gardener here may influence which flora (or floora) will be considered commonplace during the next season.":{"v":"Ce baroque arboretum met en valeur et préserve les spécimens les plus rares de chaque type et variété. Grâce à la propagation sélective, le jardinier ici peut influencer quelle flore (ou floora) sera considérée comme commune lors de la saison suivante.","t":"A","i":4692},"This book contains a complete star base, a list of constellations and the observed effects that accompany the appearance of each one.\n\nDepending on the number of stars that can be seen in the sky on any given day, different constellations of various sizes may be visible (sometimes more than one on a single day!) \n\nThis book, a solid base for astronomy, will help you easily identify these constellations, impress your friends and discover the joy of stargazing.":{"v":"Ce livre contient une base stellaire complète, une liste de constellations et les effets observés qui accompagnent l'apparition de chacune d'elles.\n\nSelon le nombre d'étoiles visibles dans le ciel à n'importe quel moment donné, différentes constellations de tailles variées peuvent être observables (parfois plus d'une en un seul jour !) \n\nCe livre, une base solide pour l'astronomie, vous aidera à identifier facilement ces constellations, impressionner vos amis et découvrir le plaisir de l'observation des étoiles.","t":"A","i":2632},"This book was\ngraciously gifted by":{"v":"Ce livre a été\ngracieusement offert par","t":"A","i":724},"This book was\nreviewed and cleared\nfor publication by":{"v":"Ce livre a été\nexaminé et approuvé\npour la publication par","t":"A","i":4039},"This book was\nreviewed and cleared\nfor publiclication by":{"v":"Ce livre a été\nexaminé et approuvé\npour publication par","t":"A","i":841},"This book was written to make simple the understanding of these fascinating glyphs and to clearly display the correlation between each sigil and the iconography of that realm’s royal art. “How is the image of a leafless burning tree seen in geometric lines and what does that tell us of a Kingdom’s history?” Each line, each circle, and each variation tells a story of the land. Even the adorned borders around the sigils have special meaning. ":{"v":"Ce livre a été rédigé pour simplifier la compréhension de ces glyphes fascinants et pour mettre clairement en évidence la corrélation entre chaque sigile et l'iconographie de l'art royal de ce royaume. « Comment l'image d'un arbre brûlant sans feuilles est-elle perçue à travers des lignes géométriques et que cela nous révèle-t-il de l'histoire d'un Royaume ? » Chaque ligne, chaque cercle et chaque variation raconte une histoire de la terre. Même les bordures ornées autour des sigiles ont une signification particulière. ","t":"A","i":2035},"This clock s neighbors should BOTH be set to a time containing a [!v*2].\n":{"v":"Cette horloge et ses voisines doivent TOUTES être réglées sur une heure contenant un [!v*2].\n","t":"A","i":2204},"This clock’s neighbors should BOTH be set to a time containing a [!v*1]\n":{"v":"Les voisins de cette horloge doivent TOUS LES DEUX être réglés sur une heure contenant [!v*1]\n","t":"A","i":893},"This cozy lounge furnished with couches and armchairs serves as the perfect social setting for receptions and after parties. Consequently this was one of the most popular rooms for entertaining and the late H. S. Sinclair was known to supply a myriad of parlor games to encourage his guests to think and conversate.":{"v":"Ce salon confortable, meublé de canapés et de fauteuils, constitue le cadre idéal pour les réceptions et les fêtes d'après-midi. Par conséquent, c'était l'une des salles les plus prisées pour recevoir, et le regretté H. S. Sinclair était réputé pour fournir une myriade de jeux de salon afin d'encourager ses invités à réfléchir et à converser.","t":"A","i":4200},"This decision was absolute rubbish.":{"v":"Cette décision était absolument nulle et non avenue.","t":"A","i":3173},"This document attests that __________________________\nwas born to ____________________________________\nin this Hospital at _______________________________\nthe ________ day of __________ in the Sixth Era, _____":{"v":"Ce document atteste que __________________________\nest né(e) de ____________________________________\ndans cet hôpital le _______________________________\n________ jour de __________ de la Sixième Ère, _____","t":"A","i":869},"This floorplan has been permanently\nremoved from your draft pool":{"v":"Ce plan d'étage a été définitivement\nretiré de votre pool de projets","t":"A","i":2735},"This is a record of my\n many indiscretions and":{"v":"Ceci est un registre de mes nombreuses indiscrétions et\n","t":"A","i":3161},"This is the original and standard\ndifficulty level of the game. Start\neach day with [!v*0] steps.":{"v":"C'est le niveau de difficulté\nstandard du jeu. Commencez\nchaque journée avec [!v*0] pas.","t":"V","i":64},"This key will permanently open\none door in the Inner Sanctum.\n\nDo you wish to use it on this door?":{"v":"Cette clé ouvrira définitivement une porte dans le Sanctuaire Intérieur.\n\n\nVoulez-vous l'utiliser sur cette porte ?","t":"A","i":3823},"This mode determines the default\nsetting the Security Doors will be\nset to if power is lost, (during a\nblack-out for example.)\n\nAs a general safety rule, OFFLINE MODE should be set to UNLOCKED if any staff are working on the estate.":{"v":"Ce mode détermine le réglage par\ndéfaut des Portes de Sécurité en\ncas de coupure de courant (par\nexemple lors d'une panne.)\n\nEn règle générale, le MODE HORS LIGNE doit être réglé sur DÉVERROUILLÉ si du personnel travaille sur le domaine.","t":"A","i":1961},"This relaxing breezeway serves as an ideal spot for rocking chairs and lemonade.":{"v":"Ce porche apaisant est l'endroit idéal pour des chaises à bascule et du citronnade.","t":"A","i":4809},"This room will be added back to
the drafting pool in [!v*0] days.":{"v":"Cette pièce sera réintégrée dans la
piscine de conception dans [!v*0] jours.","t":"A","i":2975},"This security door is locked\nby electronic keycard":{"v":"Cette porte de sécurité est verrouillée\npar une carte d'accès électronique","t":"A","i":4389},"This service has been temporarily\ndisabled.\n\nAs of Nov [!v*0], all work has been\nsuspended at Mt. Holly and all\ndomestic staff has been pla":{"v":"Ce service a été temporairement\ndésactivé.\n\nÀ partir du [!v*0] novembre, tous les travaux ont été\nsuspendus à Mt. Holly et tout le\npersonnel domestique a été pla","t":"A","i":4721},"This service has been temporarily\ndisabled.\n\nAs of Nov [!v*0], all work has been\nsuspended at Mt. Holly and all\ndomestic staff has been placed on\n":{"v":"Ce service a été temporairement\ndésactivé.\n\nDepuis le [!v*0] nov., tous les travaux ont été\nsuspendus au Mt. Holly et tout le\npersonnel de maison a été\n","t":"A","i":4650},"This service has been temporarily\ndisabled.\n\nAs of Nov [!v*0], all work has been\nsuspended at Mt. Holly and all\ndomestic staff has been placed on\nan extended paid leave in accordance with the instructions left":{"v":"Ce service a été temporairement\ndésactivé.\n\nÀ compter du [!v*0] novembre, tous les travaux ont été\nsuspendus à Mt. Holly et tout le\npersonnel domestique a été mis en\ncongé payé prolongé conformément aux instructions laissées","t":"A","i":4722},"This service has been temporarily\ndisabled.\n\nAs of Nov [!v*0], all work has been\nsuspended at Mt. Holly and all\ndomestic staff has been placed on\nan extended paid leave in accordance with the instructions left by the old man himself.\n\nSee Mrs. Babbage for more detail.":{"v":"Ce service a été temporairement\ndésactivé.\n\nDepuis le [!v*0] novembre, tous les travaux ont été\nsuspendus au Mont Holly et tout le\npersonnel de maison a été placé en\ncongé payé prolongé conformément aux instructions laissées par le vieil homme lui-même.\n\nRenseignez-vous auprès de Mme Babbage pour plus de détails.","t":"A","i":1763},"This setting cannot be enabled while on a staircase.":{"v":"Ce paramètre ne peut pas être activé sur un escalier.","t":"A","i":143},"This setting smooths out camera moves which greatly helps camera stability and visuals for players who are less experienced with first person controls.\n\nHowever, this assistance may be unnecessary if you are used to the controls in other first person games.\n\nFeel free to test out the game with and without this feature, as it may affect your motion and sensory experience.\n":{"v":"Ce paramètre fluidifie les mouvements de la caméra, ce qui améliore considérablement la stabilité et les visuels pour les joueurs moins expérimentés avec les contrôles à la première personne.\n\nCependant, cette aide peut s’avérer inutile si vous êtes habitué aux commandes d’autres jeux à la première personne.\n\nN’hésitez pas à tester le jeu avec et sans cette fonctionnalité, car elle peut affecter votre expérience motrice et sensorielle\n","t":"A","i":99},"This smoky backroom, featuring a pool table and fully stocked bar, has served as a retreat on more than one occasion for guests lacking the social wit required for after-dinner conversation. A rather curious game of darts provided the less competitive players a unique opportunity to ponder over its unusual rules.":{"v":"Ce bureau de fumeurs, doté d'une table de billard et d'un bar entièrement garni, a servi à plusieurs reprises de refuge aux invités dépourvus du sens social nécessaire pour les conversations après-dîner. Un jeu de fléchettes plutôt curieux offrait aux joueurs moins compétitifs une occasion unique de réfléchir à ses règles inhabituelles.","t":"A","i":4357},"This terminal has already\nreached its daily allocated\npermissions for this task. \n\nPlease try again tomorrow.":{"v":"Ce terminal a déjà\natteint ses permissions\nquotidiennes pour cette tâche. \n\nVeuillez réessayer demain.","t":"A","i":1382},"Three members of the Sinclair family have attended school overseas in Corarica.":{"v":"Trois membres de la famille Sinclair ont fréquenté une école à l'étranger, à Corarica.","t":"A","i":894},"Ti":{"v":"Ti","t":"A","i":2398},"Time-Lock Safe\n\nRadiation Monitor\n\nLogin to Network\n\nExit":{"v":"Coffre-fort à verrouillage temporel\n\nDétecteur de radiation\n\nConnexion au réseau\n\nQuitter","t":"A","i":2326},"Tips and Tricks":{"v":"Astuces","t":"A","i":1099},"Title":{"v":"Titre","t":"V","i":4},"To continue up, you must go down.":{"v":"Pour continuer vers le haut, vous devez descendre.","t":"A","i":2944},"To each their own letters,":{"v":"À chacun ses propres lettres,","t":"A","i":4054},"To my encouraging uncle,\n who o pene d many doors for me.\n\n\tEver grate ful,":{"v":"À mon oncle encourageant,\n qui a ouvert de nombreuses portes pour moi. pene d beaucoup de portes pour moi.\n\n\tToujours reconnaissant,","t":"A","i":3555},"To my son Simon\n \nIN WHOSE EYES I SEE THE\nWORLD ANEW.\n":{"v":"À mon fils Simon\n \nDANS LE REGARD DUQUEL JE VOIS\nLE MONDE RENAISSANT.\n","t":"A","i":1736},"To the ambitious young architect, a fresh blueprint represents a world of boundless possibilities. When you are staring at a blank canvas, you have unlimited potential and ideas to explore. But, with an abun-dance of options at your disposal, the architect can also become overwhelmed by the countless choices and decisions that need to be made: Should I draft a Hallway or a Closet? How many bedrooms do I need in my house? Is Passageway really worth two gems? ":{"v":"Pour l'ambitieux jeune architecte, un nouveau plan représente un monde de possibilités infinies. Lorsque vous contemplez une toile vierge, vous avez un potentiel et des idées illimités à explorer. Mais, avec une abondance d'options à votre disposition, l'architecte peut également être submergé par les innombrables choix et décisions qui doivent être pris : Devrais-je concevoir un Hallway ou un Closet ? Combien de chambres ai-je besoin dans ma maison ? Passageway vaut-il vraiment deux gemmes ? ","t":"A","i":3605},"To the dreams I keep,\nTo the schemes I cling,\n\nTo my task, Let it last.\n\nLet it sleep.\n\n\n\nTo the friends I made,\n\nTo the ends I braved,\n\nOf the past, Let it last.\n\nLet it sleep. \n\n\n\nTo the steps I laid,\n\nJust to call it a day,\n\nOne last draft, Let it last.\n\nLet it sleep.\n\n\n\nTo my soul bequest,\n\nTo the last role left,\n\nOh my mask, Let it last.\n\nLet me sleep.\n":{"v":"Aux rêves que je garde,\nAux ruses auxquelles je m'accroche,\n\nÀ ma tâche, qu'elle dure.\n\nQu'elle dorme.\n\n\n\nAux amis que j'ai faits,\n\nAux fins que j'ai bravées,\n\nDu passé, qu'il dure.\n\nQu'il dorme. \n\n\n\nAux pas que j'ai posés,\n\nJuste pour clore la journée,\n\nUn dernier brouillon, qu'il dure.\n\nQu'il dorme.\n\n\n\nÀ l'héritage de mon âme,\n\nAu dernier rôle restant,\n\nÔ mon masque, qu'il dure.\n\nLaisse-moi dormir.\n","t":"A","i":2327},"To the idea that I like\n the sky less than the ocean.":{"v":"À l'idée que j'aime\n le ciel moins que l'océan.","t":"A","i":1800},"To understand a Realm Sigil, we must first dismantle the symbol and identify the individual elements that make up the whole.\n\n\n\n\n\n\n\n\n\n\n \n Each Sigil is composed of [!v*0] things:":{"v":"Pour comprendre un Sceau de Realm, nous devons d'abord déconstruire le symbole et identifier les éléments individuels qui le composent.\n\n\n\n\n\n\n\n\n\n\n\n Chaque Sceau est composé de [!v*0] éléments :","t":"A","i":2929},"Today, the realms inherited by The Three, FENN ARIES, ARCH ARIES and ERAJA once again stand united as allies. Though the distance between our peoples has grown, our connection to this land remains as strong as ever. The spruce and birch that span across our realms serve as a constant reminder that we all share a common past. And as those trees continue to grow, so do our hopes for a common future. A future where we are not defined by the colors of the banners we raise, but by that which connects us. A land that we each call home.":{"v":"Aujourd'hui, les royaumes hérités par les Trois, FENN ARIES, ARCH ARIES et ERAJA, sont de nouveau unis en alliés. Bien que la distance entre nos peuples se soit accrue, notre lien avec cette terre reste aussi fort que jamais. Les épicéas et les bouleaux qui traversent nos royaumes nous rappellent constamment que nous partageons un passé commun. Et à mesure que ces arbres continuent de croître, nos espoirs pour un avenir commun grandissent également. Un avenir où nous ne serons plus définis par les couleurs des bannières que nous levons, mais par ce qui nous unit. Une terre que nous appelons tous chez nous.","t":"A","i":2503},"Todays Main Course":{"v":"Le plat principal du jour","t":"A","i":2510},"Tomorrow morning, gain [!v*1]":{"v":"Demain matin, gagner [!v*1]","t":"A","i":1996},"Tomorrow, you will awake to find the rooms of the estate as well as your current inventory will have been reset.":{"v":"Demain, vous vous réveillerez pour constater que les pièces du domaine ainsi que votre inventaire actuel ont été réinitialisés.","t":"A","i":2976},"Tomorrow, you will awake to find the rooms of the estate as well as your current inventory will have been reset.\n\n(With the exception of your frozen assets)":{"v":"Demain, vous vous réveillerez pour constater que les pièces du domaine ainsi que votre inventaire actuel ont été réinitialisés.\n\n(À l'exception de vos actifs gelés)","t":"A","i":3897},"Tool Tips":{"v":"Info-bulles","t":"A","i":867},"Tools are cool. But they are only as good as the architect who harnesses their capabilities. As you finish reading this issue of \"DRAFTING STRATEGY,\" I want you to open up your menu and look at your inventory. Take a moment to look at each item, and contemplate the true potential they all hold. The same potential you see there is the same potential that resides within yourself. For it is not the tools themselves that will sculpt the grand structures and monuments of tomorrow, but the deft hands and brilliant minds of architects like you.":{"v":"Les outils sont superbes, mais ils ne valent que ce que vaut l'architecte qui en maîtrise les capacités. Alors que vous achevez de lire ce numéro de « DRAFTING STRATEGY », je vous invite à ouvrir votre menu et à consulter votre inventaire. Prenez un instant pour examiner chaque objet et méditez sur le véritable potentiel qu'ils recèlent tous. Le même potentiel que vous y voyez réside également en vous. Car ce ne sont pas les outils eux-mêmes qui façonneront les grandes structures et les monuments de demain, mais les mains habiles et les esprits brillants d'architectes comme vous.","t":"A","i":3671},"Tools of the Trade":{"v":"Outils du métier","t":"A","i":954},"Toolshed":{"v":"Abri à outils","t":"A","i":4791},"Top Drafting Combos":{"v":"Meilleurs Combos de Dessin","t":"A","i":3113},"Top Drafting combos":{"v":"Combos de draft supérieurs","t":"A","i":1098},"Top Five Dead Ends":{"v":"Les cinq impasses","t":"A","i":786},"Top [!v*0] Checked Items":{"v":"Éléments vérifiés [!v*0] en haut","t":"A","i":2832},"Total Rooms:":{"v":"Nombre total de pièces :","t":"A","i":2712},"Total Time :\nTotal Days :\nLongest Day :\nAverage Day :\n":{"v":"Temps total :\nJours totaux :\nJour le plus long :\nJour moyen :\n","t":"A","i":1988},"Total: [!v*0]":{"v":"Total : [!v*0]","t":"A","i":1673},"Trading Post":{"v":"Poste d'échange","t":"A","i":4795},"Train system. Locomotion.\nThe three rays here are used in\nsigils for realms that rely\non track based travel.":{"v":"Système de train. Locomotion.\nLes trois rayons ici sont utilisés dans\nles sigiles pour les royaumes qui reposent\nsur un voyage basé sur les rails.","t":"A","i":2886},"Treivenven\n":{"v":"Treivenven\n","t":"A","i":1012},"Tricks for Itemized Success":{"v":"Astuces pour une réussite Itemisée","t":"A","i":1538},"Tricks for Itemized Success . . . . . . . . . . . [!v*0]":{"v":"Astuces pour une réussite détaillée . . . . . . . . . . . [!v*0]","t":"A","i":784},"Trinsdale Lake":{"v":"Lac Trinsdale","t":"A","i":2921},"Trophies EARNED will be permanently added to the Trophy Room":{"v":"Les trophées OBTENUS seront ajoutés définitivement à la Salle des trophées","t":"A","i":1439},"Trophy Room":{"v":"Salle des trophées","t":"A","i":3385},"Turtleback travel.\nFive short rays that do not\nfully extend from the core to\nthe border.":{"v":"Turtleback voyage.\nCinq rayons courts qui ne\ns'étendent pas complètement du\ncœur à la bordure.","t":"A","i":2964},"Two Hundred Gold Coins":{"v":"Deux cents pièces d'or","t":"A","i":3253},"Two stories of wall-to-wall books surround the reader in this room, exhibiting either a bountiful spring of knowledge or typical interior design sensibilities of the wealthy. A few books have been withdrawn from the shelves and placed on rostrum stands in various corners of the library.":{"v":"Deux étages de livres, du sol au plafond, entourent le lecteur dans cette pièce, témoignant soit d’une abondante source de savoir, soit du goût typique de l’aménagement intérieur des riches. Quelques ouvrages ont été retirés des étagères et placés sur des présentoirs dans divers coins de la bibliothèque.","t":"A","i":4619},"Two-pair combos aren't the only form of room synergy. You will find some floorplans only work by drafting other specific rooms! These rooms aren't powerful on their own, but can become very useful":{"v":"Les combinaisons à deux pièces ne sont pas le seul type de synergie d'espaces. Vous trouverez certains plans uniquement fonctionnels en sélectionnant d'autres pièces spécifiques ! Ces pièces ne sont pas puissantes en elles-mêmes, mais peuvent devenir très utiles","t":"A","i":2697},"U":{"v":"U","t":"A","i":321},"UCCESSFUL":{"v":"SUCCEDE","t":"A","i":2825},"UCKY":{"v":"CHANCE","t":"A","i":2435},"UEST":{"v":"UEST","t":"A","i":3981},"ULL HOUSE":{"v":"MAISON","t":"A","i":482},"ULLSEYE":{"v":"ULLSEYE","t":"A","i":495},"ULRAAJORAM":{"v":"ULRAAJORAM","t":"A","i":2515},"UNCH":{"v":"SANS CHANGEMENT","t":"A","i":1868},"UNDERGROUND MAP":{"v":"CARTE SOUS-TERRAINE","t":"A","i":1752},"UNLESS WRITTEN BY HAND":{"v":"SAUF SI ÉCRIT À LA MAIN","t":"A","i":1965},"UNLOCK TIME CONFIRMED":{"v":"TEMPS DE DÉVERROUILLAGE CONFIRMÉ","t":"A","i":2189},"UNLOCKED":{"v":"DÉBLOQUÉ","t":"A","i":2927},"UNNING":{"v":"EN COURS","t":"A","i":1959},"UNTESTED":{"v":"NON TESTÉ","t":"A","i":2393},"UNTIL FURTHER NOTICE,\nTHE ANTECHAMBER\nHAS BEEN 'UNLOCKED'\nAND ACCESS LEVERS ARE\n NO LONGER REQUIRED\nTO GRANT ENTRY":{"v":"JUSQU'À NOUVEAU ORDRE,\nL'ANTICHAMBRE\nA ÉTÉ « DÉVERROUILLÉE »\nET LES LEVIERS D'ACCÈS NE SONT\n PLUS NÉCESSAIRES\nPOUR Y ENTRER","t":"A","i":400},"UNUSED\nMEMOS":{"v":"NON UTILISÉ\nNOTES","t":"A","i":1848},"UP TO FIVE\nBonus Spins!":{"v":"JUSQU'À CINQ\nTours Bonus !","t":"A","i":3384},"UP TO THREE\nBonus Spins!":{"v":"JUSQU'À TROIS\nTours Bonus !","t":"A","i":4083},"UPGRADE":{"v":"MISE À NIVEAU","t":"A","i":4048},"UPGRADE DISK":{"v":"DISQUE DE MISE À NIVEAU","t":"A","i":191},"URANIUM":{"v":"URANIUM","t":"A","i":3197},"URNING":{"v":"TOURNER","t":"A","i":1658},"URNIP":{"v":"URNIPE","t":"A","i":2943},"URSE":{"v":"OURSE","t":"A","i":1305},"URSED":{"v":"MAUDIT","t":"A","i":349},"USE":{"v":"UTILISER","t":"A","i":1755},"USE ITEM":{"v":"UTILISER L'OBJET","t":"A","i":176},"USE KEY":{"v":"UTILISER LA TÂCHE","t":"A","i":2147},"USE KEY [!v*0]":{"v":"Utilisez la touche [!v*0]","t":"A","i":3074},"USER DATABASE":{"v":"BASE DE DONNÉES DES UTILISATEURS","t":"A","i":1772},"USER MANUAL":{"v":"MANUEL UTILISATEUR","t":"A","i":796},"UTILITY ROOM FUSEBOX\n\nv.a.c. indicator settings":{"v":"TABLEAU FUSIBLES DU LOCAL TECHNIQUE\n\nParamètres de l'indicateur V.A.C.","t":"A","i":1186},"Ulgo?":{"v":"Ulgo ?","t":"A","i":287},"Uncle,\n\nThank you again for all your help. \nI know I could never hope to repay you, but it pains me to know that I won't even have the chance to try.\n\nAt any rate, I'm leaving these extra funds behind, as well as the extra passports. It would be too risky if we were searched at the border and the money would raise too many suspicions. \n\nI think we all want a clean start anyway.\n \n I know I do,\n \n Mary":{"v":"Oncle,\n\nMerci encore pour tout ton aide. \nJe sais que je ne pourrai jamais espérer te rembourser, mais cela me peine de savoir que je n'aurai même pas la chance d'essayer.\n\nEn tout cas, je laisse ces fonds supplémentaires ainsi que les passeports en plus. Ce serait trop risqué si nous étions fouillés à la frontière et que l'argent suscitât trop de soupçons. \n\nJe pense que nous voulons tous un départ propre de toute façon.\n \n Je le sais,\n \n Mary","t":"A","i":2763},"Uncle,\n\nThank you again for all your help. \nI know I could never hope to repay you, but it pains me to know that I wont even have the chance to try.\n\nAt any rate, Im leaving these extra funds behind, as well as the extra passports. It would be too risky if we were searched at the border and the money would raise too many suspicions. \n\nI think we all want a clean start anyway.\n \n I know I do,\n \n Mary":{"v":"Oncle,\n\nMerci encore pour toute ton aide. \nJe sais que je ne pourrai jamais espérer te rembourser, mais cela me blesse de savoir que je n'aurai même pas la chance d'essayer.\n\nEn tout cas, je laisse ces fonds supplémentaires, ainsi que les passeports en plus. Ce serait trop risqué si on nous fouillait à la frontière et l'argent susciterait trop de soupçons. \n\nJe pense que nous voulons tous une page blanche de toute façon.\n \n Je le sais, moi aussi,\n \n Mary","t":"A","i":955},"Unfortunately, history is not always forthcoming and the records of those lost days are tragically limited to documents of market dealings, mostly trade agreements and sales figures. But what we can tell from those receipts, is that the King of Oris was focused on one thing: Growth.\n\n\nFrom forth the loins of Oris, the territory expanded and expanded. By the end of the first century, the black flags of ORINDIA could be seen in every village and inn, along every road, from Oris, all the way to the western banks. A new kingdom was born.\n":{"v":"Malheureusement, l'histoire n'est pas toujours bienveillante et les archives de ces jours perdus sont malheureusement limitées à des documents relatifs aux affaires commerciales, principalement des accords commerciaux et des chiffres de vente. Mais ce que nous pouvons déduire de ces reçus, c'est que le roi d'Oris était obsédé par une seule chose : la croissance.\n\n\nDe la lignée d'Oris, le territoire s'étendit et s'étendit encore. À la fin du premier siècle, les drapeaux noirs de ORINDIA pouvaient être aperçus dans chaque village et auberge, sur chaque route, depuis Oris jusqu'aux rives occidentales. Un nouveau royaume était né.\n","t":"A","i":3580},"Unfortunately, this information is a little too precious to entrust entirely to this freezer as I'm not too confident that the sanctity of my snacks will extend beyond my life! I've always found it best to use multiple baskets when it comes to incriminating eggs; a lesson that I recently learned again when a member of my staff betrayed my confidence.\n \nI have placed eight red envelopes in eight even more secure locations throughout the estate and left a hidden message for you among the art that hangs in almost every room in this house. This message is the key to unlocking these secrets, but you must be open in your interpretation, as the message itself harbors multiple double meanings and hidden entendres.":{"v":"Malheureusement, ces informations sont un peu trop précieuses pour être entièrement confiées à ce congélateur, car je ne suis pas très confiant que la sainteté de mes collations survive à ma vie ! J'ai toujours trouvé qu'il était préférable d'utiliser plusieurs paniers lorsqu'il s'agit d'œufs compromettants ; une leçon que j'ai récemment réapprise lorsqu'un membre de mon personnel a trahi ma confiance.\n \nJ'ai placé huit enveloppes rouges dans huit endroits encore plus sûrs à travers le domaine et laissé un message caché pour vous parmi les œuvres d'art qui ornent presque chaque pièce de cette maison. Ce message est la clé pour déverrouiller ces secrets, mais vous devez être ouvert dans votre interprétation, car le message lui-même recèle de multiples doubles sens et sous-entendus cachés.","t":"A","i":2389},"Unfortunately, you tripped and must now":{"v":"Malheureusement, vous avez trébuché et devez maintenant","t":"A","i":4076},"Unlock all [!v*0] Realm Sigils":{"v":"Débloquer les [!v*0] Sceaux des Royaumes","t":"A","i":240},"Unlock doors as well as your tastebuds with a slice of this classic custard desert, featuring a tangy lime filling, graham cracker crust and the real key, a perfect dollop of whip cream.":{"v":"Déverrouillez les portes ainsi que vos papilles gustatives avec une tranche de ce dessert classique au crème anglaise, doté d'un cœur acidulé à la lime, d'une croûte aux biscuits Graham et de la vraie clé : une parfaite cuillère de crème fouettée.","t":"A","i":3821},"Unlocking a door with the Silver Key\nleads to a room with many doors.":{"v":"Déverrouiller une porte avec la Clef d'Argent \nmène à une pièce remplie de nombreuses portes.","t":"A","i":2617},"Unlocking a door with the Silver Key\nwill lead to a room with many doors.":{"v":"Déverrouiller une porte avec la Clef d'Argent \nvous mènera dans une pièce remplie de nombreuses portes.","t":"A","i":3369},"Unlocks Box [!v*1]":{"v":"Débloque la boîte [!v*1]","t":"A","i":2128},"Unlocks one of [!v*1] doors.":{"v":"Débloque une des [!v*1] portes.","t":"A","i":2785},"Unlocks the Basement Door":{"v":"Débloque la porte du sous-sol","t":"A","i":3094},"Unused Pairings":{"v":"Associations inutilisées","t":"A","i":605},"Upgrade Disks :":{"v":"Disques d'amélioration :","t":"A","i":2014},"Use Item":{"v":"Utiliser l'objet","t":"A","i":1799},"Utility Closet":{"v":"Armoire utilitaire","t":"A","i":4395},"Utilizing the Blackbridge system,\nyou can import TROPHY DATA from\nother save files into the current\nprofile. (This is a convenient way to\ncollect trophies in one file that might\nbe impossible to get in a single profile.)":{"v":"En utilisant le système Blackbridge,\nvous pouvez importer des données de TROPHY depuis\nd'autres fichiers sauvegardés vers le profil\nactuel. (Ceci est un moyen pratique de\nrassembler les trophées dans un seul fichier qui\npourrait être impossible d'obtenir dans un seul profil.)","t":"A","i":3847},"V":{"v":"V","t":"A","i":291},"V\nERA of RUIN":{"v":"V\nÈRE de la RUINE","t":"A","i":1828},"V O\n (AWAY)":{"v":"V O\n (LOIN)","t":"A","i":837},"V.A.C. INDICATORS":{"v":"INDICATEURS V.A.C.","t":"A","i":325},"VEIA":{"v":"VEIA","t":"A","i":1757},"VESTIBULE":{"v":"VÉSTIBULE","t":"A","i":3604},"VI":{"v":"VI","t":"A","i":3889},"VI\nTHE CURRENT ERA":{"v":"VI\nL'ÈRE ACTUELLE","t":"A","i":3229},"VICTORS":{"v":"VAINQUEURS","t":"A","i":544},"VII":{"v":"VII","t":"A","i":3410},"VIII":{"v":"VIII","t":"A","i":2207},"VIOLET":{"v":"VIOLET","t":"A","i":1610},"VM":{"v":"VM","t":"A","i":1369},"VMI":{"v":"VMI","t":"A","i":2819},"VOLUME":{"v":"VOLUME","t":"V","i":38},"VOLUME I":{"v":"VOLUME I","t":"A","i":256},"VOLUME I [!v*1]":{"v":"VOLUME I [!v*1]","t":"A","i":1529},"VOLUME I ":{"v":"TOME I ","t":"A","i":2057},"VOLUME II":{"v":"VOLUME II","t":"A","i":1029},"VOLUME II ":{"v":"TOME II ","t":"A","i":1370},"VOLUME II [!v*1]":{"v":"VOLUME II [!v*1]","t":"A","i":3831},"VOLUME III":{"v":"TOME III","t":"A","i":886},"VOLUME III ":{"v":"TOME III ","t":"A","i":2993},"VOLUME III [!v*1]":{"v":"VOLUME III [!v*1]","t":"A","i":2880},"VOLUME III [!v*1]":{"v":"TOME III [!v*1]","t":"A","i":2370},"VOLUME IV":{"v":"TOME IV","t":"A","i":1140},"VOLUME IV ":{"v":"VOLUME IV ","t":"A","i":3564},"VOLUME IV [!v*1]":{"v":"TOME IV [!v*1]","t":"A","i":2449},"VOLUME V":{"v":"VOLUME V","t":"A","i":1017},"VOLUME V ":{"v":"VOLUME V ","t":"A","i":3985},"VOLUME V [!v*1]":{"v":"VOLUME V [!v*1]","t":"A","i":2010},"VOR":{"v":"VOR","t":"A","i":1501},"VSYNC":{"v":"VSYNC","t":"A","i":4178},"VUI":{"v":"VUI","t":"A","i":2083},"Ven Treiven ":{"v":"Ven Treiven ","t":"A","i":1024},"Veranda":{"v":"Vérandah","t":"A","i":4764},"Verra\n Express":{"v":"Verra\n Express","t":"A","i":1569},"View Active Terminals\n\nReturn to Network Menu":{"v":"Afficher les terminaux actifs\n\nRetour au menu du réseau","t":"A","i":3208},"View Estate Inventory\n\nKeycard System\n\nLogin to Network\n\nExit":{"v":"Voir l'inventaire du domaine\n\nSystème des cartes-clés\n\nSe connecter au réseau\n\nQuitter","t":"A","i":3888},"Violet":{"v":"Violet","t":"A","i":2544},"Volume":{"v":"Volume","t":"V","i":55},"W":{"v":"W","t":"A","i":286},"W At Er":{"v":"W At Er","t":"A","i":1228},"WA G E R [!v*0] ":{"v":"WA G E R [!v*0] ","t":"A","i":2909},"WA G E R [!v*0] [!v*1] ":{"v":"WA G E R [!v*0] [!v*1] ","t":"A","i":3448},"WA G E R [!v*0] [!v*1] [!v*2] ":{"v":"WA G E R [!v*0] [!v*1] [!v*2] ","t":"A","i":3174},"WASH & DRY":{"v":"LAVAGE ET SÉCHAGE","t":"A","i":3155},"WATER CONTROL PANEL":{"v":"Panneau de contrôle de l'eau","t":"A","i":1647},"WATER LEVEL INDICATORS":{"v":"INDICATEURS DE NIVEAU D'EAU","t":"A","i":2511},"WE":{"v":"NOUS","t":"A","i":1133},"WEATHER\n(the style of ray)":{"v":"MÉTÉO\n(le style de ray)","t":"A","i":1339},"WED":{"v":"MER","t":"A","i":766},"WELCOME TO BLACKBRIDGE":{"v":"BIENVENUE À BLACKBRIDGE","t":"A","i":3752},"WEST":{"v":"OUEST","t":"A","i":4141},"WEST\nWING\nHALL":{"v":"AILE\nOUEST\nGALERIE","t":"A","i":1942},"WEST PATH":{"v":"CHEMIN DE L'OUEST","t":"A","i":4553},"WEST WING":{"v":"AILE OUEST","t":"A","i":4555},"WHAT SPREAD!":{"v":"QUEL ÉTALAGE !","t":"A","i":1729},"WHAT APPEARS TO BE A":{"v":"CE QUI SEMBLE ÊTRE","t":"A","i":1922},"WHAT APPEARS TO BE A ROOM":{"v":"CE QUI SEMBLE ÊTRE UNE CHAMBRE","t":"A","i":1603},"WHAT WOULD YOU LIKE TO ORDER?":{"v":"QUELLE COMMANDE SOUHAITEZ-VOUS ?","t":"A","i":1716},"WHENEVER YOU GAIN STEPS FROM EATING, GAIN TWICE THAT MANY STEPS.":{"v":"CHAQUE FOIS QUE VOUS GAGNEZ DES PAS EN MANGEANT, GAGNEZ DEUX FOIS PLUS DE PAS.","t":"A","i":1583},"WHERE IS":{"v":"OÙ EST","t":"A","i":624},"WHERE IS ROOM [!v*0]???":{"v":"OÙ EST LA CHAMBRE [!v*0]???","t":"A","i":1164},"WHILE DRAFTING YOU MAY\n TIME AFTER\nDRAWING NEW FLOORPLANS":{"v":"PENDANT LA RÉDACTION, VOUS POUVEZ\n TEMPS APRÈS\nDRESSER DE NOUVEAUX PLANS","t":"A","i":2240},"WHILE DRAFTING, YOU MAY ROTATE THE FIRST THREE\nFLOORPLANS YOU DRAW":{"v":"PENDANT LA RÉDACTION, VOUS POUVEZ PIVOTER LES TROIS\nPREMIERS PLANS D'ÉTAGE QUE VOUS TRACEZ","t":"A","i":1764},"WHITE":{"v":"BLANC","t":"A","i":2654},"WHITE CURSOR":{"v":"CURSEUR BLANC","t":"A","i":124},"WHITE DOT":{"v":"POINT BLANC","t":"A","i":83},"WIDESCREEN SUPPORT":{"v":"SUPPORT ÉTENDU","t":"A","i":3022},"WILLARD, R.\nREALM & RUNE":{"v":"WILLARD, R.\nRoyaume et Rune","t":"A","i":587},"WINE CELLAR":{"v":"CAVE À VIN","t":"A","i":1513},"WITH A SHOVEL, ONE MAY\nBE ABLE TO EXCAVATE THESE\nSUSPICIOUS DIG SPOTS.":{"v":"AVEC UNE PELLE, ON PEUT\nPEUT-ÊTRE EXCAVER CES\nPOINTS DE FOUILLE SUSPECTS.","t":"H","i":840},"WITHOUT\nGIFTS\nNOR\nGOLD\nNOR\nBEARING\nCHARMS":{"v":"SANS\nCADEAUX\nNI\nOR\nNI\nCHARMES","t":"H","i":2104},"WITHOUT\nGIFTS\nNOR\nGOLD\nNOR\nMANNERED\nCHARMS":{"v":"SANS\nCADEAUX\nNI\nOR\nNI\nCHARMES\nPOLIS","t":"A","i":1507},"WITT, RICHARD\nTHE FIXED STARS":{"v":"WITT, RICHARD\nLES ÉTOILES FIXES","t":"A","i":299},"WOOD-FIRED PIZZA":{"v":"PIZZA CUISE AU BOIS","t":"A","i":2738},"WORD FROM THE EDITOR":{"v":"MOT DE L'ÉDITEUR","t":"A","i":1399},"WORKSHOP":{"v":"ATELIER","t":"A","i":490},"WORKSHOP IDEA":{"v":"IDÉE DE WORKSHOP","t":"A","i":3939},"WRATH\n":{"v":"COLÈRE\n","t":"A","i":330},"Walk":{"v":"Marcher","t":"A","i":4696},"Walk-In Closet":{"v":"Armoire à entrées libres","t":"A","i":4323},"Walk/Stroll":{"v":"Marcher/Flâner","t":"A","i":3990},"Wanderer":{"v":"Étranger","t":"A","i":3254},"Watering Can":{"v":"Arrosoir","t":"A","i":1835},"Wavy lines are used to indicate extreme\nHEAT. The scorched air and blazing sun cause the otherwise straight rays to appear shimmering.\n\nA RAINY realm is indicated with rays\nof three vertical lines pouring down.\n\n\nFor more extreme STORMY weather,\na jagged lightning shaped ray is used.\n\n\nA ray dotted with falling circles is used\nfor colder realms in which SNOW is a common occurence.\n\nWINDY weather is displayed on sigils\nby the use of bent curved lines, rays \nbuckling under the high winds.":{"v":"Des lignes ondulées indiquent une CHALEUR extrême\n. L'air brûlant et le soleil ardent font paraître les rayons, normalement droits, comme vacillants.\n\nUn royaume PLUVIEUX est indiqué par des rayons\nde trois lignes verticales ruisselant vers le bas.\n\n\nPour un temps plus extrême et ORAGEUX,\nun rayon en forme d'éclair est utilisé.\n\n\nUn rayon parsemé de cercles tombants est utilisé\npour les royaumes plus froids où la NEIGE est fréquente.\n\nLe temps VENTEUX est affiché sur les sigiles\npar l'usage de lignes courbes, des rayons \ncourbés sous la force des vents.","t":"A","i":1778},"We all start as an empty floorplan.":{"v":"Nous commençons tous comme un plancher vide.","t":"A","i":3433},"We are returning east\nand should arrive on tuesday.\n\nif coast is not clear,\nlower the SD to warn us.":{"v":"Nous revenons à l'est\net devrions arriver le mardi.\n\nSi la côte n'est pas libre,\nabaissez le SD pour nous avertir.","t":"A","i":2648},"We arrived here after a few days of sailing and it made me realize how much more convenient it would have been in the old days when the railway tracks extended all the way north. Arch Aries is a destination with which I am well acquainted, having traveled here countless times on business for Synka. This time, however, I will avoid the familiar towns and factories and will instead trek along the northern coast, an area of which I am wholly unfamiliar. ":{"v":"Nous sommes arrivés ici après quelques jours de navigation, ce qui m'a fait réaliser à quel point il aurait été plus commode jadis lorsque les voies ferrées s'étendaient jusqu'au nord. Arch Aries est une destination avec laquelle je suis bien familier, ayant voyagé ici à maintes reprises pour des affaires au nom de Synka. Cette fois cependant, j'éviterai les villes et usines connues et parcourrai plutôt la côte nord, une région dont je ne connais absolument rien. ","t":"A","i":3877},"We arrived here after a few days of sailing and it made me realize how much more convenient it would have been in the old days when the railway tracks extended all the way north. Arch Aries is a destination with which I am well acquainted, having traveled here countless times on business for Synka. This time, however, I will avoid the familiar towns and factories and will instead trek along the northern coast, an area with which I am wholly unfamiliar. ":{"v":"Nous sommes arrivés ici après quelques jours de navigation, ce qui m'a fait réaliser à quel point il aurait été plus commode jadis lorsque les voies ferrées s'étendaient jusqu'au nord. Arch Aries est une destination avec laquelle je suis bien familier, ayant voyagé ici à maintes reprises pour des affaires au nom de Synka. Cette fois cependant, j'éviterai les villes et usines connues et parcourrai plutôt la côte nord, une région que je ne connais absolument pas. ","t":"A","i":3380},"We recommend lowering the look sensitivity to a slow yet tolerable level. This will decrease the player's turning speed which will eliminate rapid, disorienting camera movement.\n":{"v":"Nous recommandons de réduire la sensibilité de la visée à un niveau lent mais tolérable. Cela diminuera la vitesse de rotation du joueur et éliminera les mouvements de caméra rapides et désorientants.\n","t":"A","i":102},"We seek what's in the shade of truth":{"v":"Nous cherchons ce qui se cache à l'ombre de la vérité","t":"A","i":2431},"We should begin these trials without delay once you arrive. If you can within the next two months fabricate some fiction that might alleviate us of the presence of the servant staff.\n\n\n\n":{"v":"Nous devrions commencer ces épreuves sans délai dès ton arrivée. Si tu peux, au cours des deux prochains mois, inventer une fiction qui nous débarrasse de la présence du personnel de service.\n\n\n\n","t":"A","i":2082},"We use these to find what must be found,\nAnd always come as a pair,\nAnd even though they are usually round,\nThe bulls’ are always square.\n":{"v":"Nous les utilisons pour trouver ce qui doit être trouvé,\nEt elles viennent toujours par paire,\nEt même si elles sont généralement rondes,\nCelles des taureaux sont toujours carrées.\n","t":"A","i":783},"We're not blind to the irony of blackmailing you for a blackmail letter – And we're not proud to join the endless procession of those who have knocked on your mailbox looking for a handout. Particularly so, when our methods lack the refined sophistication and\n class that this author so \n effortlessly wields.":{"v":"Nous ne sommes pas aveugles à l’ironie de vous faire chanter pour une lettre de chantage – Et nous ne sommes pas fiers de nous joindre à la procession interminable de ceux qui ont frappé à votre boîte aux lettres en quête d’une aumône. Surtout lorsque nos méthodes manquent de la sophistication raffinée et de la\n classe que cet auteur manie si\n aisément.","t":"A","i":2385},"We're sorry, the item you requested is not\navailable for ordering at this time.":{"v":"Nous sommes désolés, l'article que vous avez demandé n'est\npas disponible à la commande pour le moment.","t":"A","i":2098},"Weight Room":{"v":"Salle de musculation","t":"A","i":4847},"Weight Room (sealed)":{"v":"Salle de musculation (scellée)","t":"A","i":2093},"Welcome to\nMt. HOLLY BOMB SHELTER":{"v":"Bienvenue à\nl'ABRI HOLLY","t":"A","i":2342},"Welcome to\nMt. HOLLY HOME OFFICE":{"v":"Bienvenue au\nBUREAU DE LA MAISON DU MONT HOLY","t":"A","i":3757},"Welcome to\nMt. HOLLY LABORATORY":{"v":"Bienvenue à\nMt. HOLLY LABORATORY","t":"A","i":2732},"Welcome to\nMt. HOLLY SECURITY":{"v":"Bienvenue à\nMt. HOLLY SECURITY","t":"A","i":4123},"West Gate":{"v":"Porte Ouest","t":"A","i":3464},"West Path":{"v":"Voie Ouest","t":"A","i":4781},"West Wing Hall":{"v":"Salle de l'aile ouest","t":"A","i":4617},"When I first came on the estate in the capacity\nof the new groundskeeper, I was a little dismayed to\nfind that my predecessor had kept no notes, no logbook, and no record of any kind regarding the various gardens and green rooms of the house under his care.\n\nAs a result of this improvidence, in the first few months of my post I suffered a number of embarrassing professional blunders that I believe could have been avoided with even a few scraps of imparting wisdom from the previous groundsman.\n\nTo that end, I will make an effort to make some\nrecord of my dealings on the estate, in as much as it pertains to horticulture and general tomfoolery.\n\n - Robert Nogula, Groundskeeper\n":{"v":"Lorsque je suis arrivé sur la propriété en tant que nouveau jardinier\npaysager, j'ai été quelque peu déçu de\ndécouvrir que mon prédécesseur n'avait laissé aucun note, aucun registre, et aucune trace de toute sorte concernant les divers jardins et pièces vertes de la maison sous sa garde.\n\nEn conséquence de cette imprudence, durant les premiers mois de mon poste, j'ai subi plusieurs gaffes professionnelles embarrassantes que je crois auraient pu être évitées avec même quelques bribes de sagesse transmises par le précédent gardien des jardins.\n\nÀ cette fin, je m'efforcerai de dresser un\nregistre de mes activités sur la propriété, dans la mesure où cela concerne l'horticulure et les bêtises en général.\n\n - Robert Nogula, Jardinier paysager\n","t":"A","i":3361},"When I get fired":{"v":"Quand je me fais virer","t":"A","i":1153},"When I inherited Mount Holly, I never had to prove myself. They just gave me the keys and left it at that. It felt too easy, too trivial and very undeserved. Experience comes with time, but merit is inherent and without validation, I spent the better part of my youth questioning myself.\n\nAnd as I grew older that lack of conviction and aimlessness amplified. I never really had any goals or objetives to strive toward. I never had any dreams to realize. I never set my sights on something beyond the horizon. \n\nI never had a Room [!v*0] to reach.":{"v":"Lorsque j’ai hérité de Mount Holly, je n’ai jamais eu à me prouver. On m’a simplement remis les clés et c’était tout. C’était trop facile, trop trivial et très mérité. L’expérience vient avec le temps, mais le mérite est inné et sans validation, j’ai passé l’essentiel de ma jeunesse à me questionner.\n\nEt en vieillissant, ce manque de conviction et cette absence de direction se sont amplifiés. Je n’ai jamais vraiment eu d’objectifs ou de buts vers lesquels tendre. Je n’ai jamais eu de rêves à réaliser. Je n’ai jamais fixé mon regard sur quelque chose au-delà de l’horizon. \n\nJe n’ai jamais eu de Chambre [!v*0] à atteindre.","t":"A","i":2023},"When I inherited Mount Holly, I never had to prove myself. They just gave me the keys and left it at that. It felt too easy, too trivial, and very undeserved. Experience comes with time, but without validation I spent the better part of my youth questioning myself.\n\nAnd as I grew older that lack of conviction and aimlessness amplified. I never really had any goals or objectives to strive toward. I never had any dreams to realize. I never set my sights on something beyond the horizon. \n\nI never had a Room [!v*0] to reach.":{"v":"Quand j'ai hérité de Mount Holly, je n'ai jamais dû prouver ma valeur. On m'a simplement donné les clés et on s'est arrêté là. Cela semblait trop facile, trop trivial, et très peu mérité. L'expérience vient avec le temps, mais sans validation, j'ai passé la meilleure partie de ma jeunesse à me questionner.\n\nEt en vieillissant, ce manque de conviction et cette absence d'objectif se sont accentués. Je n'avais jamais vraiment de buts ou d'objectifs vers lesquels tendre. Je n'avais jamais de rêves à réaliser. Je n'ai jamais fixé mes regards sur quelque chose au-delà de l'horizon.\n\nJe n'avais jamais eu de Room [!v*0] à atteindre.","t":"A","i":3326},"When first I embarked upon this project, it was my intent to craft inviting rooms that might appeal to the citizens of the realm. I had even secured an arrangement with a local firm which was to oversee the mass production of the floorplans. Yet now, after walking the halls of my work, I must confess that I have grown altogether too attached to these rooms. They have become a part of me, and knowing how little regard is often shown for that which I hold sacred, I find myself unequal to the selfless task of sharing them with the world.\n\n\nI am content with this resolution, for this house and the forty-five rooms therein are more than the best work of my career. They are home.\n":{"v":"Lorsque j'ai entrepris ce projet pour la première fois, mon intention était de concevoir des pièces accueillantes qui pourraient plaire aux citoyens du royaume. J'avais même obtenu un accord avec une entreprise locale chargée de superviser la production en masse des plans d'architecture. Pourtant, après avoir parcouru les couloirs de mon œuvre, je dois avouer que j'ai développé un attachement excessif à ces pièces. Elles font désormais partie de moi, et sachant combien peu d'égards sont souvent accordés à ce que je tiens sacré, je me sens incapable d'accomplir l'acte désintéressé de les partager avec le monde.\n\n\nJe suis satisfait de cette résolution, car cette maison et ses quarante-cinq pièces sont bien plus que le meilleur travail de ma carrière. C'est mon chez-soi.\n","t":"A","i":2842},"When the scholars of the first era found any hidden things, either of a natural source or resulting from the creations of man, they were accustomed to record these in various signs with the aid of figures. They did this in order that the sigils of their realm might not be understood by strangers.\n\nHistorically speaking, sigils are not a new tradition. They have been found in every era and every culture and predate both written text and heraldic arts. However, today when we use the term \"sigil\" we are referring specifically to Realm Sigils, those crude circular marks of designation found on royal artifacts, buildings and older documents.\n":{"v":"Lorsque les savants de la première ère découvraient des objets cachés, qu'ils fussent d'origine naturelle ou issus de la création humaine, ils avaient l'habitude de les enregistrer à l'aide de figures et de divers signes. Ils le faisaient afin que les sigilles de leur royaume ne fussent pas compris par des étrangers.\n\nHistoriquement parlant, les sigilles ne sont pas une tradition nouvelle. On en a trouvé dans chaque ère et chaque culture, et elles précèdent à la fois l'écriture et les arts héraldiques. Cependant, aujourd'hui, lorsque nous utilisons le terme « sigille », nous faisons référence spécifiquement aux Sigilles du Royaume, ces marques circulaires rudimentaires de désignation trouvées sur des artefacts royaux, des bâtiments et des documents anciens.\n","t":"A","i":3782},"When you begin drafting a house, it's important to start each day with a solid foundation:\n\n\n\n\nA very common mistake beginners make is drafting in a straight line north, and ignoring the many unopened doors they have left behind in the Entrance Hall and rooms of the early ranks. When these architects reach the higher ranks, they quickly discover they do":{"v":"Lorsque vous commencez à concevoir une maison, il est important de poser chaque jour des fondations solides :\n\n\n\n\nUne erreur très courante chez les débutants consiste à tracer une ligne droite vers le nord et à ignorer les nombreuses portes non ouvertes qu'ils ont laissées derrière eux dans le Hall d'entrée et les salles des premiers rangs. Lorsque ces architectes atteignent les rangs supérieurs, ils découvrent rapidement qu'ils ne","t":"A","i":3504},"When you draft a Hallway\n from another Hallway,\n":{"v":"Lorsque vous élaborez un Couloir\n à partir d'un autre Couloir,\n","t":"A","i":3449},"When you draft a Red Room, \n lose [!v*0] steps and then,\n":{"v":"Lorsque vous dressez une Chambre Rouge, \n perdez [!v*0] étapes et ensuite,\n","t":"A","i":3677},"When you pick up Royal Scepter, choose a color.\n\n\n\n\n\n\nOnce per day, you may switch the\nRoyal Scepter's color in the Inventory Menu.\n\nStarting tomorrow, you will begin each day\nwith Royal Scepter within your grasp.":{"v":"Lorsque vous ramassez le Sceptre royal, choisissez une couleur.\n\n\n\n\n\n\nUne fois par jour, vous pouvez changer la\ncouleur du Sceptre royal dans le menu Inventaire.\n\nÀ partir de demain, vous commencerez chaque jour\navec le Sceptre royal entre vos mains.","t":"A","i":3997},"When you press a BLUE TILE, it\ncopies the ability of the middle tile.":{"v":"Lorsque vous pressez une tuile bleue, elle\ncopie la capacité de la tuile centrale.","t":"A","i":1084},"When you reach RANK [!v*0] with\nLUNCH BOX, gain half of\nyour dinner steps.":{"v":"Lorsque vous atteignez le RANG [!v*0] avec\nLA BOÎTE À DÉJEUNER, gagnez la moitié de\nvos étapes de dîner.","t":"A","i":2730},"When you reach Rank [!v*1]\ntoday, gain [!v*3] .":{"v":"Lorsque vous atteignez le rang [!v*1]\naujourd'hui, obtenez [!v*3]","t":"A","i":2406},"When you reach Rank [!v*1]\ntoday, gain [!v*3] .":{"v":"Lorsque vous atteignez le rang [!v*1]\naujourd'hui, obtenez [!v*3] .","t":"A","i":2375},"When you reach Rank [!v*0] each day, you may\nchoose Knight, Bishop, Rook or Queen.\n\nGain the power of that piece \nuntil the end of the day.":{"v":"Lorsque vous atteignez le rang [!v*0] chaque jour, vous pouvez\nchoisir le Cavalier, le Fou, la Tour ou la Dame.\n\nObtenez le pouvoir de cette pièce \njusqu'à la fin de la journée.","t":"A","i":1482},"When your steps reach zero, you are exhausted and too tired to continue exploring. At this point, you must call it day.":{"v":"Lorsque vos pas atteignent zéro, vous êtes épuisé et trop fatigué pour continuer à explorer. À ce stade, vous devez mettre un terme à la journée.","t":"A","i":4481},"Whenever you draft\n an 'archived' floorplan,\n":{"v":"Chaque fois que vous rédigez\nun plan d'étage « archivé », \n","t":"A","i":3983},"Whenever you draft\nan 'archived' floorplan,":{"v":"À chaque fois que vous rédigez\nun plan d'étage « archivé »,","t":"V","i":4742},"Whenever you draft a Mechanical Room,\ntrigger your current experiment.":{"v":"À chaque fois que vous concevez une salle mécanique,\ndéclenchez votre expérience actuelle.","t":"A","i":4057},"Whenever you draft a Shop room,\n":{"v":"Chaque fois que vous concevez une salle de boutique,\n","t":"A","i":2682},"Whenever you eat food and\n gain , gain an extra ":{"v":"Chaque fois que vous mangez et\n gagnez , gagnez un ","t":"A","i":2475},"Whenever you eat food and\n gain , gain an extra .":{"v":"Chaque fois que vous mangez et\n gagnez , gagnez un supplémentaire.","t":"A","i":1600},"Whenever you gain from eating,\ngain twice that many .":{"v":"Chaque fois que vous gagnez en mangeant,\nvous en gagnez deux fois plus .","t":"A","i":1425},"Whenever you spend [!v*0] or \n more gems drafting a room,\n":{"v":"À chaque fois que vous dépensez [!v*0] ou \n plus de gemmes pour concevoir une pièce,\n","t":"A","i":3372},"Whenever you unlock a door\nwith a keycard or special key,\n":{"v":"Chaque fois que vous déverrouillez une porte\navec une carte magnétique ou une clé spéciale,\n","t":"A","i":2213},"Whether you're using a single tank system or an array of pumps, the WATER CONTROL PANEL serves as a central hub to your EPCW system. The panel is fitted with a number of buttons equal to your own home's needs: one button for each different water source on the estate.\n\nThe functon is simple: Press a button to select the water source you would like to adjust. For example, if you wish to drain (or fill) your pool, simply press the button labeled \"POOL\". \n\nRegardless of the number of pumps or water sources being used, water can only be adjusted from a source if its corresponding button is selected.":{"v":"Que vous utilisiez un système de réservoir unique ou une série de pompes, le PANNEAU DE CONTRÔLE DE L'EAU sert de centre névralgique à votre système EPCW. Le panneau est équipé d'un nombre de boutons correspondant aux besoins de votre maison : un bouton pour chaque source d'eau différente du domaine.\n\nLe fonctionnement est simple : appuyez sur un bouton pour sélectionner la source d'eau que vous souhaitez régler. Par exemple, si vous souhaitez vider (ou remplir) votre piscine, appuyez simplement sur le bouton étiqueté « PISCINE ». \n\nPeu importe le nombre de pompes ou de sources d'eau utilisées, l'eau ne peut être réglée qu'à partir d'une source si son bouton correspondant est sélectionné.","t":"A","i":2707},"While Mora Jai boxes were ":{"v":"Pendant que les boîtes de Mora Jai ","t":"A","i":2074},"While drafting, you may time\nafter drawing new floorplans.":{"v":"Pendant la rédaction, vous pouvez temps\naprès avoir dessiné de nouveaux plans.","t":"A","i":2447},"While drafting, Dowsing Rod points\ntoward rooms that may contain more\nitems than usual today.\n":{"v":"Pendant la rédaction, la Baguette de divination pointe\nvers les salles susceptibles de contenir plus\nd'objets que d'habitude aujourd'hui.\n","t":"A","i":2227},"While drafting, Dowsing Rod points\ntoward rooms that may contain more\nitems today than usual.\n":{"v":"Pendant la rédaction, la Baguette Divinatrice pointe\nvers les pièces qui peuvent contenir plus\nd'objets aujourd'hui que d'habitude.\n","t":"A","i":3127},"While drafting, if you draw a\n DRAWING ROOM floorplan,\n":{"v":"Lors de la rédaction, si vous dessinez un\n plan de la SALLE DE DESSIN,\n","t":"A","i":1561},"While drafting, instead of picking a floorplan, you can pick a berry.\nIf you do, draft a floorplan at random from your draft pool\ndisregarding rarity.":{"v":"Lors de la rédaction, au lieu de choisir un plan d'étage, vous pouvez choisir une baie.\nSi vous le faites, un plan d'étage est rédigé au hasard depuis votre pool de brouillons\nen ignorant la rareté.","t":"A","i":1916},"While drafting, instead of picking a floorplan, you can pick a berry. If you do, draft a random floorplan from your draft pool disregarding rarity.\n":{"v":"Lors de la phase de préparation, vous pouvez choisir une baie au lieu d'un plan d'étage. Si vous le faites, un plan d'étage aléatoire est tiré de votre réserve de préparation, sans tenir compte de sa rareté.\n","t":"A","i":2268},"While drafting, instead of selecting\na Floorplan, you may instead roll the dice\nto choose your Floorplan for you.\n\nIf you do, gain .":{"v":"Lors de la rédaction, au lieu de sélectionner\nun Plan d'étage, vous pouvez lancer les dés\npour choisir votre Plan d'étage à votre place.\n\nSi vous le faites, gagnez .","t":"A","i":1813},"While drafting, instead of selecting\na floorplan, you may use to\nchoose your floorplan for you.\n\nIf you do, gain [!v*1] and ignore\nany additional costs of the floorplan.\n":{"v":"Lors de la rédaction, au lieu de sélectionner\nun plan d'étage, vous pouvez utiliser pour\nchoisir votre plan d'étage à votre place.\n\nSi vous le faites, gagnez [!v*1] et ignorez\ntous les coûts supplémentaires du plan d'étage.\n","t":"A","i":1468},"While drafting, you may\npay to spin floorplans.":{"v":"Lors de la rédaction, vous pouvez\npayer pour faire tourner les plans d'étage.","t":"A","i":3352},"While drafting, you may\npay [!v*0] gem to spin floorplans.":{"v":"Lors de la rédaction, vous pouvez \npayer [!v*0] gem pour faire tourner les plans d'étage.","t":"A","i":4125},"While drafting, you may rotate the\nfirst three floorplans you draw.":{"v":"Lors de la rédaction, vous pouvez faire pivoter\nles trois premiers plans que vous dessinez.","t":"A","i":2325},"While drafting, you may use \n to roll new floorplans.\n\n":{"v":"Pendant la rédaction, vous pouvez utiliser \n pour générer de nouveaux plans.\n\n","t":"A","i":1622},"While drafting, you may use .\nto draft a random floorplan instead\nof one of your presented options.\n\nIf the room is red, lose [!v*0] \nOtherwise, gain [!v*1] ":{"v":"Pendant la rédaction, vous pouvez utiliser .\npour esquisser un plan aléatoire à la place\nde l'une de vos options proposées.\n\nSi la pièce est rouge, perdez [!v*0] \nSinon, gagnez [!v*1] ","t":"A","i":2323},"White":{"v":"Blanc","t":"A","i":2545},"White\nFarro\nMarigold\n":{"v":"Blanc\nFarro\nMélilot\n","t":"A","i":3112},"Who sat on a red throne.\nHe had a red crown made of rubies,\nAnd a red castle made of stone.":{"v":"Qui s'assit sur un trône rouge.\nIl avait une couronne rouge faite de rubis,\nEt un château rouge fait de pierre.","t":"A","i":3615},"Wild Berry ":{"v":"Baie sauvage ","t":"A","i":2105},"Will occasionally be able to open\nsome locked doors.":{"v":"Sera parfois en mesure d'ouvrir\ncertaines portes verrouillées.","t":"A","i":2220},"Will occasionally be able to unlock\nsome normal doors.":{"v":"Pourra occasionnellement débloquer\ndes portes normales.","t":"A","i":4110},"Win [!v*0] Parlor Games":{"v":"Gagner [!v*0] jeux de salon","t":"A","i":201},"Win the Drafting Strategy Sweepstakes":{"v":"Gagnez le concours de stratégie de draft","t":"A","i":1047},"Wine Cellar":{"v":"Cave à Vin","t":"A","i":3183},"Wish you were here!":{"v":"J'aimerais que tu sois là !","t":"A","i":264},"With all my love and wishes,\nBest of Luck,":{"v":"Avec tout mon amour et mes vœux,\nBonne chance,","t":"A","i":3719},"With all respect to my late brother, it became clear after spending time poring over his notes that he was not very suited to this challenge. Occasionally, he stumbled upon some promising ideas, but none of them were thoroughly pursued.\n\nWhere I will give him credit, however, is in the extensive research he conducted, combing through a career's worth of our mother's notes and correspondence. This search culminated in the discovery of a letter my mother had written a local professor, requesting \"additional material for use in the creation of a cryptograph.\" This meager clue was, according to his survey, the only shred of evidence in her belongings that mentioned this project.":{"v":"Avec tout le respect que je porte à mon défunt frère, il est devenu clair, après avoir passé du temps à étudier ses notes, qu'il n'était pas très adapté à ce défi. Il a parfois buté sur des idées prometteuses, mais aucune n'a été approfondie.\n\nJe lui accorde toutefois le mérite d'avoir mené des recherches exhaustives, parcourant une carrière entière de notes et de correspondance de notre mère. Cette quête a abouti à la découverte d'une lettre que ma mère avait écrite à un professeur local, demandant « du matériel supplémentaire pour la création d'un cryptogramme ». Selon son enquête, ce maigre indice était le seul fragment de preuve dans ses effets mentionnant ce projet.","t":"A","i":2489},"With that said, there are a few ground rules of this commission covered in the fine print of my will that I feel I should bring to your attention:\n\n\n\n\n\n\n\n\nI don't suspect that any of these stipulations should prove an impediment for someone as resourceful as yourself but it is very important to me that you \"start fresh\" each morning and not rely on the successes of the previous day.":{"v":"Cela dit, il existe quelques règles fondamentales concernant cette commission, stipulées dans les détails de mon testament, que je tiens à porter à votre attention :\n\n\n\n\n\n\n\n\nJe ne soupçonne pas que l'une de ces clauses constitue un obstacle pour quelqu'un d'aussi ingénieux que vous, mais il est très important pour moi que vous « repartiez de zéro » chaque matin et ne vous appuyiez pas sur les succès de la veille.","t":"A","i":1934},"With that said, there are a few ground rules of this commission covered in the fine print of my will that I feel I should bring to your attention:\n\n\n\n\n\n\n\nI don't suspect any of these stipulations should prove an impediment for someone as resourceful as yourself but it is very important to me that you \"start fresh\" each morning and not rely on the successes of the previous day.":{"v":"Cela étant dit, il existe quelques règles fondamentales concernant cette commission, stipulées dans les détails de mon testament, que je tiens à porter à votre attention :\n\n\n\n\n\n\n\nJe ne soupçonne pas que l'une de ces clauses constitue un obstacle pour quelqu'un d'aussi ingénieux que vous, mais il est très important pour moi que vous « repartiez de zéro » chaque matin et ne vous appuyiez pas sur les succès de la veille.","t":"A","i":2340},"With that said, there are a few ground rules of this commission covered in the fine print of my will that I feel I should bring your attention to:\n\n\n\n\n\n\nI don't suspect any of these stipulations should prove an imprediment for someone as resourceful as yourself but it is very important to me that you \"start fresh\" each morning and not rely on the successes of the previous day.":{"v":"Cela dit, il y a quelques règles de base pour cette commission, mentionnées dans les petits caractères de mon testament que je pense devoir attirer votre attention sur :\n\n\n\n\n\n\nJe ne soupçonne aucun de ces stipulations à constituer un obstacle pour quelqu'un aussi débrouillard que vous, mais il est très important pour moi que vous \"commencez à zéro\" chaque matin et que vous ne vous reposiez pas sur les succès de la veille.","t":"A","i":4124},"Wood-fired Pizza":{"v":"Pizza au feu de bois","t":"A","i":2275},"Word From the Editor":{"v":"Mot du rédacteur en chef","t":"A","i":3124},"Word from the Editor":{"v":"Mot de l'éditeur","t":"A","i":2299},"Workshop":{"v":"Atelier","t":"A","i":4723},"Workshop Contraptions":{"v":"Ateliers de Mécaniques","t":"A","i":2967},"Workshop Contraptions . . . . . . . . . . . . . . [!v*0]":{"v":"Machines d'atelier . . . . . . . . . . . . . . [!v*0]","t":"A","i":691},"Would you like to permanently AXE this\nfloorplan's gem cost?":{"v":"Souhaitez-vous définitivement DÉTRUIRE ce\nplan d'étage et son coût en gemmes ?","t":"A","i":3633},"Would you like to use the CONSERVATORY to\nRESET this floorplan's rarity to ? ":{"v":"Souhaitez-vous utiliser le CONSERVATOIRE pour\nRÉINITIALISER la rareté de ce plan d'étage à ? ","t":"A","i":2939},"Wraith":{"v":"Esprit","t":"A","i":3163},"Written, Directed & Designed by":{"v":"Écrit, dirigé et conçu par","t":"A","i":3058},"X":{"v":"X","t":"A","i":793},"XBOX":{"v":"XBOX","t":"A","i":141},"XE":{"v":"XE","t":"A","i":1467},"XI":{"v":"XI","t":"A","i":3343},"XII":{"v":"XII","t":"A","i":2760},"XPLORERS":{"v":"EXPLORATEURS","t":"A","i":429},"Y":{"v":"Y","t":"A","i":498},"Y NE":{"v":"Y NE","t":"A","i":1802},"YELLOW":{"v":"JAUNE","t":"A","i":1879},"YENNA MEANS BOTH\nRAIN AND RULER\nIN ERAJAN.":{"v":"YENNA SIGNIFIE À LA FOIS\nPLUIE ET SOUVERAINE\nDANS ERAJAN.","t":"A","i":1243},"YES":{"v":"OUI","t":"V","i":59},"YES NO":{"v":"OUI NON","t":"A","i":3516},"YES NO":{"v":"OUI NON","t":"A","i":3774},"YES, BREAK HIM":{"v":"OUI, BRISEZ-LE","t":"A","i":2484},"YES, RESTORE FROM BACKUP FILE":{"v":"OUI, RESTAURER DEPUIS LE FICHIER DE SAUVEGARDE","t":"A","i":158},"YOU ALREADY HAVE AN ITEM\nCHECKED HERE.\n\n\nPLEASE RETRIEVE IT BEFORE\nCHECKING IN ANOTHER.":{"v":"VOUS AVEZ DÉJÀ UN OBJET ICI \nVÉRIFIEZ-LE.\n\n\nRÉCUPÉREZ-LE AVANT DE\nCOCHER UNE AUTRE CASE.","t":"A","i":3807},"YOU ARE IN THE PARLOR.":{"v":"VOUS ÊTES DANS LE SALON.","t":"A","i":4762},"YOU ARE NOW HOLDING":{"v":"VOUS TENEZ MAINTENANT","t":"A","i":3024},"YOU CAN RETRIEVE THIS ITEM ON\nANY DAY YOU HAVE A COAT CHECK\nIN YOUR HOUSE.":{"v":"VOUS POUVEZ RÉCUPÉRER CET OBJET \nN'IMPORTE QUEL JOUR OÙ VOUS AVEZ UN COFFRET À VÊTEMENTS \nDANS VOTRE MAISON.","t":"A","i":3087},"YOU CANNOT IMPORT FROM CURRENT PROFILE!":{"v":"VOUS NE POUVEZ PAS IMPORTER À PARTIR DU PROFIL ACTUEL !","t":"A","i":3146},"YOU DO NOT CURRENTLY\nHAVE ANY UNIQUE ITEMS THAT\nCAN BE CHECKED.":{"v":"VOUS NE POSSÉDEZ ACTUELLEMENT AUCUN OBJET UNIQUE QUI PUISSE ÊTRE VÉRIFIÉ.\nAUCUN OBJET UNIQUE N'EST DISPONIBLE POUR ÊTRE VÉRIFIÉ.\n","t":"A","i":3688},"YOU DO NOT HAVE TO PAY THE GEM COSTS OF FLOORPLANS":{"v":"VOUS N'AVEZ PAS À PAYER LES COÛTS EN GEMMES DES PLANS DE SOL","t":"A","i":1845},"YOU HAVE\nREACHED RANK [!v*1]":{"v":"VOUS AVEZ\nATTEINT LE RANG [!v*1]","t":"A","i":2272},"YOU HAVE A BAD FEELING ABOUT THIS...":{"v":"Tu as une mauvaise intuition à ce sujet...","t":"A","i":4044},"YOU HAVE BEEN\nREWARDED AN":{"v":"VOUS AVEZ ÉTÉ\nRÉCOMPENSÉ UN","t":"A","i":3263},"YOU HAVE BEEN AWARDED":{"v":"VOUS AVEZ REÇU","t":"A","i":1422},"YOU HAVE NO ITEMS\nTO TRADE":{"v":"VOUS N'AVEZ AUCUN OBJET À ÉCHANGER\n","t":"A","i":4036},"YOU HAVE RECEIVED":{"v":"VOUS AVEZ ÉTÉ REÇU","t":"A","i":2781},"YOU HAVE SEEN ALL\nTHE MEMOS THAT APPEAR IN THIS ROOM.":{"v":"VOUS AVEZ VU TOUS\nLES MEMOS QUI APPARAISSENT DANS CETTE PIÈCE.","t":"A","i":1075},"YOU HAVE SEEN ALL THE MEMOS THAT\nAPPEAR IN THIS ROOM.":{"v":"VOUS AVEZ VU TOUS LES MEMOS QUI\nAPPARAISSENT DANS CETTE PIÈCE.","t":"A","i":689},"YOU HAVE SUCCESSFULLY ADDED\n\n\nPERMANENTLY\nTO YOUR DRAFT POOL":{"v":"VOUS AVEZ RÉUSSI À AJOUTER\n\n\nDEFAUTIF\nÀ VOTRE POIL DE BROSSE","t":"A","i":3088},"YOU MAY BE ABLE TO USE YOUR MAKESHIFT JACKHAMMER TO MINE\nFOR ADDITIONAL .\n\nHOWEVER, EACH TIME YOU ARE SUCCESSFFUL, THE CHANCE OF A\nMINE CAVE-IN WILL INCREASE.\n\nBE FORWARNED, A COLLAPSE OF\nANY SCALE WILL PERMANENTLY\nCLOSE THIS SITE AND WITH IT,\nTHE DAILY GEMS IT PROVIDES.":{"v":"VOUS POUVEZ PEUT-ÊTRE UTILISER VOTRE MARTEAU BRICOLÉ POUR EXTRAIRE\nDES SUPPLÉMENTAIRES.\n\nCEPENDANT, À CHAQUE FOIS QUE VOUS RÉUSSISSEZ, LA PROBABILITÉ D'UN\nEFFONDREMENT DE LA MINE AUGMENTERA.\n\nSOYEZ AVERTI, UN EFFONDREMENT\nDE TAILLE QUELCONQUE FERMETADÉFINITIVEMENT\nCE SITE ET, AVEC LUI,\nLES GEMMES QU'IL FOURNIT CHAQUE JOUR.","t":"A","i":2171},"YOU MAY ONLY MAKE ONE GUESS:":{"v":"Vous ne pouvez faire qu'une seule supposition :","t":"A","i":3136},"YOU MUST DON\nTHE MANTLE OF\nTHE KNIGHT\nTO PERFORM THE\nRITUAL OF CASTLING.":{"v":"VOUS DEVEZ\nENDOSSEZ LE MANTLEAU\nDU CHEVALIER\nPOUR EFFECTUER\nLE RITUEL DE LA ROQUE.","t":"A","i":805},"YOU WILL NEED\nA KEY TO OBTAIN\nTHE TRUE TREASURE\nOF THE TROVE.":{"v":"VOUS AUREZ BESOIN\nD'UNE CLÉ POUR OBTENIR\nLE VRAI TRÉSOR\nDE LA TROUVEUSE.","t":"A","i":3456},"YOU WILL NEED\nA KEY TO OBTAIN\nTHE TRUE TREASURE\nOF THE TROVE.\n":{"v":"VOUS AUREZ BESOIN\nD'UNE CLÉ POUR OBTENIR\nLE VRAI TRÉSOR\nDE LA CACHETTE.\n","t":"A","i":650},"YOU WON'T FIND MY BIN\nIN BETWEEN SIN\nFOR I DESERVE TO BE IN\nA BIN DOWN ON THE END":{"v":"TU NE TROUVERAS PAS MON BOUTEILLOIR \nENTRE LES AUTRES POUR QUE JE MÉRITE D'ÊTRE DANS \nUN BOUTEILLOIR EN BAS À LA FIN \n","t":"A","i":2960},"YOU WON'T FIND MY BIN\nIN BETWEEN SIN\nFOR I DESERVE TO BE IN\nA BIN ON THE END":{"v":"TU NE TROUVERAS PAS MA POUPIÈRE\nENTRE LES PÉCHÉS\nCAR JE MÉRITE D'ÊTRE DANS\nUNE POUPIÈRE À LA FIN","t":"A","i":671},"YOUR NEW HOME":{"v":"Votre nouveau foyer","t":"A","i":3696},"Yellow":{"v":"Jaune","t":"A","i":181},"Yes\n":{"v":"Oui\n","t":"A","i":122},"You must really\nlike red!":{"v":"Tu dois vraiment\naimer le rouge !","t":"A","i":2561},"You are not sea bird.\nYou are not swim bird.":{"v":"Tu n'es pas oiseau de mer.\nTu n'es pas oiseau qui nage.","t":"A","i":3669},"You can adjust the settings in the terminal located in SECURITY to make Security doors more or less common. If you have found a KEYCARD, it is worth changing these settings to high, and if you haven't you may want to set them to low.":{"v":"Vous pouvez ajuster les paramètres dans le terminal situé dans SÉCURITÉ pour rendre les portes de sécurité plus ou moins fréquentes. Si vous avez trouvé une CARTE MAGNÉTIQUE, il est judicieux de régler ces paramètres sur haut, et si ce n'est pas le cas, vous pouvez les régler sur bas.","t":"A","i":2368},"You can create and store a backup of one
save profile on the Blackbridge server.

When restored, this backup will restore
this profile to an empty save slot.":{"v":"Vous pouvez créer et stocker une sauvegarde d'un profil de sauvegarde
sur le serveur Blackbridge.

Lorsqu'elle est restaurée, cette sauvegarde restaurera ce profil dans un slot de sauvegarde vide.
","t":"A","i":3612},"You can now select CURSE MODE when\nstarting a new game file.":{"v":"Vous pouvez désormais sélectionner MODE MAUDIT au\ndébut d'une nouvelle partie.","t":"A","i":1599},"You can't have a conversation about drafting items without starting with GEMS. These valuable stones allow architects to draft special floorplans.":{"v":"On ne peut pas parler de la conception d’objets sans commencer par les GEMS. Ces pierres précieuses permettent aux architectes de concevoir des plans spéciaux.","t":"A","i":2440},"You cannot place another\nspecial order while a previous\nrequest is processing...":{"v":"Vous ne pouvez pas passer une autre\ncommande spéciale pendant qu'une\ndemande précédente est en cours de traitement...","t":"A","i":3267},"You dug up a secret Floorplan!\n\nWould you like to permanently add\nCONSERVATORY\nto your drafting pool?":{"v":"Vous avez déterré un plan secret!\n\nSouhaitez-vous permanemment ajouter\nCONSERVATOIRE\nà votre pool de plans ?","t":"A","i":3135},"You foolishly picked up":{"v":"Tu as naïvement pris","t":"A","i":2902},"You found a duplicate copy\nof one of your Floorplans!\n\nWould you like to permanently\nadd an additional\n\n\nto your drafting pool?":{"v":"Vous avez trouvé un doublon\nd'un de vos Plans d'étage!\n\nSouhaitez-vous définitivement\najouter un exemplaire\n\n\nà votre réserve de plans ?","t":"A","i":2065},"You found a secret Floor Plan!\n\nWould you like to permanently add\nCLOSED EXHIBIT\nto your drafting pool?":{"v":"Vous avez trouvé un plan de sol secret!\n\nSouhaitez-vous permanemment ajouter\nEXHIBIT FERMÉ\nà votre pool de croquis ?","t":"A","i":3334},"You found a secret Floorplan!\n\nWould you like to permanently add\nLOST & FOUND\nto your drafting pool?":{"v":"Vous avez trouvé un plan secret !\n\nSouhaitez-vous ajouter définitivement\nPERDU & TROUVÉ\nà votre réserve de plans ?","t":"A","i":2053},"You found a secret Floorplan!\n\nWould you like to permanently add\nMECHANARIUM\nto your drafting pool?":{"v":"Vous avez trouvé un plan secret!\n\nSouhaitez-vous permanemment ajouter\nMECHANARIUM\nà votre pool de conception ?","t":"A","i":3537},"You found a secret Floorplan!\n\nWould you like to permanently add\nPLANETARIUM\nto your drafting pool?":{"v":"Vous avez trouvé un plan secret!\n\nSouhaitez-vous ajouterde façon permanente\nPLANETARIUM\nà votre pool de plans ?","t":"A","i":3298},"You found a secret Floorplan!\n\nWould you like to permanently add\nTHRONE ROOM\nto your drafting pool?":{"v":"Vous avez trouvé un plan secret!\n\nSouhaitez-vous ajouterde façon permanente\nla SALLE DU TRÔNE\nà votre pool de plans ?","t":"A","i":3325},"You found a secret Floorplan!\n\nWould you like to permanently add\nTREASURE TROVE\nto your drafting pool?":{"v":"Vous avez trouvé un plan secret !\n\nSouhaitez-vous ajouter définitivement\nLA CACHE DE TRÉSORS\nà votre pool de cartes ?","t":"A","i":2346},"You found a secret Floorplan!\n\nWould you like to permanently add\nTUNNEL\nto your drafting pool?":{"v":"Vous avez trouvé un plan secret !\n\nSouhaitez-vous ajouter définitivement\nLE TUNNEL\nà votre réserve de plans ?","t":"A","i":2500},"You have accepted":{"v":"Vous avez accepté","t":"A","i":1892},"You have pushed yourself to the very edge\nof exhaustion and must now return to your\ncampsite to get some rest.\n\nYou can continue your search tomorrow,\nhowever, the house might be a little bit different.":{"v":"Vous avez poussé votre corps à la limite\nde l'épuisement et devez maintenant retourner à votre\ncamp pour vous reposer.\n\nVous pourrez poursuivre vos recherches demain,\ncependant, la maison pourrait être un peu différente.","t":"A","i":4040},"You have used all your and must now":{"v":"Vous avez utilisé toutes vos et devez","t":"A","i":2565},"You may CALL IT A DAY at any time\nfrom the Blueprint Menu to return \nto the campsite for the night.":{"v":"Vous pouvez CÉLER LA JOURNÉE à tout moment\nvia le Menu Blueprint pour revenir \nau campement pour la nuit.","t":"A","i":2624},"You may CALL IT A DAY at any time. This will end the current day and reset the rooms on the estate, your inventory and your steps.

When you run out of steps, you will be forced to CALL IT A DAY.":{"v":"Vous pouvez FINIR LA JOURNÉE à tout moment. Cela mettra fin à la journée actuelle et réinitialisera les pièces de l'immobilier, votre inventaire et vos pas.

Lorsque vous n'aurez plus de pas, vous serez obligé de FINIR LA JOURNÉE.","t":"A","i":4444},"You may draw floorplans\n[!v*0] times when drafting the\n[!v*1] corner rooms of your house.":{"v":"Vous pouvez dessiner des plans\n[!v*0] fois lors de la conception des\n[!v*1] pièces d'angle de votre maison.","t":"A","i":3382},"You may give up this power by returning to this chamber on\nany future day and unlocking the pieces again.":{"v":"Vous pouvez renoncer à ce pouvoir en revenant dans cette chambre un jour quelconque et en déverrouillant les pièces à nouveau\n","t":"A","i":2916},"You may keep this power until the end of day.":{"v":"Vous pouvez conserver ce pouvoir jusqu'à la fin de la journée.","t":"A","i":2185},"You may now promote and receive\na new power that will last until the\nend of the day.":{"v":"Vous pouvez maintenant promouvoir et recevoir\nune nouvelle puissance qui durera jusqu'à la fin de la journée.\n","t":"A","i":2954},"You may only connect to one\noffline terminal each day.":{"v":"Vous ne pouvez vous connecter qu'à un seul\nterminal hors ligne par jour.","t":"A","i":2257},"You may spend STARS to draw new floorplans.":{"v":"Vous pouvez dépenser des ÉTOILES pour générer de nouveaux plans d'étage.","t":"A","i":574},"You may use in\nthe Room Directory to permanently\nremove the gem cost from one room.":{"v":"Vous pouvez utiliser dans\nl'Annuaire des pièces pour supprimer\ndéfinitivement le coût en gemmes d'une pièce.","t":"A","i":1796},"You may use while drafting\nto draft a random new floorplan instead\nof one of your presented options.":{"v":"Vous pouvez utiliser \npour générer un plan aléatoire au lieu d'un de vos choix proposés\n","t":"A","i":3970},"You may use this tool to create your\nown custom packet of experiments,\nmixing-and-matching from all available\nexperimental triggers and effects.":{"v":"Vous pouvez utiliser cet outil pour créer votre\npropre paquet personnalisé d'expériences,\nen mélangeant et en assortissant tous les déclencheurs et effets expérimentaux disponibles.\n","t":"A","i":2963},"You may utilize the Blackbridge system\nto create an exact copy of one\nyour save files (assuming you have\nan empty profile slot).":{"v":"Vous pouvez utiliser le système Blackbridge\npour créer une copie exacte d'un\nde vos fichiers de sauvegarde (à condition que vous ayez\nun emplacement de profil vide).","t":"A","i":3903},"You must have to draft.":{"v":"Vous devez absolument vous mettre à la rédaction.","t":"A","i":3420},"You must really\nlike red!":{"v":"Tu dois vraiment\naimer le rouge !","t":"A","i":839},"You no longer have\nto pay floorplan\ngem costs.":{"v":"Vous n'avez plus\nà payer les coûts de plan\nd'étage.","t":"A","i":2607},"You no longer lose or gain by entering rooms.\n\nEach time you draw CHAPEL while\ndrafting, lose .\n\nIf you ever draft CHAPEL, set your to .":{"v":"Vous ne gagnez ou ne perdez plus en entrant dans des pièces.\n\nÀ chaque fois que vous tirez CHAPEL pendant \nla construction, vous perdez .\n\nSi vous tirez jamais CHAPEL, définissez votre à .","t":"H","i":4166},"You should remember\nthe Erajan terms for these":{"v":"Vous devriez vous souvenir\ndes termes érajans pour ceux-ci","t":"A","i":685},"You were already more than generous and accommodating and the least we can do is fulfill our end of the bargain. So why write to you at all? Why incriminate ourselves further if we already have what we want? In a word, principles.\n\nAfter reading your eloquent reply to our initial note, it became apparent to us that there had been a few misunderstandings.\nThis letter is intended to clarify some of those points, and hopefully will place our schemes in a softer light.\n\nFirst, we may have gotten too excited with the colorful language of blackmail but our goal was never to terrorize. Despite what you may believe you interpreted as thinly veiled threats towards your young nephew, I want to personally assure you there was never any tangible danger. \n\nIf we gave any impression we would hurt the youngster, it was meant only in the very vague sense of ‘hurting his social prospects‘. And yes, while we admit that":{"v":"Vous étiez déjà plus que généreux et accommodant, et le moins que nous puissions faire est de tenir notre bout de promesse. Alors pourquoi vous écrire du tout ? Pourquoi nous incriminer davantage si nous avons déjà ce que nous voulons ? En un mot, des principes.\n\nAprès avoir lu votre éloquente réponse à notre note initiale, il est devenu évident pour nous qu'il y avait eu quelques malentendus.\nCette lettre vise à clarifier certains de ces points et, espérons-le, à présenter nos desseins sous un jour plus favorable.\n\nPremièrement, nous avons peut-être été trop emportés par le langage coloré du chantage, mais notre objectif n'a jamais été de terroriser. Malgré ce que vous pouvez croire, l'interprétation que vous avez faite de menaces à peine voilées envers votre jeune neveu est erronée ; je tiens à vous assurer personnellement qu'il n'y a jamais eu aucun danger tangible.\n\nSi nous avons laissé entendre que nous ferions du mal au jeune homme, cela ne signifiait rien d'autre que de nuire très vaguement à 'ses perspectives sociales'. Et oui, bien que nous admettions que","t":"A","i":3775},"You will find sitting at the base of Mt. Perma, Reddington's second highest summit, a historic site described by scholars as significantly important to the realm's past. Featherfall Keep, the former home of Lord William Epsen, has until recently always been a private residence, serving as a family home to the Epsens since before the third era.\n\nAfter the death of Lord Epsen, his oldest son, Lionel Epsen, left the estate never to return; however, the daughter stayed, maintaining the residence and its staff until her marriage in [!v*0]. At that point, Featherfall Keep ceased to be a family residence; it began operating as a historic house museum and tourist attraction, and the estate was designated a National Historic Landmark in [!v*1].":{"v":"Vous trouverez, à la base du mont Perma, deuxième plus haut sommet de Reddington, un site historique décrit par les érudits comme d'une importance significative pour le passé du royaume. Le donjon de Featherfall, ancienne demeure du lord William Epsen, a toujours été, jusqu'à récemment, une résidence privée, servant de foyer familial aux Epsen depuis avant la troisième ère.\n\nAprès la mort du lord Epsen, son fils aîné, Lionel Epsen, quitta le domaine sans jamais revenir ; cependant, la fille resta, entretenant la résidence et son personnel jusqu'à son mariage en [!v*0]. À ce moment-là, le donjon de Featherfall cessa d'être une résidence familiale ; il commença à fonctionner comme musée historique et attraction touristique, et le domaine fut désigné site historique national en [!v*1].","t":"A","i":2429},"You will not lose traveling\nbetween two adjoining Hallways.\n\nHallways drafted from an adjoining\nHallway do not cost to draft.":{"v":"Vous ne perdrez pas en voyageant\nentre deux corridors adjacents Hallways.\n\nCorridors dessinés à partir d'un corridor adjacent\ncorridor ne coûtent rien pour être dessinés.","t":"H","i":4153},"You will now move in Blue Prince at\n stroll speed. You can slow down to walk speed by either tapping or by holding .\n\nIf you tap, then you will stay at walk speed until you stop moving.\n\nWhen you resume movement after stopping, you will again be moving at stroll speed, and will need to tap or hold to start walking.":{"v":"Vous vous déplacerez désormais dans Blue Prince à\n vitesse de balade. Vous pouvez ralentir à vitesse de marche en appuyant brièvement sur ou en maintenant .\n\nSi vous appuyez brièvement, vous resterez à vitesse de marche jusqu'à ce que vous arrêtiez de vous déplacer.\n\nLorsque vous reprendrez votre mouvement après une pause, vous serez de nouveau à vitesse de balade, et devrez appuyer brièvement ou maintenir pour commencer à marcher.","t":"A","i":117},"You won't have to backtrack constantly to collect your gold spread from OFFICE, if you draft a CONFERENCE ROOM.":{"v":"Vous n'aurez pas à revenir constamment pour ramasser votre épandeur d'or dans le BUREAU, si vous concevez une SALLE DE RÉUNION.","t":"A","i":3151},"You would like the Co":{"v":"Vous souhaitez le Co","t":"A","i":4413},"You would like the Com":{"v":"Vous souhaitez la Com","t":"A","i":4682},"You would like the Comm":{"v":"Vous souhaitez la Comm","t":"A","i":4414},"You would like the Commi":{"v":"Vous souhaitez le Commi","t":"A","i":4415},"You would like the Commis":{"v":"Vous souhaitez le Commis","t":"A","i":4416},"You would like the Commiss":{"v":"Vous souhaitez la Commiss","t":"A","i":4417},"You would like the Commissa":{"v":"Vous souhaitez la Commissa","t":"A","i":4418},"You would like the Commissar":{"v":"Vous souhaitez le Commissaire","t":"A","i":4419},"You would like the Commissary to\norder:\n\n\n\nThis order is estimated take\n days.\n\nIs this ok?":{"v":"Vous souhaitez commander au Commissariat,\ncommandez:\n\n\n\nCe commande est estimée à\n jours.\n\nEst-ce que ça vous va?","t":"H","i":4163},"Your Name _________________________\n":{"v":"Votre nom _________________________\n","t":"A","i":564},"Your Uncle Herbert":{"v":"Votre oncle Herbert","t":"A","i":3447},"Z":{"v":"Z","t":"A","i":4233},"ZOLMO":{"v":"ZOLMO","t":"A","i":892},"Zero:":{"v":"Zéro :","t":"V","i":14},"[ s e l e c t A ] [ s e l e c t B ]":{"v":"[ s e l e c t A ] [ s e l e c t B ]","t":"A","i":2609},"[!v*0]\n\n\nBecomes [!v*1] ,":{"v":"[!v*0]\n\n\nDevenu [!v*1] ,","t":"A","i":2615},"[!v*0]\n .":{"v":"[!v*0]\n .","t":"A","i":1477},"[!v*0] \n\nBecomes [!v*1] , [!v*2] , [!v*3] , [!v*4]\n\nBecomes + [!v*5] , - [!v*6] , x [!v*7] , ÷ [!v*8]\n\nBecomes [!v*9]":{"v":"[!v*0] \n\nDevient [!v*1] , [!v*2] , [!v*3] , [!v*4]\n\nDevient + [!v*5] , - [!v*6] , x [!v*7] , ÷ [!v*8]\n\nDevient [!v*9]","t":"A","i":1481},"[!v*0] \n\nBecomes [!v*1] , [!v*2] , [!v*3] , [!v*4]\n\nBecomes + [!v*5] , - [!v*6] , x [!v*7] , ÷ [!v*8]\n\nCore = [!v*9]":{"v":"[!v*0] \n\nDeviennent [!v*1], [!v*2], [!v*3], [!v*4]\n\nDeviennent + [!v*5], - [!v*6], x [!v*7], ÷ [!v*8]\n\nCœur = [!v*9]","t":"A","i":3751},"[!v*0] [!v*1] [!v*2] [!v*3]\n\n[!v*4] [!v*5] [!v*6]\n\n\n\n\n\n Exit":{"v":"[!v*0] [!v*1] [!v*2] [!v*3]\n\n[!v*4] [!v*5] [!v*6]\n\n\n\n\n\n Quitter","t":"A","i":1703},"[!v*0] [!v*1] [!v*2] [!v*3]\n\n[!v*4] [!v*5] [!v*6] [!v*7]\n\n\n\n\n \n Exit":{"v":"[!v*0] [!v*1] [!v*2] [!v*3]\n\n[!v*4] [!v*5] [!v*6] [!v*7]\n\n\n\n\n \n Quit","t":"A","i":3741},"[!v*0] l":{"v":"[!v*0] l","t":"A","i":958},"[!v*0] - X - [!v*1]:[!v*2] - ARCHIVES":{"v":"[!v*0] - X - [!v*1]:[!v*2] - ARCHIVES","t":"A","i":3693},"[!v*0] - X - [!v*1]:[!v*2] - BB GROTTO":{"v":"[!v*0] - X - [!v*1]:[!v*2] - GROTTE DE BB","t":"A","i":1973},"[!v*0] - X - [!v*1]:[!v*2] - RUMPUS RM":{"v":"[!v*0] - X - [!v*1]:[!v*2] - RUMPUS RM","t":"A","i":1615},"[!v*0] - X - [!v*1]:[!v*2] - SECURITY":{"v":"[!v*0] - X - [!v*1]:[!v*2] - SÉCURITÉ","t":"A","i":1887},"[!v*0] - [!v*1] - [!v*2]:[!v*3] - PARLOR\n\n":{"v":"[!v*0] - [!v*1] - [!v*2]:[!v*3] - SALON\n\n","t":"A","i":1767},"[!v*0] - [!v*1] - [!v*2]:[!v*3] AM - LIBRARY\n\n\n[!v*4] - [!v*5] - [!v*6]:[!v*7] PM - ENTRANCE\n\n\n[!v*8] - [!v*9] - [!v*10]:[!v*11] PM - SECURITY\n\n":{"v":"[!v*0] - [!v*1] - [!v*2]:[!v*3] AM - BIBLIOTHÈQUE\n\n\n[!v*4] - [!v*5] - [!v*6]:[!v*7] PM - ENTRÉE\n\n\n[!v*8] - [!v*9] - [!v*10]:[!v*11] PM - SÉCURITÉ\n\n","t":"A","i":3496},"[!v*0] + [!v*2]":{"v":"[!v*0] + [!v*2]","t":"A","i":1499},"[!v*0] and [!v*2]":{"v":"[!v*0] et [!v*2]","t":"A","i":2875},"[!v*0] COINS":{"v":"[!v*0] PIÈCES","t":"A","i":2164},"[!v*0] FRUIT":{"v":"[!v*0] FRUIT","t":"A","i":1966},"[!v*0] GEM_":{"v":"[!v*0] GEM_","t":"A","i":2311},"[!v*0] GEMS":{"v":"[!v*0] GEMS","t":"A","i":4348},"[!v*0] KEY":{"v":"[!v*0] CLÉ","t":"A","i":2663},"[!v*0] KEYS":{"v":"[!v*0] CLÉS","t":"A","i":3743},"[!v*0] Karat":{"v":"[!v*0] Karat","t":"A","i":3824},"[!v*0] LOCK PICK KIT\n":{"v":"[!v*0] KIT DE PICE\n","t":"A","i":4648},"[!v*0] TRUNK_":{"v":"[!v*0] COFFRE_","t":"A","i":4647},"[!v*0] TRUNK\\u[!v*1]A[!v*2]":{"v":"[!v*0] COFFRE\\u[!v*1]A[!v*2]","t":"A","i":3940},"[!v*0] WEST BARBARON AVE":{"v":"[!v*0] AVENUE BARBARON OUEST","t":"A","i":343},"[!v*0] WINGS":{"v":"[!v*0] AILES","t":"A","i":1273},"[!v*0] dead ends?":{"v":"[!v*0] impasses ?","t":"A","i":2459},"[!v*0] in. X [!v*1] in.":{"v":"[!v*0] po. X [!v*1] po.","t":"A","i":776},"[!v*0] realms in [!v*1] months":{"v":"[!v*0] royaumes en [!v*1] mois","t":"A","i":775},"[!v*0] room":{"v":"[!v*0] pièce","t":"A","i":652},"[!v*0] starting rooms":{"v":"[!v*0] salles de départ","t":"A","i":1288},"[!v*0]-way rooms\nsplit ducts\nthree ways":{"v":"[!v*0]-pièces à une seule voie\ncanaux divisés\ntrois voies","t":"A","i":3063},"[!v*0]. \"Hello, can you teach me a new word?\"":{"v":"[!v*0]. « Bonjour, pouvez-vous m'apprendre un nouveau mot ? »","t":"A","i":788},"[!v*0]. \"I will swim at dawn.\"":{"v":"[!v*0]. « Je nagerai à l'aube. »","t":"A","i":1168},"[!v*0]. \"I won't read at night.\"":{"v":"[!v*0]. « Je ne lirai pas la nuit. »","t":"A","i":881},"[!v*0]. \"The branches of the tree are old.\"":{"v":"[!v*0]. « Les branches de l'arbre sont anciennes. »","t":"A","i":872},"[!v*0]. \"The large house is toward the east.\"":{"v":"[!v*0]. « La grande maison est vers l'est. »","t":"A","i":749},"[!v*0]. \"The trunk of the tree is small.\"":{"v":"[!v*0]. « Le tronc de l'arbre est petit. »","t":"A","i":817},"[!v*0]. Archives":{"v":"[!v*0]. Archives","t":"A","i":4630},"[!v*0]. Buried Floorplan":{"v":"[!v*0]. Plan d'étage enseveli","t":"A","i":1847},"[!v*0]. Can you find the difference?":{"v":"[!v*0]. Pouvez-vous trouver la différence ?","t":"A","i":2183},"[!v*0]. Chapel":{"v":"[!v*0]. Chapelle","t":"A","i":4623},"[!v*0]. Commissary":{"v":"[!v*0]. Intendance","t":"A","i":4633},"[!v*0]. Corridor":{"v":"[!v*0]. Couloir","t":"A","i":4624},"[!v*0]. Courtyard ([!v*2] gems)":{"v":"[!v*0]. Cour ([!v*2] gemmes)","t":"A","i":4627},"[!v*0]. Den":{"v":"[!v*0]. Dén","t":"A","i":4767},"[!v*0]. Drawing Room ([!v*2] gems)":{"v":"[!v*0]. Salon ([!v*2] gemmes)","t":"A","i":4626},"[!v*0]. Entrance Hall":{"v":"[!v*0]. Hall d'entrée","t":"A","i":4628},"[!v*0]. FOUNDATION\n ELEVATOR\n\n[!v*1]. CONCEALED\n ENTRANCE\n\n[!v*2]. CLIFFSIDE EXIT\n\n[!v*3]. MINE CART\n\n[!v*4]. FOUNTAIN \n ENTRANCE\n\n[!v*5]. TOMB ENTRANCE\n\n[!v*6]. TORCH CHAMBER\n\n[!v*7]. ROTATING GEAR\n\n[!v*8]. TO NORTH LEVER":{"v":"[!v*0]. FONDATION\n ASCENSEUR\n\n[!v*1]. ENTRÉE DISCRÈTE\n PORTE D'ENTRÉE\n\n[!v*2]. SORTIE SUR LE PIED ROCHEUX\n\n[!v*3]. CAGNOLE MÉCANIQUE\n\n[!v*4]. FONTAINE \n PORTE D'ENTRÉE\n\n[!v*5]. ENTRÉE DE LA TOMBE\n\n[!v*6]. SALLE DES TORCHES\n\n[!v*7]. ENGRENAGE ROTATIF\n\n[!v*8]. LEVER VERS LE NORD","t":"H","i":4151},"[!v*0]. Furnace":{"v":"[!v*0]. Four","t":"A","i":4846},"[!v*0]. Greenhouse":{"v":"[!v*0]. Serre","t":"A","i":4774},"[!v*0]. Hallway":{"v":"[!v*0]. Couloir","t":"A","i":4768},"[!v*0]. How long did the \"War of the Fifth Era\" last?":{"v":"[!v*0]. Combien de temps a duré la « Guerre de la cinquième ère » ?","t":"A","i":262},"[!v*0]. How many sons did the Fourth King of Orindia have?":{"v":"[!v*0]. Combien de fils le Quatrième Roi d'Orindia avait-il ?","t":"A","i":710},"[!v*0]. In the scenario above, where does Sam live?":{"v":"[!v*0]. Dans le scénario ci-dessus, où vit Sam ?","t":"A","i":3930},"[!v*0]. Kitchen ([!v*2] gems)":{"v":"[!v*0]. Cuisine ([!v*2] gemmes)","t":"A","i":4622},"[!v*0]. LOCK PICK KIT":{"v":"[!v*0]. KIT DE DÉVERROUILLAGE","t":"A","i":4769},"[!v*0]. Lavatory":{"v":"[!v*0]. Toilettes","t":"A","i":4632},"[!v*0]. MOTES":{"v":"[!v*0]. MOTES","t":"A","i":3152},"[!v*0]. Nook":{"v":"[!v*0]. Nook","t":"A","i":4771},"[!v*0]. Nursery":{"v":"[!v*0]. Nourrisson","t":"A","i":4773},"[!v*0]. Observatory ([!v*2] gems)":{"v":"[!v*0]. Observatoire ([!v*2] gemmes)","t":"A","i":4845},"[!v*0]. Parlor":{"v":"[!v*0]. Salon","t":"A","i":4625},"[!v*0]. Passageway":{"v":"[!v*0]. Passage","t":"A","i":4634},"[!v*0]. Security":{"v":"[!v*0]. Sécurité","t":"A","i":4629},"[!v*0]. Security ([!v*2] gems)":{"v":"[!v*0]. Sécurité ([!v*2] gemmes)","t":"A","i":4770},"[!v*0]. Security ([!v*2] gems)":{"v":"[!v*0]. Sécurité ([!v*2] gemmes)","t":"A","i":4776},"[!v*0]. Staff Services\n\n[!v*1]. Remote Terminal Access\n\n[!v*2]. Electronic Mail\n\n[!v*3]. Data Transfers\n\n[!v*4]. Glossary (Locked during House Tour)\n\n[!v*5]. Log Out":{"v":"[!v*0]. Services du personnel\n\n[!v*1]. Accès à un terminal distant\n\n[!v*2]. Courrier électronique\n\n[!v*3]. Transferts de données\n\n[!v*4]. Glossaire (Verrouillé pendant la visite de la maison)\n\n[!v*5]. Se déconnecter","t":"A","i":2404},"[!v*0]. Staff Services\n\n[!v*1]. Remote Terminal Access\n\n[!v*2]. Electronic Mail\n\n[!v*3]. Data Transfers\n\n[!v*4]. Glossary of Terms\n\n[!v*5]. Log Out":{"v":"[!v*0]. Services du personnel\n\n[!v*1]. Accès distant au terminal\n\n[!v*2]. Courrier électronique\n\n[!v*3]. Transferts de données\n\n[!v*4]. Glossaire des termes\n\n[!v*5]. Déconnexion","t":"A","i":4329},"[!v*0]. THE BORDER":{"v":"[!v*0]. LA FRONTIÈRE","t":"A","i":1537},"[!v*0]. THE CORE":{"v":"[!v*0]. LE CŒUR","t":"A","i":2071},"[!v*0]. THE RAYS":{"v":"[!v*0]. LES RAYONS","t":"A","i":3662},"[!v*0]. The city of Fenn is south of which small body of water?":{"v":"[!v*0]. La ville de Fenn se trouve au sud de quel petit plan d'eau ?","t":"A","i":3436},"[!v*0]. USE WATER CONTROL PANEL\n TO SELECT WATER SOURCE\n":{"v":"[!v*0]. UTILISER LE PANNEAU DE CONTRÔLE DE L'EAU\n POUR SÉLECTIONNER LA SOURCE D'EAU\n","t":"A","i":2186},"[!v*0]. Using the provided Erajan terms for cardinal directions\nabove, what would be the clearest way you could give\ndirections to someone at point A to get them to point B.":{"v":"[!v*0]. En utilisant les termes de l'Èrejan pour les directions cardinales fournis ci-dessus\nquelle serait la manière la plus claire que vous puissiez donner\ndes indications à quelqu'un au point A pour le faire arriver au point B.","t":"A","i":2724},"[!v*0]. Walk-In Closet":{"v":"[!v*0]. Vestiaire","t":"A","i":4775},"[!v*0]. What color is the fruit that gives you +[!v*1] steps when\nconsumed?":{"v":"[!v*0]. Quelle est la couleur du fruit qui vous donne +[!v*1] étapes lorsqu'il est consommé?\n","t":"A","i":3116},"[!v*0]. What flag was forbidden to be flown at full-staff\nafter the war?":{"v":"[!v*0]. Quel drapeau était-il interdit de hisser en grand apparat\naprès la guerre ?","t":"A","i":616},"[!v*0]. What is the Erajan word for House?":{"v":"[!v*0]. Quel est le mot Erajan pour Maison ?","t":"A","i":3312},"[!v*0]. What was the first capital city of Fenn Aries?":{"v":"[!v*0]. Quelle était la première capitale de Fenn Aries ?","t":"A","i":3994},"[!v*0]. Which Realm did not ally with Fenn Aries during the war?":{"v":"[!v*0]. Quel Royaume n'a pas conclu d'alliance avec Fenn Aries pendant la guerre ?","t":"A","i":640},"[!v*0]. Which city in Fenn Aries is named after a historical figure?":{"v":"[!v*0]. Quelle ville de Fenn Aries porte le nom d'une figure historique ?","t":"A","i":613},"[!v*0]. Which element on the periodic table is represented\nby the symbol Ag ?":{"v":"[!v*0]. Quel élément du tableau périodique est représenté\npar le symbole Ag ?","t":"A","i":3239},"[!v*0]. Which element on the periodic table is represented\nby the symbol C ?":{"v":"[!v*0]. Quel élément du tableau périodique est représenté\npar le symbole C ?","t":"A","i":2350},"[!v*0]. Which of the following would be the least patriotic\nroom pairing?":{"v":"[!v*0]. Quelle est la combinaison de pièces la moins patriotique\nparmi les suivantes ?","t":"A","i":2491},"[!v*0]. Which sigil core denotes the realm of Arch Aries?":{"v":"[!v*0]. Quel noyau de sigile désigne le domaine d'Arch Aries","t":"A","i":2428},"[!v*0]. Which two pieces of art would be best\npaired to depict the letter \"B\"?":{"v":"[!v*0]. Quelles deux œuvres d'art seraient les mieux \nadaptées pour représenter la lettre « B » ?","t":"A","i":3918},"[!v*0]. Who was the first crowned ruler of Fenn Aries?":{"v":"[!v*0]. Qui fut le premier souverain couronné de Fenn Aries ?","t":"A","i":634},"[!v*0]/[!v*1]/ [!v*3] - tested my full house theory. No luck.":{"v":"[!v*0]/[!v*1]/ [!v*3] - j'ai testé ma théorie de la quinte. Sans succès.","t":"A","i":809},"[!v*0]
[!v*1]
[!v*2]
[!v*3]":{"v":"[!v*0]
[!v*1]
[!v*2]
[!v*3]","t":"A","i":1584},"[!v*0]O":{"v":"[!v*0]O","t":"A","i":1095},"[!v*0][!v*1][!v*2] - LeeB\nResuming operations.\n\n[!v*3][!v*4][!v*5] - ProvC\nWelcome back Lee. I've been camping out of the old schoolhouse for the past month waiting for your return. It’s spacious, quiet, and should prove to be an effective base of operations, outside of the purview of the staff and the Baron.\n":{"v":"[!v*0][!v*1][!v*2] - LeeB\nReprise des opérations.\n\n[!v*3][!v*4][!v*5] - ProvC\nBon retour, Lee. J'ai campé dans l'ancienne école depuis un mois en attendant ton retour. C'est spacieux, calme, et cela devrait faire une base d'opérations efficace, hors de la portée du personnel et du Baron.\n","t":"A","i":2562},"[!v*0]h [!v*1]m":{"v":"[!v*0] h [!v*1] min","t":"A","i":24},"[!v*0]l":{"v":"[!v*0]l","t":"A","i":1039},"[!v*0]m":{"v":"[!v*0]m","t":"A","i":2273},"[!v*0]wec":{"v":"[!v*0]wec","t":"A","i":673},"[!v*0]°c":{"v":"[!v*0]°C","t":"A","i":3848},"[entrance]":{"v":"[entrée]","t":"A","i":3733},"____________________________ ____________________________\n Doctor Registrar Officer":{"v":"____________________________ ____________________________\n Docteur Officier des registres","t":"A","i":4333},"a":{"v":"a","t":"A","i":353},"a PAIR of TRUNKS\nis always handy for swimming!\n\n(Just be sure to bring some keys.)":{"v":"UNE PAIRE DE BOIS DE CHAUFFAGE\nest toujours pratique pour la natation!\n\n(Assurez-vous juste d'apporter quelques clés.)","t":"A","i":3313},"a game by dogubomb":{"v":"un jeu de dogubomb","t":"A","i":464},"a letter will be delivered\n to the Mail Room.\n":{"v":"Une lettre sera livrée\n au Bureau de la Poste.\n","t":"A","i":2408},"a modest account of our town by\nSir ANDREW DARLE":{"v":"un modeste récit de notre ville par\nSir ANDREW DARLE","t":"A","i":329},"a new clue":{"v":"un nouvel indice","t":"A","i":4108},"a utility control room, or a conundrium, these subtype symbols can communicate the intended use of a room at a quick glance. By including these symbols on their floorplans, architects can make it easier for contractors and builders to understand their vision":{"v":"une salle de contrôle utilitaire, ou un labyrinthe, ces symboles de sous-type permettent d'identifier l'usage prévu d'une pièce en un coup d'œil. En intégrant ces symboles dans leurs plans, les architectes facilitent la compréhension de leur vision par les entrepreneurs et les constructeurs","t":"A","i":2114},"a. Arch Aries b. Eraja c. Nuance":{"v":"a. Bélier d'arche b. Eraja c. Nuance","t":"A","i":620},"a. Fenn b. Oris c. Reddington":{"v":"a. Fenn b. Oris c. Reddington","t":"A","i":648},"a. Flag of surrender b. Banner of House Leerson c. Black Flag":{"v":"a. Drapeau de reddition b. Bannière de la Maison Leerson c. Drapeau noir","t":"A","i":878},"a. Prince Leerson b. General Teskin c. Desilets IV":{"v":"a. Prince Leerson b. Général Teskin c. Desilets IV","t":"A","i":913},"a. six years b. twelve years c. [!v*1] years d. the entire era":{"v":"a. six ans b. douze ans c. [!v*1] ans d. toute l'ère","t":"A","i":818},"a. two b. five c. eight d. sixty and six":{"v":"a. deux b. cinq c. huit d. soixante-six","t":"A","i":622},"about me and today is a good day because i \n know he cries \n when he can't \nfind his book even \n thoE he is \n older. he is a crybaby":{"v":"à mon sujet et aujourd'hui est un bon jour car je \n sais qu'il pleure \n quand il ne peut pas \ntrouver son livre même \n s'il est plus \nvieux. il est une pleureuse","t":"A","i":2779},"acre\nface ace\nlace":{"v":"acre\nface ace\nlace","t":"A","i":2815},"add [!v*0] Aquariums to\n today's draft pool.\n":{"v":"Ajoutez [!v*0] Aquariums à\n le vivier du jour.\n","t":"A","i":2414},"add [!v*0] Aquariums to\n today's draft pool.":{"v":"ajoutez [!v*0] Aquariums à\n la sélection de tirage d'aujourd'hui.","t":"V","i":4743},"add a small chest\n to the Entrance Hall.\n":{"v":"ajoutez une petite armoire\n dans le hall d'entrée.\n","t":"A","i":3485},"addition":{"v":"ajout","t":"A","i":528},"admin key":{"v":"clé d'administration","t":"A","i":1338},"ajlor":{"v":"ajlor","t":"A","i":426},"algebra":{"v":"algèbre","t":"A","i":387},"all things":{"v":"toutes choses","t":"A","i":3188},"an ideal spot to draft a dead end":{"v":"un endroit idéal pour préparer une impasse","t":"A","i":1938},"and":{"v":"et","t":"A","i":1821},"and\nmaybe":{"v":"et\npeut-être","t":"A","i":3703},"and two fruit":{"v":"et deux fruits","t":"A","i":2968},"and bring it to life. But the benefits of floorplan categorization go beyond just clarity. By under-standing and identifying subtypes, architects can craft strategies that sur-pass the surface-level simplistic approaches commonly used by inexperienced drafters.":{"v":"et lui donner vie. Mais les avantages de la catégorisation des plans ne se limitent pas à la clarté. En comprenant et en identifiant les sous-types, les architectes peuvent élaborer des stratégies qui surpassent les approches simplistes de surface couramment utilisées par les dessinateurs inexpérimentés.","t":"A","i":3915},"and intrigue, perfect for those who are appreciative and skeptical of .\ndead end arch- .\nitecture. The \neight Ajeran angels of \nthat early era that are\nscattered throughout the TOMB's chambers are a memento of times past and you will certainly be seeing a lot of them when emp-loying a TOMB-centered strategy as you will likely be making several visits here throughout the day. A successful TOMB strategy depends on three crucial factors: finding shops, amassing enough steps to allow for return trips to the grounds, and drafting":{"v":"et intrigue, parfait pour ceux qui sont à la fois appréciatifs et sceptiques de l'architecture en cul-de-sac.\ndead end arch- .\nitecture. The \neight Ajeran angels of \nthat early era that are\nscattered throughout the TOMB's chambers are a memento of times past and you will certainly be seeing a lot of them when emp-loying a TOMB-centered strategy as you will likely be making several visits here throughout the day. A successful TOMB strategy depends on three crucial factors: finding shops, amassing enough steps to allow for return trips to the grounds, and drafting","t":"A","i":2946},"and one dirt pile":{"v":"et un tas de terre","t":"A","i":2522},"and presumptive heir, the much-beloved and lamented Mary Matthew Jones, has been missing, presumed deceased, for the past six years. Mrs. Jones, better known to our readers by her pen name, Marion Marigold, enchanted the hearts and minds of children across the realm with her literary creations, such as \"The Red Prince,\" \"Swim Bird,\" and \"A New Clue.\" Her disappearance remains one of the age's most tragic mysteries. \n With her where-abouts unknown, it was Marigold’s own son, ":{"v":"et héritière présumée, la très regrettée et regrettée Mary Matthew Jones, est portée disparue, présumée décédée, depuis six ans. Mme Jones, mieux connue de nos lecteurs sous son pseudonyme, Marion Marigold, a enchanté les cœurs et les esprits des enfants de tout le royaume par ses créations littéraires, telles que « Le Prince Rouge », « L'Oiseau Nageur » et « Un Nouveau Indice ». Sa disparition demeure l'un des mystères les plus tragiques de notre époque. \n Son sort restant inconnu, c'est le propre fils de Marigold, ","t":"A","i":1266},"and presumptive heir, the much-beloved and lamented Mary Matthew Jones, has been missing, presumed deceased, for the past six years. Mrs. Jones, better known to our readers by her pen name, Marion Marigold, enchanted the hearts and minds of children across the realm with her literary creations, such as \"The Red Prince,\" \"Swim Bird,\" and \"A New Clue.\" Her disappearance remains one of the age's most tragic mysteries. \n With her where-abouts unknown, it was Marigold’s own son, ":{"v":"et l'héritier présomptif, la bien-aimée et regrettée Mary Matthew Jones, a disparu il y a six ans, présumé décédé. Mme Jones, mieux connue de nos lecteurs sous son pseudonyme, Marion Marigold, a enchanté les cœurs et les esprits des enfants du royaume avec ses créations littéraires, telles que « Le Prince Rouge », « Swim Bird » et « Une nouvelle piste ». Sa disparition demeure l'un des mystères les plus tragiques de cette époque. \n Avec son lieu de résidence inconnu, ce fut le propre fils de Marigold, ","t":"A","i":3518},"and the more hallways you have, the less likely you are to draft yourself into a dead end. Hallway strategies are ideal for the architect who prefers more rooms and flexible options for expansion over pure resources.":{"v":"et plus vous avez de couloirs, moins vous risquez de vous engager dans une impasse. Les stratégies de couloir sont idéales pour l'architecte qui privilégie plus de pièces et des options d'expansion flexibles plutôt que les ressources pures.","t":"A","i":3738},"and the sea.":{"v":"et la mer.","t":"A","i":3548},"antechamber sealed":{"v":"Antichambre scellée","t":"A","i":1026},"are\nmore common today.\n\n\nYou have already adjusted the\nRoyal Scepter's color today.\n\n\nYou will begin each day with\nRoyal Scepter within your grasp.":{"v":"sont\nplus courants aujourd'hui.\n\n\nVous avez déjà ajusté la couleur du\nSceptre Royal aujourd'hui.\n\n\nVous commencerez chaque jour avec\nle Sceptre Royal entre vos mains.","t":"A","i":3883},"are afraid and at our most vulnerable.\"":{"v":"nous sommes effrayés et à notre plus grande vulnérabilité.","t":"A","i":3553},"are more likely to be drawn\nwhile drafting today.\n":{"v":"sont plus susceptibles d'être sélectionnés\nlors du repêchage aujourd'hui.\n","t":"A","i":2827},"as":{"v":"en","t":"A","i":974},"as expected":{"v":"comme prévu","t":"A","i":941},"as many dead ends as possible. This strategy is perfect for those who love risk and great rewards.":{"v":"autant de culs-de-sac que possible. Cette stratégie est parfaite pour ceux qui aiment le risque et les grands gains.","t":"A","i":3541},"at":{"v":"à","t":"A","i":1254},"b":{"v":"b","t":"A","i":668},"bandits melt away when presented with a berry basket. Any suspicions that the driver might have had instantly evaporated, for even the notion of a member of the Unholy Hounds picking berries seemed farcical.\n\n The softened expression even made allowances for a smile, “Berries, eh? Say, you couldn’t have picked a better spot for them, could you? I used to pick berries here as a boy!”\n\n Jesper took his cue to finally step forward out from behind the bush, proudly brandishing his basket, “I know, and what luck I found them! I have only just begun picking, and look how many I have! It would have taken me four-fold the time back home to procure this number.”\n\n The driver bent down for a closer look, “And where is your home, boy? It must be quite far?”":{"v":"Les bandits fondent comme neige au soleil face à un panier de baies. Tout soupçon que le conducteur aurait pu nourrir s’est instantanément évaporé, car même l’idée d’un membre des Chiens Impies cueillant des baies semblait farfelue.\n\n Son expression adoucie laissa même place à un sourire, « Des baies, hein ? Tu aurais pu choisir un meilleur endroit, non ? Je cueillais des baies ici quand j’étais gamin ! »\n\n Jesper en profita pour enfin sortir de derrière le buisson, arborant fièrement son panier, « Je sais, et quelle chance j’ai eue de les trouver ! Je viens tout juste de commencer à cueillir, et regardez combien j’en ai ! Cela m’aurait pris quatre fois plus de temps chez moi pour en ramasser autant. »\n\n Le conducteur se pencha pour jeter un œil plus attentif, « Et d’où viens-tu, mon garçon ? C’est très loin, je suppose ? »","t":"A","i":1519},"be free! Identifying a synergistic pair of floorplans is an essential first step. But, determining the opti-mal order for drafting those rooms will provide you with an additional advantage, significantly improving your chances of success.":{"v":"sois libre ! Identifier une paire de plans de sol synergiques est une étape essentielle. Mais, déterminer l'ordre optimal pour concevoir ces pièces vous offrira un avantage supplémentaire, améliorant considérablement vos chances de réussite.","t":"A","i":2384},"beard bard":{"v":"barbe bard","t":"A","i":3346},"beard bard":{"v":"barbe barde","t":"A","i":521},"became popular with engineers and architects who used hues as a way to differentiate various types of buildings or rooms. \n Violetprints, for example, are only used when creating plans for a bedroom, while an orange floorplan will immediately ":{"v":"est devenu populaire auprès des ingénieurs et des architectes qui utilisaient les teintes pour différencier divers types de bâtiments ou de pièces. \n Les Violetprints, par exemple, ne sont utilisés que lors de la création de plans pour une chambre à coucher, tandis qu'un plancher orange indiquera immédiatement ","t":"A","i":3367},"became popular with engineers and architects who used hues as a way to differentiate various types of buildings and rooms. \n Violetprints, for example, are only used when creating plans for a bedroom, while an orange floorplan will immediately ":{"v":"est devenu populaire auprès des ingénieurs et architectes qui utilisaient les teintes pour différencier divers types de bâtiments et de pièces. \n Les Violetprints, par exemple, ne sont utilisés que lors de la création de plans pour une chambre à coucher, tandis qu'un plancher orange indiquera immédiatement ","t":"A","i":4005},"beside":{"v":"à côté","t":"A","i":667},"beside a body, stolen goods in hand, bloated from berries and raving about a curse that could very well not be real. No, it would most certainly be better to face one’s fate now, take a dozen paces and see if life goes on.\n\n But Jesper found his legs unable to make that first step. His mind was unable to convince his limb to waste away one twelfth of his life in a single motion. Feeling the desperation sink in, he hopelessly looked about him for a solution. And if –by some stroke of luck the gods had heard his plea, a miracle materialized before him as if he found himself suddenly at the end of a fairytale.\n\n":{"v":"À côté d'un cadavre, des objets volés à la main, gonflé par les baies et délirant sur une malédiction qui pourrait fort bien être imaginaire. Non, il serait infiniment préférable de faire face à son destin maintenant, de faire une douzaine de pas et de voir si la vie continue.\n\n Mais Jesper trouva ses jambes incapables d'accomplir ce premier pas. Son esprit ne parvint pas à convaincre son membre de gaspiller un douzième de sa vie en un seul mouvement. Sentant le désespoir s'installer, il regarda autour de lui sans espour à la recherche d'une solution. Et si – par une intervention miraculeuse des dieux ayant entendu sa prière – un miracle se matérialisa devant lui comme s'il s'était soudainement trouvé à la fin d'un conte de fées.\n\n","t":"A","i":4019},"bestowed upon the reverent visitors who have made an offering of gold. The type and duration of blessing can differ depending on the amount of gold given, but the more gold you offer, the longer the blessing will last.":{"v":"accordée aux visiteurs pieux ayant fait un offrande d'or. Le type et la durée de la bénédiction peuvent varier selon le montant de l'or offert, mais plus vous offrez d'or, plus la bénédiction durera longtemps.","t":"A","i":3785},"better joke to end?":{"v":"meilleure blague pour finir ?","t":"A","i":460},"blue memos true\n\n\n\nred memos lies":{"v":"notes bleues vraies\n\n\n\nnotes rouges mensonges","t":"A","i":554},"bridge":{"v":"bridge","t":"H","i":750},"by\nMARION MARIGOLD":{"v":"par\nMARION MARIGOLD","t":"A","i":466},"by\nredford ewling":{"v":"par\nredford ewling","t":"A","i":1147},"by Mary Matthew Jones":{"v":"par Mary Matthew Jones","t":"A","i":3403},"by caleb manning":{"v":"par Caleb Manning","t":"A","i":1022},"by the":{"v":"par","t":"A","i":439},"by the Editor . . . . . . . . . . . . . . . . . . . . [!v*0]":{"v":"par l'Éditeur . . . . . . . . . . . . . . . . . . . . [!v*0]","t":"A","i":790},"by the Editor . . . . . . . . . . . . . . . . . . . . [!v*0]":{"v":"par l'Éditeur . . . . . . . . . . . . . . . . . . . . [!v*0]","t":"A","i":718},"c":{"v":"c","t":"A","i":649},"careful to not wake the sleeping bandits around her. ‘Like a hero in a book’, she often mused. \n Quietly, she grabbed a bow from the haphazardly formed pile of weapons, shaking the accompanying quiver in the darkness to assess how many arrows it held. She then walked toward the sun-drenched mouth of the cavern, ready to start her shift. \n \n":{"v":"Attention de ne pas réveiller les bandits endormis autour d'elle. « Comme un héros dans un livre », se disait-elle souvent. \n Silencieusement, elle saisit un arc parmi le tas désordonné d'armes, secouant l'étui qui y était attaché dans l'obscurité pour évaluer le nombre de flèches qu'il contenait. Elle marcha ensuite vers la bouche du cavern illuminée par le soleil, prête à commencer son tour. \n \n","t":"A","i":3685},"case foul play. \"It's an out-of-character incident at this point and we are seeking information":{"v":"cas de manœuvres frauduleuses. « À ce stade, il s'agit d'un incident hors personnage et nous recherchons des informations","t":"A","i":3927},"closing address":{"v":"discours de clôture","t":"A","i":514},"coat cat\n\n cold old-":{"v":"manteau chat\n\n froid vieux","t":"A","i":1589},"coat cat\n chat":{"v":"manteau chat\n chat","t":"A","i":409},"coincidence?":{"v":"coïncidence ?","t":"A","i":826},"color patterns":{"v":"motifs de couleurs","t":"A","i":108},"colorblind patterns":{"v":"modèles pour daltonisme","t":"A","i":2605},"compromised":{"v":"compromis","t":"A","i":3279},"confirm back":{"v":"confirmer retour","t":"A","i":2211},"cook\n maid":{"v":"cuisinier\n femme de ménage","t":"A","i":3175},"cooler is unaffected":{"v":"le refroidisseur n'est pas affecté","t":"A","i":1101},"cuckoo two":{"v":"coucou deux","t":"A","i":2519},"d":{"v":"d","t":"A","i":981},"date":{"v":"date","t":"A","i":821},"default cursor seen during UI navigation like control panels and menus while stationary ":{"v":"curseur par défaut affiché lors de la navigation dans l'interface, comme les panneaux de contrôle et les menus, à l'arrêt ","t":"A","i":112},"default cursor seen during moving and exploration while not hovering over items, doors, etc.":{"v":"curseur par défaut affiché lors des déplacements et de l'exploration, en l'absence de survol d'objets, de portes, etc.","t":"A","i":147},"denoted in verse":{"v":"noté en vers","t":"A","i":721},"destitution, Jesper found his mind equally reluctant to allow his hand let go.\n\n “If it is cursed, I die. If not today, then tomorrow. And If I die, what care have I?\" And with that statement said aloud (to the horses, seemingly), Jesper took up the reins with confidence.":{"v":"déstitution, l'esprit de Jesper était tout aussi réticent à laisser sa main se détacher.\n\n « Si c'est maudit, je meurs. Si pas aujourd'hui, alors demain. Et si je meurs, que m'importe ? » Ayant prononcé ces mots à voix haute (aux chevaux, semble-t-il), Jesper prit les rênes avec confiance.","t":"A","i":3033},"dirigiblocks":{"v":"dirigiblocs","t":"A","i":162},"dividends down the road. Strategic planning is critical to drafting suc-cess, and knowing when to forsake the current day's progress to set yourself up for a pros-perous future is a critical decision that each architect will encounter.":{"v":"des dividendes à long terme. La planification stratégique est essentielle pour tracer le succès, et savoir quand sacrifier les progrès du jour pour se préparer à un avenir prospère est une décision cruciale que chaque architecte rencontrera.","t":"A","i":2402},"division":{"v":"division","t":"A","i":543},"does it never end?":{"v":"n'est-ce que ça ne finit jamais","t":"A","i":774},"don't go where\nthe path leads...":{"v":"ne va pas où la route mène...\n","t":"A","i":4103},"downwards, looking through the foliage. The sounds were not coming from the highroad, but from the canyon itself. The horses were coming from below the bridge!\n\n In an instant, Miller had nocked an arrow and drawn her bow, \" Go!\"\n\n Ravia was gone before the whisper had even left Miller’s mouth. The young scout was already sliding down the bank below, racing toward the cave. There was no road that ran below the canyon. There was no reason for numerous horses to be approaching their cave. There was only one reasonable conclusion, and both girls had reached it instantly: The base had been compromised. This was a Blackguard attack.\n\n":{"v":"vers le bas, en regardant à travers la végétation. Les bruits ne venaient pas de la route haute, mais du canyon lui-même. Les chevaux venaient de sous le pont!\n\n En un instant, Miller avait tendu une flèche et tiré son arc, \" Allez !\"\n\n Ravia était partie avant que le murmure n'eût même quitté la bouche de Miller. La jeune éclaireuse glissait déjà vers le bas sur la rive inférieure, courant vers la grotte. Il n'y avait pas de route qui courait sous le canyon. Il n'y avait aucune raison pour laquelle de nombreux chevaux approchaient leur grotte. Il n'y avait qu'une seule conclusion logique, et les deux filles y étaient parvenues instantanément : la base avait été compromise. C'était une attaque des Blackguards.\n\n","t":"A","i":2898},"e":{"v":"e","t":"A","i":918},"ec":{"v":"ec","t":"A","i":1004},"eddington":{"v":"Eddington","t":"A","i":936},"entry level":{"v":"niveau d'entrée","t":"A","i":2783},"ers":{"v":"ers","t":"A","i":1276},"esc":{"v":"Échap","t":"A","i":3955},"et":{"v":"et","t":"A","i":672},"evidence":{"v":"preuves","t":"A","i":3628},"exceeded only by my failings":{"v":"dépassé seulement par mes échecs","t":"A","i":1532},"exit":{"v":"quitter","t":"A","i":4126},"expanse which at the time was not as developed but a good deal more vast than the eldest brother’s lot.\n\nAnd to his middle child, his only daughter, he gifted her the southern region of ERAJA, the mystical realm of the ancestors, a land steeped in tradition, magic and the poetry of the old tongue.":{"v":"étendue qui, à l’époque, était moins développée mais bien plus vaste que le domaine de l’aîné.\n\nEt à son enfant du milieu, sa seule fille, il offrit la région méridionale de ERAJA, le royaume mystique des ancêtres, une terre imprégnée de tradition, de magie et de la poésie de l’ancienne langue.","t":"A","i":2188},"f":{"v":"f","t":"A","i":1436},"features include floorplan redrawing, draft pool manipulation and rarity adjustments. As students of the art of drafting, aspiring architects can greatly benefit from the knowledge, experience and learning opportunities that these rooms offer.":{"v":"Les fonctionnalités incluent la redescription des plans, la manipulation du bac de croquis et l'ajustement de la rareté. En tant qu'étudiants de l'art du dessin, les architectes en herbe peuvent grandement bénéficier des connaissances, de l'expérience et des opportunités d'apprentissage que ces salles offrent.","t":"A","i":3139},"first draft":{"v":"première ébauche","t":"A","i":1546},"five purple indicators are needed\nto activate the sixth.":{"v":"Cinq indicateurs violets sont nécessaires\npour activer le sixième.","t":"A","i":1190},"floorplans":{"v":"plans","t":"A","i":2063},"focused on dead ends or not. The Tomb itself is a vast crypt filled with shadowy alcoves and creepy recesses. The entire space was designed by early Orindian architects to evoke a sense of mystery":{"v":"axé sur des impasses ou non. La Tombe elle-même est une vaste crypte remplie de niches ombreuses et de recoins effrayants. L'ensemble de l'espace a été conçu par les premiers architectes orindiens pour évoquer un sentiment de mystère","t":"A","i":3120},"for":{"v":"pour","t":"A","i":1586},"for [!v*0] seconds":{"v":"pendant [!v*0] secondes","t":"A","i":159},"for completing the\n Mt. Holly Directory":{"v":"pour compléter le\n Répertoire du Mont Holly","t":"A","i":2721},"for creating all [!v*0] contraptions\n in the Workshop":{"v":"pour créer toutes les [!v*0] machines\n dans l'Atelier","t":"A","i":3503},"for drafting a room in every\n single open slot of your house.":{"v":"pour concevoir une pièce dans chaque\n case libre de votre maison.","t":"A","i":3047},"for getting an A on the \n Classroom Final Exam":{"v":"pour obtenir un A au \n Examen final de classe","t":"A","i":2292},"for mastering the Estate and\n completing the Trophy Case":{"v":"pour maîtriser la Propriété et\n compléter le Casier des Trophées","t":"A","i":2686},"for prevailing against the odds\n and reaching Room [!v*0] on Cursed Mode":{"v":"pour avoir surmonté les obstacles\n et atteint la salle [!v*0] en mode Maudit","t":"A","i":1804},"for reaching Room [!v*0]":{"v":"pour atteindre la salle [!v*0]","t":"A","i":1484},"for reaching Room [!v*0]\n on Dare Mode! ":{"v":"pour atteindre la salle [!v*0]\n en mode Dare ! ","t":"A","i":1855},"for solving [!v*0]\n Dartboard Puzzles":{"v":"pour résoudre [!v*0]\n les énigmes de fléchettes","t":"A","i":2359},"for solving the puzzle in Room [!v*1] on Rank [!v*3]":{"v":"pour résoudre l'énigme dans la pièce [!v*1] au rang [!v*3]","t":"A","i":3749},"for the incredible feat of\n reaching Room [!v*0]\n in a single day ":{"v":"pour l'exploit incroyable de\n atteindre la salle [!v*0]\n en un seul jour ","t":"A","i":3454},"for winning [!v*0]\n Parlor Games":{"v":"pour gagner [!v*0]\n Jeux de salon","t":"A","i":3182},"for winning the Drafting Strategy Sweepstakes!":{"v":"pour gagner le concours de stratégie de dessin !","t":"A","i":3499},"found on this UPGRADE DISK.\n\nYou will now have the chance\nto permanently enhance this room\nto one of three different\nupgraded FLOORPLANS.":{"v":"trouvé sur ce DISQUE DE MISE À NIVEAU.\n\nVous aurez désormais la possibilité\nd'améliorer définitivement cette pièce\nen l'un des trois différents\nPLANS DE SOL améliorés.","t":"A","i":1954},"from : Anne Babbage >> Communication>> [!v*0]:[!v*1] [!v*2][!v*3]":{"v":"Anne Babbage >> Communication>> [!v*0]:[!v*1] [!v*2][!v*3]","t":"A","i":2925},"from : H.S.Sinclair >> re: Precautions >> [!v*0]:[!v*1] [!v*2][!v*3]\n\nto : H.S.Sinclair >> Precautions >> [!v*4]:[!v*5] [!v*6][!v*7]\n\nto : Chef DeCamp >> re: freezer access >> [!v*8]:[!v*9] [!v*10]...\n\nfrom : Chef DeCamp >> freezer access >> [!v*11]:[!v*12] [!v*13][!v*14]\n":{"v":"de : H.S.Sinclair >> Re : Précautions >> [!v*0]:[!v*1] [!v*2][!v*3]\n\nà : H.S.Sinclair >> Précautions >> [!v*4]:[!v*5] [!v*6][!v*7]\n\nà : Chef DeCamp >> Re : Accès au congélateur >> [!v*8]:[!v*9] [!v*10]...\n\nde : Chef DeCamp >> Accès au congélateur >> [!v*11]:[!v*12] [!v*13][!v*14]\n","t":"A","i":3974},"from : McMcMc >> Estate Beneficiary >> [!v*0]:[!v*1] XX-XX":{"v":"McMcMc >> Bénéficiaire de la succession >> [!v*0]:[!v*1] XX-XX","t":"A","i":1659},"from : R. Moore >> stay put >> [!v*0]:[!v*1] [!v*2][!v*3]\n\nfrom : R. Moore >> re: the situation >> [!v*4]:[!v*5] [!v*6][!v*7]\n\nto : R. Moore >> the situation >> [!v*8]:[!v*9] [!v*10][!v*11]\n\nfrom : R. Moore >> re: electronic mail >> [!v*12]:[!v*13] [!v*14][!v*15]\n":{"v":"de : R. Moore >> restez en place >> [!v*0]:[!v*1] [!v*2][!v*3]\n\nde : R. Moore >> Obj : la situation >> [!v*4]:[!v*5] [!v*6][!v*7]\n\nà : R. Moore >> la situation >> [!v*8]:[!v*9] [!v*10][!v*11]\n\nde : R. Moore >> Obj : courriel >> [!v*12]:[!v*13] [!v*14][!v*15]\n","t":"A","i":3311},"full drain":{"v":"drainage totale","t":"A","i":3242},"g":{"v":"g","t":"A","i":754},"gain":{"v":"gains","t":"A","i":3524},"gain +[!v*0] star.":{"v":"gain +[!v*0] étoile.","t":"A","i":3487},"gain [!v*0] gold for each\n red room in your house.\n":{"v":"gagnez [!v*0] pièces d'or pour chaque\n pièce rouge dans votre maison.\n","t":"A","i":3470},"gain [!v*0] key\n for every [!v*1] steps you have.":{"v":"gagnez [!v*0] clé\n pour chaque [!v*1] étapes que vous avez.","t":"A","i":3911},"gain [!v*0] key for each\n [!v*1] steps you have.":{"v":"gagnez [!v*0] clé pour chaque\n [!v*1] étapes que vous avez.","t":"A","i":2999},"gain [!v*0] key for every [!v*1]\n Hallways in your house.\n":{"v":"gagnez [!v*0] clé pour chaque [!v*1]\n couloir de votre maison.\n","t":"A","i":2153},"gain [!v*0] key, [!v*1] gem or [!v*2] gold\n (selected randomly)":{"v":"gagnez [!v*0] clé, [!v*1] gemme ou [!v*2] or\n (choisi aléatoirement)","t":"A","i":2184},"gain [!v*0] key, [!v*1] gem, or [!v*2] die\n (selected randomly)\n":{"v":"gagnez [!v*0] clé, [!v*1] gemme ou [!v*2] meurez\n (choisi au hasard)\n","t":"A","i":3316},"gain [!v*0] random item,\n then set your keys to [!v*1].":{"v":"gagnez [!v*0] objet aléatoire,\n puis réglez vos touches sur [!v*1].","t":"A","i":1836},"gain [!v*0] random item,\n then set your keys to [!v*1].":{"v":"gagnez [!v*0] objet aléatoire,\n puis réglez vos touches sur [!v*1].","t":"A","i":3119},"gasline valve":{"v":"vanne de gaz","t":"A","i":1441},"gh":{"v":"gh","t":"A","i":4404},"ghj":{"v":"ghj","t":"A","i":4403},"ghjg":{"v":"ghjg","t":"A","i":4402},"go":{"v":"Partir","t":"A","i":1262},"gold, enhancing the sense of luxury and refinement in the shopping experience. Whether it's a quick snack or a high-end fashion item, having a well-placed shop within the estate can greatly enhance the quality of life for the entire household.":{"v":"or, renforçant le sentiment de luxe et d'élégance dans l'expérience d'achat. Que ce soit pour un en-cas rapide ou un article de mode haut de gamme, disposer d'un magasin bien placé au sein du domaine peut grandement améliorer la qualité de vie de toute la famille.","t":"A","i":3054},"good day because\n I THREW away his \n airplane. ":{"v":"bonjour car\n j'ai jeté son \n avion. ","t":"A","i":1366},"great hall":{"v":"grande salle","t":"A","i":3906},"green violet yellow red blue orange":{"v":"vert violet jaune rouge bleu orange","t":"A","i":4088},"greenhouse":{"v":"serre","t":"A","i":1718},"h":{"v":"h","t":"A","i":631},"handwritten":{"v":"à la main","t":"A","i":4046},"have":{"v":"avoir","t":"A","i":743},"ho":{"v":"ho","t":"A","i":680},"hold to":{"v":"maintenir","t":"V","i":45},"hold to grab":{"v":"maintenir pour saisir","t":"A","i":2006},"how many\nmemos should\nbe visible?":{"v":"combien de\nnotes doivent\nêtre visibles ?","t":"A","i":1995},"i":{"v":"je","t":"A","i":2270},"i m Stumped":{"v":"Je suis bloqué","t":"A","i":700},"ice":{"v":"glace","t":"A","i":863},"if\n^":{"v":"si\n^","t":"A","i":3021},"in":{"v":"dans","t":"A","i":917},"in library use only":{"v":"réservé à la bibliothèque","t":"A","i":491},"inform a contractor that the print contains plans for a hallway. \n In this issue of Drafting Strategy, we will explore the different features of eachtype of floorplan and look at the underlying connections that tie each room to its color.\n":{"v":"informer un entrepreneur que l'impression contient des plans pour un couloir. \n Dans ce numéro de Stratégie de Dessin, nous explorerons les différentes caractéristiques de chaque type de plan et examinerons les connexions sous-jacentes qui lient chaque pièce à sa couleur.\n","t":"A","i":2829},"interesting idea":{"v":"idée intéressante","t":"A","i":2887},"inventors can use the workbench found in the WORKSHOP to bring together disparate elements to forge something far greater than the sum of its parts. \n Blind experimentation is often the most rewarding avenue for true innovators, but for those crafters who need a bit of inspiration or guidance, we have included a list of common contraption components to kick-start your creative journey.":{"v":"Les inventeurs peuvent utiliser le établi trouvé dans l'ATELIER pour rassembler des éléments disparates afin de forger quelque chose de bien supérieur à la somme de ses parties. \n L'expérimentation aveugle est souvent la voie la plus gratifiante pour les vrais innovateurs, mais pour ces créateurs qui ont besoin d'un peu d'inspiration ou de guidance, nous avons inclus une liste de composants de mécanismes courants pour lancer votre voyage créatif.","t":"A","i":2826},"investor needed":{"v":"investisseur requis","t":"A","i":980},"is":{"v":"est","t":"A","i":369},"is currently OFFLINE.\n\nWould you like to connect\nto this terminal using a\nBLACKBRIDGE connection?":{"v":"est actuellement hors ligne.\n\nSouhaitez-vous vous connecter\nà ce terminal via une\nconnexion BLACKBRIDGE ?","t":"A","i":3130},"is locked":{"v":"est verrouillé","t":"A","i":2849},"is\npenned":{"v":"est\nenfermé","t":"A","i":471},"j":{"v":"j","t":"A","i":1089},"jacob":{"v":"Jacob","t":"A","i":614},"k":{"v":"k","t":"A","i":1129},"keep empty!":{"v":"laisser vide","t":"A","i":1334},"l":{"v":"l","t":"A","i":335},"l\n":{"v":"l\n","t":"A","i":692},"l [!v*0]":{"v":"l [!v*0]","t":"A","i":902},"l O":{"v":"l O","t":"A","i":713},"l [!v*0]":{"v":"l [!v*0]","t":"A","i":947},"l [!v*0]":{"v":"l [!v*0]","t":"A","i":904},"l [!v*0] [!v*1]":{"v":"l [!v*0] [!v*1]","t":"A","i":968},"learn":{"v":"apprendre","t":"A","i":595},"legend, and while the details would often change, I was surprised how much of the story's heart remained the same. \n\n Yet, the more I listened, the clearer it became that there could never be a definitive version of this tale capable of capturing all the wonder and myth of Black Bridge. In the end, I chose to write down what felt most authentic: the story my grandmother told me, as a boy, long ago.":{"v":"légende, et bien que les détails changent souvent, j'ai été surpris de voir à quel point le cœur de l'histoire restait identique. \n\n Pourtant, plus j'écoutais, plus il devenait clair qu'il n'existerait jamais une version définitive de ce récit capable de capturer tout l'émerveillement et le mythe du Pont Noir. À la fin, j'ai choisi d'écrire ce qui me semblait le plus authentique : l'histoire que ma grand-mère m'a racontée, enfant, il y a bien longtemps.","t":"A","i":2854},"let":{"v":"laisse","t":"A","i":804},"locked.":{"v":"verrouillé.","t":"A","i":4399},"look at the colors!":{"v":"regarde les couleurs !","t":"A","i":789},"lose [!v*0] steps and gain [!v*1] gold.":{"v":"perdez [!v*0] étapes et gagnez [!v*1] or.","t":"A","i":3301},"lose half your steps, \n then gain [!v*0] Ivory Die.":{"v":"perdez la moitié de vos déplacements, \n puis gagnez [!v*0] Dé d'Ivoire.","t":"A","i":2096},"lower":{"v":"baisser","t":"A","i":2485},"lower the Reservoir by [!v*0]":{"v":"abaissez le réservoir de [!v*0]","t":"A","i":3818},"m":{"v":"m","t":"A","i":1231},"m[!v*0]":{"v":"m[!v*0]","t":"A","i":813},"main menu\nexit":{"v":"Menu principal\nQuitter","t":"A","i":2433},"me":{"v":"moi","t":"A","i":717},"med\n gait":{"v":"méd\n démarche","t":"A","i":2483},"more detailed instructions will be sent by electronic mail to the address client has provided":{"v":"des instructions plus détaillées seront envoyées par courrier électronique à l'adresse fournie par le client","t":"A","i":1217},"multiplication":{"v":"multiplication","t":"A","i":545},"mx":{"v":"mx","t":"A","i":2243},"my best rendition, pretty good considering I have\nonly ever seen Rynna's depiction in the chapel.\n":{"v":"ma meilleure interprétation, plutôt bonne vu que je n'ai\njamais vu la représentation de Rynna dans la chapelle.\n","t":"A","i":1841},"n":{"v":"n","t":"A","i":350},"nevdau":{"v":"nevdau","t":"A","i":477},"never as popular in Verra as in other realms, PINK TILES were eventually introduced, based on the Verran people's devout respect of the Sacred Circle.\n\nWhen these tiles are pressed, all adjacent and diagonal tiles rotate around the pressed tile.":{"v":"jamais aussi populaires à Verra que dans d'autres royaumes, les CARREAUX ROSES ont finalement été introduits, basés sur le respect fervent du peuple de Verra envers le Cercle Sacré.\n\nLorsque ces carreaux sont enfoncés, tous les carreaux adjacents et diagonaux tournent autour du carreau enfoncé.","t":"A","i":3077},"next level: Room Subtypes. While we've previously explored the use of colored floorplans to categorize the basic kinds of rooms, in this issue, we will be examining architectural symbols that can be used to further classify and differentiate the types of rooms in your house.\n These symbols provide the draftsman with a visual way to indicate the purpose and function of a room. Whether it's a designated workspace,":{"v":"niveau suivant : Sous-types de pièces. Si nous avons précédemment exploré l'utilisation de plans de sol colorés pour catégoriser les types de pièces de base, dans ce dossier, nous examinerons les symboles architecturaux qui peuvent être utilisés pour classer et différencier davantage les types de pièces de votre maison.\n Ces symboles offrent au dessinateur un moyen visuel d'indiquer la destination et la fonction d'une pièce. Qu'il s'agisse d'un espace de travail désigné,","t":"A","i":1727},"next page":{"v":"page suivante","t":"A","i":2155},"no sign has been found\n\n (yet)\n\n":{"v":"aucun signe n'a été trouvé\n\n (pour l'instant)\n\n","t":"A","i":1005},"noa h w.":{"v":"noa h w.","t":"A","i":983},"nobody":{"v":"personne","t":"A","i":3395},"north of reservoir":{"v":"au nord du réservoir","t":"A","i":2219},"north of reservoir":{"v":"au nord du réservoir","t":"A","i":3937},"not available":{"v":"non disponible","t":"A","i":96},"not have enough keys or gems to continue. Their day usually ends by returning to the lower ranks to draft from the doors they skipped, only to find rooms and items that would have made all the difference if they had only been found earlier in the day.\n":{"v":"ne pas avoir assez de clés ou de gemmes pour continuer. Leur journée se termine généralement en retournant aux rangs inférieurs pour rédiger à partir des portes qu'ils ont sautées, ne trouvant que des pièces et des objets qui auraient fait toute la différence s'ils avaient été trouvés plus tôt dans la journée.\n","t":"A","i":4065},"not many\n apparently":{"v":"pas beaucoup\napparemment","t":"A","i":4097},"note to publisher: insert small case numbers\n(barely visible) between the marked words above. ":{"v":"note à l'éditeur : insérer de petits numéros en minuscule \n(à peine visibles) entre les mots marqués ci-dessus. ","t":"A","i":4114},"o":{"v":"o","t":"A","i":677},"o x\n\n\nn s":{"v":"o x\n\n\nn s","t":"V","i":40},"of":{"v":"de","t":"A","i":2584},"of Mount Holly":{"v":"de la Montagne Sainte-Hélène","t":"A","i":2614},"of a vast network of\nrailways that spanned\nthe length and breadth\nof the land, linking the\nnorthern mounains\nof Arch Aries to\nthe southern shores\nof Eraja. This develop-\nment facilitated travel\nand commerce\nbetween the\nthree realms, further\nstrengthening their bond\nand laying the foundation for the\npromise of a prosperous and bright future, a promise that would unfortunately, as my readers will soon find, not be kept.":{"v":"d’un vaste réseau ferroviaire\nqui s’étendait sur toute\nl’étendue du territoire,\nreliant les montagnes du nord\nd’Arch Aries aux\nrivages méridionaux\nd’Eraja. Ce développement\na facilité les déplacements\net les échanges commerciaux\nentre les trois royaumes,\nrenforçant ainsi leurs liens\net jetant les bases d’un\navenir prospère et radieux — une promesse qui,\nhélas, comme mes lecteurs le découvriront bientôt,\nne fut pas tenue.","t":"H","i":4146},"of a vast network of\nrailways that spanned\nthe length and breadth\nof the land, linking the\nnorthern mountains\nof Arch Aries to\nthe southern shores\nof Eraja. This develop-\nment facilitated travel\nand commerce\nbetween the\nthree realms, further\nstrengthening their bond\nand laying the foundation for the\npromise of a prosperous and bright future, a promise that would unfortunately, as my readers will soon find, not be kept.":{"v":"d’un vaste réseau ferroviaire\nqui s’étendait sur toute\nl’étendue du territoire,\nreliant les montagnes du nord\nd’Arch Aries aux\nrivages méridionaux\nd’Eraja. Ce développement\na facilité les déplacements\net les échanges commerciaux\nentre les trois royaumes,\nrenforçant ainsi leurs liens\net jetant les bases d’un\navenir prospère et radieux — une promesse qui,\nhélas, comme mes lecteurs le découvriront bientôt,\nne serait pas tenue.","t":"H","i":4168},"of dreams, the death of plans, and the death of expansion. In short, they are the death of your house. But are they genuinely as daunting and menacing as they appear? Perhaps, beneath their morbid exterior, dead ends hold some inherent value. In this volume of Drafting Strategy, we will delve deeper into the world of the grave than any architect has ever dared to draft, to discover, once and for all, if there is any life beyond the dead end.":{"v":"des rêves, la mort des projets et la mort de l'expansion. En bref, ils sont la mort de votre maison. Mais sont-ils vraiment aussi effrayants et menaçants qu'ils en ont l'air ? Peut-être que, sous leur extérieur morbide, les impasses détiennent une valeur inhérente. Dans ce volume de Stratégie de Conception, nous plongerons plus profondément dans le monde des tombeaux que n'importe quel architecte n'oserait jamais esquisser, pour découvrir, une fois pour toutes, s'il existe une vie au-delà de l'impasse.","t":"A","i":3894},"of your project. That's why it's very important to choose the right tools to comple-ment your drafting":{"v":"de votre projet. C'est pourquoi il est très important de choisir les bons outils pour complé-ter votre dessin","t":"A","i":2973},"offline":{"v":"hors ligne","t":"A","i":2193},"on\nthe\nsacred\nhour\nthat\ntimeworn\nphrase":{"v":"à l'heure\nsacrée\nque\nla\nphrase\nusée\nparle","t":"A","i":3144},"on Tuesday, when he announced the birth of his daughter, the princess Kaitlin Je Ari, who, in keeping with Erajan tradition, was endowed with her mother's surnames. (continued on p. [!v*0])":{"v":"Le mardi, lorsqu'il a annoncé la naissance de sa fille, la princesse Kaitlin Je Ari, qui, conformément à la tradition d'Erajan, a reçu les noms de famille de sa mère. (à suivre p. [!v*0])","t":"A","i":3794},"once seen a carriage taken in open daylight when the Blackguard was nearby.\n\n The men had nearly reached the bridge's north end when Miller heard the horses - faintly at first, but growing louder with each passing moment. Ravia’s eyes met Miller’s, the same concern mirrored in each other's expression. This did not sound like the typical carriage, cautiously approaching the bridge to cross. Instead of the familiar crunch of the highroad's gravel, they heard the harsh clattering of hoofbeats against stone.\n\n Both girls quickly redirected their attention":{"v":"une fois vu une calèche prise en plein jour, alors que le Noir était à proximité.\n\n Les hommes avaient presque atteint l'extrémité nord du pont lorsque Miller entendit les chevaux - d'abord faiblement, mais de plus en plus fort à chaque instant. Les yeux de Ravia croisèrent ceux de Miller, le même souci se reflétant dans leurs expressions. Cela ne ressemblait pas à une calèche typique, approchant prudemment du pont pour le traverser. Au lieu du craquement familier du gravier de la grande route, ils entendirent le claquement dur des sabots sur la pierre.\n\n Les deux filles redirigèrent rapidement leur attention","t":"A","i":1936},"one per page":{"v":"un par page","t":"A","i":2116},"online":{"v":"en ligne","t":"V","i":4744},"open only if you":{"v":"n'ouvre que si","t":"A","i":230},"open only in the event of Inheritance":{"v":"à n'ouvrir qu'en cas d'héritage","t":"A","i":2174},"open only in the event of inheritance":{"v":"n'ouvrir qu'en cas d'héritage","t":"A","i":4135},"open only in the event of inheritrance":{"v":"à ouvrir uniquement en cas de succession","t":"A","i":232},"open only in the event of my death":{"v":"à n'ouvrir qu'en cas de mon décès","t":"A","i":237},"our word choices might be questionable (enough so that it would be reasonable to accuse us of being intentionally misleading), we hope you believe us when we tell you that this was not a calculated ploy to elicit payment. \n\nHowever, as payment has been received, there is nothing to be gained by scrutinizing the questionable ethics that were employed in our extortion of those funds. Little defense can be mustered on that score.\n\nAdditionally, any judgmental tone you may have detected when we discussed the content of your stolen letters was entirely unintended. We want it on record, that we do not consider ourselves superior to you and your family in any way, and are in fact, entirely sympathetic to the underlying cause that the letters pertain to (And you thought, this letter couldn’t get more incriminating for us).\n":{"v":"nos choix de mots peuvent paraître discutables (au point qu'il serait raisonnable de nous accuser de vouloir vous induire délibérément en erreur), nous espérons que vous nous croyez quand nous vous disons que ce n'était pas une ruse calculée pour extorquer un paiement. \n\nCependant, comme le paiement a été reçu, il n'y a rien à gagner à examiner de près l'éthique douteuse qui a présidé à l'extorsion de ces fonds. Peu de défenses peuvent être invoquées à ce sujet.\n\nDe plus, tout ton jugeant que vous auriez pu détecter lors de notre discussion sur le contenu de vos lettres volées était entièrement involontaire. Nous tenons à ce que soit consigné que nous ne nous considérons en rien supérieurs à vous et à votre famille, et que nous sommes en réalité entièrement solidaires de la cause sous-jacente à laquelle ces lettres se rapportent (Et vous pensiez que cette lettre ne pouvait pas nous incriminer davantage).\n","t":"A","i":2062},"out of order\n\n(BROKEN HANDLE)":{"v":"hors service\n\n(POIGNÉE CASSÉE)","t":"A","i":360},"over aesthetics, and the design of each mechanical room reflects this focus on efficiency. These rooms serve as the command centers for estate operations, housing the control systems that keep everything running smoothly.":{"v":"au détriment de l'esthétique, et la conception de chaque salle mécanique reflète cette priorité accordée à l'efficacité. Ces salles servent de centres de commandement pour les opérations du domaine, abritant les systèmes de contrôle qui assurent le bon fonctionnement de l'ensemble.","t":"A","i":2032},"over her shoulder to see if any horses were also approaching from the rear.\n\n Down in the canyon, the entire horde of the Unholy Hounds came spilling forth from the earth as if hell itself had suddenly sprung open. The group seemed even more bewildered than Miller, half-asleep and tripping over one another in a desperate attempt to engage an unseen enemy in combat. Miller could see Ravia among their number, the only one looking up at her. Her expression was chilling. There would be no need for a silent gesture to convey what they both now realized. They had made a mistake.\n":{"v":"derrière son épaule pour voir si des chevaux approchaient également de l'arrière.\n\n En bas dans le canyon, toute la horde des Chiens Impurs dévala du sol comme si l'enfer lui-même venait soudainement de s'ouvrir. Le groupe semblait encore plus perplexe que Miller, à moitié endormi et trébuchant les uns sur les autres dans une tentative désespérée d'engager un ennemi invisible au combat. Miller pouvait voir Ravia parmi eux, la seule à lever les yeux vers elle. Son expression était glaciale. Il n'y aurait pas besoin d'un geste silencieux pour transmettre ce qu'ils réalisaient tous les deux désormais. Ils avaient fait une erreur.\n","t":"A","i":3032},"ow":{"v":"aïe","t":"A","i":1065},"p . s. I ended up forsa king all but one of my books":{"v":"p. s. Je me suis retrouvé à vendre tous mes livres sauf un","t":"A","i":2774},"p. s. Remind Anne to replace the books I lost.":{"v":"p.-s. Rappelle à Anne de remplacer les livres que j'ai perdus.","t":"A","i":1998},"p.s. get some sleep each night and don't spend all\nyour time each day playing Dirigiblocks!":{"v":"p.s. dors un peu chaque nuit et ne passe pas tout\nton temps chaque jour à jouer à Dirigiblocks !","t":"A","i":2587},"p.s. they made me change the ending of course as you predicted":{"v":"p.s. ils m'ont bien sûr obligé à changer la fin, comme tu l'avais prédit","t":"A","i":2017},"permanently add [!v*0] gold\n to your allowance.":{"v":"ajoutez [!v*0] pièces d'or\n à votre allocation de manière permanente.","t":"V","i":4745},"permanently add [!v*0] gold\n to your allowance.\n":{"v":"ajoutez de façon permanente [!v*0] pièces d'or\n à votre allocation.\n","t":"A","i":3698},"permanently increase your\n lockpicking skill.":{"v":"augmentez définitivement votre\n compétence de crochetage.","t":"A","i":2451},"permanently increase your lockpicking skill.":{"v":"Augmente définitivement ta compétence de crochetage.","t":"A","i":1981},"personal reasons. The announcement came\nafter the arrest last week of fellow author and colleague, Caleb Manning, whom Marigold has past referred to as her mentor, friend and confidant.\n Marigold is the third prominent writer to\ndistance themselves from the Publisher this week.":{"v":"raisons personnelles. L'annonce est intervenue\naprès l'arrestation la semaine dernière de son collègue et confrère, Caleb Manning, que Marigold a auparavant désigné comme son mentor, son ami et son confident.\n Marigold est la troisième écrivaine de renom à\nse distancier de l'éditeur cette semaine.","t":"A","i":1711},"please RETURN ALL CORRESPONDENCE AND PACKAGES ADDRESSED TO DENNY REVANE TO SENDER\nAS HE KNOW LONGER IS\nEMPLOYED WITH OUR STAFF.\n":{"v":"Veuillez retourner tous les courriers et colis adressés à DENNY REVANE à l'expéditeur\ncar il ne fait\nplus partie de notre personnel.\n","t":"A","i":509},"please RETURN ALL CORRESPONDENCE AND PACKAGES ADDRESSED TO DENNY REVANE TO SENDER\nAS HE NO LONGER IS\nEMPLOYED WITH OUR STAFF.\n":{"v":"Veuillez retourner à l'expéditeur tout courrier et tout colis adressé à DENNY REVANE\ncar il ne fait\nplus partie de notre personnel.\n","t":"A","i":1831},"please hold ":{"v":"veuillez patienter ","t":"A","i":156},"port towns, as they had in other realms, but by train routes from the north. When VIOLET TILES were introduced, they were created as a simple reflection of the variation first introduced by Arch Aries some years earlier.\n\nWhen VIOLET TILES are pressed, they move South.":{"v":"les ports maritimes, comme dans d'autres royaumes, mais par des lignes ferroviaires venant du nord. Lorsque les CARREAUX VIOLETS ont été introduits, ils ont été créés comme un simple reflet de la variation introduite pour la première fois par Arch Aries quelques années plus tôt.\n\nLorsque les CARREAUX VIOLETS sont enfoncés, ils se déplacent vers le sud.","t":"A","i":3153},"possible. The more green rooms you are able to draft in your house, the more powerful their effects will become. Additionally, these spaces are more likely than other types of rooms to contain piles of dirt for digging.":{"v":"Possible. Plus vous pourrez aménager de pièces vertes dans votre maison, plus leurs effets seront puissants. De plus, ces espaces ont une probabilité plus élevée que les autres types de pièces de contenir des tas de terre à creuser.","t":"A","i":3121},"preferred strategies but also enables them to adapt their creations to evolving project require-ments. Furthermore, the UPGRADE DISK's array of plans ensures that no two architects will follow the same path, forstering a landscape of diverse architectural designs.":{"v":"stratégies privilégiées, mais leur permet également d'adapter leurs créations aux exigences évolutives du projet. De plus, la variété de plans du DISQUE D'AMÉLIORATION garantit qu'aucun architecte ne suivra le même chemin, favorisant un paysage de conceptions architecturales diverses.","t":"A","i":1403},"preferred strategies but also enables them to adapt their creations to evolving project requirements. Furthermore, the UPGRADE DISK's array of plans ensures that no two architects will follow the same path, fostering a landscape of diverse architectural designs.":{"v":"stratégies préférées tout en leur permettant d'adapter leurs créations aux exigences évolutives du projet. De plus, la gamme de plans du DISQUE DE MISE À NIVEAU garantit qu'aucun deux architectes ne suivra le même chemin, favorisant ainsi un paysage de conceptions architecturales diversifiées.","t":"A","i":3689},"press to return":{"v":"appuyez sur pour revenir","t":"A","i":100},"press to return":{"v":"appuyez sur pour revenir","t":"A","i":105},"press to return":{"v":"appuyez sur pour revenir","t":"A","i":74},"press [enter]":{"v":"appuyez sur [Entrée]","t":"A","i":2347},"press [enter] to continue":{"v":"appuyez sur [Entrée] pour continuer","t":"A","i":2321},"press [enter] to return to main menu":{"v":"appuyez sur [Entrée] pour revenir au menu principal","t":"A","i":1416},"press [enter] to return to network menu":{"v":"appuyez sur [Entrée] pour retourner au menu réseau","t":"A","i":3855},"press [enter] to view available DATA PACKETS\n\npress [esc] to return to NETWORK MENU":{"v":"appuyez sur [enter] pour afficher les PAQUETS DE DONNÉES disponibles\n\nappuyez sur [esc] pour revenir au MENU RÉSEAU","t":"A","i":2575},"press [esc] to exit":{"v":"appuyez sur [esc] pour quitter","t":"A","i":2302},"press [esc] to go back":{"v":"appuyez sur [esc] pour revenir en arrière","t":"A","i":1321},"press [esc] to return to NETWORK MENU":{"v":"appuyez sur [ESC] pour retourner au MENU RÉSEAU","t":"A","i":3418},"press a blue indicator next to\na red indicator to activate purple":{"v":"appuyez sur un indicateur bleu à côté\nd'un indicateur rouge pour activer le violet","t":"A","i":747},"press any button above to activate blue":{"v":"Appuyez sur un des boutons ci-dessus pour activer le bleu","t":"A","i":965},"press any key to continue":{"v":"appuyez sur une touche pour continuer","t":"A","i":2914},"prev. page":{"v":"page préc.","t":"A","i":2090},"print notes":{"v":"afficher les notes","t":"A","i":1227},"pump [!v*0]\ntank\nswitch":{"v":"pompe [!v*0]\nréservoir\ninterrupteur","t":"A","i":835},"q":{"v":"q","t":"A","i":1506},"q[!v*0]\n[!v*1]\n":{"v":"q[!v*0]\n[!v*1]\n","t":"A","i":1420},"quickly learn that you do not want to completely ignore them. A very common mistake that beginners make is picking the room with the most doors while drafting and ignoring all other factors, but every house needs some dead ends.":{"v":"Apprendre rapidement qu'il ne faut pas les ignorer complètement. Une erreur très courante chez les débutants consiste à choisir la pièce avec le plus de portes lors de la phase de draft et à ignorer tous les autres facteurs, mais chaque maison a besoin de quelques impasses.","t":"A","i":1377},"r":{"v":"r","t":"A","i":393},"raise":{"v":"lever","t":"A","i":1526},"ranks and files should be odd?\n[!v*1]x[!v*2]\n[!v*3]x[!v*4]\n[!v*5]x[!v*6]\n[!v*7]x[!v*8]":{"v":"les rangs et les files doivent-ils être impairs ?\n[!v*1]x[!v*2]\n[!v*3]x[!v*4]\n[!v*5]x[!v*6]\n[!v*7]x[!v*8]","t":"A","i":3231},"red":{"v":"rouge","t":"A","i":1050},"remember\n\"don't square\n til you're there!\"":{"v":"souviens-toi\n\"ne te fige pas\n tant que tu n'y es pas !\"","t":"A","i":1238},"remember to give\nmrs. peterson her gift":{"v":"n'oublie pas de donner\nson cadeau à Mme Peterson","t":"A","i":453},"remove\nsign\nfrom\nthis final\nillustration":{"v":"retirer\nle\nsigne\nde\ncette illustration finale","t":"A","i":3907},"remove [!v*0] dead-end floorplans\n from today's draft pool.\n":{"v":"supprimer [!v*0] plans de sol sans issue\n du pool de brouillons du jour.\n","t":"A","i":1555},"remove a crate from the tunnel.":{"v":"Retirer une caisse du tunnel.","t":"A","i":2313},"replace fork\nwith something\nconnected to\n [!v*1]":{"v":"remplace fourche\npar quelque chose\nconnecté à\n [!v*1]","t":"A","i":3602},"return to":{"v":"retour à","t":"A","i":2715},"roof\naccess?":{"v":"toit\naccès ?","t":"A","i":2675},"room":{"v":"pièce","t":"A","i":1261},"room by room. Yes, I have a strong premonition I will be buried in red soil, under red flags. A compromise I know you yourself would never accept.\n\nIt’s been a joy watching you grow up and getting to know you. Your mother and I spoke of little else during your school days. I know she’d feel the same bittersweet pride I feel now, to see you following in your father’s footsteps and making the same sacrifices he did.\n\n Farewell my marigold,\n We may yet meet again,\n ":{"v":"De pièce en pièce. Oui, j'ai une forte intuition que je serai enterré dans la terre rouge, sous des drapeaux rouges. Un compromis que vous-même n'accepteriez jamais.\n\nIl a été un plaisir de voir votre croissance et de vous connaître. Votre mère et moi ne parlions guère d'autre pendant vos années scolaires. Je sais qu'elle ressentirait la même fierté amère que je ressens maintenant, à vous voir suivre les traces de votre père et faire les mêmes sacrifices que lui.\n\nAdieu, ma marigold,\nNous pourrions encore nous rencontrer,\n ","t":"A","i":3271},"s":{"v":"s","t":"A","i":4784},"satisfied of record":{"v":"satisfait du record","t":"A","i":760},"sdgfsgrsgregeregs":{"v":"sdgfsgrsgregeregs","t":"A","i":1512},"set your Steps to [!v*0].":{"v":"Réglez vos Pas sur [!v*0].","t":"A","i":1962},"set your dice to [!v*0].":{"v":"réglez vos dés sur [!v*0].","t":"A","i":2750},"settings":{"v":"Paramètres","t":"A","i":77},"she loves me":{"v":"elle m'aime","t":"A","i":266},"she loves me not":{"v":"elle m'aime pas","t":"A","i":729},"show the entire route":{"v":"afficher l'itinéraire complet","t":"A","i":1863},"six":{"v":"six","t":"A","i":3125},"sound. But Miller appreciated the efforts Ravia took to verbalize the silence of the morning. They had been on third watch together for over a month, and during that speechless time, their friendship had grown into something special. Affection was unsurprisingly scarce among the Unholy Hounds. She had felt camaraderie before, of course, but intimacy, never.\n\n From their elevated vantage, the girls could see both the concealed entrance of the cavern as well as a clear view of the bridge that spanned across the canyon. Black Bridge was the link between the gentry lands and the northern mountains, the overpass that connected Oris and Reddington. To the city-faring travelers of the realm, the bridge was an unavoidable crossing. In the day, the task was":{"v":"le son. Mais Miller appréciait les efforts de Ravia pour verbaliser le silence du matin. Elles avaient passé plus d’un mois ensemble en troisième veille, et durant ce temps muet, leur amitié s’était transformée en quelque chose de spécial. L’affection était, sans surprise, rare parmi les Chiens Impies. Elle avait connu la camaraderie auparavant, bien sûr, mais l’intimité, jamais.\n\n Depuis leur point de vue élevé, les filles pouvaient voir à la fois l’entrée dissimulée de la caverne et un champ de vision dégagé sur le pont qui enjambait le canyon. Le Pont Noir était le lien entre les terres de la noblesse et les montagnes du nord, le passage supérieur qui reliait Oris et Reddington. Pour les voyageurs citadins du royaume, le pont était un passage inévitable. En journée, la tâche était","t":"A","i":2251},"spear\npearl pear\npeart":{"v":"lance\nperle poire\npoire","t":"A","i":476},"spelling incorrect":{"v":"orthographe incorrecte","t":"A","i":1277},"spread dirt on the driveway.":{"v":"épandre de la boue sur le chemin d'accès.","t":"A","i":3111},"staked claim\n[!v*0] acre plot\neast of creek":{"v":"réclamation déposée\n[!v*0] parcelle d'acre\nà l'est du ruisseau","t":"A","i":3674},"stock your PANTRY with fruit.":{"v":"remplissez votre FRUITIER de fruits.","t":"A","i":3042},"striking space that leaves a lasting impression on those who enter. Just like in life, taking risks can be intimidating, but those who dare to venture outside their comfort zone can reap the greatest rewards.":{"v":"un espace saisissant qui laisse une empreinte durable sur ceux qui y entrent. Tout comme dans la vie, prendre des risques peut être effrayant, mais ceux qui osent s'aventurer hors de leur zone de confort peuvent récolter les plus grands bénéfices.","t":"A","i":4085},"sturdy \n STUDY":{"v":"solide \n ÉTUDE","t":"A","i":375},"subtraction":{"v":"soustraction","t":"A","i":472},"suggestions for success":{"v":"Suggestions pour réussir","t":"A","i":2517},"swimbird":{"v":"oiseau-mouette","t":"V","i":4747},"t":{"v":"t","t":"A","i":653},"te":{"v":"te","t":"A","i":4407},"tell you,":{"v":"te le dire,","t":"A","i":3300},"tes":{"v":"tes","t":"A","i":4406},"test":{"v":"test","t":"A","i":4405},"that we were friends and that i knew him well.\n\ti haven't spoken too much about him since his departure, and i know you didn't know him too well, but as soon as your ready i'm going to have to plenty of stories to tell.\n \the was a fearless businessman with the greatest respect for invention. Of all the laboratories i've worked in, i can tell you Mount Holly was a gem... and i'm hoping that we can continue that work once you've taken up the reigns.\n\nBut i won't get ahead of my self. You still have to find the forty sixth room.":{"v":"que nous étions amis et que je le connaissais bien.\n\tJe n'ai pas trop parlé de lui depuis son départ, et je sais que vous ne le connaissiez pas très bien, mais dès que vous serez prêt(e), j'aurai plein d'histoires à raconter.\n\tIl était un homme d'affaires intrépide avec le plus grand respect pour l'invention. De tous les laboratoires où j'ai travaillé, je peux vous dire que Mount Holly était une pépite... et j'espère que nous pourrons poursuivre ce travail une fois que vous aurez pris les rênes.\n\nMais je ne vais pas anticiper sur moi-même. Vous devez encore trouver la quarante-sixième pièce.","t":"A","i":3482},"that would be\n the day":{"v":"ce serait\n le jour","t":"A","i":3766},"thaw only in the event of my death":{"v":"ne se décongèle qu'en cas de mon décès","t":"A","i":423},"thaw only in the my death":{"v":"ne dégel que dans ma mort","t":"A","i":2857},"the\nbesoiled chil":{"v":"le\nfils souillé","t":"A","i":1651},"the Stargazer's Companion to":{"v":"le Compagnon de l'Observateur des Étoiles","t":"A","i":434},"the Herald Literary Medal illustrated book of the year. This is Marigold's second time winning this prestigious honor, the previous medal was of course for her debut effort,":{"v":"le prix littéraire du Héraut, livre illustré de l'année. C'est la deuxième fois que Marigold remporte cet honneur prestigieux, le prix précédent ayant bien sûr récompensé son premier ouvrage,","t":"A","i":1354},"the announcement of his successor yesterday has left his devoted followers with one last intrigue to ponder.\n The reading of his will precipitated a flurry of speculation, for his niece":{"v":"L'annonce de son successeur hier a laissé ses fidèles dévoués avec une dernière intrigue à méditer.\n La lecture de son testament a provoqué une vague de spéculations, pour sa nièce","t":"A","i":1100},"the color blue.":{"v":"la couleur bleu.","t":"A","i":2628},"the drafting\nprocess\nand the\nfinal outcome":{"v":"la phase de \nrédaction\n et le \nrésultat final","t":"H","i":4144},"the eighth an\n to our":{"v":"le huitième an\n à notre","t":"A","i":1300},"the frontiers to stamp out and put an end to the “Fennsurrection”. However, instead of restoring order, what ensued was a savage and merciless campaign against their own people. The gardens of Fenn, once a center of splendor, were transformed into a battlefield as the cries of the innocent echoed through the city's streets, stained in red.":{"v":"les frontières pour éradiquer et mettre fin à la « Fennsurrection ». Cependant, au lieu de rétablir l'ordre, ce qui s'ensuivit fut une campagne sauvage et impitoyable contre leur propre peuple. Les jardins de Fenn, autrefois centre de splendeur, furent transformés en champ de bataille alors que les cris des innocents résonnaient dans les rues de la ville, teints de rouge.","t":"A","i":3045},"the grounds and is considered one of the Outer Rooms. As such, it can be drafted at the very start of the day, allowing architects to know immediately whether their strategy should be":{"v":"les terrains et est considéré comme l'une des Pièces Extérieures. En conséquence, il peut être tiré dès le début de la journée, permettant aux architectes de savoir immédiatement si leur stratégie doit","t":"A","i":1758},"the house. The number of items that are spread is determined by the number of rooms on your estate. Waiting until your house is bigger will provide larger spreads. Strategies that employ Spread Rooms are often centered around travel and backtracking. ":{"v":"la maison. Le nombre d'objets dispersés est déterminé par le nombre de pièces de votre domaine. Attendre que votre maison soit plus grande permettra des dispersions plus importantes. Les stratégies utilisant les Pièces Dispersées sont souvent centrées sur le voyage et la rétrogradation. ","t":"A","i":2757},"the original":{"v":"l'original","t":"A","i":1136},"the park on friday and i will make sure he gets no presents for his birthday":{"v":"au parc ce vendredi et je m'assurerai qu'il ne reçoive aucun cadeau pour son anniversaire","t":"H","i":3213},"the prism":{"v":"le prisme","t":"A","i":3730},"the symbol\n\n\n\nis used to denote\nthe unknown, death,\nand the number [!v*0].":{"v":"le symbole\n\n\n\nsert à désigner\nl'inconnu, la mort,\net le nombre [!v*0].","t":"A","i":1188},"their strategy with greater precision and purpose.\n For example, on a SCHOOLHOUSE day, architects will prioritize acquiring gems to pay for the extra CLASSROOM floorplans, whereas on a HOVEL day, they will focus entirely on getting lots of extra steps.":{"v":"leur stratégie avec plus de précision et d'objectif.\n Par exemple, le jour d'une ÉCOLE, les architectes prioriseront l'acquisition de gemmes pour payer les plans de niveau CLASSE supplémentaires, tandis que le jour d'un ABRI, ils se concentreront entièrement sur l'obtention de beaucoup d'étages supplémentaires.","t":"A","i":2837},"then":{"v":"puis","t":"A","i":1052},"this symbol should not be visible":{"v":"ce symbole ne devrait pas être visible","t":"A","i":73},"this symbol should be barely visible":{"v":"ce symbole devrait être à peine visible","t":"A","i":70},"tion":{"v":"tion","t":"A","i":953},"tmas":{"v":"tmas","t":"A","i":2442},"to":{"v":"vers","t":"A","i":762},"to : Kirk Darren >> stop recording >> [!v*0]:[!v*1] [!v*2][!v*3]\n\nfrom : Anne Babbage >> re: security measures >> [!v*4]....\n\nto : Anne Babbage >> security measures >> [!v*5]:[!v*6] [!v*7]...\n\nfrom : Anne Babbage >> Another Request >> [!v*8]:[!v*9] [!v*10][!v*11]\n":{"v":"à : Kirk Darren >> arrêter l'enregistrement >> [!v*0]:[!v*1] [!v*2][!v*3]\n\nde : Anne Babbage >> re : mesures de sécurité >> [!v*4]....\n\nà : Anne Babbage >> mesures de sécurité >> [!v*5]:[!v*6] [!v*7]...\n\nde : Anne Babbage >> Nouvelle demande >> [!v*8]:[!v*9] [!v*10][!v*11]\n","t":"A","i":1409},"to ensure that travelers passed by without stopping. At night, the task was to ensure that they do.\n\n Like most of her band, Miller preferred the night. The biting glare of the sun might be tolerable to farmhands and bricklayers, but to a cavern-housed bandit, it was a source of constant annoyance. In the day, there was no shroud to conceal her expressions, nor to hide her thoughts. She felt exposed.\n":{"v":"pour s'assurer que les voyageurs passaient sans s'arrêter. La nuit, la tâche était de s'assurer que ce fut le cas.\n\n Comme la plupart de sa bande, Miller préférait la nuit. L'éclat mordant du soleil pouvait être tolérable pour des journaliers et des maçons, mais pour une bandite logée dans une caverne, c'était une source d'irritation constante. En plein jour, il n'y avait aucun voile pour dissimuler ses expressions, ni pour cacher ses pensées. Elle se sentait exposée.\n","t":"A","i":1408},"to light. This raven hue, perhaps more fitting to the reign of Oris, was decidedly more difficult to affix an architect’s revision edits to and so blue was proposed as an ideal replacement as it had no political ties to any other realms. By the fourth era, all floorplans were being printed on blue paper.\n Over the years, the fear of political conn-otation deferred to innovation and the use of colored prints eventually":{"v":"à la lumière. Cette teinte corbeau, peut-être plus appropriée pour le règne d'Oris, rendait nettement plus difficile l'application des révisions architecturales et ainsi le bleu fut proposé comme remplacement idéal car il n'avait aucun lien politique avec d'autres royaumes. À la quatrième ère, tous les plans étaient imprimés sur du papier bleu.\n Au fil des ans, la crainte de connotation politique céda place à l'innovation et l'utilisation d'impressions colorées finit par","t":"A","i":3591},"to receive a new permanent power":{"v":"pour recevoir un nouveau pouvoir permanent","t":"A","i":4049},"to suggest that even understanding the room's function is part of the puzzle. Some Puzzle Rooms, like PARLOR and BILLIARD ROOM, become increasingly diffi-cult as you solve them, evolving over time as you progress.":{"v":"pour suggérer que comprendre la fonction de la pièce fait partie intégrante de l'énigme. Certaines salles d'énigmes, comme le SALON et la SALLE DE BILLARD, deviennent de plus en plus difficiles à mesure que vous les résolvez, évoluant au fil de votre progression.","t":"A","i":1534},"to the":{"v":"vers","t":"A","i":2121},"to the traditional monochromatic tiles of the box. Given the number of ship routes and trade relationships between the two realms, this is not surprising. Fittingly, the variation itself was based on the brass compasses manufactured in Arch Aries that were often traded to sailors in exchange for the valued Mora Jai puzzle boxes.\n\nWhen YELLOW TILES are pressed, they move North.":{"v":"vers les tuiles monochromatiques traditionnelles de la boîte. Étant donné le nombre de routes maritimes et les relations commerciales entre les deux royaumes, cela n'est pas surprenant. Il est approprié que la variation elle-même soit basée sur les boussoles en laiton fabriquées à Arch Aries, souvent échangées avec des marins contre les précieuses boîtes de puzzle Mora Jai.\n\nLorsque TUILES JAUNES sont pressées, elles se déplacent vers le Nord.","t":"A","i":2981},"too much\noverlap with clue\nin the Secret Passage?":{"v":"trop de chevauchement \n avec l'indice \n dans le Passage Secret ?","t":"H","i":4158},"tree-post, a necessary concession for the concealment the outpost demanded. Ravia tilted the pail up to her mouth dramatically, illustrating how thirsty she had been. Miller laughed silently as water poured out, splashing onto Ravia's face.\n\n It was a bit too daring and noisy of a joke, and had the others been around, they would have certainly been scolded for the unwarranted":{"v":"Un arbre-poste, une concession nécessaire pour dissimuler l'outpost exigé. Ravia pencha la bassine vers sa bouche avec théâtralité, illustrant à quel point elle avait soif. Miller rit silencieusement alors que l'eau déversée éclaboussait le visage de Ravia.\n\n C'était un peu trop osé et bruyant pour une blague, et si les autres avaient été présents, ils auraient certainement été grondés pour cette imprudence.","t":"A","i":3533},"ts":{"v":"ts","t":"A","i":885},"typed":{"v":"saisi","t":"A","i":1715},"u":{"v":"u","t":"A","i":599},"uSv":{"v":"uSv","t":"A","i":2416},"u[!v*0]\n[!v*1]\n[!v*2]\n[!v*3]\n[!v*4]\n[!v*5]\n[!v*6]\n[!v*7]\n[!v*8]":{"v":"u[!v*0]\n[!v*1]\n[!v*2]\n[!v*3]\n[!v*4]\n[!v*5]\n[!v*6]\n[!v*7]\n[!v*8]","t":"A","i":1977},"u[!v*0]\n[!v*1]\n[!v*2]\n[!v*3]\n[!v*4]\n[!v*5]\n[!v*6]\n[!v*7]\n[!v*8]\n[!v*9]":{"v":"u[!v*0]\n[!v*1]\n[!v*2]\n[!v*3]\n[!v*4]\n[!v*5]\n[!v*6]\n[!v*7]\n[!v*8]\n[!v*9]","t":"A","i":1734},"underground":{"v":"sous-terrain","t":"A","i":1655},"unseal one of the Antechamber doors.":{"v":"Déverrouiller l'une des portes de l'Antichambre.","t":"A","i":2169},"unseal one of the doors of \n the ANTECHAMBER":{"v":"désceller l'une des portes de \n L'ANTECHAMBRE","t":"A","i":3249},"v":{"v":"v","t":"A","i":3777},"vmx":{"v":"vmx","t":"A","i":1318},"vxmu":{"v":"vxmu","t":"A","i":1149},"was seen at the corner\nsuspicious bag under th\nwaved down a local ma\nThis is the third major\nlast year. It is anticipat\n charged by the crown\nManning was the last p\nThe trial begins on Tu\nexpected to last up to s\n with grand treason.":{"v":"a été aperçu dans le coin\nsac suspect sous le\na fait signe à un habitant\nC'est le troisième grand\ndernière année. Il est prévu\n inculpé par la couronne\nManning était le dernier\nLe procès commence le ma\ndevrait durer jusqu'à\n pour haute trahison.","t":"A","i":2285},"watching and listening. It was not long until Miller, too, heard the sounds of approach.\n\n Ravia held up two bent fingers, and a few moments later, two men emerged from the bridge’s southern end. They were dressed in a familiar uniform: long gray coats with black facings, white waistcoats, and black tricorne hats. They belonged to the local patrol, the Blackguard. Although not an everyday occurrence, their presence at Black Bridge wasn't an unusual sight. It typically indicated an important traveler's impending passage across the Bridge - information that the girls would promptly relay to their leaders as soon as the coast was clear. But this report, while exciting, was rarely acted upon. In Miller’s five years in the Unholy Hounds, she had never":{"v":"En observant et en écoutant. Il ne fallut pas longtemps à Miller pour entendre également les bruits d'une approche.\n\n Ravia leva deux doigts courbés, et quelques instants plus tard, deux hommes émergèrent de l'extrémité sud du pont. Ils portaient une tenue familière : de longs manteaux gris avec des parements noirs, des gilets blancs et des tricornes noirs. Ils faisaient partie de la patrouille locale, les Blackguard. Bien que ce ne soit pas un événement quotidien, leur présence au Black Bridge n'était pas inhabituelle. Elle indiquait généralement le passage imminent d'un voyageur important sur le pont – une information que les filles transmettraient aussitôt à leurs chefs dès que la côte serait libre. Mais ce rapport, bien qu'excitant, était rarement suivi d'actions. Au cours des cinq années de Miller chez les Chiens Impies, elle n'avait jamais","t":"A","i":3397},"water":{"v":"eau","t":"A","i":875},"west":{"v":"ouest","t":"A","i":1041},"when their connectivity is eventually discovered. The UTILITY CLOSET is a perfect example of this! It doesn't do anything by itself but it can literally power up (or down) other rooms you have drafted in your house.":{"v":"quand leur connectivité est enfin découverte. Le COFFRE UTILITAIRE en est un parfait exemple ! Il ne fait rien par lui-même, mais il peut littéralement activer (ou désactiver) d'autres pièces que vous avez conçues dans votre maison.","t":"A","i":3640},"will\na\nyouth\napproach\nwith\nempty\narms":{"v":"un\njeune\nhomme\ns'approchera\nles\nbras\nvides","t":"A","i":1808},"x":{"v":"x","t":"A","i":337},"y":{"v":"y","t":"A","i":603},"yELLOW":{"v":"jaune","t":"A","i":2583},"you":{"v":"vous","t":"A","i":1063},"you cannot change parameters at this time":{"v":"vous ne pouvez pas modifier les paramètres à ce moment","t":"A","i":2851},"you do not want. To avoid this predicament, focus on drafting rooms that grant you GEMS and prioritize acquiring GEMS as early in the day as you can. This approach is a sure-fire way to set yourself up for success.":{"v":"Vous ne voulez pas cela. Pour éviter cette situation, concentrez-vous sur la rédaction de salles qui vous octroient des GEMS et privilégiez l'acquisition de GEMS dès le début de la journée. Cette approche est un moyen sûr de vous mettre dans les meilleures conditions pour réussir.","t":"A","i":3041},"you visit":{"v":"vous visitez","t":"A","i":670},"z":{"v":"z","t":"A","i":355},"zOLM":{"v":"zOLM","t":"A","i":257},"zw":{"v":"zw","t":"A","i":513},"ส众н터थाঅヺøЂўIo":{"v":"ส众н터थाঅヺøЂўIo","t":"A","i":33},"“A man obsessed, and cuckoo too”,\nThey would say as he would wander through.\nThe best medicine is not yet evidence,\nIf he found a new clue, he’d know what to do.\n":{"v":"« Un homme obsédé et fou »,\nOn disait quand il errait.\nLe meilleur remède n'est pas encore prouvé,\nS'il trouvait une nouvelle piste, il saurait quoi faire.\n","t":"A","i":3660},"“There is a letter missing.”":{"v":"Il manque une lettre.","t":"A","i":1284},"•\n\n\n•\n\n\n•\n\n\n•\n\n\n\n\n\n•\n\n\n•\n\n":{"v":"•\n\n\n•\n\n\n•\n\n\n•\n\n\n\n\n\n•\n\n\n•\n\n","t":"A","i":2217},"• In the KITCHEN, you can check which course is being\n served in the DINING ROOM that day. This will allow\n you the opportunity to draft specific rooms that will\n make the meal even more delicious!\n\n• Besides counting as two bedrooms, BUNK ROOM also \n counts as two rooms! This will increase the amount of \n steps granted by MASTER BEDROOM, the amount \n of gold spread by the TOMB and the amount of keys\n found in a SERVANT'S QUARTERS.\n \n• Each time you solve a puzzle in BILLIARD ROOM \n or PARLOR, the difficulty will increase slightly the\n next time you draft that room.\n\n• Just because you didn't find any items in a room when\n you first explored it, doesn't mean that will be the case\n the next time you draft it.\n":{"v":"• Dans la CUISINE, vous pouvez vérifier quel plat est servi\ndans la SALLE À MANGER ce jour-là. Cela vous donne\nl'occasion de choisir des pièces spécifiques qui\nrendront le repas encore plus délicieux !\n\n• En plus de compter comme deux chambres, le DORTOIR\ncompte également comme deux pièces ! Cela augmentera\nle nombre de pas accordés par la CHAMBRE PRINCIPALE,\nla quantité d'or distribuée par le TOMBEAU et le nombre\nde clés trouvées dans les QUARTIERS DES DOMESTIQUES.\n\n• Chaque fois que vous résolvez une énigme dans la SALLE\nDE BILLARD ou le SALON, la difficulté augmentera\nlégèrement la prochaine fois que vous choisirez cette pièce.\n\n• Le fait de ne pas avoir trouvé d'objets dans une pièce lors\nde votre première exploration ne signifie pas qu'il en\nsera de même la prochaine fois que vous la choisirez.","t":"H","i":4160},"• The day after drafting FREEZER, it enters an automated cooldown refreezing cycle, during which it cannot be drafted for the next [!v*0] hours.\n\n• If you are stuck or don't know what to do in a specific\n room, sometimes it is smart to move on. There are multiple \n ways to solve many of the challenges you will come across,\n and there is a very good chance you will find a piece of\n information down the road which may help.\n\n• When in doubt:\n\n\n\n Even if you do not think the rooms seem very useful,\n they may still hold useful clues and information that may\n help you on your journey.":{"v":"• Le lendemain de la rédaction du FREEZER, il entre dans un cycle de refroidissement automatisé pendant lequel il ne peut pas être rédigé pour les [!v*0] prochaines heures.\n\n• Si vous êtes bloqué ou que vous ne savez pas quoi faire dans une pièce spécifique\n , il est parfois judicieux de passer à autre chose. Il existe plusieurs\n façons de résoudre de nombreux défis auxquels vous ferez face,\n et il y a de très bonnes chances que vous trouviez plus loin\n une information qui pourra vous aider.\n\n• En cas de doute:\n\n\n\n Même si les pièces ne semblent pas très utiles,\n elles peuvent tout de même contenir des indices et des informations\n qui pourront vous aider dans votre quête.","t":"A","i":2869},"• The Draft Pool is your deck of potential Floorplans. Each time you draft, three random Floorplans are drawn from the Draft Pool for you to select from.\n\n• The odds of drawing a specific Floorplan may differ depending on the room. Some rooms are more rare than others.\n\n• Floorplans added to the Draft Pool are removed at the end of the day. (unless otherwise stated)\n\n• No Running!":{"v":"• Le Pool de Brouillons est votre deck de Plans de Sol potentiels. À chaque fois que vous effectuez un draft, trois Plans de Sol aléatoires sont tirés du Pool de Brouillons pour que vous puissiez en choisir un.\n\n• Les probabilités de tirer un Plan de Sol spécifique peuvent varier selon la pièce. Certaines pièces sont plus rares que d'autres.\n\n• Les Plans de Sol ajoutés au Pool de Brouillons sont retirés à la fin de la journée. (sauf mention contraire)\n\n• Pas de course !","t":"A","i":515},"•••• Rare":{"v":"•••• Rares","t":"A","i":2838}}